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Open Access Article
1 - Comparison of emotional rhetorical element in the poetry of Rahi Moairi and Diwan Abdul Wahab Al Bayati According to Ullman's theory
Fatemeh Aazam alsadat Modirzade Tehrani Shahin ojaq Alizad Fatemeh EmamiSensualness helps the poet in the creation of pictures and beautiful poetic images and the theme of new creation. By reflecting the emotions and feelings of the poet and breaking the boundaries between the senses, this array expands the meanings and power of the speaker MoreSensualness helps the poet in the creation of pictures and beautiful poetic images and the theme of new creation. By reflecting the emotions and feelings of the poet and breaking the boundaries between the senses, this array expands the meanings and power of the speaker's words and by creating Spiritual music adds to the effect on its audience. The long history of using this array, both in Persian literature and in the poems of Arab poets, shows its importance and value, which has faded over time, but has never completely disappeared, and is widely accepted in the contemporary era. It has been encountered by poets and the basis of poetic style and creativity has been found in the work of some of them. This research is a reflection on the application of this beautiful literary art in the poetry of two contemporary Iranian and Arab poets (Rahi Moiri and Abdul Wahab Al Bayati) until the sense The combinations extracted in their poems should be examined in terms of how the senses are combined and the frequency of use of each of them, and then these sensory combinations should be written in a comparative manner based on the Hungarian linguist Ulman's theory. The research method in this study is descriptive, analytical and library. The result of this research will determine the attention and interest of these two poets in using different senses and the frequency of using this poetic gift in their poems according to Ullman's theory. Manuscript profile -
Open Access Article
2 - Comparative Study of Common Concepts in Hassan Al-Arab and Hassan Al-Ajam’s Poetries
Maryam MohammadzadehSince by overviewing the category of comparative literature, literary works and artistic proses of different countries, one can find commonalities in these works, the present article aims to reread the most important concepts and themes of the Hassan Ibn Sabet and Khagh MoreSince by overviewing the category of comparative literature, literary works and artistic proses of different countries, one can find commonalities in these works, the present article aims to reread the most important concepts and themes of the Hassan Ibn Sabet and Khaghani’s poetries by applying descriptive – analytical method. It comes to conclusion that Khaghani – in the field of praise – unlike Hassan, has enjoyed poetic exaggerations in praising the Sultans; but in the prophetic praises of the righteous Caliphs, both poets have expressed the real situation and descriptions and have avoided exaggeration. Hassan in his satires, only satirizes certain individuals and tribes; but in addition to mocking people, Khaghani has also mocked personality types. Khaghani's glorious poems are more limited to himself; while Hassan's poetries are more about boasting his family and tribe. Khaghani’s Khumriat (wine poems) was composed before his spiritual evolution and Hassan’s ones in the pre-Islamic period; both had avoided wine and the description of windmills in the second period of their lives. Manuscript profile -
Open Access Article
3 - Religious Thought in Malek al-Shoara-ye Bahar and Ahmad Safi al-Najafi’s poems
Yadollah Rafiee Ramazan RezaeeIf poetry is to serve the public good, and it lead sit to the moral utopia of faith in God, it will be undoubtedly authentic from the viewpoint of Islam; and the Qur'an, the Prophet(pbuh) and the Ahlul Bayt(AS) also support such a poetry. However, with adherence to the MoreIf poetry is to serve the public good, and it lead sit to the moral utopia of faith in God, it will be undoubtedly authentic from the viewpoint of Islam; and the Qur'an, the Prophet(pbuh) and the Ahlul Bayt(AS) also support such a poetry. However, with adherence to the traditions of Islam and the Holy Prophet(SAW), the poem is used as an effective weapon in defense of the moral and religious principles, and to counter enemy attacks from the appearance of Islam till now. In this field, Bahar and Ahmed Safi, are clear examples that religious beliefs and doctrines of the faith has a clear manifestation in their poems. This paper attempts to investigate with content analysis the emergence of religious thoughts in these two poets’ poems. Manuscript profile -
Open Access Article
4 - A Glance to West-East Diwan and Influence of Sa'di's Words on Goethe
Seyyed Sa'eed Firooz AbadiIt is obvious that Goethe, the celebrated German poet, has been inspired by Hafiz, and so for numerous articles have been published in this regard. Here the significant point to deal with is the influence of other great Persian poets on Goethe. Adam Olearius, an envoy o MoreIt is obvious that Goethe, the celebrated German poet, has been inspired by Hafiz, and so for numerous articles have been published in this regard. Here the significant point to deal with is the influence of other great Persian poets on Goethe. Adam Olearius, an envoy of Schleswig-Holstein's court to Safavid court in Estefan, translated Golistan of Sa'di more than a century before Hammer Purgstall's translation of Diwan of Hafiz. Olearius' translation influenced not only Goethe but also many other German poets and authors. Such impressions have sometime, like Hafiz's lyric poems, influenced the poetic imagery of Goethe, and sometime a German poet uses Sa'di's writings exactly. The aim of the present article is to remind some of the characteristics used in Goethe's works as well as significance of German translation of Sa'di's Golistan. Manuscript profile -
Open Access Article
5 - Comparative Analysis of Simile in Wisdom Poems of Boostan and Motanabbi,s songs
mohammad benam far majid khosravi Abstract Simile is one of the most obvious and fundamental ways of expression that has a major role in imagination and effect of poet’s speech. In this article in a descriptive – analysis and comparative method, similes have been surveyed in theosophic More Abstract Simile is one of the most obvious and fundamental ways of expression that has a major role in imagination and effect of poet’s speech. In this article in a descriptive – analysis and comparative method, similes have been surveyed in theosophical poems of Boostan and Motanabbi’s theosophical poems from different aspects such as: mutual of simile, perceptual simile and conceptual simile, singular and compound, point of resemblance and … and statistical analysis of them is presented. The results of research reveal that, Saadi and Motanabbi, have used different types of similes including: singular, compound, absolute simile, implicit simile, shortened simile, emphatic simile and …, but in the application of simile they are statistically different. As among 311 images that were extracted from theosophical verses of Boostan, 97 of them were similes (%31) and among 112 images that were extracted from theosophical verses of Motanabbi 43 were similes (%38) and this fact shows that Motanabbi,s power or trend to simile is more than Saadi. The second result is that Saadi,s similes are often singular, shortened and obvious, but Motanabbi,s similes are compound, implicit and complicated. Manuscript profile -
Open Access Article
6 - Matching Malek al-Shoara-ye Bahar’s lyrical themes with Sami al-Baroudi’s ones
Sadegh Ebrahimi Kavary Sakineh Asadi Rezvan LorestaniComparative literature is one of the newly-founded, useful and efficient sciences that refer to the literature of all nations in an indiscrete series and a single category(despite language and form differences). Obviously, many Iranian poets have similarity in poetry an MoreComparative literature is one of the newly-founded, useful and efficient sciences that refer to the literature of all nations in an indiscrete series and a single category(despite language and form differences). Obviously, many Iranian poets have similarity in poetry and language with other poets in the world(including Arab poets) .In every poet’s works, various themes such as literal, political and social can be found, but in the poems of Mahmoud Sami Albaroudi and Malek al-Shoara-ye Bahar, two contemporary Arab and Persian poets, there are many similarities. This paper is an attempt to examine their common lyrical themes. Manuscript profile -
Open Access Article
7 - A comparative study of the reflection of literary heritage in Rahat al-Sodur and Aghd Al-Ala
Hassan Asadzadeh Khaneghah Mohammad Ebrahimpour Namin Khosrow Jalili KohnehshahriPersian historical texts in the classical period, while are related to history in terms of content, are considered part of the heritage of Persian prose. Authors of historical works also pay special attention to the literary of prose and try to present history in the fo MorePersian historical texts in the classical period, while are related to history in terms of content, are considered part of the heritage of Persian prose. Authors of historical works also pay special attention to the literary of prose and try to present history in the form of beautiful prose and reflect a part of literary heritage such as the use of Persian and Arabic poetry, proverbs and rulings, Quranic verses and hadiths in their works. In this article, literary heritage has been studied and concluded in two prominent historical texts related to the Seljuk period, "Rahat al-Sodur" by Ravandi and "Aghd al-Ala" by Afzal al-Din Kermani, as well as the methods of using each of them. It has been concluded that both authors have used literary heritage with special skill in their works, which has had a great impact on Persian literature of that time. The reflection of verses and hadiths in both books is almost similar, but their methods of application are different. Also, the poems, proverbs and rulings used in "Rahat Al-Sodur" are far more than the book "Aghd Al-Ala". The ways of poems' function are similar in both works, and while the narrative-historical function seems to be preferable, both authors have benefited the least use of this function. Manuscript profile -
Open Access Article
8 - The reasons of women’s (body) covering or non-covering in poetry of pre-Islamic era
Seyed Heidar ShiraziThe primitive Arab People ruled women’s (body) covering as well as chastity, and the poets were honored to praise these qualities in their poems.In the present article reasons of women’s (body) covering are studied.The main reasons to be mentioned are grief MoreThe primitive Arab People ruled women’s (body) covering as well as chastity, and the poets were honored to praise these qualities in their poems.In the present article reasons of women’s (body) covering are studied.The main reasons to be mentioned are grief and sorrow, fear of captivity in wars, enthusiasm and interests and poverty. Manuscript profile -
Open Access Article
9 - The image of Khorasan in the thought and poems of the prince of poets Bahar
Seyedeh Shabnam Lajevardi Zadeh Mohammad Hesaraki Mansooreh AhmadijafariIn the literary and poetic heritage of the Persian language, there are many poems on the history, geography, culture and people of Khorasan that emphasize the important role of this land and its inhabitants. Among contemporary poets, the prince of poets Bahar poets has MoreIn the literary and poetic heritage of the Persian language, there are many poems on the history, geography, culture and people of Khorasan that emphasize the important role of this land and its inhabitants. Among contemporary poets, the prince of poets Bahar poets has a great passion for Khorasan. Among the motives that have led to composing poetry about the land of Khorasan in Bahar poems, we can mention religious, cultural, political, historical and love for the homeland and homeland. The purpose of this study is to clarify the dimensions of spring thought and motivations in the context of Khorasan, as well as the frequency of mention of Khorasan in his poems. This article has analyzed the Divan Poems Divan based on format and themes by analytical-descriptive method and while emphasizing the frequency of Khorasan motif in selected poems, has reached the conclusion that Khorasan in his poem is sometimes homeland. Sometimes it is his father's house and sometimes it is the place where he grew up. Also, the reflection and influence of Khorasan in the thought and poems of Bahar is the main pillar of his poems. Manuscript profile -
Open Access Article
10 - The Study of Optimism and Hope in Bahar’s Odes Based on Positive Psychology
Fereshteh Gholamrezaie Nezad Anari Mahmoud Sadeghzadeh Hadi Heidary NiyaPositive psychology is one of the new branches of psychology. This science has three fundamental principles: 1) the study of positive emotions, 2) the study of positive traits, and 3) the study of positive institutions. Martin Seligman, the founder of this theory, belie MorePositive psychology is one of the new branches of psychology. This science has three fundamental principles: 1) the study of positive emotions, 2) the study of positive traits, and 3) the study of positive institutions. Martin Seligman, the founder of this theory, believes that a purposeful and meaningful life relies on six positive characteristics of wisdom, courage, altruism, justice, moderation, sublimity, and positive emotions and in three paths of satisfaction, pride, and peace of the past, long-lasting happiness, enthusiasm, and enjoyment from the present, and optimism, hope, and trust in the future. This study examined the poems of Malek osh-Sho'arā Bahār in descriptive, documentary, analytical, and quantitative evaluation manners and in regards to the element of optimism and hope from the positive psychological perspective. By extracting and examining the evidences from one hundred poems of Divan-e Bahār, we discovered that 83 of them have positive themes, half of which are devoted to optimism and hope with a higher frequency than despair and disappointment. Meantime, the poet has referred to the subject of complaint and sorrow in only seven poems. Despite all personal and social agonies and pains, Bahār is a positive thinking, self-flourishing, and optimistic poet. He is another example of the great men in Persian culture and literature. He has written and composed poetry to improve the environment and create a better and happier society. His craft and mission many years ago are an instance of new science that claims to provide new strategies for the better living of human beings. Manuscript profile -
Open Access Article
11 - Analysis of dominant discourse in Hafez's lyric poems based on challenging-argumentative aspects of speech action theory
saeed akbari pabandi Mehri Talkhabi hosein arianSpeech act is one of the important topics in the pragmatics and linguistic philosophy in which the researcher in his/her analysis gives the most role to discourse in context. This paper aims to shed light on the dominant discourse of Hafez's lyric poems. It also shows h MoreSpeech act is one of the important topics in the pragmatics and linguistic philosophy in which the researcher in his/her analysis gives the most role to discourse in context. This paper aims to shed light on the dominant discourse of Hafez's lyric poems. It also shows how the poet, in the position of a social critic, for inspiring his views to the audience has used various verbal methods and speech act to convey his views to the audience. The study of the speech acts of Hafez's lyric poems to discover the dimensions of his belief system has research importance. It is assumed that the dominant discourse and the distinguishing feature of Hafez's lyric poems is RENDY'S discourse, and it tells about the poet's ideology and the way he communicates with the institutions of power. For this purpose, we acted on topics related to speech act theory centered on the Five maxims of John Searle, and analyzed the data extracted from DIVAN in statistical-descriptive methods. The results of the research indicate that Hafez in producing his discourse, has used integrated acts and different methods of reasoning, including imperative, persuasive and persuasive to better influence the audience, to invite them to the world of their beliefs Also, the dominant discourse in this poet's lyrics is RENDY’S one. Manuscript profile -
Open Access Article
12 - Comparative study of "verb stylistics" in Forough Farrokhzad's social poems And Golrokhsar Safiava through the lens of the transient system
Simin Fayzollahi Khoday nazar AsazadehHalliday's orthodoxy approach provides the researcher with a tool through which he or she can grasp the ideology of the text and the ways in which the speaker chooses to convey his or her thought. This approach is the product of a "social look" at language and takes pla MoreHalliday's orthodoxy approach provides the researcher with a tool through which he or she can grasp the ideology of the text and the ways in which the speaker chooses to convey his or her thought. This approach is the product of a "social look" at language and takes place at the language level with the help of three intellectual, interpersonal, and textual paradigms. The role of thought is divided into two functions: empirical and logical. In the empirical function, the language expresses the experiences of the outside world. The product of this function in the sentence is a transitive that is used to identify different types of processes in the sentence - which is manifested in the verb. One of the main themes of contemporary poetry, especially women's poetry, is attention to social issues and its representation in the language of poetry. A poet who reflects social concepts in his poetry, his goal is to raise artistic and social perception and insight. He wants his poem to have a human message and to acquaint people with the events of his time. The souls of poets of social poetry are born with a sense of social responsibility and the poet lives with the people and among the people. Among contemporary female poets, Forough Farrokhzad is one of the women who reflects social ideas in her poems and by reading her poetry, the audience can become aware of her views on social issues. Among contemporary Tajik women, Golrokhsar Safiyava is also considered a poet with social concerns. This research tries to answer the main question in a descriptive-analytical way: Which language processes did Forough Farrokhzad and Golrokhsar Safiava use to express the views and social concerns of their time? And what is the place of these processes in the transmission of social thought of these two poets? Manuscript profile -
Open Access Article
13 - Levels of representation of annihilation from the perspective of the narrator of Ghazaliat e Shams
Rashid KakavandAlthough annihilation literally means destruction, but in the path of mysticism, it is a high level of knowledge that is manifested in the presence of a friend, and in the words of Abolhassan Kharghani: "A friend, when he comes with a friend, sees just friend, does not MoreAlthough annihilation literally means destruction, but in the path of mysticism, it is a high level of knowledge that is manifested in the presence of a friend, and in the words of Abolhassan Kharghani: "A friend, when he comes with a friend, sees just friend, does not see himself." Mystics, theoretical and practical, have addressed this issue. Exciting anecdotes have been narrated from the great mystics, each of which reveals their credibility as well as the true meaning of annihilation. After a detailed search in the wonderful world of mystics and finding examples of theories of mystics and experts in their definitions and interpretations on the subject of annihilation, and then finding illustrative examples of anecdotes and practical experiences of annihilation quoted in authentic mystical books and texts Yes, we have turned to the sun's lyric poems. Rumi's spontaneity is a manifestation of annihilation that ranges from the selection of percussion and melodic weights, repeated intermediate rhymes, breaking the rules of language and even the form of poetry, small and large language and poetic norms, paradoxical expression, to creating spaces. Includes eerie and so-called surreal. We looked for examples of each of these effects in Rumi's sonnets and placed them in a regular category. The narrator of Rumi's sonnets confronts annihilation in three positions: conscious, semi-conscious and unconscious. The conscious narrator of the sonnets consciously and logically speaks of annihilation and educates the disciples, and in a theoretical sense, speaks of annihilation and reveals its conditions and details. The half-conscious narrator of these sonnets is in a state of fascination and perdition, but he has not completely lost it yet; Knows and speaks of his wisdom with a fascinated state; In fact, sparks of his subconscious shine in the middle of consciousness. But the unconscious narrator of Rumi's sonnets narrates the unspoken and abandoned, unselfish and mortal, impossible and lost moment of presence and meeting. It is the unconscious release of the narrator who speaks. It is in these moments that the singer of Shams's lyric poems encounters wonderful and unprecedented moments; Moments full of astonishment, and confusing. I am the narrator in these third type narratives; Because individuality and in other words: Rumi's personal experiences are expressed in this section. Finally, a surprising variety is created in Shams's sonnets, which includes some of Rumi's norm-breaking in form, weight, rhyme and language. Manuscript profile -
Open Access Article
14 - The range of codes and symbols of happiness and hope in Mawlana's sonnets
Parvindokht Rezaei Majdabadi Hosein Parsaei Reza Forsati JoybariThe symbols of happiness and hope as two interconnected signs that always affect the form and meaning of human life and character, have been a subject of reflection in all human cultures. Rumi is a happy and hopeful human being according to what can be obtained from his MoreThe symbols of happiness and hope as two interconnected signs that always affect the form and meaning of human life and character, have been a subject of reflection in all human cultures. Rumi is a happy and hopeful human being according to what can be obtained from his works, especially the sonnets of Shams. In this article, the two signs of happiness and hope, not only as signs that indicate conventional and personal meanings; Rather, it serves as the center of a spectrum of various symptoms that are somehow associated with happiness and are considered to be the factors that cause it. The main issue of this article is to show the range and semantic spectra of happiness and hope. This issue has been formed according to the assumption that the abundance of dancing weights and the turbulent tone and joy of love in Rumi's sonnets probably expresses a meaning beyond what is received from the two signs of joy and hope. Thus, it is necessary to represent these spectrums and the semantic auras that result from them, and the "purpose" of the authors is to represent the breadth of thought and the depth of Rumi's emotion in this regard. The data of the research, which have been analyzed and described by a qualitative method, show that Rumi has maintained his happy spirit in almost all moments of life and in every mental condition and in every encounter with environmental phenomena, and has not left a circle of despair. Sit on the face of his life. Manuscript profile -
Open Access Article
15 - comparison of appellations in the ''History of Sistan'' & “Poems of Khaghani”
Mohammad Mohammadi Malekabadi Mehrdad Chatraei Ghorbanali EbrahimiOne of the most interesting questions for humans is the reason for naming things (the appellation). In the texts of Persian poetry and prose, some writers and poets, in the course of their works, Etymologized some words and define their appellation(the reason of naming) MoreOne of the most interesting questions for humans is the reason for naming things (the appellation). In the texts of Persian poetry and prose, some writers and poets, in the course of their works, Etymologized some words and define their appellation(the reason of naming). Studying, analyzing, and classifying these appellations, indicates the way they look at the construction of words. In this article, some of these appellations that are included in the ''history of Sistan'' and "Divan-e-Khaghani" are examined and compared. For this purpose, we categorized the types of the appellation and mentioned the evidence from different books. Then we extracted and examined the examples of the appellation from the ''history of Sistan'' and "Divan-e-Khaghani". By examining the samples, it was found that the author of the ''history of Sistan'' has paid more attention to the etymology of words in expressing the appellation, and in some cases, he has referred to the Folklore but Khaghani has paid more attention to poetic games with words and offers innovative appellation. Of course, he has also paid attention to the appellation mentioned in other books. This article has been written in a descriptive-analytical way and the data has been collected in the library method. Although several articles have been published on the subject of the ''Appellation'' but so far no independent article has been published on the subject of ''Appellation in the history of Sistan''. Manuscript profile -
Open Access Article
16 - Analysis and identification of verse linking methods in Hafez's lyric poems Using the theories of the last centuries Hafez's researchers
Zohreh Khalili Asghar Dadbeh Ahmad khiyali khatiniIn the feature of "connection" or "non-connection" in Hafez's lyric poems, there are two dominant and contradictory theories, "verse independence" and "continuity of meaning of verses".according to Shah Shoja's famous critique in Hafez's poems both theories has existed MoreIn the feature of "connection" or "non-connection" in Hafez's lyric poems, there are two dominant and contradictory theories, "verse independence" and "continuity of meaning of verses".according to Shah Shoja's famous critique in Hafez's poems both theories has existed in Hafez's living time and now, in our time these theories are in the center of attention for Hafez's researchers.The theory of the continuity of the verses of Hafez's lyric poems under the title of "logical sequence of verses" as opposed to the theory of "independence of verses" which by comparing Hafez's lyric poems to the surahs of the Qur'an and using the term "Pashan" in the group "Independence of verses", Offered many reasons to reject the "logical sequence of verses".In the last century, many Hafez's researchers have proposed theories in defense of "semantic coherence of verses", but the way each of them proposed to link Hafez's verses was different and sometimes contradictory to the other theories.In this research, while introducing and examining the views of Hafez's researchers in this field, an attempt has been made to identify and analyze their methods for connecting the poet's verses, because belief and commitment to "semantic continuity of verses" leads to better understanding and deeper knowledge in Hafez's poems.The statistical population of this research is the works of Hafez's researchers in the last century who have expertise on the "semantic continuity of verses" of Hafez's poem or have provided a way to connect Hafez verses. The sample size is all books, articles and sources that have been referred to in this research. the research method is descriptive-analytical and the theoretical framework, views and analyzes that believe in the semantic continuity of Hafez's verses. Manuscript profile -
Open Access Article
17 - Musical instruments and musicians in five treasure Nezami Ganjavi
Reza Afsharzadeh Heshmat GheysariMusic and literature are inseparable as the season has long been of particular interest As far as the actual border identity can not be And while these two categories according to the different contexts have their own personalities are independent. Set to music apprecia MoreMusic and literature are inseparable as the season has long been of particular interest As far as the actual border identity can not be And while these two categories according to the different contexts have their own personalities are independent. Set to music appreciation and respect, indeed reverence the Persian language is Persian literature and a great attitude to this important, valuable and worthy of study. Nezami explicit references to musical instruments, Despite the frequent repetition of phrases and elements of music,his poetry,Indicate the extent of his knowledge and familiarity with the art. Five military Treasure addition to literary and poetic collection is extremely valuable in the music industry can be a useful reference for research. It is a great source of wisdom and the arts, while introducing musical instruments and their use; Reflect customs and traditions of the past in the field of musical instruments in different times and occasions, such as the welcome ceremony of the kings and elders, ceremonies, celebration and mourning, beginning and middle of the campaign, etc., have been played. Although every occasion has its own special tools, but there are common tools that were used. The use of equipment, instruments and songs at the banquet, and the combat is very diverse, Many different instruments are played by others, such as the trachea, windpipe and the lute, harp, R., harp and lute, and Rvyynh bending or bugles have been together in symphony. Manuscript profile -
Open Access Article
18 - Patriotic poems and its approaches in the multiple poems of the constitutional era
Abolqasem Radfar Zahra Parsapor Alireza Fouladi Roqayyeh FarahaniPatriotic poems are the works which are about home, love it, issues and events related to it and having the common social, political, linguistic and religious emotion toward it. Patriotic poems have been unprecedented in the constitutional era in comparison to other per MorePatriotic poems are the works which are about home, love it, issues and events related to it and having the common social, political, linguistic and religious emotion toward it. Patriotic poems have been unprecedented in the constitutional era in comparison to other periods of Persian poetry both in terms of bulk of poems and approach and the issues raised in it. Since the multiple poem has been applied by the poets of the constitutional era as the most effective format for conveying concepts, this article which is written based on the descriptive method, studies the patriotic poems in the most prominent multiple poems of the constitutional era, while discussing the history of patriotic poems in the Persian poetry. This article in addition to speaking about the types of patriotic poems in the multiple poems of the constitutional era, shows the main approaches of the poems of this era toward patriotic poems. The picture that most poets of this period present about the country is the national and ethnic country. Attention of the poems to the country is raised as of: mythology, Iranian nationalism, being proud of the historical background of Iran, suggesting the destruction of the country and asking people to build it up, anticipation for a better future and in the shape of Islamic country. Manuscript profile -
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19 - Review and analysis a contract between certainty and bewilderment in Attar`s Gazal
Razeie Shahrabadi Touraj AghdaeiGnosis is replete with contrasts. due to These contrasting elements, which were ascribed to the Attribute of the entire universe and it`s various glories and also, sever and different spiritual mood And experiments in various spiritual conditions, gnosis language was di MoreGnosis is replete with contrasts. due to These contrasting elements, which were ascribed to the Attribute of the entire universe and it`s various glories and also, sever and different spiritual mood And experiments in various spiritual conditions, gnosis language was directed toward specifying Thise contradictory state.bewilderment and certainty, are among gnostic contradictionsone and a Step toward gnostic manner and behavior, which have shone through poet`s and mystic`s poetry Variously. Attar, as a mystical poet, who is filled whit gnostic achievements and experiment, has Reflected these two magniflcent issues in his poems so noticeably. this articie is to demonstrate The contract between certainty and bewilderment in Attar`sGazal (Poems). as a result of rummaging Through Attar`s poems, it is understood that certainty and bewilderment have a circular movement. Also upon Attar`s opinion, to reach mystic manner, the acquired certainty as result of bewilderment Eventually will astonish the gnostic, because, the last step to divinely certainty is confession to Bewilderment by absolute and incomparable God. Here, research data Have collected by analytical By library approach and have processed by analytical and descriptive mathods. Manuscript profile -
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20 - Reflection of the pre-Islamic Arabic poems, in Khajavi Kermani’s Poems
tpraj Zeynivan zeynab ManouchehriThe adaptation of pre-Islamic Arabic poems, is not limited to Persian poets in the fourth and fifth centuries, instead the poets have used it in the sixth or seventh centuries, in order to take advantage of the deal. Khajavi Kermani, a famous poet of the eighth century, MoreThe adaptation of pre-Islamic Arabic poems, is not limited to Persian poets in the fourth and fifth centuries, instead the poets have used it in the sixth or seventh centuries, in order to take advantage of the deal. Khajavi Kermani, a famous poet of the eighth century, has been influenced by two different approaches of pre-Islamic poems; at first, he has adapted of pre-Islamic poems in the field of standing and weeping over the ruins of the beloved and addressing cameleer, traveling and particularly describing the displacement expressed separation sad parting of friends. Although his creation of innovative and imaginative images has created on the undeniable atmosphere in the pre-Islamic lyrics, and the second, he has made innovative in this field by romantic storytelling to name a famous brides in the pre-Islamic poems, mirth-making, and addressing the butler in the mystical approach. He has used secular, financial meanings in the mystical ways, in order to create the fundamental evolution in this field. Manuscript profile -
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21 - Study of the Preludes of Ten Epic Narrative Poems
Farhad Mohammadi Ahmad Zakeri -
Open Access Article
22 - Study of the Image of Holy Messenger (PUH) as Depicted in Khajouye Kermani’s Collection of Poems
Ali Mohammad Moazzeni Shahin Khakbaz -
Open Access Article
23 - Investigation of the love concept in the poems of Jamil bin Muammar based on the Plato's Symposium
Reyhane Sardar Ali Ganjian Khenari Seyed Ebrahim DibajiPlato is one of the three great philosopher in classical Greece. The human being and his problems are the main concerns in his works. Then, the major efforts in his philosophical essays is paying attention to the human issues like ethics, justice, love etc. . . . Since MorePlato is one of the three great philosopher in classical Greece. The human being and his problems are the main concerns in his works. Then, the major efforts in his philosophical essays is paying attention to the human issues like ethics, justice, love etc. . . . Since past, Plato’s written works, due to their ethical and idealistic point of view, has drawn the attention of western and eastern philosophers and his ideas has been welcomed by Muslim philosophers and even Islamic mysticism has been influenced by Plato’s ideas. One of the concepts he has addressed is love. Plato has paid attention to the concept of love in three works called Phaedrus, the Republic, and in Special Way of Symposium. The Symposium is a narrative of the six Athenian’s dialect (including Socrates) about love that Plato is narrating. In the present study, we tried to investigate the concept of love in the Ozri love-seeker poet's book, Jamil bin Muammar, with an analytical and comparative approach based on the opinions expressed in Symposium and in a Particular Way according to Socrates opinions. In other words this study is a comparative investigation between viewpoint of Plato as a cultured philosopher and Jamil bin Muammar as a poet who has been lived in an Islamic society and has been purified by Islamic morality. Therefor, the study aims to discovering the common points and ideas in the Symposium and poems of Jamil. What has come out of this investigation is that some aspects of the opinions presented in Symposium, especially Socrates opinions are seen in the lyrics of Jamil Bin Muammar and his view of love. We see these aspects in the cores of the love’s interstitial nature of love, seeking half-lost (or alter ego), characteristic of immortality of love, and love and courage. Manuscript profile -
Open Access Article
24 - An analysis of the style of prison poems in contemporary Persian poetry
sadegh Ebrahimi kavariIN the name of Allah,the beneficial,merciful An analysis of the style of prison poems in contemporary Persian poetry Sadegh Ebrahimi kavari Assistant professor of the Islamic Azad university- Abadan branch Since prison poems compris a large bulk of Persian poetry, and MoreIN the name of Allah,the beneficial,merciful An analysis of the style of prison poems in contemporary Persian poetry Sadegh Ebrahimi kavari Assistant professor of the Islamic Azad university- Abadan branch Since prison poems compris a large bulk of Persian poetry, and since they show technical developments Persian poetry has undergone,a thorough study of such poems is very important. Since there are numerous prison poems in contemporary Persian literature, this study restricts itself to analysis of of the structure and the style of such poems. In addition, this study focuses on the prison poems written at the our time.To do so,we have selected poems by Malek al Shoara Bahar who is a key figure in writing such poems. The main goal of this study is to analyze the feature of this genre with an emphasis on Bahar and the contemporary persian poetry. key words: prison poems,stylistics, Malek al shoara Bahar. Sadegh Ebrahimi kavari Assistant professorof the Islamic Azad university- Abadan branch-Iran Manuscript profile -
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25 - Semiotics of the codes of nationalist poems of Badawi jabal Case study: Aesthetic, temporal and spatial codes, personality psychology
Sakineh Hosseini AliRedha Mohammad Redhaei Naser GhasemiSemiotics is to study sign systems within the social life. Its task is to search for the hidden meanings of all sign systems, both linguistic and non-linguistic. This research tries to study the most important codes of nationalist poems of Badawi Jabal through a d MoreSemiotics is to study sign systems within the social life. Its task is to search for the hidden meanings of all sign systems, both linguistic and non-linguistic. This research tries to study the most important codes of nationalist poems of Badawi Jabal through a descriptive-analytical approach and in the light of semiotic analysis, because they have meanings and significations that seem useful in studying the text of the poem, recognizing the thoughts and opinions of the poet. The poet was able to show his nationalist poetry effectively by using semiotic codes that give a special beauty to his poetry. Aesthetic codes such as metaphor, simile, irony and exaggeration, time and place, and personality and Qur'anic psychology are among the most important things that the poet uses. Their repetition in Badawi's poetry is not arbitrary, but is due to his intellectual stance towards life and existence. By using them, he creates signs that deepen the reader's feeling towards the codes. It is worth noting that this is a brief and selective review, because it is not possible to review a large number of these samples. One of the most important results of the research is that by using these cases, the poet intends to express concepts such as love for the homeland, pride in the past heritage, pains of the Arab nation, return to the homeland, problems of the land, emotions and spiritual experiences. Through the creation of literary images, he has given dynamism to his poetry and freed them from the shackles of the explicit meanings of words in symbolic meanings. Manuscript profile -
Open Access Article
26 - Application and objectives of body language in the love poems of Badr Shākir al-Siyāb
Abdolahad Gheibi Mahin Hajizadeh Shahla HeidariHuman relations is not limited to spoken words, but transcends by use of physical gestures, so that the body language accompanies with the spoken language to express meanings. The present article seeks to study the amount of application body language in love poems of th MoreHuman relations is not limited to spoken words, but transcends by use of physical gestures, so that the body language accompanies with the spoken language to express meanings. The present article seeks to study the amount of application body language in love poems of this poet through descriptive-analytic approach. The poetic examples are selected from Aẓhār va asāṭīr (Flowers and myths) collection, the majority of its poems are love poems of this Iraqi poet. Since the body language has several subdivisions, the researchers have taken six subdivisions: the language of eyes, the language of hands, the language of face, the language of lips, the language of perfume and hairs. The results of the study show that the language of the poet in these poems is a translation of body languages. The language of the eyes is like charm and beauty; the language of the hands, the most frequent one in the collection, used to convey emotions and completes its expressions by their movements; the language of the lips is mixed with blameful expressions, whereas the language of face is scandalous, because of revealing abundant compact faces in the image of the poet. There is a coherent and close relation between the languages of perfume and hair, so, each one is incomplete if considered separated from the other: the language of perfume reveals hidden madness in strings of hairs, such as the perfumed hairs hanging from the poet's odes height. Manuscript profile -
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27 - Analysis and Comparison between the Roman's Portrait in Abu Tamam's and Abu Feras Alhamedani's War Poetry
Abdolghani Iravani Zadeh Zahra Bagheri VarzanehIn Abbasi era, in addition to tribal wars, many wars have been made between Abbasian caliphs against Romans and khoramian ones and also between Hamedanian caliphs against Roman ones. For analyzing Arab wars, this article using descriptive-analyzing method considered the MoreIn Abbasi era, in addition to tribal wars, many wars have been made between Abbasian caliphs against Romans and khoramian ones and also between Hamedanian caliphs against Roman ones. For analyzing Arab wars, this article using descriptive-analyzing method considered the war poems of two famous poets of third and forth centuries who lived in similar conditions and their religion was Islam and their enemy was Rome .One of them, Abutamam Altai, participated in wars through his clear expression and his poems. The other is Abuferas Hamedani who took part in wars giving his alls. But Abutamam described wars between Muslims and the Roman in his eulogistic odes which is why he began most of these odes by lyricism or describing wreckages. He has no choice but to describe wars in the way that the praised and admired. Anyway, he could revive the remembrance of commanders like Abu said Alsaqari who had been forgotten in history. But Abu Feras described wars in his eulogistic bragging odes directly without lyricism and redundancy. So the poems of both poets including reality not imagination are considered important documents for history. Manuscript profile -
Open Access Article
28 - Position of Holy Quran in IqbalLahoori's Persian Poems
Abdollah RasoulnejadIqbalLahoori is one of those Muslim and undertaking thinkers and poets who has not restricted himself to one language and territory, but his thoughts and ideas have moved over all ethnical and religious boundaries. Adhered tightly to his poetic message and inspired by c MoreIqbalLahoori is one of those Muslim and undertaking thinkers and poets who has not restricted himself to one language and territory, but his thoughts and ideas have moved over all ethnical and religious boundaries. Adhered tightly to his poetic message and inspired by clean revelation sources and having unbreakable bond with pure religious thoughts, he has left an everlasting literary work whose everlasting secret is not in their glamour of words and musical rhythmbut for being derived from his deepfaith in the meaning depth of words and their roles. Iqbal has founded a targeted poetical-philosophical school which considers poetry as an heir of prophecy whose mission is to reform human society.Presenting human grieves and lofty faithconcepts, Iqbal considers amendment of human being and guiding him to his true position in Allah's view as the main mission of poetry. Iqbal inspired by religious concepts and by decorating his poetry with sublime themes and notable Koranic figures, has acquired the celebrated position of the poet of Islam and Quran. In this research, using the descriptive-analytic method, while pointing to Iqbal's some intellectual-philosophical aspects of character and referring to eternality secret of histhoughts, it has been tried to study position of holy Quran in his Persian poems. Results show that Iqbal has dedicated himself to holy Quran willingly by his heart and intellect in order to be inspired by it in his works especially Persian poems. This research also demonstrates that Iqbal has not referred to Quran just for literary purposes such as using Koranic words and phrases in his poetry, but he tended to it as aninviting believer to derive his thoughts and values, far from Sufi interpretations, directly from it. Manuscript profile -
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29 - Criticism and Analysis of Black and White Colors in the Poems of Badr Shaker Siab
Narges Ansari Tayyebe Seyfi The colors, as the most important elements in the phenomenal fields, have attracted mankind's attention and enchant its spirit since so many years ago. Poets had more attention to the colors and became amorous of them. Because of the contemporary poet's kno More The colors, as the most important elements in the phenomenal fields, have attracted mankind's attention and enchant its spirit since so many years ago. Poets had more attention to the colors and became amorous of them. Because of the contemporary poet's knowledge from color's variety and their influence to the mankind's soul, they had a good relation with the colors and used them in their poems. Since the two colors of black and white are so significant in the poems of Siab, this paper tends to the survey of the importance of these two colors in the poems of this contemporary poet. After extracting instances of using this colors and presenting statistical tables of their usage, the reasons and the importances are described to demonstrate the mental conditions of the poet and finally to notify the effects of the mental conditions to the abundance of using this colors. The most important results from this paper show that these two colors are used to indicate the concepts of goodness and badness, or war and peace. Black color has most abundance in this poet's poetry which shows the big heartache of his mind. On the other hand using white color in his many poems indicates his wish for a pleasant future. Manuscript profile -
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30 - Nostalgia in poems Ghisar Aminpor
mehdi SharifianThis article is a research concerning Nostalgia in the contemporary poetry. The recent topic has been worked on as one of the unconscious behaviours in the poems of four contemporary poets: ghisar aminpor. After searching for etymology and defining this term a cording t MoreThis article is a research concerning Nostalgia in the contemporary poetry. The recent topic has been worked on as one of the unconscious behaviours in the poems of four contemporary poets: ghisar aminpor. After searching for etymology and defining this term a cording to the culture as well as the psychologists, ideas, I concentrated on the relationship between the mentioned topic and literature. In its continuation I dealt with the relationship between Nostalgia and memory and the topic has been evaluated based on this fact. In personal memories of people, I have used Nostalgia as homesickness and in social Nostalgia, the poet Feels sorrow when he refers to the Iranian mytheology. In this concern, I have mentioned some poems from different poets as a reason to prove it. Manuscript profile -
Open Access Article
31 - Death and Voluntary Death from Sanai’s, Attars’ and Molana’s points of view
M. khodayari Death and thinking about it, have definitely occupied the minds of poets, writers, mystics, and thinkers throughout the history. In fact, thinking about death has overshadowed the thoughts and the works of many writers and thinkers particularly in the Persian lite More Death and thinking about it, have definitely occupied the minds of poets, writers, mystics, and thinkers throughout the history. In fact, thinking about death has overshadowed the thoughts and the works of many writers and thinkers particularly in the Persian literature. Mystic poets like Sanai, Attar, and Molana have always cherished death in their poems and believe that death is inevitable and cannot be escaped. They, however, believe that true and voluntary death is possible through abstinence and the purification of the soul. Inspired by the Quran’ verses and Ahadith, they presume that we need to voluntarily surrender ourselves before the real death comes.In this short article, the author attempts to describe and analyze the views of mystic poets like Sanai, Attar, and Molana in relation to the concepts of death and voluntary death as well as the ways by which a voluntary death can be realized. Their views of death will be depicted through some examples of their poems. Manuscript profile -
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32 - Parables of Protest in the Poetry of Forough Farokhzad and Ghada al-Samman
Z. SoleymaniThe structure of traditional society in Iran and Arab states, their values, and cultures have helped shape the social situation of women. The women are forced in these societies to lead isolated lives, far from the social life. Forough Farokhzad from Iran and Ghada al-S MoreThe structure of traditional society in Iran and Arab states, their values, and cultures have helped shape the social situation of women. The women are forced in these societies to lead isolated lives, far from the social life. Forough Farokhzad from Iran and Ghada al-Samman from Syria are two poets who antagonized the patrimonalist traditions and raised their voice against discrimination and oppressions of women in the male dominated Persian and Arab societies. A compresion between Forough and Ghada, as two protest poets who have aimed their critical views against the false beliefs in their societies, is emerged here. Manuscript profile -
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33 - In the name of Allah the Merciful the Compassionate in the lyrical long poems of the Persian literature*
ahmad reza YalamehaLyrical long poems are among the most important literary forms that usually attract a great deal of readers. Although, the main theme of these works includes love and romantic subjects, because of, structure, and meaning of Persian poetry such as eulogy, advice, moral a MoreLyrical long poems are among the most important literary forms that usually attract a great deal of readers. Although, the main theme of these works includes love and romantic subjects, because of, structure, and meaning of Persian poetry such as eulogy, advice, moral and religious subjects, chanting etc….all have been collected in this literary form. One of the high frequency content In many of these long lyrical poems is the theme of In the name of Allah the Merciful and the Compassionate. This theme has been suggested, especially at the beginning of long lyrical poems. This paper attempts to study the use of this noble Quranic phrase in the works of the famous speakers and poets of the Persian language from point of view of consecration, the blessings, the help and the like, therefore, different long poems that begin with these words have been introduced. Manuscript profile -
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34 - The mystical origins in Masnavi by Molavi using allegoric
morad mansouri Manijeh Fallahi Malek Muhammad FarokhzadThere are a lot of works of art in Islamic mysticism which try to know and introduce the world with different methods. Among them, the mystical works of art often illustrate the internal world of the author using the models surrounding him with methods and instruments l MoreThere are a lot of works of art in Islamic mysticism which try to know and introduce the world with different methods. Among them, the mystical works of art often illustrate the internal world of the author using the models surrounding him with methods and instruments like irony. Symbols and surreal and metaphorical concepts. Molana has a used all these instruments to develop its own subjects which we can refer to his frequently used technreques in mystical literature among them are the concepts like “perfect men” “the knowledge of God” “the recognition of universe” and “knowing the relationship between the lover and beloved”. “Molavi” could present a special anthology and mystical anthropology and the whole a complete excellent knowledge in his textual and poetic works to the human being, using the deep religious teachings and previous mysticists experiences together with his own mystical experiences with emphasis on allegorical instances of the Persian literature. The man purpose of this paper is to study the mystical origins in Masnavi by Molavi with emphasis an allegorical instruments within the framework mentioned before. This study has been done using the descriptive and analytical method and the data has been gathered using the library method and in reference to the previous papers finding. Manuscript profile -
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35 - Allegory function in poems of khorasani style
vida shirkavand Ahmad KhatemiIn Persian rhetoric, allegory phrase includes a large semantic field that in folds compound likelihood, proverb, equations of equation, adage, storytelling's and code tales. Allegory roots in rationality and thought, there fore its relationship with wisdom texts is a di MoreIn Persian rhetoric, allegory phrase includes a large semantic field that in folds compound likelihood, proverb, equations of equation, adage, storytelling's and code tales. Allegory roots in rationality and thought, there fore its relationship with wisdom texts is a direct relationship. In Persian literature history, poets of khorasani style benefited from allegorical themes related to the instructional degree of their poems in order to express their intentions. In this work, the inclination rate of each poets of this period is documented by using allegory and reading thirty percent of verses of each poem and collecting the finding and evidences with the help of stylistics standards, frequency and drawing a chart. The first poets of this period have largely used allegorical alphabets and "ersalolmasal" and through time other types of allegory emerges in poems of late poets of this period. They used informed me thod for metaphor and indirect expression of their thoughts Manuscript profile -
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36 - Comparison of Expressed Emotions in the Poems of Iranian Famous Poets
مریم همتی قراملکی حسین آزادThis research is about the expressed emotions in the complete works of lyrical poems from Attar, Molavy, Sady, Hafez and Sahriar. Sample was chosen by random and analyzed by a valiable and reliable ( = ) chek list. Research findings indicated to percent of complet works MoreThis research is about the expressed emotions in the complete works of lyrical poems from Attar, Molavy, Sady, Hafez and Sahriar. Sample was chosen by random and analyzed by a valiable and reliable ( = ) chek list. Research findings indicated to percent of complet works to express clear emotion. Types of emotions including Love emotion, sadness and then happiness had high frequency. These positive and negative emotions had high intensity. Expressed emotions in the poems are different in each poem book and they match with the features of each poet s personality and they show certain personality-emotional type of the poets expressing emotions of high intensity. Manuscript profile -
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37 - Semantic Continuity of Hafiz’s Lyrics Based on Psychoanalytic Analysis with an Approach to Islamic Mysticism
Zohreh Khalili Asghar Daadbeh Ahmad Khiali KhatibiIf we look at the characters of Hafiz's divan from the field of psychology, the presence of archetypes, especially "anima" can be seen in them. At the beginning of the lyricss shown by Anima, the beloved is usually earthly and the lyrics is romantic, and as we approach MoreIf we look at the characters of Hafiz's divan from the field of psychology, the presence of archetypes, especially "anima" can be seen in them. At the beginning of the lyricss shown by Anima, the beloved is usually earthly and the lyrics is romantic, and as we approach the final verses, a spiritual and spiritual sense prevails over the verses, and the beloved finds heavenly effects. In 26th lyrics (He is agitated and smiling and has a drunken smile....) It also has such a characteristic while the cause of these fluctuations and changes in the transformation of the archetype of anima to the archetype of the wise old man as well as the self-scrutiny and individuality of the poet and the whole lyrics narrates the process of this transition. The use of analytical psychology interpretation in the lyrics in question opens a window to the commentator's point of view and equips him to look deeper than traditional interpretations into the poet's poems and the fundamental and strong connection in the vertical axis of speech that in Understand the dust of conscious prejudices of the covered mind, while this inner attitude is also a suitable vehicle for mystical interpretations of Hafiz's Lyrics in question. Manuscript profile -
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38 - Secret Heavenly Prayers in Alexander Pushkin's Poems
Marzieh Yahyapour Janolah Karimi Motahhar Maltseva Tatiana Vladimirovna Masoumeh MirzaieThe article first makes a brief reference to the origin of prayer that is influenced by individual and social beliefs, and then goes into the literary works and how they are expressed by Persian and Russian writers and poets. Prayer literary works are often influenced b MoreThe article first makes a brief reference to the origin of prayer that is influenced by individual and social beliefs, and then goes into the literary works and how they are expressed by Persian and Russian writers and poets. Prayer literary works are often influenced by the beliefs of writers and poets. There is a lot of information about prayer in ancient and contemporary literary texts. Prayer has many forms, and in prose and poetry literature, it often carries the message of theology and human connection with the divine realm, and in fact the writer and poet are left with a God. Many writers and poets from Iran and Russia have addressed this issue in their works, such as Rumi, Saadi, Hafez, Farabi, Attar, Pushkin, Lermontov, Bonin, and others. Some are based on the themes of the religious texts or under the influence of the wonders of the universe. Persian worship literature begins with the praise of God, such as Ferdowsi's Shahnameh, Sa'adi’s Golestan and Bustan and Attar's Poetry Divan. Various centuries of Russian literature have also seen works of worship in various forms. The present study deals with the case of the prayer in Alexander Pushkin's poetry, which is influenced by his religious beliefs. Prayer in Pushkin's poetry is in the form of literal praise or praise to God and seeking blessings. His prayers for God, his neighbor, are the duty of poet and poetry. The spiritual peak of Pushkin's poetry is the emergence of the "Divine Verb". He leaves the material world with art and with the help of religious anthropology and then moves on to the supernatural world. Manuscript profile -
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39 - Deciphering Archetypes, Mythological Elements and Mystical Characters in Mehdi Akhavan Sales’ Poetry
Rahman Fallahi Moghaddam Yousef Nikrooz Mahmoud HeydariMyth and mysticism at first glance seem to be two separate and different categories in the field of humanities; While examining the two from the perspective that opens up to the reader in this article, the two are not only inseparable; Rather, it can be said that mystic MoreMyth and mysticism at first glance seem to be two separate and different categories in the field of humanities; While examining the two from the perspective that opens up to the reader in this article, the two are not only inseparable; Rather, it can be said that mysticism is a continuation and completion of myth. In this research, the author tries to study the mythical elements and characters, and the symbols that have a mystical character and appearance in the poetry of the Brotherhood in a descriptive-analytical and library method. In addition to the characters and symbols of national myths, the characters of religious and mystical myths that the Brotherhood brought to express their concepts should also be examined. The result of the research is that the Brotherhood in its poems, in order to better express its poetic themes and concepts, has used elements of myth and epic, these mythical elements on the one hand with Iranian mythology and on the other with Iranian mysticism - Islam is intertwined. Manuscript profile -
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40 - Aesthetics of the Use of Mystical Elements in Sacred Defense Poetry by relying on the Poems of Kaisar Aminpour, Salman Herati and Zakaria Akhlaqi
Jafar Mohamadi ARASH MOSHFEGHI Aziz HojajikahnoojThe victory of the revolution and the eight-year sacred defense epic brought a profound change in the country's institutions. Literature gained the most influence because of its connection with social and political developments. The most significant manifestation of thi MoreThe victory of the revolution and the eight-year sacred defense epic brought a profound change in the country's institutions. Literature gained the most influence because of its connection with social and political developments. The most significant manifestation of this change is found in the poem of sacred defense. The sacred defense poets did their best to depict events and events on the battlefields. The most important reasons that led the poem of sacred defense to relate to the origins of national and spiritual identity and the context for martyrdom, libertarianism, disregard for worldly values, as well as forfeiting property and lives to preserve religious and spiritual values To recreate these attitudes is in line with the values of the Islamic Revolution. This feature is such that in the poetry of the sacred defense poets many of the mystical experiences used in the poetry of the mystic poets are recreated. This feature is evident in the poetry of poets such as Kaisar Aminpour, Salman Herati, and Zakaria Akhlaqi. The present study is a descriptive-analytic one which attempts to discover and study the mystical aspects of poets' interest in the poetry of Holy Defense. The findings of the study show that sacred defense poetry has been introduced in various fields such as mystical themes and it has also been found that the sacred defense poetry of common elements and themes in Persian mystical poetry and other links between mystical themes and religious themes in He has used his poems, which feature the Islamic Revolution and the epic eight-year sacred defense. Manuscript profile -
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41 - Exploring the Stages of Gaining Anti-habit in Ibn al-Farez’s Mystical Poems
Shahla Noruzy Raad Naser Hoseini Ardeshir SadreddiniIn mystical literature, generally stepping into the mystic path is achieved by quitting the everyday habits. The most important principle on which the world view of mistics is based is anti-habituation, abandoning innate habits and an archaic view of the cosmos and its MoreIn mystical literature, generally stepping into the mystic path is achieved by quitting the everyday habits. The most important principle on which the world view of mistics is based is anti-habituation, abandoning innate habits and an archaic view of the cosmos and its creator, this distinctive feature has given mystics a unique mystical attitude and it has also created a huge volume of outstanding poems and mystic attitudes. The purpose of this research is to explore, using descriptive-analytical method, the stages of gaining anti-habit from Ibn al-Farez’s view in his mystical poems. The findings of this research indicate that in Ibn al-Farez’s view anti-habituation is achieved through meditation and that meditation is one of the essential Soluk (spiritual journey) practices in many mystical schools. Ibn al-Farez is trying to unveil concepts and phenomena, in a manner that through understanding attributes of divine beauty, opens up the audience’s eyes to veiled realities and awaken them from the sleep of negligence and imitation. Manuscript profile -
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42 - Examining Rhetoric Question in Mystical Poems of Kalim- e- Kashani
Gholamreza Hatefi Ardakani Seyed Hossein Shahab Razavi Azizollah TavakolliMost mystic poets use the form and template of rhetorical questions to present mystical lessons. Kalim Kashani renowned for Khallagh Al-Ma'ani The 2nd. (990-1061) AH. One of the most famous lyric poets of the Indian style, using this linguistic and artistic style or imp MoreMost mystic poets use the form and template of rhetorical questions to present mystical lessons. Kalim Kashani renowned for Khallagh Al-Ma'ani The 2nd. (990-1061) AH. One of the most famous lyric poets of the Indian style, using this linguistic and artistic style or important rhetorical construct, mystical thoughts such as the world, soul, charm, heart, independencemortality, attraction, sun, Hassan, effort, glass cup, owl, Poverty, cum, love, tayyar, murad ... In the form of rhetorical questions with different secondary concepts. The use of the kind of negation in the poems of Kalim-e- Kashani has the highest share and use (41.18%) for expressing mystical content. One of the main principles of practical mysticism is that it is necessary for the mystic first to prove the truth, to negate the attachments. Surprisingly, the product is the negation of belongings. Kalim-e- Kashani in his poems after understanding God's majesty by understanding his disability, has been raising rhetoric question to blame and criticize social hardship. This paper, using the content analysis method, aimed to acquaint the audience with the lessons of practical mysticism of Kalim-e- Kashani, have examined the mystical content of rhetoric question in poems of Kalim-e- Kashani. The use of illustrations and literary tools of allegory, association, Hosne Ta’lil and Jenaas has made the poet's rhetoric question tight. The rhetorical questions with the secondary meanings of denial, wonder, injustice and rebuke have formed the four main aspects of the themes of poems of Kalim-e- Kashani. Manuscript profile -
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43 - Study and Analysis of the words Talab and Tarab in Rumi's lyric poems
Hamidreza Ghaffarian-e Mabhut mohammadali Khaledyan Hasan Ali Abbaspoure EsfadanWe know that each class and group use its own language to express the characteristics of its profession and method. Mystics and Sufis are no exception. For this reason, from the beginning of the second half of the second century, through Islamic Sufism and its aftermath MoreWe know that each class and group use its own language to express the characteristics of its profession and method. Mystics and Sufis are no exception. For this reason, from the beginning of the second half of the second century, through Islamic Sufism and its aftermath, they have created many terms and described and explained them. The first step of sufi’s journey (Soluk) is called Talab. Rumi believes that the requirement of this journey for the seeker (Tāleb) is to be an avid of love, or to serve the Murshid, therefore withMurshid’s blessing and guidance, a desire arises in him. When he reached the desired point, the next step will start which is called Tarab. Rumi’s basic plan for everyone's life is such spiritual that one should either strive for Tarb or Tarb. In fact, his life passed after getting acquainted with Shams transformation. Rumi's attitude towards happiness is so positive. He never places sorrow in his heart and always cries out of love by Sama (Sufi ceremony) and invites everyone to happiness. In his opinion the durable happiness will be achieved when we fall in love. In this research, we want to examine how Rumi explains these two steps, i.e. "Talab" and "Tarab". Manuscript profile -
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44 - An attitude towards allusions and proverbs and rulings in Anwari's poems
Tahereh khabaziThe splendor and richness of the Dari language, which has reached a very high level of evolution over the centuries, depends on the sweet, pleasant and meaningful words and combinations, the combination of which in order and prose has created glorious literature and a l MoreThe splendor and richness of the Dari language, which has reached a very high level of evolution over the centuries, depends on the sweet, pleasant and meaningful words and combinations, the combination of which in order and prose has created glorious literature and a large part of them. It must be interpreted ironically. These allusions and idioms have gradually found their way into the treasury of Dari words in each era due to the special circumstances of that time and the developments that have taken place, and by entering a continuous and scattered context, have increased the volume of Persian language in terms of fertility and beauty. In Anvari's poems, many imaginary forms have been used. In this article, an attempt has been made to study and analyze the aesthetic aspects of Anvari's poems based on irony, and for that, many evidences of beautiful poems of this poet have been brought to use irony and proverbs. Presented in the sixth century. Manuscript profile -
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45 - Study of the poetic readings of Hafez poems based on the principles of hermeneutics.
Saleh Kakoee Hesam Ziaee Mehrali YazdanpanahHafiz's poetry is one of the finest texts for the poetic readings; the art of satirical structures has a significant impact on the interpretation of Hafez's poetry. Hafez has influenced the Holy Quran in the syntax and artistic structure, because the meaning of the word MoreHafiz's poetry is one of the finest texts for the poetic readings; the art of satirical structures has a significant impact on the interpretation of Hafez's poetry. Hafez has influenced the Holy Quran in the syntax and artistic structure, because the meaning of the word of Hafez is tied to divine verses. Hafez's poetry language contains elegant concepts of randy with a revelatory and heavenly language, while expressing the status of a human being; it also deals with the lips of the cup and the shining of Simin Shagh, which also represents the most purely mystical experience.This research was conducted in an analytical method using all the words "bootia", "hermeneutics" and "reading".In the poetry of Hafez, which creates an amazing point and a miracle, it is normative, not normative; among the arts, satire and inspiration are of high frequency. The lack of attention of the exponents to these two arts has made some interpretations a shallow and superficial one.In addition to hermeneutic meaning, poeticism is also valuable in artistic terms, as it causes artistic expression in readers; reading readers with a rhetorical interpretation, in particular, by re-reading the text to artistic delicacies, especially the secret artifacts of Hafez. Manuscript profile -
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46 - Climatic color in the poetry of Mohammad Biabani
mohammad moradi pooran yosefipoor Fatemeh Ghafuri Mehdi abadThe poet Mohammad Biabanizadeh is from the southern climate. A climate that has sided with the sea and the land and is inextricably linked to the scorching heat. He was born in Bushehr and spent his childhood in the same city. The living environment and natural climate MoreThe poet Mohammad Biabanizadeh is from the southern climate. A climate that has sided with the sea and the land and is inextricably linked to the scorching heat. He was born in Bushehr and spent his childhood in the same city. The living environment and natural climate seem to have an ineffective effect on Asnan. Which examine these effects in the works of poets and writers under the title of climatic or local color. Local color or climatic character is a term that expresses these effects in the poetry of poets. It is with nature that in contemporary Iranian poetry, it first appeared in Nima's poetry and then in the poems of poets after him, it was noticed and welcomed. This research seeks to answer the question of why and to what extent Mohammad Biabani was able to reflect the southern climate in his poetry through the method of analytical-descriptive library study. And the results indicate that besides Boom His poems are full of climatic colors in all of his poems and the most prominent linguistic feature of his poems after Vazgani Archaism is the prominence of the color of climate and southern nature and his fondness and interest in his ecology. Manuscript profile -
Open Access Article
47 - The magic of proximity in Saadi's lyric poems
shaiestehsadat hoseini robat Enayat allah shrifpour Gholam Abbas zakeriThe magic of proximity as one of the components of formalism plays a prominent role in the artistic expression of speech. In fact, this topic deals with the balance between phonemes and words. And from this perspective, we can mention many rhetorical elements such as re MoreThe magic of proximity as one of the components of formalism plays a prominent role in the artistic expression of speech. In fact, this topic deals with the balance between phonemes and words. And from this perspective, we can mention many rhetorical elements such as repetition, phonology, types of puns, prostration, arrangement and balance, and other industries. Phonetic accompaniment creates music from this perspective, enchants the audience and induces meaning. In this way, it adds to the audience In such a way that sometimes words that are not related to each other in terms of meaning and their similarity is only in terms of phonetics are accepted. 's pleasure.And the mind seeks to discover meaning for them, and the poet or writer-artist will be more successful in inducing his desired goals and meanings by using this technique.In this article, using descriptive method and providing examples, we examined the magical effects of proximity in Saadi's lyric poems.It can be said that the magical effects of proximity in Saadi's sonnets, according to the division of kourosh safavi from the types of balance, can be mentioned more in the subset of phonetic balance, and through this, Saadi has increased the influence of his words. Manuscript profile -
Open Access Article
48 - Examining Salman Herati's poems from the point of view of content aesthetics
Mazaher Zamani NematsaraSalman Herati is one of the prominent contemporary poets who, by using simple language and creating pure and fresh compositions, was able to express many of his social and political, ritual, religious and idealistic concerns in his poems. He has never sacrificed the con MoreSalman Herati is one of the prominent contemporary poets who, by using simple language and creating pure and fresh compositions, was able to express many of his social and political, ritual, religious and idealistic concerns in his poems. He has never sacrificed the content and theme of his poems to the surface and external layers of the poem (rhyme and weight...), but his poems are always in terms of literary creations, melody, simple and clear language, careful choice of words, beautiful descriptions, imagination. Strong, the harmony of image and emotion, artistic and story techniques, the use of historical and mythological elements, and having a deep meaning and concept, have been worthy of attention. In this article, which is written in an analytical-descriptive way, attention is paid to the most significant content and conceptual expressions from the perspective of intellectual aesthetics in Salman Herati's poems. The obtained results show that Salman is interested in concepts and approaches such as idealism and libertarianism, ritual and religious attitudes, martyrdom and martyrdom, patriotism, revolution, manifestations of resistance and stability, nature, resurrection and death, love. , justice and anti-colonialism and some social components such as philanthropy have paid special attention, and among these things, religious and ritual themes as well as politeness have shown more special attention. Manuscript profile -
Open Access Article
49 - Analysis of imagery in poetry wisdom Anonymous
morteza razzagh pur reza sadeghi shahpar akram mossaffaMixing and blending it with the mystical and philosophical explanations of poetic language and artistic, different angles and perspectives to evaluate this kind of provides. The use of abstract concepts and difficult legal and philosophical works of mystical poetry in v MoreMixing and blending it with the mystical and philosophical explanations of poetic language and artistic, different angles and perspectives to evaluate this kind of provides. The use of abstract concepts and difficult legal and philosophical works of mystical poetry in various ways and methods of allegorical tales, stories and sermons on moral education has been used. As the Sufi poet Sanai time and time wise, so his work can be examined from a mystical, philosophical and literary review. Anonymous works because Hdyqh, including works of mystical poetry of Rumi, he is a poet according to the subject of legal and philosophical concepts and terminology that is used. He was also instrumental in influencing the abundance of imagery of benefit. This article on how to use imagery and style fantasy elements such as simile, metaphor, allegory, allusion may, paradoxes, visualization, analogy, and the third term is evaluated. Manuscript profile -
Open Access Article
50 - Simile and Alphabetic Letters in Khaghani’s Poems
saeid kheir khah barzaki foruzan taviliSimile in Persian Poetry is considered as one of most obvious imageries and hasoccupied a special place in the poets works.There for, poets using their own surrounding phenomena, have widened the scope of the similes used in theirpoems. One of these phenomenais to use t MoreSimile in Persian Poetry is considered as one of most obvious imageries and hasoccupied a special place in the poets works.There for, poets using their own surrounding phenomena, have widened the scope of the similes used in theirpoems. One of these phenomenais to use the alphabet similar unto which a thingis likened, which is quite common in Irag style and afterwards. In this research with providing a prologue on simile and alphabet and a reference to some famous collection of poems, some exaples of this issue, especially from Khaghani’s poetical collection , have been rendered. In Khaghani’scollection , simile after metaphor is used a lot compared to the other imageries and other poets. Manuscript profile -
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51 - Aspects and Effects of Metaphor in Khaghani Poetry
Shokooh BaradaranThe allegory is one of the most widely used categories in the poems of poets of various periods of Persian poetry. Due to the importance of this issue, various definitions have been expressed in rhetorical books. Khaghani, one of the most prominent and most prominent po MoreThe allegory is one of the most widely used categories in the poems of poets of various periods of Persian poetry. Due to the importance of this issue, various definitions have been expressed in rhetorical books. Khaghani, one of the most prominent and most prominent poets of his age (Seljuk), has a deep and deep-seated view of allegory, and does not allow any thought to fly to the summit of the summit of his poetry. He has grown so high that no one else has followed Yara. In this essay, various definitions of allegory are first expressed, then the expressions of allegorical games, which are in the form of games and hobbies, are discussed and used to instill wise thoughts. In the end, it has come to the conclusion that a large part of Khaghani's central thrust, which is one of the common features of this period, is manifested in his manifestations, and the application of analogy with various purposes and instruments in his poems is the best evidence of the personalization of poetry He is Manuscript profile -
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52 - Orating Analysis Of Mental Imagery in Saadi’s Arabic Poems
Javad Kabutari Hosein ArianSa'di Shirazi is one of the greatest tales of Persian poets and poets who has been fluent in Arabic. Despite the dominance of Sa'di in Arabic, Arabic poetry has given him a small part of his poetry, but these little poems show Raffi Sa'di's position among Iranian Arab p MoreSa'di Shirazi is one of the greatest tales of Persian poets and poets who has been fluent in Arabic. Despite the dominance of Sa'di in Arabic, Arabic poetry has given him a small part of his poetry, but these little poems show Raffi Sa'di's position among Iranian Arab poets. Sa'di Shirazi has used the imagination in Persian poetry and his Arabic poems. Although Sa'di is a teacher in literary forms and forms, he has presented his skill to the friends of his friends. More than trying to demonstrate his ability and art in the use of literary industries, he sought to convey meaning in a variety of ways. Sa'di has used Persian verse and Arabic poetry in all four subjects of the science of expression (simile, metaphor, metonymy and allegory), but the use (simile and metaphor) of his poems is more evident. In this research, Sour Zahal, has been analyzed and analyzed in Persian poetry and Arabic poetry of Saadi, with examples of Persian and Arabic verses. Manuscript profile -
Open Access Article
53 - The secret and Mystery of simile in Naderpoor` poems
rasool ali panahiyan mohamadreza ghariIn rhetorics simile is the first element to create pictures.Simile is one of the pillars of rhetorics and other rhetorical devices such as metaphor,metonymy,personification and allusion originates from it.It can be deemed as one of the simplest imageries since it can be MoreIn rhetorics simile is the first element to create pictures.Simile is one of the pillars of rhetorics and other rhetorical devices such as metaphor,metonymy,personification and allusion originates from it.It can be deemed as one of the simplest imageries since it can be understood more easily.Naderpoor has used the rhetorical devices more adequqtely in his poems.He has used simile to render his own message together with pictures and artistic ways.In the present article ,to clarify the importance of simile, an statistical analysis of his similes has been made.His poetical similes from the perspective of rationality or sensation are categorized and the subtleties of it is analysed. Manuscript profile -
Open Access Article
54 - A Study of the Main Elements of the Themes in Children’s Poems in the Eighties
mandana alimiMir The study of the themes in children’s poems is one way to find out what poetic theme aspects the poets of every era were interested in. the results can contribute to the analysis of the effective factors. The present article studies the poems printed in the e MoreMir The study of the themes in children’s poems is one way to find out what poetic theme aspects the poets of every era were interested in. the results can contribute to the analysis of the effective factors. The present article studies the poems printed in the eighties (Iranian calendar). The concepts studied include naturalism, socio-political issues, entertainment, religion, science, education, and ethics. The most frequent concept was naturalism (37.9%) and the least frequent was ethics (2.7%). The most frequent topic in the poems focused on nature was the animals (42.3%) and the least frequent topic was day and night (2.8%). Further studies are required to study why there are few poems on the topics of education and ethics and why naturalism and socio-political issues are very prevalent. Manuscript profile -
Open Access Article
55 - The study of parallelism in Fadva Tooghan, the contemporary poet of Palestinian
Boshra Godarzi Rouhollahe Sayyadi Nejad Amir Hosain Rasool NiaThe aim of this research is to study the level of parallelism (vocal, vocab and syntax) and the effect of them in Fadvi poems the Palestinian contemporary Arabic world poet. She is one of the poets who have used parallelism in her poems. The research is by descriptive- MoreThe aim of this research is to study the level of parallelism (vocal, vocab and syntax) and the effect of them in Fadvi poems the Palestinian contemporary Arabic world poet. She is one of the poets who have used parallelism in her poems. The research is by descriptive- analytical method and by using librarian sources and qualitative study she studied the e parallelism in poems of Fadvi Tooghan. The findings of the research show that in the subject of parallelism the repetition has the most importance and also is an important element in making music. Fadvi Tooghan made very beautiful poems by using this repetition which a wise reader can understand it by reading them. Fadvi Tooghan has used parallelism in vocal, vocab and syntax levels and this similarity in text structure has made her poem very fabulous. She has made her poem outstanding in verbal level by repeating sounds, letters words and compounds which cause emphasize in semantic level, this issue shows that the verbal structures effects on meaning transmissions. It looks that the repetition of parallelism in vocalic level is more than verbal and syntax levels, because in verbal and syntax parallelism the parallelism of vocal can be find. Manuscript profile -
Open Access Article
56 - Comparative Analysis of Cultural and Psychological Content of Feminine Emotions in the Poetry of Najme Zare, Roza Jamali, Maryam Jafari with the Poetry of Ghada Al-Saman
Fatemeh Taghinezhad Seyyed Mohtasham Mohammadi Ali Mohammad MahmoudiThe research was aimed to compare cultural and psychological feminine emotions content of Najme Zare, Maryam Jafari and Roza Jamali with Ghada Al-Samman poetries. The research universe included all the poems of Najme Zare, Maryam Jafari, Roza Jamali and Ghada Al-S MoreThe research was aimed to compare cultural and psychological feminine emotions content of Najme Zare, Maryam Jafari and Roza Jamali with Ghada Al-Samman poetries. The research universe included all the poems of Najme Zare, Maryam Jafari, Roza Jamali and Ghada Al-Samman. The sample encompassed the poems related to cultural and psychological feminine emotions content of the poets. The method was descriptive-analytical. To collect data library method via note taking was processed. The results showed that one of the important themes was the discussion of cultural and psychological content and their signs, which each female poet had a different and sometimes common understanding according to the mentality and culture of their society. Another important and common subject in the poems of these poets was romantic language and female lyrics. Each poet had her own romantic language, which in some cases were similar and sometimes different from Ghada al-Samman. The all-embracing emotional theme of Najme Zare's poem was sadness and separation from the beloved. Maryam Jafari's romantic and social odes was more special in terms of female's discourse and language. Roza Jamali's poems were based on female imagination and showed most of the female romantic themes in the form of symbols, and her poems used more emotional and feminine words compared to other two Iranian poets. In the case of Ghada Al-Samman, there was a combination of the mentioned cases of these three Iranian poets in her feminine romantic language; It means that it was both a poet complaining about the separation of a lover and a defense of women's rights. Manuscript profile -
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57 - Sociological look To the Poems of Forough Farrokhzad
Fatemeh Modarasi Zahra NooriSociology of literature is a new perspective to literature that tries to present scientific and practical interpretation of literary works so it can benefit them as a reflection of realties of the society in solving social problems and even the social crisis. Considerin MoreSociology of literature is a new perspective to literature that tries to present scientific and practical interpretation of literary works so it can benefit them as a reflection of realties of the society in solving social problems and even the social crisis. Considering the social issues as a poetic factor was introduced with the Constitutional Revolution (Mashrotiyat) and by Nima and his followers pomes reached to a climax and was continued in contemparay "social symbolism". Forough Farrokhzad was one of the prominent poet of this current who payed especial attention to social issues in her second part of her works. This study tried to sociologically analyze Forough Farrokhzad poem by applying analytic –descriptive approach. The results indicated that Forough Farrokhzad in her social poems reacted to her era social issues and as a critic was able to express the social inequalities, conflicts corruptions, despotism, poverty, injustice with symbolism and irony in natural and impressive way and implicated a vivid and clear picture from second Pahlavi's society. Manuscript profile -
Open Access Article
58 - Woman and Ideal Identity in Constitutional Revolution Literatures
علی EynalilouContrary to the Quran trainings and the Maasoumin (The Innocent Sacred, Peace upon them)Sunnah classic Iranian literature did not eligibly respect woman. In such an approach the womanwas considered as pleasing mate for man, while having no equal rights and not even to h MoreContrary to the Quran trainings and the Maasoumin (The Innocent Sacred, Peace upon them)Sunnah classic Iranian literature did not eligibly respect woman. In such an approach the womanwas considered as pleasing mate for man, while having no equal rights and not even to have a rightto protest. Such an attitude was revised in The Constitutional Revolution after ward era. The womentook actions to reestablish their legal demands and the men declined to justice. To accomplishhumanitarian status, equal position in the family and the society, the preparation of the conditionsled to education and presence in the open social life and the participation in social and political affaireswere all the Constitutional Revolution achievements for women. This paper introduced someof the Constitutional Revolution era poets pointing out to their enlightment efforts of the publicopinion to resume the women right, rights that in contradiction to Divine rules were deprived of thewomen due to disordered social institutions. Manuscript profile -
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59 - Investigation of engineering form of linguistic and literary structure of repetition in Kalim Kashani's lyric poems
Fazlollah Rezaei Ardani Gholamreza Hatafi ArdakaniRepetition is way to create and increase the amount of music and increase the norm in words and is important in music and rhetoric. In this literary research, this linguistic and literary art has been studied in the lyric poems of Kalim Kashani, the famous poet of the 1 MoreRepetition is way to create and increase the amount of music and increase the norm in words and is important in music and rhetoric. In this literary research, this linguistic and literary art has been studied in the lyric poems of Kalim Kashani, the famous poet of the 11th century. The use of repetition has filled this poet with inner music, and this structure serves to convey meaning and feeling to the audience. Repetition is one of the factors in creating music.signs of this linguistic phenomenon can be seen in nature, such as day and night, spring and summer, and ... Repetition is the important features of the poet's words in the axis of accompaniment, or the longitudinal extension of his poems. This article examines its form. This feature creates visual and auditory, order, communication, and convinces the audience's mind and takes them to literary pleasure. This research has been done with the aim of examining the application of the tools for creating the music of speech, namely repetition and also localization of formalist critique, in the lyric poems of Kalim Kashani. The research method in this article is based on the study, analysis and objective description of the research findings, taking into account the principles of formalist critique. By this research, it was found that Kalim used the literary ornament of proportion, the melody of letters and other linguistic and literary works of art by using repetition to explore the mind of the audience and induce the content. Manuscript profile -
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60 - Look at the imagery and emotion in the poems align with Salman Harati
ghasem mehravar giglou fateme modarresiSalman Harati (1338 -1365) committed one of the poets of the contemporary style of literature in the field of Islamic Revolution and is stable. Salman poetic language is the language of poetry, simple and insignificant. Salman plain language and strong, able to create b MoreSalman Harati (1338 -1365) committed one of the poets of the contemporary style of literature in the field of Islamic Revolution and is stable. Salman poetic language is the language of poetry, simple and insignificant. Salman plain language and strong, able to create beautiful images be. Is intended to present a descriptive - analytical imaging and align it with the emotion in the poems of Salman Harati to discuss and scrutinize. Outcome research suggests that the link between the poet's creative emotion, image and imagination. And logic-based interactive communication, which implies that the referential function, making out, and the poetic function is restored. Salman singing poems in various arts of poetic imagery, including metaphor, personification, metonymy, simile, synaethesia, irony, and the paradox …Has used. In the arts of Image, such as simile, metaphor, personification and synaethesia more with the emotion and sense of fun and irony and paradox of religious belief with social affection Salman Harati are consistent Manuscript profile -
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61 - The relationship between God and man in the works of Jami
zahra ghezelsofla akbar shaebani mohammad fazeliGod, as the creator of man, has been in contact with him from the beginning of man's creation, and this relationship has expanded with the entry into the universe. The relationship between man and God and the mutual presence of this kind of relationship is one of the fu MoreGod, as the creator of man, has been in contact with him from the beginning of man's creation, and this relationship has expanded with the entry into the universe. The relationship between man and God and the mutual presence of this kind of relationship is one of the fundamental issues in the field of Islamic mysticism. Man, as the Ashraf of creatures, has a valuable position among all of God's creations, which has given God special attention and attention to this caliph. Most artists, especially Persian poets, have dedicated their work to the relationship between man and the absolute Creator. Jami is one of the most prominent figures in Persian literature who seeks to address all aspects of his personality, precision, study, and exuberance with sufficient mastery over certain sciences.The relationship between God and man is one of the key points in Jami's poetry. The present study, with a descriptive-analytical approach, examines the relationship between God and man and analyzes the concepts related to this field in Jami'ah poetry. The results of this study indicate that the relationship between God and man in Jami'ah poetry has been applied in three ways: 1. Revelation, Verses, and Apocalyptic Verses 2. Creation and guidance 3. Manuscript profile -
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62 - Investigating the association of meanings based on Innovative techniques in the poems of vaez Qazvini
mandana alimi SARA javid mozafari ehsan ansariAs the main element of the imagination, association plays an important role in creating a variety of poetic images. vaez Qazvini is a pictorial poet who, with the help of this element, takes a step in imagining pristine and imaginative creations. He tries to classify th MoreAs the main element of the imagination, association plays an important role in creating a variety of poetic images. vaez Qazvini is a pictorial poet who, with the help of this element, takes a step in imagining pristine and imaginative creations. He tries to classify the fluid flow of the mind, which is the association of communication, beyond the seemingly scattered monologues and flow of the mind, and in the connection between images and thoughts, between the different layers of the mind. vaez, due to his careful and thoughtful thinking in composing poems, exposes the amount of associations that he has included in his poems through images, imagination, and figures of speech. He has also used a variety of industries to create new themes and concepts, according to the memories he has in mind. The present article seeks to express the free and dreamy association of the poet's mind. It also expresses the influence of innovation through proximity or similarity in the leading figures of speech in the Qazvin’s poems and how the poet benefits from it Manuscript profile -
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63 - A study of emotion different dimensions in Amir Khosro's lyric poems
Zahra L Labbafiyan yazd mahmoud sadeghzadeh Dr Hossein shahabrazaviEmotion is a reaction that human beings show to their inner and environmental experiences, and poetry begins with the domination of emotion and feeling over the poet's soul, and this element reflects how the poet reacts to events. Due to the quality of the poet's attitu MoreEmotion is a reaction that human beings show to their inner and environmental experiences, and poetry begins with the domination of emotion and feeling over the poet's soul, and this element reflects how the poet reacts to events. Due to the quality of the poet's attitude to the outside world and the events, emotion is the inner and spiritual feeling and background of the poem. Although the emotional stimulus of the artist depends on environmental and external factors, they are more dependent on the inside of the poet and have a direct relationship with the poet's inner feelings. Art is the arena to transfer emotion and it seems that it can be viewed from different dimensions due to the emotional range and importance of poem. Emotion is the most important element of poetry to which other elements should serve. The relationship between emotion and image, language, music, and atmosphere of the poem needs to be considered. The present study investigated the element of emotion in 60 lyric poems of Amir Khosro's lyric poems and showed the advantages and prominence of this element from different dimensions of these lyric poems. The results of this study were obtained based on bibliographic studies and descriptive-analytical method. Manuscript profile -
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64 - Analysis of mystical themes in one hundred lyric poems of Kashan
Fazlollah Rezaei Ardani Gholamreza Hatafi ArdakaniKaleem Kashani is one of the famous lyric poets of the 11th century AH, whose lyricism shows signs of mysticism and Sufism. Mystical teachings in his sonnets express true or heavenly love. In this article, mystical subjects in a hundred lyric poems of Kaleem Kashani, kn MoreKaleem Kashani is one of the famous lyric poets of the 11th century AH, whose lyricism shows signs of mysticism and Sufism. Mystical teachings in his sonnets express true or heavenly love. In this article, mystical subjects in a hundred lyric poems of Kaleem Kashani, known as the creator of second meanings, have been studied randomly in order to depict the prominent manifestations of love and its perfection. In addition, in literary and mystical researches, Kaleem Introduce the title of mystic poet and finally point out that his lyrical lyric poems are a place to express high mystical meanings. The lyric poems of this creative poet have a mystical structure and he tries to find the precious gem of true love by designing mystical mechanisms. On this occasion, manifestations of mystical teachings have been included in his lyric poems. This article, by analyzing and describing mystical findings, intends to first analyze the mystical tendencies of Kaleem and examine and analyze them by mentioning examples of those examples. Examining the mystical teachings in the lyric poems of this poet, it is worthwhile to consider Kaleem as one of the mystics. Manuscript profile -
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65 - A Study on External Music in Sanai Ghaznavi’s Lyrics
Khalil Hadidi Fatemeh ShekhlovandLiterature has boundless capacity with literary context in the form of poem, prose or both of them. The different between poem and prose is that poem has special music feeling and imagination that is more powerful than prose, but it doesn’t necessarily mean that p MoreLiterature has boundless capacity with literary context in the form of poem, prose or both of them. The different between poem and prose is that poem has special music feeling and imagination that is more powerful than prose, but it doesn’t necessarily mean that prose is unfilled with music. There are different styles of music in poetry which one of them is external music related to poem rhythm. One of the famous and powerful poets in Persian literature is Sanaee Ghaznavi who used this music skillfully. There are a few rhythm deficiencies in his lyrics indicating that form has an importance value in Persian poetry as well as the meaning and content. This paper aims at analyzing the external music in Sanaee Ghaznavi’s poetry. Manuscript profile -
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66 - Study of the role of social events in the selection of poems of the poems of Kaiser Aminpoor
Armaqan Behdarvand Ahmad Hosaini Kazerooni sayed Jafar HamidiToday's poetry, with the timeline of Nima Yoshij, has undergone a transformation in form and in-depth. Nima made the poet today familiar with society and became the most sociable poet of his time. After Nima, his students' innovations in the 1930s and 40s paved the way MoreToday's poetry, with the timeline of Nima Yoshij, has undergone a transformation in form and in-depth. Nima made the poet today familiar with society and became the most sociable poet of his time. After Nima, his students' innovations in the 1930s and 40s paved the way for this poem. The rise of the Iranian uprising in the fifties led to the emergence of new literature. The revolution is the largest possible social transformation of any nation, and the Islamic Revolution of Iran, given its enormous popular support, promises a clear eye to its creators. Poets, as the foremost members of the social institution, always play a role in social ups and downs. Therefore, in the context of the artistic creation of poets, the dynamics of the social events of the age of the poet can be discovered, extracted and analyzed. In this analytical-descriptive study, three periods of revolution, war, postwar period in five poetry books "In the Sun", "Morning Breath", "Suddenly Mirrors", "All Flowers" Sunflowers "and" Grammar of Love "have been evaluated. The most important achievement and the result of this research was the attention of the entire poet to the social events of his time, which makes this possible subject of the poet's development and change. Manuscript profile -
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67 - Patriotism in the Works of Shuubiya Era's
Basharat Perme Nahid JafariPatriotism is one of mankind’s reflections and a symbol of national identity in different eras. Patriotism in Persian poetry has two aspects: When the country is conquered by invading country/ countries and when the awakening occurs. The second occurs in awakening MorePatriotism is one of mankind’s reflections and a symbol of national identity in different eras. Patriotism in Persian poetry has two aspects: When the country is conquered by invading country/ countries and when the awakening occurs. The second occurs in awakening era. Many believe that the concept of patriotism in Persian poetry was rather promoted in constitutional era. So the main question of this study is: What factors affected the concept of homeland in different eras of persion poetry? This study attempts to be based on Shuubiya both politically and socially. The study of Shuubiyya era indicates that Patriotism was rather affected by racial and ethical issues. Manuscript profile -
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68 - In Quest of Nowhere )The Comparative study of Utopia in Jobran Khalil Jobran and Sohrab Sepehri)
Faroogh NematiFor poets and authors, Utopia is nowhere, all humans search it, in order to get rid of crulity. This dream abounds the romantic poet’s minds, because they take refugee in their artifitial worlds which they imagine them. Jobran khalil Jobran and Sohrab Sepehri are MoreFor poets and authors, Utopia is nowhere, all humans search it, in order to get rid of crulity. This dream abounds the romantic poet’s minds, because they take refugee in their artifitial worlds which they imagine them. Jobran khalil Jobran and Sohrab Sepehri are two romantic, contemporary, Persian and Arabic poets who depend on utopia in their poems in the mystical, suffistic ways. Sohrab describes ″The Beyond seas″, ″Nowhere″, and ″The Above Oasis″ as the symbols of Utopia, instead Jobran uses ″jungle″. They use love, fair, beauty, virtue, and understanding as the characteristics of Ideal world. Manuscript profile -
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69 - The Influence of Common Persian Rhythms on Persian’s Arabic Poems During Sixth and Seventh Centuries
As’ad sheikhahmadiOne of the most important issues in comparative literature is the investigation and analyzing the relationship between the literature of creative languages and their influences on each other. Although Arabic literature hav MoreOne of the most important issues in comparative literature is the investigation and analyzing the relationship between the literature of creative languages and their influences on each other. Although Arabic literature have influenced on most of the Persian literay works, in this essay the common rhythms 0f persian poems that lnfluence on persian’s Arabic poems during sixth and seventh centueries will be disscussed .Whereas common rhythms 0f persian classical poems is caused of Arabic poems, persian poets have applied it to Persian structure . In addition to use Arabic meters, the persian poets considered Persian meters in their Arabic poems. In this essay the differences between common rhythms in Arabic and Persian poems are disscused by means of reliable refrences. The tresults demonstrates that the most bilingual and Arabic poems found in works of Iranian poets, in rhythem and method of poetry, are influenced by Persian poems. In fact these poets said Arabic in Persian form. Manuscript profile -
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70 - A Semiotic Analysis on Hafiz Poems Based on C.S. Peirce’s Theory on hope symbols
Nasrin AiniThe objective of this study is to find out the use of hope symbol in Hafiz poem. This study applied library research and compiled data were analyzed through descriptive analysis method. This method tried to describe, explain and analyze the using of symbol using semioti MoreThe objective of this study is to find out the use of hope symbol in Hafiz poem. This study applied library research and compiled data were analyzed through descriptive analysis method. This method tried to describe, explain and analyze the using of symbol using semiotic theory by Charles Sanders Pierce. The unit of analysis of this research is gazal and all 495 gazal of hafiz is considered. They were chosen to find the symbols. For the semiotic analysis, the researcher marked the data by choosing poems that were containing symbols. There were reading the poems intensely, and classifying the data containing symbol: categorizing the symbol so that could be understood each other in categorizing that symbol the writer put them in the table by synchronizing each symbol with each poem interpreting the meaning of that symbol After that it could be concluded that there are 18 gazal about hope that God is the most merciful and there are 15 gazal about hope for future, that there are 20 gazal about life expectancy or hope for last living with different symbol with different meaning and function .differences had given the different ideas. From semiotic of hafiz poem would like to convey the idea about hopefulness. Manuscript profile -
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71 - Comparative Worship and its genetical position in the Hafez poems and Plato's thought
azam etemadifard There are so many matters and topics, among indelible literary works of different nations, that if their contents would be studied, we will get opportunities of their challenges and debates that make their study rational. Worship and its genetical po More There are so many matters and topics, among indelible literary works of different nations, that if their contents would be studied, we will get opportunities of their challenges and debates that make their study rational. Worship and its genetical position, also, is a topic that is ignored in Hafez poems and Plato works. This topic is referred to the topic of love and based on creation and Man’s nature considering the Human nature and Alast promise (the promise that was given to God by his creatures in the world before this world), in the Hafez words, and considering the ideas before The descent of the Spirit in the Flesh, in the Plato’s words. By the importance of these topics in Iran’s literature and Western philosophy and necessity of clarifying of concerned issue to bring man to eternal bliss, this research tries to study these two kinds of works in an analytical-comparative manner. Findings show that the similarity, synonymy, and same meaning, in spite of long time between them, show that they ask to Man’s nature by intrinsic seeking prosperity and they say that love is integrated to Huma’s spirit and help him to pass spiritual levels toward God till eternal Companionship to him. Manuscript profile -
Open Access Article
72 - A comparative study of Ashura lament in Minab and Muscat
Babak Dehghani Mohammad Aref Parnaz Godarzparvari Hasan RiyahiMourning is different in Minab and Muscat, on the shores of the Persian Gulf and the Sea of Oman. It is obvious that Ashura poems in "Minab" and "Muscat" are very different in various aspects, including "literature" (language, dialect, dialect).In Minab, most people s MoreMourning is different in Minab and Muscat, on the shores of the Persian Gulf and the Sea of Oman. It is obvious that Ashura poems in "Minab" and "Muscat" are very different in various aspects, including "literature" (language, dialect, dialect).In Minab, most people speak Persian. Therefore; Most of the poems in this region are in Persian, which is sometimes recited in the Minabi dialect. There is a great variety of Minabi laments in terms of weight. Minab Ashura poems have been composed in the form of Masnavi, Mustazad, Tarji Band, Ode, Ghazal, Bahr Tavil, etc., which causes a variety of themes and weights. In Muscat, the capital of Oman, the common language is Arabic. Therefore, the lamentations of this region are in Arabic. In Minab, Ashura ceremonies, whether Ashura poetry night or Ashura ceremonies, are held in the form of non-governmental organizations and the majority of people are interested in this ceremony, but in Oman and this issue, it is different in Muscat. The predominant religion in Muscat is Sunni. Therefore; These ceremonies are also held at the Iranian embassy, which can be used by the Shiites of this region. In the end, it is concluded that although the lament in Minab is different from the lament in Muscat in terms of language, but it has commonalities such as the use of literary arrays, content, and so on.The necessity of conducting this research is determined by the position and importance of Ashura among Muslims. Manuscript profile -
Open Access Article
73 - A look at what the concepts of "Human Dignity", "Social Justice" and "Freedom" mean In Hafez's lyric poems and the UN Declaration of Human Rights
ezzat khalighi Saeid Roozbahani Abolghasem Amirahmadi The concept of Human Rights is respected in all cultures and numerous laws have been enacted in this regard, and it is not necessarily limited to the contemporary era. As literature is a manifestation of culture reflected in the context of society, it reflects exa More The concept of Human Rights is respected in all cultures and numerous laws have been enacted in this regard, and it is not necessarily limited to the contemporary era. As literature is a manifestation of culture reflected in the context of society, it reflects examples of human rights. In the field of Persian literature, Hafez in the mirror of the Divan of Ghazals, while dealing with lyrical, romantic, mystical and ... issues, has also spoken about Human Rights issues. In various verses, he has repeatedly objected to the shortcomings of Human Rights and called on his audience to directly and indirectly adhere to its principles. To achieve this goal, Hafez has made innovations, including the development of Rend's personality. In this study, citing library sources and descriptive-analytical method, the concepts of "Human dignity", "social justice" and "freedom" in Hafez's sonnets (with an approach to Rand actions) and the UN Declaration of Human Rights have been explored. . The results of the research show that Hafez's creation in the Divan of Ghazals was a critical and protest attempt to highlight the deprivations related to Human Rights in Iranian society and to increase the scope of knowledge and insight of the oppressed people. Also, in this way, the "insider / foreigner" dichotomy in the whole political structure of Iranian society is described. Another is that The concepts mentioned in the Universal Declaration of Human Rights have no roots exclusively in the contemporary world and go beyond time and geographical boundaries. Manuscript profile -
Open Access Article
74 - Investigation and comparison of peripheral and psychic states in the poems of Alaadullah Biabanki
, Saeed Karkabadi, mashoor Parvin Dokht, Farzad, Abbasi Mahboubeh Zia KhodadadianOne of the issues that the mysticism of all nations revolves around is the issue of discovery and intuition. In general, mystical revelations in the Divan of Ala al-Dawla Biyabanki can be divided into two categories: formal and spiritual discovery and intuition, and eac MoreOne of the issues that the mysticism of all nations revolves around is the issue of discovery and intuition. In general, mystical revelations in the Divan of Ala al-Dawla Biyabanki can be divided into two categories: formal and spiritual discovery and intuition, and each of them has its types. These formal and spiritual revelations in some respects with the theory of W.T. Stacey is applicable to discovery and intuition. In this research, the revelations of Ala al-Dawlah based on formal and spiritual conditions have been studied and then their common features such as feeling of trust, objectivity, happiness, etc. have been explained. Of course, in some of these cases, Stacey's view differs or is not compatible with some of the characteristics of Islamic revelation. In addition, the specific characteristics of formal and spiritual states have been studied, and we have finally come to the conclusion that the revelations of Ala 'al-Dawlah, in addition to conforming to some patterns of Western mysticism, are unique in their kind and in some ways superior to Western mysticism. In this research, the author also tries to answer the question of descriptive-analytical method and library method whether the poems of Ala Al-Dawlah, in spite of their abundance, expressions related to discovery and intuition, adaptability and classification in the field of literary type "Literature" Does it have "prophecies and revelations" or not? Manuscript profile -
Open Access Article
75 - Quranic foundations of the necessity of resistance in Persian poems
sayyd hosin formibaf kamal khajepour aboalghasem asi moznabResistance is one of the natural things that its necessity has been beautifully discussed in Persian poetry and the principles of this necessity have been emphasized in the verses of the Qur'an. God Almighty, on the one hand, forbids Muslims from compromising and surren MoreResistance is one of the natural things that its necessity has been beautifully discussed in Persian poetry and the principles of this necessity have been emphasized in the verses of the Qur'an. God Almighty, on the one hand, forbids Muslims from compromising and surrendering to their opponents, and on the other hand, emphasizes the need for patience and perseverance in the face of enemies. The Qur'an and Islamic traditions consider the cost of compromise and surrender to the enemies to be much heavier than resistance and perseverance. Islam is a religion of moderation and resistance and stability against the factors that upset the balance of society - both internally and externally. In Persian poetry, resistance is considered necessary both for its current goodness and for having divine goals and social effects. These matters are among the intellectual foundations and ideas of resistance which are clearly explained and detailed in the Qur'an. The present article deals with the descriptive and analytical method of the Quranic principles of the necessity of resistance that have been raised in Persian poems. The results show the need for resistance in Persian poetry in various aspects of the current goodness such as purposefulness, holiness and .... and having divine goals such as preventing false domination, the dignity of the religion of God and ... and social effects such as community pride, the spread of justice Nourishes. Manuscript profile -
Open Access Article
76 - بررسی روحیه پایداری جوانان در اشعار شاعران زن معاصر (ژاله قائم مقامی و پروین اعتصامی و سیمین بهبهانی)
مکرمه حمیدی حسینعلی پاشاپسندی حسین پارساییپژوهش حاضر به منظور بررسی چگونگی ارتباط جوانان با مقولهی مقاومت و پایداری در اشعار شاعران زن معاصر ایران؛ ژاله قائم مقامی، پروین اعتصامی و سیمین بهبهانی و تأثیر اشعار آنها بر اهداف و روحیات جوانان نگاشته شده است. در این پژوهش سعی شده تا دیدگاههای این شعرا را در مورد ج Moreپژوهش حاضر به منظور بررسی چگونگی ارتباط جوانان با مقولهی مقاومت و پایداری در اشعار شاعران زن معاصر ایران؛ ژاله قائم مقامی، پروین اعتصامی و سیمین بهبهانی و تأثیر اشعار آنها بر اهداف و روحیات جوانان نگاشته شده است. در این پژوهش سعی شده تا دیدگاههای این شعرا را در مورد جوانان و پایداری مورد مطالعه قرار دهیم. لذا روشی که در این تحقیق به کار بستیم توصیفی - تحلیلی بوده و شیوهی جمعآوری اطلاعات کتابخانهای است که از کتاب، فیش، نرمافزارهای ادبی به عنوان ابزار این تحقیق استفاده شده است. نتایج این پژوهش نشان میدهد فضای اجتماعی دوران معاصر زمینه را برای خلق این اشعار از طرف شعرای زن معاصر بسیار مهیا کرده بود و بر روحیهی ایستادگی جوانان مؤثر واقع گردیده بود. Manuscript profile -
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77 - Image and imagery in the lyric poem of Nowrooz and Nowgol
Hafez HatamiImage and imaging is one of the most prominent elements in the field of aesthetics, including the attributes of literary and artistic works. Today, the critical look at literary works from the poient of view of creating new, pure and nugget images is one of the serious MoreImage and imaging is one of the most prominent elements in the field of aesthetics, including the attributes of literary and artistic works. Today, the critical look at literary works from the poient of view of creating new, pure and nugget images is one of the serious issues in traditional linguistic studies, critique and literary theory, especially in the study of formalism and structuralism schools.the purpose of this essay is discuss the types of images of the lyric poem of Nowrooz and Nowgol Arman Rakian , which has just enterd the market. The research is done by descriptive documentation and finally, content analysis and based on the finding. In the course of this research with the introduction of various simple imagery, numerous and extensive and gradually moving away from traditional methods of payment in the form of example of imaginary in the field of science of figurative language, rhetoric and and figures of speech to explore new elements, multi-layerd images types of metaphors in you, combined with myths, archetype narrative and even narrative and description. Manuscript profile -
Open Access Article
78 - Classification and Analysis of Childlessness in Persian Love Poems
Azam Hosseini Hasan ZolfaghariOne of the narrative themes in love poems is the infertility of the lovers' parents. This theme is not one of the main themes, but it is the point of entry of lovers into the story So the author uses all his art to describe it as a beautiful and memorable event. This re MoreOne of the narrative themes in love poems is the infertility of the lovers' parents. This theme is not one of the main themes, but it is the point of entry of lovers into the story So the author uses all his art to describe it as a beautiful and memorable event. This research seeks to classify infertility in Persian love poems by describing and analyzing the content of the text. What role does each of these classifications and subspecies play in the narrative? For this purpose, the book "One Hundred Persian Love Poems" (Zolfaghari, 2015) is the basis of the work. According to the results, in thirty poems, the parents of lovers have suffered from infertility and in many cases, have been worried about the throne of their heirs. They have children in various ways (having children through prayer and charity, helping a dervish by eating blessings, having children outside the womb or with the presence of only one parent, hiding the birth or abandonment of a child, and predicting the birth of a child) has fallen. The evolution of this theme shows that its use began with mythology and was very primitive and naive in folk tales. The authors of Persian love poems of the fourth to ninth centuries, using their taste, have used it in various forms. From the ninth century onwards, nothing new is added to it and it is a repetition of the previous ones. Its peak was in the twelfth century due to the rise of Indian systematists and the rise of idealism. The role of this theme in the narrative structure of the love story is that the author, by portraying the difficult parenting of children, prepares the audience's mind for the events formed by these children in the continuation of the story, and increases the actions and thus the story's appeal. Manuscript profile -
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79 - An investigation of Rhymes and Rows Structure in Kermani native songs of Shahrebabak City
Fatemeh Riahi Atamohammad Radmanesh Mahbobeh KHorasaniThe poet of ordinary poetry pays much more attention to music because music with an emotional effect prepares the mind of the audience to receive the poem's message. One of the most important pieces of music is rhyme and row in poetry; they have a special place in tradi MoreThe poet of ordinary poetry pays much more attention to music because music with an emotional effect prepares the mind of the audience to receive the poem's message. One of the most important pieces of music is rhyme and row in poetry; they have a special place in traditional Persian poetry and particularly in couplets form. In this article, in addition to introducing native songs and local couplets of Shahrebabak, the analysis of the structure of rhymes and rows has been done. Rhymes in native poems of Shahre-Babak, like all other dialects, are based on the alphabets of the near ending, and it is not based on the identical rhyming which is common in the formal Persian language. In cradlesongs and wedding poems, rhymes are sometimes removed to create music tone, or to use an extended pronouns to generate the rhythm. Rhyming is in the form of Masnavi in more than 10% of Shabarbak folk couplets. The rhymes of the same alphabets, like /M/, /R/, and /M/, /N/ and /L/, /R/ are more or less frequent in popular couplets of Shahrbabak. More than one over three of local couplets is associated with the row. Most of the couplets are in the "current" row and only 5 % of them has inactive rows. Row functions in local poems inspire the poet's inner sense, reinforce the poetry, help translating the concepts, emphasize an image or subject, and create a sense of pleasure. Manuscript profile -
Open Access Article
80 - A review of the prayers and lamentations of the saints in Mohammad Chehri’s poetry
مسعود باوان بوری wahid sajadifar نرگس لرستانیReligious literature is one of the literary genres which has been less considered, while it has been prevalent in almost all religions and languages. In this genre, the poet shows his special regards to figures of his religion. Karbalayei Mohammad Chehri, a contemporary MoreReligious literature is one of the literary genres which has been less considered, while it has been prevalent in almost all religions and languages. In this genre, the poet shows his special regards to figures of his religion. Karbalayei Mohammad Chehri, a contemporary poet of Harsin (around Kermanshah), has paid special attention to Imam Ali (PBUH), Hazrat Fatima (PBUH) and Imam Hussain (PBUH) in his poems. The poet has expressed his regards to these figures, and has composed poems in their praise or eulogy and integrated them into his poetry. The poet has some poems in eulogy of the martyrs of the uprising standing of fifteenth of Khordad, and the city of Khomein, etc. This paper attempts to examine the poet's religious verses and his eulogy of Shiite religious leaders using analytical-descriptive method and the collections. The results showed special attitude of the poet about the Ashura and the hostile events happening that day. The reason of this eulogy is martyrdom of Imam Hussain (PBUH) and his family and his loyal companions. His lamentations were found to be much more than his eulogies, reflecting his love of these noble characters and his sorrow about the tragedy. Manuscript profile -
Open Access Article
81 - A look at native poems of Lorestan
ARASH AMRAEI Ali BazvandNative literature is a worthy treasure inherited from our ancestors. This kind of literature in its special sense refers to a literature that has been created in a particular region. The native literature of Lorestan is one of the precious parts of Iranian folk’s MoreNative literature is a worthy treasure inherited from our ancestors. This kind of literature in its special sense refers to a literature that has been created in a particular region. The native literature of Lorestan is one of the precious parts of Iranian folk’s native literature. In this paper, we will investigate a part of the popular culture of people of Lorestan, the native poems and their place in the community of Lorestan, while introducing their history. We will also introduce the Chell Sero (forty songs), Mur, Laue Laue (Lullaby), work songs, couplets Mashga, Dayam Buye and romances as the most important types of native poems of Lorestan .Poetry and music are inseparable parts of the Lorestan people, and if we say that they are the cause of popular culture, we have not exaggerated. These people have some poems and music for all aspects of their life from birth to death, which have various functions in different situations. Manuscript profile -
Open Access Article
82 - The Analysis of Religious factors in Bakhtiyari's Folk Poems
Hamid Rezaei Ebrahim Zaheri AbdvandFolk poem plays an important role in representing and internalizing the identity, especially religious identity in Bakhtiyari's culture. In this research, the religious factors in folk poems of Bakhtiari people (nursery, lyric, poems related to wedding and mournin MoreFolk poem plays an important role in representing and internalizing the identity, especially religious identity in Bakhtiyari's culture. In this research, the religious factors in folk poems of Bakhtiari people (nursery, lyric, poems related to wedding and mourning) were analyzed through descriptive-analytical method to indicate the image of reflected religious components in these poems and the function of these concepts in Bakhtiari's culture. Also, it has been investigated that religious components are more reflected in which of these poems, and what kind of difference is seen in this regard. The name of God, Prophet (PBUH), Imam Ali, and Imam Reza, Imams descendants, Resurrection, Pilgrimage, Kaaba, Mashhad, Karbala, Prayer, Quran, and prayer sign are among the most important religious components represented in these poems. The results of the study showed that in the nursery rhyme, first the child acquaints with the qualities of God indirectly and the kid is taught in order to solve problems, he/she must trust in God and resort to the Prophet and Imams. In the poems related to the wedding, the religious beliefs of the bride and groom are presented and the God and the Imams are the remedy to disasters. The most diversity and reflection of religious components can be found in mourning. In this type, either the religious beliefs of the decedent are talked or they ask God to solve the problems and illnesses of the deceased people. Manuscript profile -
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83 - Investigating the reflection of Bakhtiari women's social status through clothing in local poetry
Ebrahim Zaheri Abdvand Rohalla karimi Noor -o-dinvandThe purpose of the present study is to examine the social status of Bakhtiari’s women through their clothing in local poems such as love, wedding and mourning poems based on the theoretical principles of reflection and documentary method. The results indicat MoreThe purpose of the present study is to examine the social status of Bakhtiari’s women through their clothing in local poems such as love, wedding and mourning poems based on the theoretical principles of reflection and documentary method. The results indicate that Bakhtiari’s women earn social status in two ways of beautiful clothes and expensive ones. To illustrate the beauty of the clothes, the element of color is noticed. And the costliness of the material and decorations are noticed, too. In romantic poems, the women enjoy respect and finally social status through beautiful colors which are mostly blue, green and red. In wedding poems show the social status of women besides the beauty, the element of wealth is also highlighted through referring to the material and decorations. In mourning poems, the poets are more likely to show the social status of the deceased and her family; so, in describing her clothes, the material, newness and cleanliness of her clothes which show the woman’s personality is noticed. Manuscript profile -
Open Access Article
84 - A study of the themes of "Soro" poems in Rostam city
gholamali Mohammadi Atamohammad Radmanesh Mahbobeh KhorasaniThe folk literature of each realm and region reflects and expresses thought, belief, customs, behavior, cultural and social relations and way of life. This literature, which is manifested in poetry and prose, is a mirror that reflects the social characteristics of a peo MoreThe folk literature of each realm and region reflects and expresses thought, belief, customs, behavior, cultural and social relations and way of life. This literature, which is manifested in poetry and prose, is a mirror that reflects the social characteristics of a people. Among the different types of folk literature, poetry has a special place and among the various forms of poetry, the words in Persian literature have a long history. This form of poetry has been prevalent in the Persian language since the beginning of poetry. One of the areas in which this form of poetry has been especially developed is the city of Rostam. The Studies show that the most significant and frequent poetry form of folk literature in this city is the “Mofradat” that booklovers read themaccording to the occasion. “Mofradat” in the folk literature of Rostam city is divided into "couplet", "Saro", "Sharveh" and "Lullaby". In this research, the items called "Soro" in terms of theme are analyzed. "Soro" is the origin of women's sensitivity and voice in the wedding celebration, in which a part of the culture of the people of the city is manifested. In fact, these poems express the love and affection of mothers and women for boys and men. As they should and perhaps have been able to cope with this love and affection of the heart and have done their duty well. On the other hand, wedding culture can be seen in these poems. In other words, "Soro" is a long-standing cultural center in the wedding celebration of Rostam city. The themes of these poems are masculinity, description, advice, threat, wedding custom, humiliation, early marriage, warning, boasting, manifestation of religion. Manuscript profile -
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85 - The analysis of the musical layers of Bakhtiari Mahdavi Poems
Farhad Barati Enayatollah MahmoodiContemporary Mahdavi Poems are considered as the most valuable and impressive type of resistance literature and ritual genre because of focusing on freedom, justice, fighting oppression, and picturing utopia with bright horizons. After Islamic Revolution in Iran due to MoreContemporary Mahdavi Poems are considered as the most valuable and impressive type of resistance literature and ritual genre because of focusing on freedom, justice, fighting oppression, and picturing utopia with bright horizons. After Islamic Revolution in Iran due to dominant ideology, waiting culture and Mahdavism have become an important motif in Persian literature and poetry. The Bakhtiari poets also effected by the prevailing thoughts in this era and for the true belief of Bakhtiari people in Shiite teachings, have deeply composed Mahdavi poems. The number of Mahdavi poems studied in this research is thirty-one from eighteen Bakhtiari poets which have been composed and published in a classical form.. The musical layers of Bakhtiari Poems is studied and the aesthetic effects of this layers on the super-layers is analysed. It was determined that Bakhtiari poets while using the musical and phonetic elements of language, in addition to the decorative function, have deeply paid attention to the roles of sounds and their relationships to the subject matter. In Bakhtiari Mahdavi Poems, all three musical layers including outer,inner ,and side layers، based on theme and subject are used. Manuscript profile -
Open Access Article
86 - The comparison of some of mourning traditions of Kermanshah people with shahnameh mourning
ghollamreza salemian khalil kahriziThe Iranian had special ways and traditions to do different actions some of which have been forgotten at present. The signs of these forgotten traditions may be found at the cities and villages on which they live of the ancient forgotten traditions. The main question of MoreThe Iranian had special ways and traditions to do different actions some of which have been forgotten at present. The signs of these forgotten traditions may be found at the cities and villages on which they live of the ancient forgotten traditions. The main question of this paper is there any similarity between these traditions and Shahnameh tradition in the Kermanshah province of Iran? In this investigation, three traditions of the villages in the Kermanshah province with the samples of the local poems in the Kermanshah Kurdish Language have been studied. These traditions and poems have been compared with three Shahnameh traditions named the Moghany roaring, fastening bloody Zonnar and Cutting hair. The results of the study showed the close surprising similarity between the Shahnameh and the Kermanshahi mourning traditions Manuscript profile -
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87 - A window of social criticism in the poems of Vahshi bafghi
Mahdi SadeghiVahshibafighi is one of poets of the Safavid era, who is especially important because of his special style of rhetoric and realism. In this essay, with the aim of social criticism of Bafaghi's poems, descriptive, analytical and testimonial methods are discussed in his p MoreVahshibafighi is one of poets of the Safavid era, who is especially important because of his special style of rhetoric and realism. In this essay, with the aim of social criticism of Bafaghi's poems, descriptive, analytical and testimonial methods are discussed in his poetry. Although the savage is full of love and romance in his poems, at the same time, he talks about various topics such as: "pain and suffering caused by the disordered state of society, social poverty, the situation of different classes, the effects of the environment and climate on him, the state of social phenomena , is clearly visible. By examining the poems of Bahweh, one can get to know the attitude of Safavid rulers towards different classes, the view of Bahweh and society towards these rulers, the prevalence of honesty or hypocrisy in the society, the atmosphere and political atmosphere that prevailed in that period. Manuscript profile -
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88 - Introduction and analysis of the newly written manuscript of GHassab Kashani's court
Elham Gholamkelisani Mehrdad ChatraeiAzizabadi morteza rashidiManuscripts are written heritage and represent the scientific, cultural and social identity of nations. Since ancient times and as evidenced by history, Persian-language writers and poets have created many works, whose preservation and revival is the scientific and cult MoreManuscripts are written heritage and represent the scientific, cultural and social identity of nations. Since ancient times and as evidenced by history, Persian-language writers and poets have created many works, whose preservation and revival is the scientific and cultural mission of researchers. Although researchers in the field of Persian language and literature have long paid special attention to the correction of ancient Persian literary texts, some of these texts have not been revived and corrected after centuries. Nevertheless, the copy of Diwan Kasab Kashani has been corrected five times by Parto Beizai, Abbasi, Javaheri, Karmi and Atefi, and the authors are trying to identify the copy and the author with the descriptive-analytical method and with the help of library sources. and examine the stylistic elements and components, express its linguistic features, its literary, religious, mystical and historical value. Also, address the corrections that have been made from this manuscript, and in each correction, briefly mention the motivations of the correctors for reviving Diwan Kasab, the methods of correction, and the additions and appendices in the corrections. review The results of the research show that the manuscript of Noor Osmaniyeh Library has not been used in the previous corrections Manuscript profile -
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89 - Technics, Causes and Motivations of the Use of Didactic Themes in the lyrical (emotional) Poems Based on the narrative poem of Niaz and Naz
Ahmad Reza YalamehaOne of the broadest and most popular genres of Persian literature is didactic poetry. Didactic poems and works of art are sometimes a completely separate and independent work, such as poems and works that are exclusively devoted to teaching, wisdom, and ethics, and some MoreOne of the broadest and most popular genres of Persian literature is didactic poetry. Didactic poems and works of art are sometimes a completely separate and independent work, such as poems and works that are exclusively devoted to teaching, wisdom, and ethics, and sometimes also dispersed among other literary works. As in a number of cases, moral concepts, verdicts, religions, and beliefs have been used in enormous or even epic or modest poetry, which not only does not diminish the poetic aspect of such works but with passion and a special feeling attracts the attraction of such works. One of the works that are made up of didactic teachings is the unknown Naz and Niaz. This poem, which is one of the exquisite works belonging to the eleventh century AH and is one of the precious love poems of the Persian, has not yet been adorned with embellishment, and the only remaining version of that edition is numbered 483 at the UCLA Library of the University Los Angeles where it is preserved. In this narrative love poem, there are abundant didactic and wisdom meanings and concepts that the poet has used it in the context of passive and sensual ground using such techniques as persuasion, indignation, persuasion, etc. This can be a sign of good intention concerning poet's attempt to reasoning the word is based on rational and artistic logic. The author of this study is to introduce the glossary of this work, therefore, how to reflect the content of the teaching in this rich narrative love poem. Manuscript profile -
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90 - The study of didactic poetic technique of naser Khosro’s poems
alireza nabiloo fereshteh dadkhahNaser Khosro is one of the famous poets in composing didactic poetry. Previously, his poems were related to describing poetry, poets, poem reader. One of the characteristics of his poetry in the field of poem technique is that he tied poetry with knowledge and thoughts. MoreNaser Khosro is one of the famous poets in composing didactic poetry. Previously, his poems were related to describing poetry, poets, poem reader. One of the characteristics of his poetry in the field of poem technique is that he tied poetry with knowledge and thoughts. He characterizes some attributes for poem and the reader of the poems that originated from his world view. It means that the poet himself believes in poem technique and describe this belief for his readers. Points like speech relations, knowledge and wisdom, speech and telling the truth, ingraining of religion with knowledge, paying attention to ascetic poetry, ascribing poetry to metaphysical world matching speech with action poet and speech commitment, poet and religious poetry, criticizing court poet, and finally poet and novelty and newness of speech. He also classifies readers of poems into different types e.g. intellectual readers from nonintellectual readers. this research has been done with respect to these types of readers. Manuscript profile -
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91 - Advices of wise persons won’t ever stop me loving you (Not accepting advice by lovers)
hossein Aghahosseini hashem BagherzadehLove is a phenomenon which associates with spiritual manner, self-experience and interpretation. The description of love and the manner of love and beloved in literature is much expanded and very special. The high frequency about love in literature and in the national l MoreLove is a phenomenon which associates with spiritual manner, self-experience and interpretation. The description of love and the manner of love and beloved in literature is much expanded and very special. The high frequency about love in literature and in the national literatures proves and shows it. In the Iranian literature we can observe the variety of love ether Gnosticism love of human beings to God or vice versa. It is the most beautiful and so bright of human's thoughts. Lyric and love poems is very important. One of the most characteristics is lovers' not accepting advice .In this paper we notice and pay attention to the reasons of not accepting advice by lovers. Furthermore, we notice the variety of advisers and kinds of advices. Manuscript profile -
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92 - .Intertextuality of Quran and Hadith in Didactic Poems of Hafiz Based on Literary Theories
Ahmad Khajeim Seyed Mohammad Alavi Moqadam Asadian Mohammadian Moslem Rajabi. Immortality of didactic poems of Hafiz lies in its irrefrangible relation with Quran and Hadith. He does this usage so artfully that arouses emotions of readers and provokes them to contemplate on these Quranic- Hadith doctrines. He intended to immortalize poems throu More. Immortality of didactic poems of Hafiz lies in its irrefrangible relation with Quran and Hadith. He does this usage so artfully that arouses emotions of readers and provokes them to contemplate on these Quranic- Hadith doctrines. He intended to immortalize poems through the use of these Hadith and Quranic usages. Since intertexuality, or the theory of interaction of texts, is of most important theories for structural and post structural scholars and it delves into the similarities and differences oftext, in prose and poetry, and literary men should have a good knowledge of contemporary and ancient texts, we try to read poems of Hafiz in the light of intertexuality and its theorists like Bakhtin, Cristova, Barth, Michael Riffaterre, Laurent Jenny. The purpose of this survey is to expound Hafiz’s usages of Quran and Hadiths. His poems have been analyzed in an analytic- descriptive method and in the light of theorists of intertexuality to show the consistent structure of the poems and its musical language, and furthermore, to identify the literary innovations by which he has incorporated Quran and Hadith. Manuscript profile -
Open Access Article
93 - The Thunder of Revolt A study on the different manifestations of sins in Hafez’s Poetry
hassan BassakSin is one of the new aspects Hafez has had in his poetry. It is not possible to present a clear outlook on different aspects of sin without a comprehensive look on his poetry. Hafez’s consideration on various aspects of the matter is of high value. He believes th MoreSin is one of the new aspects Hafez has had in his poetry. It is not possible to present a clear outlook on different aspects of sin without a comprehensive look on his poetry. Hafez’s consideration on various aspects of the matter is of high value. He believes that the aptitude to sin is gifted in human being, so it is eternal and belongs to human destiny. It shows that human being tends to chaos although repent is an opportunity for him to gain spiritual evolution within himself. Human challenges with sin and narrating his conditions through Hafez bring a lot of questions and ambiguities about Hafez and his poetry. Considering adherence or non-adherence in Hafez and his belief in religious values provide lots of different perspectives on him to make superficial and sinful understanding of Hafez’s poetry. In Hafez’s view, the ability to sin does not mean the permission of blame, but it represents the belief that sin will not hurt religion. Therefore, Hafez assumes pretending sin against the proud of innocence – which emphasizes on its incorrectness – in the world of poetry. Pretending sin is the main point in Hafez’s poetry. It is on the opposite side of those pretending purity. To avoid the second group, Hafez tries to distance them to show he does not follow them. He knows innocent plaintiffs as real sinful individuals whose understanding is blur through proud and selfishness. According to Hafez, if piety and asceticism are considered as means of gaining value or to be considered magnificently in austere view, they will lose their values and worthiness. One of the most crucial factors in Hafez’s idea towards sin is his positive understanding of human relationship with God and his dependence on His commiseration. Through presenting his idea, Hafez tries to challenge those who not only claim their purity, but also cherish hypocrisy and selfishness. Hafez fights with insincerity and deceitfulness. Based on thought and philosophy taken from Hafez’s poetry, the present article investigates the educational aspects of revolt and sin. Therefore, sin expression of Hafez, pure libertinism and rebuking, avoidance of unity with hypocrites as well as mysticism and worthiness were analyzed through religion, morality and immorality, sin outcome and the effects of purity, sin and human willingness and finally God approbation. Manuscript profile -
Open Access Article
94 - Applying Catford’s Category Shifts to the Persian Translations of Three English Romantic Poems
Samad Mirza Suzani -
Open Access Article
95 - Dialogue or Power of Text Jāmi's Understanding of Ibn al-Fārid's Wine-Poems (Khamriyyat)
Seyyed Hossein Seyyedi Saeedeh MomayyeziAudience-centric views provide new approaches to the study of literary texts, especially old ones. Horizon and circumstances of a contemporary reader are different from those of an old text author. A reader will be able to study an old text well when considering differe MoreAudience-centric views provide new approaches to the study of literary texts, especially old ones. Horizon and circumstances of a contemporary reader are different from those of an old text author. A reader will be able to study an old text well when considering different interpretations of it. The main question of the present research is whether contextuality and individuality can influence one's perception of a subject. Affection and emotion are two major elements of wine-poems (khamriyyat) of Ibn al-Fārid. Abd ar-Rahmān Jāmi has addressed these two issues in Ibn al-Fārid's poetry and has revived his poetry. By using descriptive-analytical method, the essay tries to examine Jāmi's views on Ibn al-Fārid's poetry. Coherence is a characteristic of Ibn al-Fārid's poems. In his poems, we move from wine-drinking to eternal intoxication. To understand the concept of wine, one must study all of his poems. But in Jāmi's poetry, we cannot find this consistency, and every single bit of his poetry can be studied alone. Manuscript profile -
Open Access Article
96 - The Concept of Nazarbāzi in the Poetry of Khwaju Kermani and Shah Nimatullah Wali
Mohammad Sanjarinezhād Abolqāsem Rādfar Hamid TabasiNazarbāzi is one of the most frequent themes in Persian romantic and mystical literature, which is reflected in the works of many great Persian writers. According to some mystics, nazarbāzi refers to a kind of mystical experience in which the mystic reaches a state wher MoreNazarbāzi is one of the most frequent themes in Persian romantic and mystical literature, which is reflected in the works of many great Persian writers. According to some mystics, nazarbāzi refers to a kind of mystical experience in which the mystic reaches a state where he looks at everything, sees God and His manifestations and loves them. Among these mystics are Khwaju Kermani and Shah Nimatullah Wali that in their poems, nazarbāzi can be divided into spiritual and worldly. The purpose of this study is to compare and explain the similarities and differences between the concept of nazarbāziin the poems of these two mystics. The research is done by using descriptive-analytical method. The results of the research show that Shah Nematullah Wali, by watching beautiful faces, looks at the image of God's beauty and his opinion does not refer to physical beauty. But according to Khwaju Kermani, the reason for man to enjoy the blessing of sight is to look at his beloved, and for this reason, most of his poems, related to nazarbāzi, are addressed to the earthly beloved. Manuscript profile -
Open Access Article
97 - Protest literature in Contrast to Mystical Literature
Ali asmand gooneganiIn the thematic classifications of Persian poetry, we encounter a type of literature whose subject is the struggle against the tyranny of rulers and those in power. In recent times, this type of literature has been referred to as protest literature. In mystical poetry, MoreIn the thematic classifications of Persian poetry, we encounter a type of literature whose subject is the struggle against the tyranny of rulers and those in power. In recent times, this type of literature has been referred to as protest literature. In mystical poetry, protest literature can be seen separately and alongside other literary genres. So far, the connection between this genre and the mystical literature has not been studied much. Using a descriptive-analytical method, the aim of the present article is first to classify mystical and Sufi poets from the perspective of protest and then to express the reasons for the opposition of protest literature with mystical poetry in different periods. The results show that due to the spirit of indulgence and deep tolerance, mystical poets do not have a suitable ground for protest and criticism and despite a handful of examples, most mystical poets have been reluctant to address protest themes. Also, the results of the research indicate that due to their intellectual principles, deterministic view, complete reliance on God, surrender to God's will, and sometimes due to severity of the rulers or interacting with powerful people, the mystical poets refused to protest. Manuscript profile -
Open Access Article
98 - The Function of Myth in the Poems of SohrābSepehri
Shamsolhājiyeh Ardalāni ArdalāniOne of the ways for recognizing the culture, thoughts and beliefs of a nation is studying her myths. The origins of some rites and cults which are useful in the life of contemporary man are rooted in the myths as well. Some modern writers and/or poets use myths for rela MoreOne of the ways for recognizing the culture, thoughts and beliefs of a nation is studying her myths. The origins of some rites and cults which are useful in the life of contemporary man are rooted in the myths as well. Some modern writers and/or poets use myths for relating a message; and by doing so, they enrich their works. In the present article, the attempt has been made to show the function of myth in the works of Sohrāb Sepehri employing descriptive-analytical method. Considering the origin of man as subject that is beyond the social themes, Sepehri uses an ontological approach and goes to the world of myths. He rejects the tyranny of the times and skill fully shows the conditions of his society by comparing it to the myths. Sepehri's poems demonstrate rebelling against the history of his times and show the desires and material and spiritual needs of contemporary man. Manuscript profile -
Open Access Article
99 - Mythical Origin of Name in Epic literature
mahmoud rezaei dasht arzhanehHiding the name or revealing it is one the prominent themes in epic literature. The aim of present research is studying the concept of "name" and revealing or hiding it in Shānāmeh, heroic poems and tūmārhā-ye naqqālī (notebooks of storytelling). By using library a MoreHiding the name or revealing it is one the prominent themes in epic literature. The aim of present research is studying the concept of "name" and revealing or hiding it in Shānāmeh, heroic poems and tūmārhā-ye naqqālī (notebooks of storytelling). By using library and content analysis methods, these works have been examined. The results show that in confronting enemy the heroes choose one of these three methods: in 25 cases, the heroes reveal frankly their own name. In 5 cases, they confront their enemies with a forged name, and only in one case they refer to their epithet and honorific title. Apparently, these methods are in contradictory but not so if examined carefully. All three methods have a mythic and ritual origin revealing the role of name in the beliefs of ancient Iranians. In the past, some people believed that name is an important part of man's being and if his name is revealed to his enemies, he will be spellbound and defeated. So, in confronting the enemy, the heroes tried to hide their name or used a forged one. But, some other heroes believed that if the enemy utters their name that will enforce and excite the enemy to attack, so the heroes pre-empt and shout their own names and the enemy will be intimidated. The third aspect is that epithet is not a living part of the hero’s existence. So while refraining from revealing the name they could refer to their epithet facing the enemy. Manuscript profile -
Open Access Article
100 - The Talisman of Jamshid The Analysis of a Mythological Theme in Heroic Poems and Story-telling Texts (Naqqali); Based on Sām-nāmeh
Manoochehr Joukār Mahmood Rezāe Dashtearzhanah Mokhtār Ebrāhimi Lāle ĀshnāAccording to one of Iranian myths, Khvarenah (splendor or Farrah) separates from Jamshid in the disguise of a Warghan (Symorgh or falcon) and is released to Mitra, Fereydoun and Garshāsb. It is one of the ancient mythological underpinnings that has a strong reflection i MoreAccording to one of Iranian myths, Khvarenah (splendor or Farrah) separates from Jamshid in the disguise of a Warghan (Symorgh or falcon) and is released to Mitra, Fereydoun and Garshāsb. It is one of the ancient mythological underpinnings that has a strong reflection in Iranian mythology, epic and story-telling texts (naqqali). A mythological underpinning undergoes a variety of alterations- based on the temporal and spatial context- in its journey from the world of myth to the logical sphere of epic so that it would appear rational to the minds of readers. Then, in changing from epic to folk literature, has been transformed in accordance with the taste of people. Therefore, a mythological motif distances thematically from its origin to such an extent that it is difficult to locate its roots. In the present article, the attempt is made to consider the nexus of Jamishid’s talisman with separation of his Khvarenah and its releasing to Garshasb in the following heroic poems and story-telling scrolls (tumār): Sām-nāmeh, Garshāsb-nāmeh, Bahman-nāmeh, Farāmarz-nāmeh, Jahāngir-nāmeh, Shahryār-nāmeh, Tumar Naqqāli Shāhnāmeh, Tumār Haft Lashkar, Tumār Kohan Shāhnāme Ferdowsi, Tumār Shāhnāmeh Ferdowsi, Zarrin Qabānāmeh, Tumār Sāme Savār va Dokhtar Khāqān Chin. According to the authors of this paper, the attempts of Sistani heroes to open the talisman of Jamshid and to get the treasure or the sword embedded in the talisman are symbolic representation of releasing the heroic splendor (Khvarenah) from Jamshid to Garshāsb and it is presented as a metamorphic form in heroic poems and story-telling texts (naqqali). Manuscript profile -
Open Access Article
101 - Aesthetic analysis of Ashoraee, Mazandarani Fadaee’s poemsfrom the aspect of array of intellectual traditional,modern(amphibology,epanodos,synaesthesia and paradox)
Freydoon Akbari sheldare Sayyed Mansoor FotookianThe essence of art, including literature and poetry, beauty and Scholars of rhetoric know, a novel as an arrangement of words .The clever poets in beauty secret are aware of the requirement Words and this article is going to be reviewed and analyzed the poems of M MoreThe essence of art, including literature and poetry, beauty and Scholars of rhetoric know, a novel as an arrangement of words .The clever poets in beauty secret are aware of the requirement Words and this article is going to be reviewed and analyzed the poems of Mazandarani Fadaee which is decorated by Ashoraee’s flavor from the aspect of Oratory, arrays, opacity, and Epanodos (traditional novel) and Paradox (New Novel). In Fadae’s poems, array of amphibology has a special prominent and it has the most frequency. And proportion opacity was observed in some lines. In his poems, array of opacity in the form of nature elements and religious ritual are artistically seen. It sometimes used expression and musical positions in the form of opacity for declaring the thoughts and religious Contents. It is concluded in “Epanodos ” section that Epanodos has the most frequency in the lines which the beauties of Ashoraee was investigated and in this realm ,the poet also writes the nature elements and its relation to the enormous event of Ashora and sometimes the other components. More “Paradox” is presented in two cases of Documentary s and expressive composition which Ashoraee has no frequency in the aspect of beauty and finally the array is investigated which sometimes apparently sense is related to mental and sometimes both of them which totally has a middle frequency. Manuscript profile -
Open Access Article
102 - Introduction of the Handwritten Miscellany No. 156 of the Majles Library Regarding its Literary and Research Val
Asghar Bahari Seyyed Mehdi Nourian Atamohammad RadmaneshAlongside the collection of poems and the poets’ biographies, the dictionaries, the Amsal-o-Hekam books, the nonliterary works and poetry miscellany and collections are considered as the most important references of the literature and Farsi language where one can MoreAlongside the collection of poems and the poets’ biographies, the dictionaries, the Amsal-o-Hekam books, the nonliterary works and poetry miscellany and collections are considered as the most important references of the literature and Farsi language where one can come across a lot of samples of poems of the poets. The value of the recent type- that is, the poetry miscellany and poetry collections although not as much as the poetry collections and the poets’ biographies, one can gain access to poems and works that can be counted as the sole trustworthy references in some literary researches. Among these poetry miscellany and collections there is a valuable handwritten miscellany that has been estimated to have been recorded between the tenth and eleventh centuries and its handwritten copy is kept in the library of the majlis of Islamic council under number 156. This manuscript has been written by an unknown scribe and has been probably recorded based on the manuscript belonging to the sixth or seventh hijri century. The most prominent trait of this manuscript is the essence of the poems written by the unknown poets, the recent poems by the famous poets, and the attribution of some poems to the other poets, and some affidavits. The present article introduces this copy fully and tries to unravel its literary and research values for those who are interested in the poetry specially the Farsi poetry in the 5th, 1th, and 7th centuries. Manuscript profile -
Open Access Article
103 - Poems about Palestine of salafa hijjawi
zahra abbasi semnani Leila ghasemi hajiabadiOne of the most productive branches of literature in Palestine’s territory is the literature of resistance and resistance literature can be considered as an influential part of the poem. A poem which is one of the most important trenches of the nation’s agai MoreOne of the most productive branches of literature in Palestine’s territory is the literature of resistance and resistance literature can be considered as an influential part of the poem. A poem which is one of the most important trenches of the nation’s against military domination, and cultural and political for the revolutionary people of Palestine’s Muslim. And that part of the literature in any country, including quantitative and qualitative growth and prosperity is not even getting close to the level which is occurring in Palestine. Sulafa hijjawi is a contemporary poet of the Palestinian resistance, the Palestinian issues are devoted much of his odes; he tries to employ the most prominent thematic elements in the poetry of resistance, such as displacement, exile, occupation, martyrs and also using modern technical means in Arabic poetry as an element of repetition, imagery and poetic mysteries, beauty of his poems has a deep impact on the reader’s sentiment on the disclosure of the nature of the Zionist regime and has an important role to defend of their country. Manuscript profile -
Open Access Article
104 - Study of the Symptomology of Bipolar Disorders (Manic-Depressive) in Forough Farrokhzad's Poems
Arash MoshfaghiAbstractWith a profound look at the literary works of poets and literary writers, one can see the growth and development of literature and psychology. Since, every created work is not outside the world of psychology. Because the inner psychological states of the c MoreAbstractWith a profound look at the literary works of poets and literary writers, one can see the growth and development of literature and psychology. Since, every created work is not outside the world of psychology. Because the inner psychological states of the creator of the work shadow on the created work, and in fact, the literary work expresses the conscious and unconscious inner psychological dynamics of the author. One of these common situations in the individuals, especially in the poets, can be depressed mood which leads to "depression". Depression disorder, which is placed in the inside of mood disorders class, in its full form, has several types that one of its types is bipolar disorder (Manic-Depressive). The aim of the present study was to examine the poems of Forough Farrokhzad, known as Pari Shahdokht of contemporary poetry, based on the semiotics of bipolar disorder (Manic-Depressive). For this purpose, the analytical method of poetry of the poet was used. According to the results, it seems that the existence of two essential drives of life and death in Forough's poems is impressive. The poet has been able to place two opposite and contradictory sources in her poems with artistic techniques, all of which emanate from inner psychological states full of contrasts and contradictions of human. The main factor of these states can be attributed to the failures, frustrations, and backwardness of social knowledge and ... of any human being which is very prominent in the poems of this poet. Manuscript profile -
Open Access Article
105 - Studying the Social Problems of Maulana in the Ghazalyyate (collection of lyric poems ) Shams
Elaheh Rahmanian Reza Ashrafzadeh Batool FakhroleslamAbstract Any literary work has a sign of social origin in its texture. The social environment in which the work has flourished is reflected in the style and expression of its writer. Shams' collection of lyric poems is one of MoreAbstract Any literary work has a sign of social origin in its texture. The social environment in which the work has flourished is reflected in the style and expression of its writer. Shams' collection of lyric poems is one of these works in which Maulana deals with most of the facts, and customs and social conditions. Maulana's poetry is the reflection of his own social life and illustration of realities of his own era, and demonstrates his own individual and social characteristics. The present research is an attempt in analyzing the social character of Maulana in the Shams' lyrics which is a way in understanding the cultural and social problems of the author and it is a useful instrument to talk about his romantic and mystical system of thought. The social dimension of Maulana's characteristics, in the Diwane Shams have been surveyed in two sections: the first one is the social asset and the second one is the sociology of Diwane Shams from which the first dimension had much more impact. We expect this research be a thoroughfare to go to ethical virtues and reject of meanness and humility in the present era. Manuscript profile -
Open Access Article
106 - Investigation of Reformism and Modernism from Farrokhi’s standpoint (1267-1318)
Mahmood Sadegh zadehThe concept of Reformation and modernism is one of the main, wide scope and diverse subjects in constitutional period and intellectuals and constitutionalists each had a certain impression of it which later caused conflicts and created many historical, cultural and poli MoreThe concept of Reformation and modernism is one of the main, wide scope and diverse subjects in constitutional period and intellectuals and constitutionalists each had a certain impression of it which later caused conflicts and created many historical, cultural and political problems. Farrokhi Yazdi, considering his political tendencies and his thoughts and his harsh critical style, seriously believed in fundamental reform, revival of ideas and acquisition of western science and technology and in his political fights this has been his constant preoccupation. Thus, the most frequent subject matter in his editorials was concerned with direct criticism against the dogmatic regime, and flimsy parliament, also reform, idealism, and modernism. As yet not a single research has been done on this aspect. Attempt is made in this article to criticize and investigate Farrokhi’s viewpoints on Reformation and Modernism based on the result of reviewing and analysis of newspapers, editorials, and his poetry from the following perspectives: A- Obstacles and problems on a way to Constitutionalism, Revolutionary Reforms B- Necessity for Revolutionary Reforms and influential factors involved C- Modern Approaches and acquisition of western science and technology Manuscript profile
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