“A treasure appeared…” (Critique of different aspects of symbolic meanings in the Great Divan)
Subject Areas : Mystical (with literary and artistic features)
Tahere Ahmadi
1
(
Instructor, Department of Persian Language and Literature, Tonekabon Branch, Islamic Azad University, Tonekabon, Iran.
)
Keywords: Rumi, lyric poems, code, music and hearing, letters, mythology.,
Abstract :
Language is perhaps the most important cultural evolutionary phenomenon of humankind. The artist’s particular view of the world is necessarily manifested in a particular way of expression; In other words, each particular view occurs in a specific language, and the artist must use a language other than ordinary language to convey his new mental forms; he inevitably uses metaphors, symbols and codes to visualize his conscience. Many words of any language, in addition to their central and general meaning, have implicit meanings and their use in the text is emotionally charged and this causes ambiguity and expansion of meaning. Every poet has something in his poetry that is unique to him and has signs of the poet’s personal and psychological characteristics. In the case of a poet like Rumi, these features are quite prominent, his lyric is selfidentification. This article deals with the “secret” in the lyrics of the Shams; Criticizes the aspects of showing Rumi’s thoughts and emotions in them. In this regard, library and inductive research methods, fractional analysis, have been used. In Rumi’s intellectual evolution, he relied especially on the element of music and dance (Samaa) and these topics are the beginning of our discussion. Then in continue, I will talk about the cryptic aspects of the myths and stories of the prophets. In the fourh chapter, I will talk about the cryptic aspects related to astronomy and at the end I finished this article with the codes that are related to the letters.
