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Open Access Article
1 - -Qurān and Akhbār ad-Dawla al-Ābbāsīyya: An Intertextual Study
zeinab izadi Masoud SadeghiAkhbār ad-Dawla al-Ābbāsīyya is a new work from an unknown writer which had an important role in changing researchers view on the Abbasid revolution and the principles of Caliphate. In this book, Qur’ânicization and the Citation from the Qur’an have fo MoreAkhbār ad-Dawla al-Ābbāsīyya is a new work from an unknown writer which had an important role in changing researchers view on the Abbasid revolution and the principles of Caliphate. In this book, Qur’ânicization and the Citation from the Qur’an have four methods: literary use of the Qur’an, putting verses in the new historical context and presenting a different interpretation of them, historization and legitimization by using Quranic terms. According to the intertextuality studies, we can say that the Qur’an has certainly affected this book. The various goals of the Citation from the Qur’an are improving of the writing style of the text, creation of religious space and giving the authenticity to a narration or even legitimization to the Abbasid Caliphate. Moreover, Akhbar ad-Dawla al-Abbasiyya shows that the writer knew the Qur’an well, used it skillfully and his mind is too familiar to words, terms and verses of the Qur’an Manuscript profile -
Open Access Article
2 - The Theory of Intertextuality as a Research Approach in Social History Studies; Ali ibn Abi Talib in the Inscriptions and Futuwat-namas from the Seventh to the Tenth Centuries H.
Nasim Khalili Mahdi Farahani MonfaredThe aim of this article is to study the legend of Ali b. Abi Talib (puh) during Iranian Medieval history in a wide range of fields from architecture to literature and folklore. The author used the intertextuality approach and on basis of Roland Barthes's method, tries t MoreThe aim of this article is to study the legend of Ali b. Abi Talib (puh) during Iranian Medieval history in a wide range of fields from architecture to literature and folklore. The author used the intertextuality approach and on basis of Roland Barthes's method, tries to clarify how the legend personality of Ali has been formed and re-produced through a cultural network during centuries. References Afshar, Iraj, Yādigār-hā-yi Yazd, Tehran, Andjuman-i āthār wa mafākhir-i farhangī, 1995/1374. Afshari, Mehran, Futūwwat nāma-hā wa rasāil-i khaksāriyya, Tehran, Institute For Humanities & Cultural Studies, 2003/1382. Ahmadi, Babak, Sākhtār-i tawīl wa matn (the structure of text interpretation), Tehran, Nas̲h̲r-i- Markaz, 1991/1370. Ahmadi, Babak, Risāla-i tarīkh, djustārī dar Hirminūtīk-i Tarīkh (An essay on history- the Hermeneutic vision of history), Tehran, Mazkaz, 1999/1378. Alan, Graham, Biynāmatnīyat, (Intertextuality), trans. Payam yazdanju, Tehran, Nas̲h̲r-i Markaz, 2001/1380. Azam Vaqefi, Seyyed Hussein, Mīrāth-i farhangī-yi naṭanz, Natanz, Andjuman-i Mīrāth-i farhangī, 1995/1374. Barthes, Roland, “Guftār-i takhī” (The Discourse of History),trans. Fazlollah Pakzad, Arghinun, No.4, pp. 96-83, 1994/1373. Ibid, Usṭūria-yi imrūz (Myth today) trans. Shirin Dokht Daghighian, Tehran, markaz, 2007/ 1386. Ibid, Ladhdhat-i matn (The pleasure of text), trans. Payam Yazdanjoo, Tehran, markaz, 2006/ 1385. Blair, Sheila, Mimārī īlkhānī dar naṭanz(The Ilkhanid Shrine Complex At Natanz, Iran), trans. Wali Allah Kavoosi, Tehran, The Iranian Academy Of Arts, 2008/1387. Braudel, Fernand, Sarmāyia-Dārī wa ḥayāt-i Mādī 1400 Tā 1800 Mīlādī( Capitalism & Material Life, 1400-1800), trans. Behzad Bashi, Tehran, Niy, 1993/1372. Godard, André, Āthār-i Iran (Annales des services archéologiques d'Iran), trans. Abual-Hasan Sarvghad Moghaddam, Mashhad, Islamic Research Foundation, 1996/1375. Gūlpīnārlī, ʿAbd al-Bāḳī, Futuwwat dar kishwar-hā-yi Islāmī, trans. Tofigh H. Sobhani, Tehran, Ruzana, 2000/1379. Hamzelu, Manouchehr, “Nām-i ʿAlī bar gunbad-i sulṭāniyya”, Kitāb-i māh hunar, No.32-32, 2001/1380. Honarfar, lotf- Allah, Gandjīna-yi Āthār-i Tarīkh-yi Iṣfahān, Isfahan, Thaḳafī, 1965/1344. Ibn Maghāzilī, Manāḳib-i Maghāzilī, Revised by Muḥammad Djawād Ayatullāh Zāda Marʿashī Nadjafī, Qom, The library of Ayatollah Marashi Najafi, 1957/1336. Ibn Miʿmār, Muḥammad b. Abu al- Makārim, Kitāb al-Futuwwat, Revised by Muṣṭafā Djawād, Baghdād, Maktab-i al- Muthannā, 1957/1336. Kalbasi, Hossein & Ahmadi, Gholamhossein, “Hirminūtīk fan-i ʿām-i fahm wa tafsīr az nazargāh-i Schleiermacher”, The University of Tabriz Journal of Literature and Humanities, No. 205, 1999/1378. Kashefi Sabzevari, Molla Hissein, Futuwwat-nāma-yi sulṭānī, Revised by Muhammad Jafar Mahjoub, Tehran, Cultural foundation of Iran, 1971/1350. Kristeva, Julia, Fardīyat-i Ishtirākī(Head Cases: Julia Kristeva on Philosophy and Art in Depressed Times- Julia Kristeva, interview by Nina Zivancevic), trans. Mehrdad Parsa, Tehran, Rozbihān, 2010/1389. Ibid, “Kalām, mukālima wa rumān” dar Payam Yazdanjoo, ba sū-yi pasāmudirn: pasāsākhtār-garā-yī dar mutāliāt-i adabī, Tehran, markaz, 2002/ 1381. Lechte, John, Pandjāh mutafakkir-i Buzurg-i muāṣir az sākhtār-garā-yī tā pasāmudirnīta(Fifty keyContemporary thinkers: from structuralism to postmodernity), trans. Mohsen Hakimi, Tehran, Khudjasta, 2004/1383. Lévi-Strauss, Claude, Nizhād wa Tarīkh (Race et histoire), trans. Abolhassan Najafi, Tehran, Pazhūhishkada-yi ʿulūm-i Irtibāṭī wa tawsiʿya-i Iran, (und.). Makaryk, Irena Rima, Dānish- nāma naẓariyya-hā-yi adabī muāṣir, trans. Mehran Mohajer & Muhammad Nabawi, Tehran, Āgah, 2005/1384. Mazzaoui, Michel, Piydāyish-i Dawlat Safawī (The origins of Safawids), trans. Yaghoub Azhand, Tehran, Gustara, 1984/1363. Mcquillan, Martin, Guzīda-yi Maḳālāt-i Rawāyat( The narraitive reader), trans. Fattah Muhammadi, Tehran, Mīnuwī-yi khirad, 2009/1388. Mirzaei, Faramarz, Rawish-i guftumān kāwī-yi shir, Iranian association of the Arabic language and literature, No.4, 2005/ 1384. Modarressi Tabatabaei, Seyyed Hosseien, Turbat-i pākān, Qom, Mihr-i ḳum, 1956/1335. Mostafavi, Seyyed Mohammad Taqi, Āthār-i tarīkh-yi Tehran, Revised by Mir Hashem Mohades, Tehran, Society For The Appreciation Of Cultural Works & Dignitaries, 1996/1375. Namvar motlagh, Bahman, Darāmadī bar Baynāmatnīyat, naẓariyya-hā wa kārburd-ha, Tehran, Sukhan, 2011/1390. Nietzsche, Friedrich Wilhelm & others, Hirminūtīk-i mudirn, Guzīna-yi djustār-hā, trans. Babak Ahmadi, Mehran Mohajer, Mohammad Nabavi, Tehran, Nashr-i Markaz, 2006/1385. Safavi, Kourosh, “Munāsibāt-i- Baynāmatnīyatī”, dar Hasan Anushe, Dānishnama adab-i farsī, Tehran, Sāzmān-i čāp wa intishārāt, 1997/1376. Sarraf, morteza, Rasāil djavānmardān(traits des compagnons- chevaliers: Rasail-e javanmardan), Tehran, Andjuman iranshināsī Iran wa France wa intishārāt-i Muʿīn, 1991/1370. Sasani, Farhad,“Pīshīnia wa Pasīnia-yi Naḳd-i- Baynāmatnīyatī” , Baynāb, No. 5-6, 2004/1383. Shayestehfar, Mahnaz,“Djāyigāh-i ḳurʾān, ḥadīth wa adʿiyya dar katībia-hā-yi islāmī”, Human sciences Modares, No. 23, pp. 94-57, 2001/1380. Ibid,“Tazʾīnāt katībia-iy gunbad-i sulṭāniyya”, Journal of fine arts, No. 11, 2001/1380. Strinati, Dominic, Muḳaddima-iy bar naẓarīya-hā-yi farhang-i An introduction to theories popular cultur), trans. Soraya Pak- Nazar, Tehran, Gām-i nū, 2009/1388. Tarsusi, Abu Tahir, Abu Muslim nāma, Revised by Hossein Esmaeili, Andjuman iranshināsī-yi France dar Iran wa Nashr-i ḳaṭra, 2001/1380. Todorov, Tzvetan, Būṭīḳā-yi sākhtār-garā (Qu'est - ce que le structuralisme), trans. Muhammad Nabawi, Tehran,Āgah,1998/ 1377. Vaezi, Ahmad, Darāmadī bar hirminūtīk, Tehran, Mawasisa-yi Farhangī-i dānish wa andīsha muʿāṣir, 1380/2001. Vakiliyan, seyyed ahmad & salehi, khosrow, Ḥaḍrat-i Alī dar ḳiṣṣa- hā-yi āmīyāna, Tehran, Ministry Of Culture & Islamic Guidance, 2001/1380. Zaimaran, Muhammad, Gudhar az djahān-i usṭura ba falsafa, Tehran, Iran Hermes publishers, 2000/1379. Zamrashidi, Hossein, “siyrī dar namāsāzī-yi masādjid dar adwār-i islāmī”, Masdjid, No. 38-37, 1998/1377. Manuscript profile -
Open Access Article
3 - Elements of postmodern cinema in the movie “Have You Another Apple?”
Seyede Sorayya Mousavi Seyed Mohammad Mehdizade TaleshiThe current study aims to recognize the elements of postmodern cinema in the movie “Have You Another Apple?” directed by Bayram Fazli in 2006. To this end Quantitative content analysis method was used in order to achieve the goals. The unit of analysis is &l MoreThe current study aims to recognize the elements of postmodern cinema in the movie “Have You Another Apple?” directed by Bayram Fazli in 2006. To this end Quantitative content analysis method was used in order to achieve the goals. The unit of analysis is “scene”. Statistical population of this research is 90 scenes of movie “Have You Another Apple?”. Data were collected through the census method and were analyzed using SPSS. The findings have been analyzed based on “intertextuality” and “decline of metanarrative”. The result shows this film is a postmodern movie without a classic hero. It involves the audiences in storytelling. The film is dominated by a pseudo-surreal sphere. The postmodern films include lots of signifiers that their signified is made in audiences' minds. “Have You Another Apple?” is full of signs and symbols. Many of scenes look like painting, so it could be concluded that the figure is dominant. The main character in “Have You Another Apple?” is not like the heroes in classic films; he is immature and fool. In the most scenes of this movie, human is portrayed as a “captive”. Based on the results characters rarely try to escape from oppression, and in the most scenes they surrender. At the end of the movie, nobody overcome the oppression. The movie denies the active and aware subject and the possibility of human liberation and emancipation. This film ends while the main character running that reminds “Sisyphus Cycle and the Futility”. Manuscript profile -
Open Access Article
4 - Comparative Comparison of Common Animal Motifs in the Sheikh Safi Al-Din Complex (Safavid Period) and the Shrine of Imam Reza (AS) (Qajar Period): An intertextual Approach
Roya Esmi Habib Shahbazi ShiranDecorative motifs have evolved significantly in the architecture of the Islamic era in terms of form, structure, aesthetic, and doctrinal principles and represent the beliefs of the people in that era. In this study, an attempt has been made to provide a new possibil MoreDecorative motifs have evolved significantly in the architecture of the Islamic era in terms of form, structure, aesthetic, and doctrinal principles and represent the beliefs of the people in that era. In this study, an attempt has been made to provide a new possibility for a deeper analysis of common animal motifs in the Islamic periods of Safavid and Qajar with an intertextuality approach (with the help of logical reasoning and the Delphi method) to perceive decorative motifs. Therefore, the intertextuality relations between the motifs of the two historical tombs of the Sheikh Safi al-Din Ardabili complex (Safavid period) and the holy shrine Imam Reza (AS) (Qajar period) were analyzed. According to the findings, the animal motifs identified with intertextual relations included peacock (11 cases), cow (2 cases), pheasant (16 cases), duck (1 case), and dragon (16 cases). In all the motifs of the buildings, the pretext type was of the exclusive type, and the hypertext type was of the transformation type. In addition, in peacock, pheasant, and dragon motifs, the largest number of additional substitution, substitution, and substitutional -ellipsis types were observed, respectively. It seems that in selected buildings of the Safavid and Qajar periods, the change in the colors of animal motifs is more evident than in other dimensions of intertextuality. This change has had an impact on the spiritual and mystical content of the motifs, and somehow, in addition to the mystical and spiritual content, attention to material aspects (increase in wealth and abundance of blessings) has been considered in the use of various colors. Manuscript profile -
Open Access Article
5 - Comparative Analysis of Common Patterns of Language and Architecture in Traditional and Modern Mosques of Iran (Cases Study: Sheikh Lotfollah Mosque, Nasir Al-Molk Mosque, Al-Ghadir Mosque, Shahrak-e-Gharb Central Mosque)
Faezeh Shooshtari Farah Habib Azadeh Shahcheraghi -
Open Access Article
6 - Semiotics of verbal rhetoric in print advertising - Case study
masoud keymasi Mazdak Anusheh vahide assadzadeThis article discussing profound dependency between advertising and language, illustrates how some of the rhetorical and semantic features of language are exploited to achieve the purpose of advertising. Using qualitative semiotics and multi-case study strategy, this st MoreThis article discussing profound dependency between advertising and language, illustrates how some of the rhetorical and semantic features of language are exploited to achieve the purpose of advertising. Using qualitative semiotics and multi-case study strategy, this study examines the relationships and functions of verbal rhetoric’s and signs and demonstrates the importance of rhetorical and sign language in advertising in achieving advertising goals. Using Saussure, Barthes, and Helmsley’s view of semiotics, this article reveals important methods in which advertisers create meaning, such as metaphor. It also studies concepts such as “implication” and “meaning” for the semiotic analysis of print advertising. In this paper, we tried to collect all print advertisements in magazines, newspapers and billboards in Tehran in the second half of 1396 and at first using a multi-case study strategy the typology of verbal rhetoric’s was performed and the frequency of each was identified, and then analyzed using the semiotic method. After studying 287 print ads, it was found that the important methods of meaning creating of advertisers is to use innuendo, metaphor, irony, and exaggerations with 84, 68, 34 and 33 respectively. Manuscript profile -
Open Access Article
7 - Designing a Reporting Financial Intertextuality Model and Its Effect on Working Capital Management Strategy: Case Study of Steel Industry Companies
Mohsen Shiribabadi Allah Karam Salehi Saber Molaalizadeh Zavardehi Alireza JorjorzadehFinancial reporting practices as an information strategy, while it can help increase the company's interaction with stakeholders, can also be effective in the future direction of the company in terms of adopting the optimal level of working capital. Financial intertextu MoreFinancial reporting practices as an information strategy, while it can help increase the company's interaction with stakeholders, can also be effective in the future direction of the company in terms of adopting the optimal level of working capital. Financial intertextuality reporting is a systematic approach based on the interaction between the company and stakeholders, which allows the presentation of comparable financial statements in a competitive market and through it, it can influence the optimal working capital policies of the company due to the increasing confidence in the market. The purpose of this research is designing a reporting financial intertextuality model and its effect on the working capital management strategy. The methodology of this research was mixed. In the qualitative part, grounded theory analysis based on Glaser approach was used to formulate the model, and in the quantitative part was used analysis of variance. In fact, the purpose of the analysis in the qualitative part was to present the model and in the quantitative part was to analyze the differences between financial intertextuality reporting methods in the optimal adoption of working capital management. The target population in the quality department was 12 academic specialists who were considered experts, both scientifically and empirically. But the target population in a small part were the managers of the accounting department of capital market companies who based on work experience and level of technical and specialized knowledge according to the level of error 5% and test power 90%, 2 groups of 50 people based on the separation of demographic variables on differences in reporting methods. Financial intertextuality was selected and contributed to the optimal management of working capital. The results of the research in the qualitative part indicate the existence of 2 categories, 4 components and 22 concept codes that have established the method of reporting financial intertextuality in the form of an integrated quadrilateral model. Also, the results in the quantitative section with respect to the two categories of strategic approach and operational intertextuality of financial reporting showed that the strategic intertextuality approach in financial reporting on optimal working capital management is significantly different from the operational intertextuality approach in financial reporting. This result shows that since financial management is considered as an area of corporate decision-making in formulating the firm's future financial strategies, the firm's focus on uniformity and content development of dis closable concepts can be more specifically than the development of intertextual reporting levers (Operational) such as information technology and cybernetic approaches such as scalable reporting language. Manuscript profile -
Open Access Article
8 - Investigating the intertextual relations of the mystical Masnavi "Shahed Ghaybi" by Ahmad and "Yousef and Zuleikha" Jami
fatemeh maleki alipedram mirzaei fatemeh koupa hosein yazdaniIntertextuality is one of the new topics in literary criticism that deals with the relationship and interaction between texts. According to this theory, any text makes sense with the texts before it and no text is independent and conscious or unconscious speakers have b MoreIntertextuality is one of the new topics in literary criticism that deals with the relationship and interaction between texts. According to this theory, any text makes sense with the texts before it and no text is independent and conscious or unconscious speakers have benefited from each other's literary and intellectual sources. Intertextuality was first proposed by Julia Kristova, and later Geragent, as one of the most influential researchers in the field, developed this theory by examining his studies. Genet called his collection of studies transmittent. He divided the transtextuality into five categories, which are: intertextuality, paratextuality, hypertextuality, supertextuality, hypertextuality. Each of these five categories examines a type of relationship between a text and others. Among which intertextuality received more attention. This study has analyzed the effectiveness of the "Unseen Witness" manuscript of Abdolrahman Jami's "Yousef and Zuleikha" Masnavi based on the intertextual approach. The fruits of this research show that although these two works are completely different in terms of subject matter, but they have a lot in common in terms of text, verbal structure and narrative. And the author of "The Unseen Witness" has been influenced by Jami's thoughts and ideas in "Haft Orang", especially his "Bosef and Zuleikha", and intertextual relations are explicitly, explicitly and implicitly. Manuscript profile -
Open Access Article
9 - A Research on Radviani's Views and the Relationship Between Tarjoman Al-Balaghah and Mahaasen Al Kalaam
Reza Qasemi Amir Hossein Hemmati Asghar Reza PourianLiterary nations are inevitably influenced by intellectual and cultural connections. One of the manifestations of influence in the field of Islamic culture is visible and remarkable in the field of rhetoric undoubtedly. Intertextual theory discusses the relationships an MoreLiterary nations are inevitably influenced by intellectual and cultural connections. One of the manifestations of influence in the field of Islamic culture is visible and remarkable in the field of rhetoric undoubtedly. Intertextual theory discusses the relationships and influence of texts; According to this theory, no text is self-reliant and is somehow related to its predecessors. The book "Tarjaman al-Balaghah" is one of the prominent works of Persian rhetoric, which has been proposed as the first rhetorical work and has remained till now according to the available evidence. This valuable work has a special place in Persian rhetoric and most rhetorical books have also been influenced by the mentioned book. Although the author is an expert and innovative in writing "Tarjman al-Balaghah", but it is a translation of the book "Mahasen al-Kalam" in terms of naming and most of the definitions. Radviani's research method in his book is more accurate than its original source and provides a list of arrays (devices) at the beginning of the book. The number of its devices is more than the number of them in "Mahasen al-Kalam". In translating the book, Radviani has tried to inspire the Persian language. Manuscript profile -
Open Access Article
10 - A comparative analysis of the story of the island from Ghazaleh Alizadeh and I am going by Jean Eshnoz from the point of view of Bakhtin's views.
Maryam Dibaj rezvan sadeghi ghahsarehIsland” by Ghavaleh Alizadeh, is the story of a one-day trip by a man and woman to the Ashūradeh island. This story is some form of a sequel and ending to her “Tehran’s Nights” novel. In this article and using Bakhtin’s polyphony components MoreIsland” by Ghavaleh Alizadeh, is the story of a one-day trip by a man and woman to the Ashūradeh island. This story is some form of a sequel and ending to her “Tehran’s Nights” novel. In this article and using Bakhtin’s polyphony components, we investigated the examples and their use in this story using a descriptive-analytical approach. We first aimed to answer the question regarding the components of polyphony and their use in this novel. To this end, we emphasized intertextuality, multilingualism, and conversational aspects. Afterwards, these components were analyzed in the story. Bakhtin found the true representation of "polyphony" in Dostoyevsky's works; Polyphony means the presence of several sounds. Every character in Dostoyevsky's works is a representation of a voice that represents an individual self - apart from others. Polyphonic thought to the concepts of "infinity" [ to the entry of the endless self in the same entry] and "self and other" is relevant; Because it is the infinity of people that creates real polyphony. The results of this article indicate that the story by Ms Alizadeh has been successful in avoiding singular ideas in its discourse and providing a suitable basis for different ideas and thoughts and different attitudes, leading to acceptance of others as a separate and independent awareness. Manuscript profile -
Open Access Article
11 - Affective types in six stories from world literature Based on Genet's hypertextuality
Mahboubeh MoslemizadehStudying the relationships between texts led to the discovery of the great theory of "intertextuality" in the 20th century. Based on this theory, every text is formed on the basis of previous texts. Kristeva, Barthes, Sollers and Genette are among the influencers and de MoreStudying the relationships between texts led to the discovery of the great theory of "intertextuality" in the 20th century. Based on this theory, every text is formed on the basis of previous texts. Kristeva, Barthes, Sollers and Genette are among the influencers and developers of this theory. Genette tried to examine any relationship between texts including all the details and called the set of these relationships "transtextuality", of which hypertextuality is one of its branches. The purpose of this article is to investigate hyperertextual effects and signs in six fictional works of the world based on Genette's theory. The research method is to study, analyze and compare the stories of The Miser, Christmas Carol, Story of Miserly Man, Eugenie Grande, The Miserly Knight and Dead Souls. The result of the studies shows that five of above-mentioned stories have a single pretext, and that is the play "Judgment" by Menander, which is the first example of Aulularia by Plutus which was imitated by Moliere in "The Miser". In other stories, "The Miser" is the model, which will be their hypertext, and in principle, the hypertext of "Judgment". The types of these hypertexts are pastiche, charge, and replacement. Manuscript profile -
Open Access Article
12 - A Study on Mythical Intertextuality in Shamloo's Poetry (Based on Gérard Genette's Theory)
Akram Zafari Batool Fakhr Islam Seyyed Hossein Seyyedi Akbar ShabaniMythical texts are texts of past which have close relation with Persian poetries. Myths own intertextual nature; because in the texts in different times, verbal and written literature are reviewd contiously. Intertextuality and comparative mythodology are tw MoreMythical texts are texts of past which have close relation with Persian poetries. Myths own intertextual nature; because in the texts in different times, verbal and written literature are reviewd contiously. Intertextuality and comparative mythodology are two continuous sciences. Shamloo is one of the famous Iranian poets who was committed to society in Persian literature. Assumption of the present article is that Shamloo was enamored of western culture and Christian texts; thus intertextual discourse (with Gérard Genette's approach) with the texts derived from the mentioned cultures is more applicable in his works. The present research attempts to study not only recognize intertextuality focused on Gérard Genette's writtings but also expresses its application in Shamloo's poetries. This article's methos is descriptive with comparative approach. Manuscript profile -
Open Access Article
13 - Matching "Blind Owl" and "El Ella" According Grymas
Ali asghar Mahmoodi Samira GhasemiInvestigating two effects can often provide two understand it more , especially when they are from one source but day seem different. In writers idea two effects boof koor (hedayat) and elella (Serrano) while they benefit from one manifestation but they seem two separat MoreInvestigating two effects can often provide two understand it more , especially when they are from one source but day seem different. In writers idea two effects boof koor (hedayat) and elella (Serrano) while they benefit from one manifestation but they seem two separate categories. Both of them are discussed in the mental or psychological sense and try to report a new emotion and analyses it and become familiar with different people in fact they reach to themselves or show themselves in boof koor more explanation is what is happen but in elella it leads two a consensus and unity with mental and cognitive events and complexity of them or united to describe personalities caused by looking at the origin narrative with the Grymas logic to be explained more clearly. Inside such works (which is full of repetition and ambiguity) can find a particular system and different manifestation of one person how can be closed to be united while they are in contrast. Manuscript profile -
Open Access Article
14 - Myth in Hedayat and Edgar Allan Poe's works Based on Intertextuality approach
Mahboubeh Emtiyazi Gholam Reza Hatefi MajomardToday the conjunction between the comparative literature and intertextuality is known as a new achievement which makes the analysis easier in a framework. One of the most important factors of analysis in the field of comparative literature is to study the similarities a MoreToday the conjunction between the comparative literature and intertextuality is known as a new achievement which makes the analysis easier in a framework. One of the most important factors of analysis in the field of comparative literature is to study the similarities and the effects on one another; the text founds based on a pre – discourse and then makes the discourse of his own and it even causes change in the main text. According to the myths effects on one another, this paper tries to compare the myths in Sadeq Hedayat and Edgar Allan Poe's works. The present paper attempts to study the myths and their applications in two abovementioned famous authors based on intertextuality. The question of the research is how to study Sadeq Hedayat and Edgar Allan Poe's works based on intertextuality. The results show that the similarities of myths and common applications in the field of content and concept is observable. Manuscript profile -
Open Access Article
15 - “Complete Peace”: The Logical Dialogue of World Literature in the Logic of a Dialogue between Hazef and Goethe
Tahereh KouchakianThe extreme form of cultural peace and affection among two nations can be found in Goethe’s love towards Hafez. In his spiritual maturity, Goethe was so infatuated by Hafez’s well established thought that he could choose an interactive approach and frequentl MoreThe extreme form of cultural peace and affection among two nations can be found in Goethe’s love towards Hafez. In his spiritual maturity, Goethe was so infatuated by Hafez’s well established thought that he could choose an interactive approach and frequently talked about this infatuation. Literary relationships between Iran and Germany are not confined to Hafez and Goethe, but the magnificence of the logical dialogue between them stands outside time and place. Goethe introduced the idea of the world literature for the first time; Bakhtin offered dialogism, the relationship of a speech to another one to omit monologism; and Julia Kristeva developed this concept to the relation between texts and literary discourses. This study aims to review Hafez and Goethe’s dialogue as a symbol of east and west and analyze the world literature theory from one hand and study the effect of this dialogue in constituting positive global discourses on the other. In so doing, the role of logical dialogue among texts and discourses is highlighted to create a universal peace and understanding, to glorify the similarities and respect the differences leniently. This study deals with this idea analytically, comparatively and critically. Manuscript profile -
Open Access Article
16 - Comparative Study of the Movie "Mum's Guest" Based on Gérard Genette's Theory
Ehsan AvaniThe story contains two main factors can be seen in all stories: the narration and the narrator and consider as the nature of each story. Gérard Genette – affected by Russian formalists – knows the story as a real form; thus he could offer an analysis MoreThe story contains two main factors can be seen in all stories: the narration and the narrator and consider as the nature of each story. Gérard Genette – affected by Russian formalists – knows the story as a real form; thus he could offer an analysis for all chronicle events and narrations and found the story format and theme by applying time and changes in story lines. He introduces the theory of time in narration based on three factors: regulation, continuity and frequency; he also considers the narrative science based on the story relations and the context especially time and aspect which are combination of narrative structure and transtextuality theory – it generally is the relationship of one text in another. The credit of the movie also is emphasized in the research as one of the 5 transtextuality samples. The article studies the narration techniques from Gérard Genette' viewpoint in one hand and the movie "Mum's Guest" on the other hand as the most important applied techniques. Manuscript profile -
Open Access Article
17 - Comparison of “Lamiya Al Arab” and “Lamiya Al Ajam” in ethical norms depiction
Abbas Eqbali Masoumeh HosseinpourPoetry expresses lots of ethical norms as an ancient literary media. In the background of this media two epics – “Lamiya Al Arab” and “Lamiya Al Ajam” – are the reflector of the culture, norms and abnorms of two generations and societ MorePoetry expresses lots of ethical norms as an ancient literary media. In the background of this media two epics – “Lamiya Al Arab” and “Lamiya Al Ajam” – are the reflector of the culture, norms and abnorms of two generations and societies – dark age and Abbasid era. The present article shows that “Lamiya Al Arab” is rather an artistic image of ethics of the dark society by Shanfara but “Lamiya Al Ajam” is the mirror of religious trainings and common proverbs of Toqraee’s era and proves the priority of Toqraee’s poetry on Shanfara epics. Manuscript profile -
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18 - The Effect of Ashura Poetries after Islamic Revolution on Poetries about Holy Shrine Defenders
Zohreh Yazdan Panah Qareh Tappeh Atousa RasouliSince there is no text without pre – text according to intertextuality main rule and all contexts have always been founded based on last contexts (text), thus Ashura event – as an independent context – create proper field for identification with simila MoreSince there is no text without pre – text according to intertextuality main rule and all contexts have always been founded based on last contexts (text), thus Ashura event – as an independent context – create proper field for identification with similar situations (to Ashura) in future centuries. In 90th decade and by starting war in Syria and Iraq followed by forming Holy Shrine defenders (group) in various countries including Iran – which evokes Ashura and its characters – not only the term “Holy Shrine defenders” entered literature vocabulary specifically Iran’s poetry, but also prepared the field for presenting poetries about “Holy Shrine defenders”. The present paper intends to study samples on “Ashura poetries” of Iran after Islamic Revolution as well as the ones on “Holy Shrine defenders” in 90th decade based on intertextuality approach according to Gérard Genette’s attitude and the method is descriptive – analytical. Manuscript profile -
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19 - Investigating the effectiveness of Soltani's fatutnameh style from the style of Golestan and Saadi's prose treatises with the approach of Quranic verses based on the theory of intertextuality
Najmiyeh Karimi Hossein Azarpivand Gholamreza TamimitavandashtiFatwat or chivalry is a social movement and spiritual impulse in the culture of ancient Iran, which has been mixed with the Quranic culture and the foundations of the Muhammadan Sharia (PBUH) since the introduction of the religion of Islam to the vast geography of Iran, MoreFatwat or chivalry is a social movement and spiritual impulse in the culture of ancient Iran, which has been mixed with the Quranic culture and the foundations of the Muhammadan Sharia (PBUH) since the introduction of the religion of Islam to the vast geography of Iran, and has been widespread among the masses of the people of that time. This research, using the method of qualitative content analysis and referring to valid library documents, investigated the effectiveness of the style of Soltani's fatut-nameh from the style of Golestan and Saadi's epistles, based on the theory of intertextuality, and reached the following results: Soltani's fatut-nameh It has been most influenced by the luminous verses and blessed surahs of the Holy Quran and the works of Saadi Shirazi. Waez Kashfi has embellished the Quranic teachings and the basics of Islamic mysticism in the style of prose mixed with order and masterful imitation of the authorities of Hariri, Badiul Zaman and Saadi Shirazi. Because emotional states make people's character and the poet, like other members of the society, is influenced by emotional states and feelings and emotions, and his artistic personality, which is actually his style, is developed in this way. So, if two or more poets lived in a certain geography at the same time and wrote poetry, it cannot necessarily be said that they have the same style. Manuscript profile -
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20 - Intertextuality of the fiftieth prayer of Sahifa Sajjadieh and Quran
Keyvan Ehsani Naval HazbaviIntertextuality is one of the approaches considered in recent decades in the field of literature. Intertextuality is a theory that examines the relationship between two texts. The Holy Quran, which is at the top of the religious heritage, has always been the source of m MoreIntertextuality is one of the approaches considered in recent decades in the field of literature. Intertextuality is a theory that examines the relationship between two texts. The Holy Quran, which is at the top of the religious heritage, has always been the source of many literary and religious texts, and the Sajjadiyya Sahifa, which is interpreted as "Akht al-Quran", has many Qur'anic meanings and interpretations. The present study investigates the intertextual relationship between the Qur'an and the phrases of the fiftieth prayer of Sahifa Sajjadieh and with the descriptive-analytical method has reached the conclusion that there is a two-way link between the verses of the Qur'an and the words of Imam Sajjad (AS).Imam (AS) during this prayer, have used a variety of structural, thematic and lexical intertextuality as the Qur'an is manifested in their requests and the structure of his words in this prayer, more than the type of thematic intertextuality and the type of relationship It is of the parallel negation type. Manuscript profile -
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21 - Intertextual types of the Holy Quran in poems by Farid Isfahani (Esfarayeni)
ayat shokati محمدرضا اسلامی سهیلا کاظم علیلوThe Holy Quran is always one of the rich and timeless sources that Muslim poets and writers have used. The history of using the Holy Quran in Persian poetry is as long as Iranian Islam. Tanas (intertextuality) is one of the new literary criticism theories that was propo MoreThe Holy Quran is always one of the rich and timeless sources that Muslim poets and writers have used. The history of using the Holy Quran in Persian poetry is as long as Iranian Islam. Tanas (intertextuality) is one of the new literary criticism theories that was proposed by Julia Kristeva in the second half of the 20th century. In fact, Tanas is a new term that has old concepts in literature. The present study aims to investigate intertextual types in the poems of Farid Esfahani, one of the lesser-known poets of Saadi's age, using the descriptive-analytical method. The results of the research show that he benefited the most from partial intertextuality that appeared in the form of Quranic words, sentences and phrases. It is also possible to consider indicative intertextuality as one of the most widely used types of intertextuality in his poetry, which is shown in the form of invoking Quranic stories and characters. The poet has rarely used inspirational and conceptual intertextuality. Manuscript profile -
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22 - An intertexuality look at the poetry of Shahnameh
Ahmadreza Yalameha Moslem RajabiIntertextuality is one of the new approaches in the literature criticism. The basis of this approach is that every text can not stand by itself. In fact a text is a quotation or reflection of previous text. The Divan of poets as well as the books of men of letters is no MoreIntertextuality is one of the new approaches in the literature criticism. The basis of this approach is that every text can not stand by itself. In fact a text is a quotation or reflection of previous text. The Divan of poets as well as the books of men of letters is not exception in this regard. One of the great and precious Divan in the Persian literature is Shahnameh that is written by Ferdousi. This Divan is a good source that can be analyzed from intertextulity perspective. A close look at this book reveals that there are many couplets based on Hadith of Excellencies of immaculate ones PBUT. intertextuality has been reflected throughout the book. Ferdousi has used Hadith lexicons and phrases. This research paper has tried to investigated and show intertextuality and study this technique in great book of Shahnameh. Manuscript profile -
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23 - Intertextual Relations between Moses and "Tariq min Al Sama" stories
Javad Ranjbar Khatereh AhmadiThe present article attempts to study the intertextuality theory beside expressing and interpretation of intertextuality relations between Moses story and its influence on "Tariq min Al Sama" story. The results show that the author has enjoyed the hidden as well as appa MoreThe present article attempts to study the intertextuality theory beside expressing and interpretation of intertextuality relations between Moses story and its influence on "Tariq min Al Sama" story. The results show that the author has enjoyed the hidden as well as apparent intertextual items and has beautified his work by Quranic stories. Manuscript profile -
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24 - The Conjunction between “Al Comidia Al Samawiyah” and Holy Quran
Mohsen Seifi Leila KhoubiyanHoly Quran as the superior masterpiece and Prophet Muhammad’s miracle is the most complete text that many poets’ verses and poetries make conjunctions with it. One of these poets is Mohammad Al Forati – well – known Arab poet and translator &ndas MoreHoly Quran as the superior masterpiece and Prophet Muhammad’s miracle is the most complete text that many poets’ verses and poetries make conjunctions with it. One of these poets is Mohammad Al Forati – well – known Arab poet and translator – who joined Quranic interpretations and concepts with his verses in artistic and creative way which made his works attractive and effective. Thus the present article tries to express and explain the Quranic intertextuals in analytical – descriptive method in order to discover the Quran’s effect on surface structure and deep structure of Forati’s poetries. Manuscript profile -
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25 - Quranic and Religious Intertextuality in Abd al-Wahhab al-Bayati
Mohammad Ahmadzadeh Roodi Leila Ghasemi Haji Abadi Katayoun Fallahi Tahereh ChaldarrehPoets could enrich their works of art in various ways. These tools and techniques such as simile, metaphor, symbol, myth and etc. could boost their works to the highest level. One of these methods is intertextuality in which the poet enters other texts and contexts to s MorePoets could enrich their works of art in various ways. These tools and techniques such as simile, metaphor, symbol, myth and etc. could boost their works to the highest level. One of these methods is intertextuality in which the poet enters other texts and contexts to strengthen his poetry. Abd al-Wahhab al-Bayati is one the contemporary Iraqi poets who has chosen intertextuality as a key technique in his works in order to express his intend more understandable and beautifully. He applied Quran as well as Bible in his poetries. Religious intertextuality owns various political – social applications in his works; sometimes a technique to express the social problems, and sometimes to criticize the politicians. The present paper attempts to study religious intertextuality (Quran and Bible) in Abd al-Wahhab al-Bayati's poetries in descriptive – analytical method. Manuscript profile -
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26 - Intertextuality of Fourth Prayer in Al-Sahifa al-Sajjadiyya and Quran
Alireza Zakizadeh Somayyeh Ghorbani“Quran’s sister” is not an exception in which many Quranic concepts and interpretations are manifested and reflected. Quran’s Verses are appeared either clearly or indirectly in Al-Sahifa al-Sajjadiyya which shows Imam Sajad’s deep und More“Quran’s sister” is not an exception in which many Quranic concepts and interpretations are manifested and reflected. Quran’s Verses are appeared either clearly or indirectly in Al-Sahifa al-Sajjadiyya which shows Imam Sajad’s deep understanding of Quranic concepts. Present research studies the intertextuality of Holy Quran and initial parts of fourth prayer of Al-Sahifa al-Sajjadiyya and resulted out that there is a close and bilateral relationship between Quran and Imam Sajad’s words with comparative – descriptive method. Manuscript profile -
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27 - Intertextual Relations of Ibn Zaydún Poetry With Holy Quran
Masoumeh Nemati Qazvini Hamideh Sadat MohseniIn general every human being is affected by thoughts, ideas and schools in his thinking process. “Intertextuality” is a theory which has made remarkable change in this field by its influence in literature criticism. According to this theory, any text – MoreIn general every human being is affected by thoughts, ideas and schools in his thinking process. “Intertextuality” is a theory which has made remarkable change in this field by its influence in literature criticism. According to this theory, any text – conscious or unconscious – is a reading or recreation of another text parallel or before it. There are many Arabic texts which have intertextual relations with Arabic classic texts. Ibn Zeydun is one of the Andalusia poets whose poetries are affected by Holy Quran. The present article studies different types of intertextuality in analytical – descriptive method. Manuscript profile -
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28 - Nahj al-Balagha's Borrowing of Quranic Illustration
Valiollah Hassomi Marziyeh NaroueiThe relationship between Nahj al-Balagha's text and Holy Quran is searchable from different aspects. One of these aspects is to study intertextual relations and formation fields. Intertextual relations may contain various aspects. The present paper surveys the intertext MoreThe relationship between Nahj al-Balagha's text and Holy Quran is searchable from different aspects. One of these aspects is to study intertextual relations and formation fields. Intertextual relations may contain various aspects. The present paper surveys the intertextual relationships in the field of illustration elements by the aim of showing the relationship between Nahj al-Balagha and Holy Quran. Thus it recognizes and analyzes the similarities to offer clear answers to the questions in descriptive – analytical method. The questions such as: what are the similarities of Nahj al-Balagha and Holy Quran in applying illustrative elements? How are the illustrative elements which are the fields of intertextual relationships chosen? How much are the intertextual relationships recognizable? How much is the frequency of illustrative elements in both texts? Manuscript profile -
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29 - Quranic intertextuality in the lyrics of Hafez
Ahmadreza yalameha Moslem rajabiUndoubtedly,The poet and scholar of Islam and Muslim that is influenced by religious books Tries That In his speech Reflects Verses of the Quran and hadith inmate PBUH. This is one of the poets Hafez .his Poetry is a very large position. He knows all the great literatur MoreUndoubtedly,The poet and scholar of Islam and Muslim that is influenced by religious books Tries That In his speech Reflects Verses of the Quran and hadith inmate PBUH. This is one of the poets Hafez .his Poetry is a very large position. He knows all the great literature and poetry. He has been widely used Verses of the Quran. Perhaps this is one of the secrets of his poems into account durability. In this study, we examined the Quranic view of intertextuality in his lyrics. In fact, in the words of the poet and mystic Quranic intertextuality large, has been manifested in many forms. He has used in his Poetry Many Quranic words and phrases This paper describes Various forms unaffected Hafez of the Quran. This section introduces us to the color of the Qur'an lyrics of hafez. Manuscript profile -
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30 - Recreation of Maryam’s Character in Arabic Contemporary Poetry
Ali Najafi Ivaki Nasrin Jafari Maryam NikfakhrApplying religious figures, especially the Qur'anic ones, is one of the hallmarks of contemporary Arabic poetry. Those poets are very much inspired by these characters to indirectly convey their desired concepts. Maryam is one of the religious codes that MoreApplying religious figures, especially the Qur'anic ones, is one of the hallmarks of contemporary Arabic poetry. Those poets are very much inspired by these characters to indirectly convey their desired concepts. Maryam is one of the religious codes that poets have expressed their contemporary experience in symbolic ways by her aid. In the light of the importance of the issue, the present article tries to describe how this religious code is present in the poetry of five prominent contemporary Arab poets such as Mahmoud Darwish, Badr Shakir Siab , Ezza al-Din Manasra , Abdul Wahab al - Bayati and Mamdouh Adwan in a descriptive – analytical method. Research shows that these poets had a special focus on the verse " And shake towards thyself the trunk of the palm-tree: It will let fall fresh ripe dates upon thee. " and tried to emphasize patience and perseverance. Manuscript profile -
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31 - Literary signs of Nima in the poem of Manouchehr Atashi
Yousef Karami Chemeh Mehdi TorkshvandLiterary signs of Nima in the poem of Manouchehr AtashiAbstractIn the history of Persian poetry and literature, there have always been prominent poets who have attracted the attention of contemporary poets or the poets who lived in next centuries. The poetry of these co MoreLiterary signs of Nima in the poem of Manouchehr AtashiAbstractIn the history of Persian poetry and literature, there have always been prominent poets who have attracted the attention of contemporary poets or the poets who lived in next centuries. The poetry of these composers has shown its presence in the works of others in different ways. In fact, by following the poetic and literary tradition and by using the poems of great poets before them, the later speakers created a relationship between their text and previous cultural texts and assets and enriched their poetry. Nima's status in contemporary Persian poetry is undeniable. Prominent poets after him are often composers who are familiar with his poetry and opinion and were influenced by it. Among these poets is Manouchehr Atashi. In Nima's way, he has paid attention to both climatic and native issues as well as to the phonemes. Atashi has secured some of Nima's poems and has also used the titles of his poems. In the following article, the obvious signs of Nima's presence in Atashi's poetry have been discussed using library sources and in a descriptive-analytical way.Keywords: Nima Youshij, Manouchehr Atashi, Intertextuality, climateism, Implication. Manuscript profile -
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32 - Stylistic Techniques in Sheikh Bahai's Arabic Poetry
Seyed Amir Moosavi sadegh ebrahimi kavari Sohad JaderiStylistics is the special way in which a person formulates his thoughts, and shows what is raging inside him, and his emotions and feelings circulate in his mind. The methods may differ according to different situations and purposes, but perhaps the same purpose had man MoreStylistics is the special way in which a person formulates his thoughts, and shows what is raging inside him, and his emotions and feelings circulate in his mind. The methods may differ according to different situations and purposes, but perhaps the same purpose had many different methods. Among the characteristics of a good and sober style are: the accuracy in the choice of words, as well as that the pronunciation should be smooth and easy, and it should not come with strange, brutal words, but rather the pronunciation should be familiar and acceptable, because the goal of literature is the rapid impact on the soul. This is what we find in our poet Sheikh Al-Baha’i in his Arabic poetry, and he has tended to use the easy and familiar language by using some techniques and stylistic features that seem prominent and dominant in his poetry. As long as the poet was keen to achieve between him and his interlocutors. He adhered to the unity of the poem and its construction, an integrated artistic structure in which feelings and feelings follow, so building his poetry for him is based on emotional and psychological unity. Sheikh Bahai used the characteristics of the word in his poetry of generosity, strength, accuracy, ease, flow and resonance in proportion to its neighbors in sentences and structures, to derive from them the elements of techniques through values and his vast religious culture.Keywords: style, techniques, Sheikh Bahai, intertextuality, recall Manuscript profile -
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33 - Analyzing the intertextual relations between the houses of the walkers and the book of whiteness and blackness based on Gerard Genet's theory
elham ghanavatimohammadghasemi ahmad khiyali khatibi aliasghar halabiIntertextuality is the production of a text through interaction with the texts of its predecessors or contemporaries, and those texts are shared in the required text explicitly, not explicitly and implicitly from one text to another. Gerard Genet is considered one of th MoreIntertextuality is the production of a text through interaction with the texts of its predecessors or contemporaries, and those texts are shared in the required text explicitly, not explicitly and implicitly from one text to another. Gerard Genet is considered one of the most prominent researchers in the field of intertextuality, as most of his studies focus on the nature of narrative discourse. This article was written in a descriptive and analytical manner using library sources. He studied the intertextuality in the books “Manazil al-Sa’irin” and “Al-Bayyad wa Al-Sawad”, both of which are in Arabic and have been translated into Persian. The Houses of the Walkers were assessed as post-text and the book of whiteness and blackness as a pre-text, and the participation of the text of whiteness and blackness in the text of the Houses of the Walkers was determined explicitly, indirectly and implicitly with a special look at the mentality of Gerard Genet.Research conducted indicates that Khwaja Abdullah Al-Ansari was influenced by Al-Bayad wa Al-Sawad Al-Sirjani. Explicit intertextuality is not seen in this work, non-explicit intertextuality has less frequency than implicit intertextuality, and in general, the conceptual commonalities of Walkers' Houses are limited to whiteness and blackness. Manuscript profile -
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34 - Quranic intertextuality in Fadva Toqan poetry
Sadeq Sayyahi Farhan Golmoqani zadehContemporary poets have allocated a great share in Quranic intertextuality to themselves. One of these poets is the Palestinian one called Fadavi Toqan who has used the Quranic concepts and vocabulary in order to express social and political problems as well as his own MoreContemporary poets have allocated a great share in Quranic intertextuality to themselves. One of these poets is the Palestinian one called Fadavi Toqan who has used the Quranic concepts and vocabulary in order to express social and political problems as well as his own pains and suffers. In the present article the poet has studied all three kinds of pun by bringing examples. Manuscript profile -
Open Access Article
35 - Style and Stylistics in Arabic Pastiches
An am pankehsazArabic pastiches are poems by which their composers imitate the brilliant previous poems meterly, rhymely and contently. and throughout the long history of the Arabic literature, they enjoyed very-various styles with The invention occasionally. So the stylistics, arisin MoreArabic pastiches are poems by which their composers imitate the brilliant previous poems meterly, rhymely and contently. and throughout the long history of the Arabic literature, they enjoyed very-various styles with The invention occasionally. So the stylistics, arising from the Structuralism, can study them by its analytical methods which include the rhetorical, rhythmical, and textualitical aesthetics ( elements ). This essay modestly tries as ar as possible to apply one of these methods on an ode of the thirteenth century and its imitator of the wentieth century. Manuscript profile -
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36 - Quranicintertextuality in Mustafa SadiqRafii’sPoetry
nasro allah shameli sajed zare najaf abadi amir omrani sardoAbstract Religious heritage is considered as a rich fount of literature, especially poetry; and the number of literary works which writers of the ancientheritage exploited is not few; but there are even a multitude of these effects nourished by writers since it is inse MoreAbstract Religious heritage is considered as a rich fount of literature, especially poetry; and the number of literary works which writers of the ancientheritage exploited is not few; but there are even a multitude of these effects nourished by writers since it is inserted in their cultural and religious record; and considering the Quranic verses from the splendor and beauty in connotation and structure, We often see that the faltering of divine meanings which that the poet has drawn from the Holy Quran provides the text with more and deeper influence in the reader; and the Quranicintertextualityis divided in his poems into two sections:First: the intertextualitywith the holy verses and the intersection with them in the verbal and semantic structure; and secondly: evoking theQur'anic stories; and from the personalities that are reminded in the Holy Quran are: the father of mankind Adam, and the God’sfriend, Ibrahim and the honestJoseph, the Prophet Ayyoub and Moussa-blessings of Allah be upon them all; and from this point of view, this article aims to search for the texts intertextualizedwith the Holy Quran in Mustafa SadiqRafii’s poems and the research on how the poet was illuminated by it to showin what way he irrigated his language splendor from the fountain of the Holy Quran , based on the analytical- descriptive method. Manuscript profile -
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37 - The Inspiration Technique; Case Study: Farouk Gouida poetry
Saeed Zar Mohammadi Ayatollah Zar MohammadiFarouk Gouida is an undertaken a contemporary poet who pays attention to the events around and his poetry is full of inspiration techniques which enables him to transfer his thoughts and emotions to the receiver. Thus it is necessary to know the inspiration tools which MoreFarouk Gouida is an undertaken a contemporary poet who pays attention to the events around and his poetry is full of inspiration techniques which enables him to transfer his thoughts and emotions to the receiver. Thus it is necessary to know the inspiration tools which Farouk Gouida has applied them for a better accompanying between the reader and the poet. The present article – which is in analytical – descriptive method – intends to express these techniques – such as mystery, the conflict between the image and the intertext. Two questions are raised here: 1- what is the benefit of applying the inspiration techniques and how much can it be useful in transferring the poetic concepts? 2- What are the factors that cause the poet apply them? The present article tries to answer the abovementioned questions. Manuscript profile -
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38 - Holy Quran's Reflection and Quranic Characters in Palestinian Contemporary Poetry
Ashour Ghelich Paseh Masoud Bavan Poori Narges Lorestani Hadiseh MotevalliResistance poetry's method and frame is cultural and national which makes the poet enjoy the religious and the related issues in this kind of literature. One method to study the religious contexts is the intertextual study. Undoubtedly any Muslim literate who own a stro MoreResistance poetry's method and frame is cultural and national which makes the poet enjoy the religious and the related issues in this kind of literature. One method to study the religious contexts is the intertextual study. Undoubtedly any Muslim literate who own a strong religious relations, has been affected by religious books and has apply them. Intertextuality can be seen in these poets' works in different types. The present paper tries to study contemporary Palestinian poets' divans and express the way they have applied Holy Quran and their affects. Manuscript profile -
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39 - Intertextuality in the poems of Mahmood Darvish
Marzieh Zare Zardeyni“Intertextuality” is one of the figures of speech in order to enrich Arabic literature poetry and prose to make their work eternal. The present article intends to study “Intertextuality” in the poems of Mahmood Darvish (1964-1983) to unders More“Intertextuality” is one of the figures of speech in order to enrich Arabic literature poetry and prose to make their work eternal. The present article intends to study “Intertextuality” in the poems of Mahmood Darvish (1964-1983) to understand the reasons of resistance of using this figure of speech in his poetry. Manuscript profile -
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40 - The Intertextual Relationship between Hafiz and Sayeh’s Sonnets
Mozhgan Mahdavi Farhad TahmasbiAmong the modern literary topics one is the intertextuality that explores the semantic, stylistic and sociological relations in literary works, as well as the course of cognitive grounds and their evolutions. According to the theory of intertextuality, no context is ind MoreAmong the modern literary topics one is the intertextuality that explores the semantic, stylistic and sociological relations in literary works, as well as the course of cognitive grounds and their evolutions. According to the theory of intertextuality, no context is independent of other ones; contexts are interrelated and bound to the contexts before and after them. This article aims to study the intertextual relations between the sonnets of Hafiz and Houshang Ebtehaj aka Sayeh. From among the Iranian contemporary sonneteers Sayeh is closer to classic poets and to Hafez in specific, regarding his fluency and stylistic composition. The question here is the intertextual frequency between Sayeh’s sonnets and Hafiz’s. Manuscript profile -
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41 - Analysis of the Theory of intertextuality in SiminDaneshvar’sThe Serpent and the Man
Fateme Bidakhoidi Fateme HeidariLiterature is a dynamic, alive entity, which is inevitably adapted, composed, affected, impressed and recreated. Therefore, literary worksinteract. Every text is inevitably created based on the previous literary texts and literary heritage. A few literary works can be f MoreLiterature is a dynamic, alive entity, which is inevitably adapted, composed, affected, impressed and recreated. Therefore, literary worksinteract. Every text is inevitably created based on the previous literary texts and literary heritage. A few literary works can be found with no link to other texts in any way. Poets and authors have acknowledged the fact that the themes and issues have already been uttered or written, and it makes the situation difficult to them. Julia Kristeva introduced the theory of intertextuality which indicates any relationship between the various texts. Having studied Kristeva’s theories and works, Gérard Genette expanded the theory. The main point of the present paper is to examine the instances of intersexuality in SiminDaneshvar’sThe Serpent and the Man in the light of in the light of intersexuality. The researcher tries to figure out and analyze the relationship between this story and text before it. Considering the theory of intertextuality and its history in literary texts, the researcher presents a brief summary of the story, and then analyzes the story through Gérard Genette’s theory.This research aims to deal with the interaction between the story of The Serpent and the Man with other literary texts and obtain extra information on the subject. The methodology deals with Genette’s theory of intertextuality. Manuscript profile -
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42 - Tazkeratol Awlia's Metatextualitis Based on the Gerard Genette's theory
zahra hatampour Atta Mohammad Radmanesh mahbobeh khorasaniWhenever based Gerard Genette's theory، first text criticizes and interprets second text their relationship will be metatextual. Accordingly can be considered two types of metatextualate forTazkeratol Awlia. The first type is the inner metatextuality or confirmatory com MoreWhenever based Gerard Genette's theory، first text criticizes and interprets second text their relationship will be metatextual. Accordingly can be considered two types of metatextualate forTazkeratol Awlia. The first type is the inner metatextuality or confirmatory comments and interpretations is located in between or the end of anecdotes and sayings .Outer metatextuality includes confirmatory comments or denial about text that Finds a critical aspect and distinct interpretations of the text. Tazkeratol Awlia is the book that most of its contents is Awlia's anecdotes and sayings. According to Attar's word in his book's introduction, he intended to Quote less from herself in the middle of his book but There are phrases in this book that is explanation and interpretation of The mystics's anecdotes and sayings and Shows the author's opinion towards them . These phrases are presented in various ways and in different titles and is considered a species of metatextuality. Also the criticisms and opinions of writers, scholars, and critics of mysticism form another form of this work's metatextualitis. Manuscript profile -
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43 - Intertextuality Criticism of Two Literary Works: Bustan and Qabousnameh
Fatemeh EmamiBased on the intertextuality approach, in the field of literature, a new text is not formed as it is considered as an intertextuality of the texts before it. The theory of intertextuality is concerned with the relationship between the texts; a relationship recurrent in MoreBased on the intertextuality approach, in the field of literature, a new text is not formed as it is considered as an intertextuality of the texts before it. The theory of intertextuality is concerned with the relationship between the texts; a relationship recurrent in literary works. The theorists in this field, such as Kristeva and Barthes, argue that there is no pure text and all the texts have already existed , and only the narrator is different. This article seeks to study and analyze The Bustan of Saadi and Qabousnameh of Onsor al-Ma’ali in order to explain the commonalities and recurrent elements of these two significant literary works and stress the point that, according to the theory of intertextuality that states that no text is original, in terms of content. Hence The Bustan of Saadi is a reflection of the texts before itself, including Qabousnameh of Onsor al-Ma’ali, which is the aim of this research. Manuscript profile -
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44 - The transtextual relationship between Abu-Shakur Balkhi'sAfarinNameh and Saadi'sBustan and Gulistan
javad rahimi atani Fatemeh HeidariAccording to intertextual theory, no text is formed in isolation, and each text is influenced in an explicit or implicit way by the books before it.Gérard Genette studied the relationship of texts to the subject of transtextualite. He categorized it into five cat MoreAccording to intertextual theory, no text is formed in isolation, and each text is influenced in an explicit or implicit way by the books before it.Gérard Genette studied the relationship of texts to the subject of transtextualite. He categorized it into five categories: intertextuality, hypertextuality, metatextuality,Paratextuality andarchitextuality. Accordingly, the purpose of this article is to examine these five categories between Abu-Shakur Balkhi'sAfarin-Name and Saadi'sBustan and Gulistan. It has been done in a library and descriptive-analytical way. Both poets have commonalities in the fields of: science and wisdom, speech, luck, greediness and the value of contentment, enjoying life and in the context of Didactic literature. Saadi's works have been strongly influencedAs "hypertext" (second text)From Afarinnameh as "hypotext" (first text)And we can say thatSaadi's works are a perfect example of the subject ofrelationship of texts transtextual That the category has more intertextuality and transtextuality with the hypotext of its text. Manuscript profile -
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45 - The study of Structural manifestations of the novel "The Secret History of the Ancient Persian Heroes" by Cyrus Shamisa Based on Gerrard Genette's Theory of Transtextuality
Fereshteh NaseriBy carefully examining various texts, we discover similar points and themes that guide us in recognizing the structural relationships and similarities of that text with other texts. Meanwhile, the use of Gérard Genet's legal Transtextuality relationships by creat MoreBy carefully examining various texts, we discover similar points and themes that guide us in recognizing the structural relationships and similarities of that text with other texts. Meanwhile, the use of Gérard Genet's legal Transtextuality relationships by creating different relationships between different texts and creating systems, encoders, cultural styles and descriptive rules, as well as discovering relationships between different texts, in turn, leads to uncovering common connotations and similarities between them. Hence, the "novel of the secret history of ancient Persian heroes", with its historical, scientific, ideological, social and cultural relations (along with other texts), provides a suitable ground for studying the foundations of "Transtextuality", including descriptive and analytical methods as well as its various characteristics. They are Intertextuality, Hypertextuality, Architextuality, Paratextuality, and metatextuality or textual transcendence. Therefore, this research studied and explained all the real events and allusions of this work and matched them with previous texts, to find out how Dr. Shamisa was able, by providing an appropriate structural space, to make the reader go towards knowing the foundations of sociology. To what extent has it succeeded in creating a intricate network of Transtextuality by creating a similar content and structural space by changing the volume and content of previous texts, and shortening and lengthening their time domain (Hypertextuality) as well as by consciously interfering with literary genres (Architextuality)? . Manuscript profile -
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46 - Examining hyper-textuality in the stories of Noushzād and Esfandiār (with emphasis on death and death scene)
Hosnie Nakhaei Mahmoud Hasanabadi Mohammadali MahmoudiBased on the perspective of hyper-textuality, it is possible to search for minor and hidden effects of another work in any work, and each text can be compared with similar texts. For this reason, pre-textuality finds a special place in the field of comparative analysis MoreBased on the perspective of hyper-textuality, it is possible to search for minor and hidden effects of another work in any work, and each text can be compared with similar texts. For this reason, pre-textuality finds a special place in the field of comparative analysis of texts. Some stories of Ferdowsi's Shahnameh have also a special capacity for the study of hyper-textuality, of which is the story of Noushzad, the son of Khosrow Noushin-Ravan, which is very similar to the story of Esfandiar, the famous warrior of the Shahnameh. So, this research is an attempt to explain the aspects of Ferdowsi's influence in writing Noushzad's story from Esfandiar's story using the descriptive-analytical method. Although in this research Esfandiar's story as a pretext longer than Noushzad's story as a post-text, this issue is accepted from the point of view of Genette's theory of hyper-textuality. According to the results of the research, the most important aspects of the impact of the post-text on the pre-text, which indicate the similarities between the stories studied in the current research, are: the common characteristics of the two stories characters, the same story elements (imprison, religiousity, authoritarianism, etc.), death and the images related to death, similar to Esfandiar and Noushzad. Manuscript profile -
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47 - Intertextuality in the novel 'harb al-kalb al-sania' (The Second Dog War) by Ibrahim Nasrallah - a semiotic study according to the Grimas approach
Alaa Hmoozee Reza NazemianSemiotic approach of Grimas focuses on the relationships between the actants in the text to identify the poles of the conflict. This approach concentrates on whatever is oppose to the other one or helps it and the incentives generating the conflict, as well as seeking i MoreSemiotic approach of Grimas focuses on the relationships between the actants in the text to identify the poles of the conflict. This approach concentrates on whatever is oppose to the other one or helps it and the incentives generating the conflict, as well as seeking its concepts in the deep structures of the text. The novelist Ibrahim Nasrallah foresaw the future danger to the fate of man in his conflict with those who are similar and disagree with him in his novel 'harb al-kalb al-sania' (The Second Dog War). He used a lot of empirical methods and techniques including intertextuality. This descriptive analytical study is based on the semiotic approach of Grimas theory of actants, tries to reveal the forms of religious and literary intertextuality in the novel and show how the writer employs them to produce semiotic connotations, and to indicate the areas of innovation in treatment and the application of mechanisms of work of the actantial model and the semiotic square in analyzing the semiotic relationships. Some of the results of the study is that in this thematic novel the internal and external dialogues are apparent and connotative. Manuscript profile -
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48 - Intertextual analysis of the tale "the porter with girls" in the Qajar Manuscript of Thousand and One Nights, based on the Bertrand WestphalGeocriticism
mohammad parsanasab mohammad ali rajabi bahador bagheri nafiseh alsadat abdolbaghaeeThe theory of intertextuality is one of the major discoveries of the twentieth century that investigates the network connection between the texts, and so far has proceeded the new approaches in human science and specially literature and art through various methods by ma MoreThe theory of intertextuality is one of the major discoveries of the twentieth century that investigates the network connection between the texts, and so far has proceeded the new approaches in human science and specially literature and art through various methods by many researchers. In Geocriticism of Bertrand Westphal in the Post-structuralism period, as one of the important approaches of this pervasive knowledge, intertextuality deals with the importance of space, place and geography in literary-artistic works. Until now, the role of geography hasn't grown to such an extent in the formation of knowledge. Sann'y-al-Molk's Qajar Manuscript of Thousand and One Nights in Golestan palace is considered as one of the unique illustrated versions in the world which has a special intertextual position in pre-text conversations and images. This version is also in interaction with theoretical and methodological principles of Bertrand Westphal that has an important irony and interdisciplinary position in geocriticism. By considering this approach and selecting seven interwoven tales of "the porter with girls" which have been portrayed with fifteen images of pictorial narratives of Sann'y al-Molk in the mentioned version, as well as analyzing the position of intertextuality in different periods of its emergence, the present article analyses this literary-artistic work in the field of geocriticism of Westphal. Writers have paid attention to the analytical-descriptive approach and its application in analyzing the text and the figures. Qajar's Manuscript of Thousand and One Nights of Sann'y al-Molk is a polyphonic work with a human-cultural boundless geography which has been talking to us with the two layers of text and figure. Manuscript profile -
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49 - Parody in Contemporary Persian Literature: A Case Study of The Novel The New Thousand and One Night by Mohammad Ali Oloumi
Azar DaneshgarParody is a literary device which distorts and recreates an utterance, style, or plot of an original work. The author tries to investigate this device in TheNew Thousand and One Night by Mohammad AliOlumi. To that end, having described and analyzed the term MoreParody is a literary device which distorts and recreates an utterance, style, or plot of an original work. The author tries to investigate this device in TheNew Thousand and One Night by Mohammad AliOlumi. To that end, having described and analyzed the term parody, the author investigates how parody relates to Bakhtin’s views such as intertextuality and dialogic. Afterwards, applying an analytic and comparative approach, the samples of this devicein TheNew Thousand and One Night are studied. The findings show that The New Thousand and One Nights is a sub-text which bears a comic and purposeful relationship with its original work, Thousand and One Night, by recreating the characters, plot, and utterance. Manuscript profile -
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50 - Koranic Intertextuality in Contemporary Poetry of Iraq
Ali Salimi Abdolsaheb TahmasbiThe Arab poetry has adorned different types of intertextuality which include: mythical, historical, and religious ones. Abundant use of this phenomenon, especially what is called koranic intertextuality, led to the review of this phenomenon. For this means & MoreThe Arab poetry has adorned different types of intertextuality which include: mythical, historical, and religious ones. Abundant use of this phenomenon, especially what is called koranic intertextuality, led to the review of this phenomenon. For this means one must identify the strengths and weaknesses imposing a framework for it. Considering the interaction of poet with the holy Koran intertextuality is divided in to several types such as : total and partial intertextuality , referential intertextuality and conceptual intertextuality. Some of these give abeautiful forms to the poetry and some are ugly and unacceptable, because they do not preserve dignity of Koran.It should be noted that the overall shape and detailed koranic intertextuality is more susceptible to error, while the conceptual and referential formsare less affected by slips. This research criticizes and studies koranic intertextuality in modern poetry of Iraq. Manuscript profile -
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51 - Intertextuality in the Odes"Qol Leldiare"by Jarir and "Khaf Alqatin" by Akhtal
Ali Nazari Yunes ValiThere are several critical scrutinies in contemporary literature. Intertextuality is one of these. It is a new critical idiom inserted to Arab world from the West which has several kinds that literary intertextuality is one of them which me MoreThere are several critical scrutinies in contemporary literature. Intertextuality is one of these. It is a new critical idiom inserted to Arab world from the West which has several kinds that literary intertextuality is one of them which means the interference of past literary texts to the present ones . This kind of intertextuality is visible in Naqaes. This paper tries to discuss literary intertextuality in the Jaria's ode "QOL LELDIARE" from NAQAES , by Akhtal's ode "KHAF ALQATIN" and its goal is to show the level of dialogue and interference in form and content of both odes. Manuscript profile -
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52 - Allegorical analyses of elements and stories in Imam Khomeini’s poem relying on the holy Quranintertextuality.
Sayed Hossein Mousavi Shamsolhajiyeh Ardalani Sayed Jafar HamidiAllegory is an anecdote or a narrative consisting of ethical, religious, didactic, social, mystical, philosophical and even psychological concepts. There is also the other side of intertextuality in which the method of convergence contexts should be adopted through cons MoreAllegory is an anecdote or a narrative consisting of ethical, religious, didactic, social, mystical, philosophical and even psychological concepts. There is also the other side of intertextuality in which the method of convergence contexts should be adopted through considering the effect of foregoing contexts and it’s influences on subsequent contexts. Current research is a qualitative study. Therefore, this is a descriptive-analytical study conducted based on library references with the aim of allegorical survey ofall the elements and narratives of Imam Khomeini’s poem which relies upon Quranic intertextuality. Imam Khomeini was a divine mystical character. He also has had a perfect familiarity to God’s utterances with divine providence. Accordingly, the core and frame of his poems are based on this fact. Moreover, his poem comprises ethical and reflective tips leading to firmness and stability in the poetry. In this survey, due to the necessity of research, attempts have been made to address Quranic elements and tales which are allegorically utilized in Imam Khomeini’s poetry. Although such elements and tales possess real nature in principle, they carry a second meaning when placed in allegorical forms. Manuscript profile -
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53 - Intertextual Reading of Form and Color in the Artworks of Masoud Arabshahi based on Gerard Genett's Opinions
Farzaneh Vahed Dehkordi Asghar Javani JouniThe theorists of Intertextuality believe that there is no original text. Therefore, Masoud Arabshahi's artworks are akin to other works based on previous texts. Masoud Arabshahi is one of the contemporary artists who has drawn from various pretexts in the form and color MoreThe theorists of Intertextuality believe that there is no original text. Therefore, Masoud Arabshahi's artworks are akin to other works based on previous texts. Masoud Arabshahi is one of the contemporary artists who has drawn from various pretexts in the form and color of his artworks. The use of these pretexts can be recognized through intertextual relationships. In this research, which explores the 'intertextual reading of form and color in Arabshahi's artworks based on Gerard Genette's opinions,' different aspects of text and intertextuality, as well as the theorists of this approach, especially Gerard Genette, are elucidated. Subsequently, Arabshahi's artworks (12 samples), which have been categorized and purposefully selected, are analyzed, and the types of Genette's intertextuality (intentional-overt, intentional-hidden, and implicit) in the form and color of these artworks are specified. This research is qualitative and follows a descriptive-analytical method. It employs basic theory and reasoning to explain the relationships and understand the components of a visual work, conducted in the form of reading texts and documents. This research seeks to answer the question of which pretexts Arabshahi's artworks have utilized in form and color, and how intertextual relationships, based on Genette's theory, are employed in his works. The results indicate that Masoud Arabshahi has made more use of the pretexts from ancient Iranian and Mesopotamian arts in his artworks than other pretexts. Additionally, the use of earlier texts has gradually evolved in Arabshahi's works, transitioning from overt intertextuality to hidden and then to implicit. Manuscript profile -
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54 - A Glimpse at the Inter-textual Relationship between Dr. Ghadamali Saramis Poetry and Cognitive Field Of Mysticism
Mehri TalkhabiThe purpose of this paper is that, using the intertextuality theory one can show that a work itself is the result of attracting other texts. This paper contemplating on the Ghadamali Sarrami’s lyrics shows that he is a poet who doesn’t hide intertextual nature in his wo MoreThe purpose of this paper is that, using the intertextuality theory one can show that a work itself is the result of attracting other texts. This paper contemplating on the Ghadamali Sarrami’s lyrics shows that he is a poet who doesn’t hide intertextual nature in his works. Sarrami's works have strong intertextual relations with mysticism. Finally, this paper concludes that, the easier it will be realized Sarrami’s poetry semantic horizons by knowing the frame of reference of mystical. Manuscript profile -
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55 - Quranic Intertextuality in Baba Afzal Kashani’s Literary Works (Based on Gerard Genette’s Theory
masroureh Mokhtari Mahsa KazempourWith the arrival of Islam in Iran Quranic teachings in the individual and social life of Muslims took a special role followed by Quranic verses and hadiths in the literary and mystical texts of the people of this land, reflected and the writers and poets of your word de MoreWith the arrival of Islam in Iran Quranic teachings in the individual and social life of Muslims took a special role followed by Quranic verses and hadiths in the literary and mystical texts of the people of this land, reflected and the writers and poets of your word decorated with Quranic themes and in various ways showed their writing power. Interpersonalism is one of the structuralists issues according to it, any text of the texts before itself has been influenced; therefore, the authors do not create the original effect; but it also extracts its features from the texts before it. Baba Afzal Kashani is a wise and spiritual ontologist; one of the aspects of his thoughts on human thinking and ontology and many of his topics are inspired by the verses of the holy Qur'an the word's of revelation in the works of this great wise have left many spiritual and verbal influences; as discussed in the essay by Baba Afzal Kashani (madaregolkamal and gavdanname), this influence on the depth of his thoughts is an excellent expression and a feature of his style of writing. The present research project is analytically-descriptive and uses library resource's, has examined the influence of Baba Afzal Kashani on the Qur'an and narration the results of the studies show that he has expressed his mystical thought's, using the Quran and narrative, and has created a deep link between Quranic thought's and literary-mystical thought's given the division of Gérard Genette from Intertextuality, Baba Afzal to the forms, straight (Revealing), and Non-explicit (Hidden and deliberate) and implied, the Quran and narration both in content and in the structure of the treatises have been influenced Manuscript profile -
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56 - Comparative Study of Genet Intertextuality with Islamic Rhetoric Theory in Nafi-e-Zahid-e Zaydari Nasavi
marjan kamyab somayeh mohamadiAccording to intertextuality theory each text is affected by past texts and is inheritor of past legacy and tradition. Intertextuality studies the transformation, presence and cultural legacy of past texts in the innovation and the obvious and latent layers of texts and MoreAccording to intertextuality theory each text is affected by past texts and is inheritor of past legacy and tradition. Intertextuality studies the transformation, presence and cultural legacy of past texts in the innovation and the obvious and latent layers of texts and reveals the identity of texts. The present studies tries to see the Gerard Genete’s intertextual aspects in Nafsaghol Masdour based on Islamic rhetoric theory. According to Genete’s theory, types of manifest-latent, explicit-implicit intertextuality and their comparative aspects in Islamic rhetoric are studied in this work including: borrowing, quotation, inspiration and recreation, adaptation, allusion, translation, simile, plagiarism and transformation. Studying the use of previous texts based on Gentete’s theory and adapting it with Islamic rhetoric theory are the goals of this study. According to the present study the type of intertextuality with the highest frequency is obvious-intentional and adapting it with Islamic rhetoric becomes borrowing. After that implicit and latent-intentional intertextualities have the highest frequency respectively. The creativity of author in how to use previous texts and using intertextual elements and establishing novel and innovative links among previous texts and present text make the audience interested and satisfied Manuscript profile -
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57 - Explaining The Position 0f Women in the Marriage Narrations of Shahnameh Tahmaspi, Based on the Intertextual Analysis of Text and Image
Shohreh Doosti Farzaneh Farrokhfar Arman YaghubpourThe aim of this study was to explain the position of women in the marriage narrations of Shahnameh Tahmaspi based on the intertextual analysis of text and images in Iran. The present study statistical universe included all the drawings of Tahmaspi Shahnameh. The sample MoreThe aim of this study was to explain the position of women in the marriage narrations of Shahnameh Tahmaspi based on the intertextual analysis of text and images in Iran. The present study statistical universe included all the drawings of Tahmaspi Shahnameh. The sample subsumed 29 images in all of which women have an important and key role. The research design was descriptive-analytical. The data collecting method was through library documentary, observation and reviewing the intertextual drawings and analyzing the visual elements in the selected works. Data were analyzed using interdisciplinary studies and content analysis methods. The results showed that the position of women in Shahnameh marriage narrations were rooted in the mythological beliefs of Iranians and in this regard, had a special validity. Due to the mythological structure of Ferdowsi's Shahnameh, fidelity and adherence to the principles of the original texts was quite clear. However, in the depiction of the paintings of Tahmaspi Shahnameh, there were obvious differences with the text, the source of which was the culture of the Safavid society and the beliefs of the patriarchal society of that period. Manuscript profile -
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58 - Transtextuality in Shamlou’s Poetry: An Innovative Approach to the Application of Themes, Archetypes, and Myths of Persian and Western Literature in "Roxana".
Seyed Reza EbrahimiUnlike his social poems which express the social and political concerns of the society, Ahmed Shamlou, in his emotional poetry, addresses his emotions and personal feelings. The influence and utilization of archetypes, common narratives, and myths of both Persian and wo MoreUnlike his social poems which express the social and political concerns of the society, Ahmed Shamlou, in his emotional poetry, addresses his emotions and personal feelings. The influence and utilization of archetypes, common narratives, and myths of both Persian and world literature can be noticed in these poems, which primarily show the poet has been affected by the literary cannons of the East and the West. But, inspired by his modern attitude, de-familiarization, and the aptitude to create an overwhelming (unorthodox) space is one of his concerns that shows how the poet has been distracted from the traditional classical context of classical poetry by creating a new and innovative mindset and as well as new spaces and themes. In this essay, it has been tried to use the ideas of Gerard Genet regarding the transtextuality, a long poem by Shamlou named “Roxana” has been chosen and it has been investigated that how novel and innovative (unorthodox) space, structure and poetical concepts and themes created and have been used in expressing the feelings. Manuscript profile -
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59 - The application of love in the Quran and the ideas of Rumi and Hegel based on the intertextuality approach
Halima Dilaminejad Shams alhajeyeh ardalani Seyed ahmad hoseyni kazeroniAn analysis with the "intertextuality" approach examines the communication of a text with other texts. The main purpose of this research is to compare the application of love from the perspective of Rumi and Hegel based on the Qur'an. Love is a matter which philosophers MoreAn analysis with the "intertextuality" approach examines the communication of a text with other texts. The main purpose of this research is to compare the application of love from the perspective of Rumi and Hegel based on the Qur'an. Love is a matter which philosophers, mystics and scholars have long sought to understand and understand its nature, and is one of the most important issues that all mystics and philosophers have spoken about and talked about. They consider love as the basis of the universe, through which all creatures move from one to the highest in the movement and towards the root of love, the essence of God. Maulana and Hegel are two leading thinkers of two very different time frames that express the various aspects of love and play a central role in their works and writings. The main question of this essay is that what is most striking in terms of the love of Rumi's works and the works of Hegel? In this research with a descriptive-analytical approach, first, explain the love and then describe its examples, referring to the verses of the Quran, from Masnavi and Hegel's works. Finally, it was concluded that what is on the path to the knowledge and comprehension of the human soul by relying on pure love is the most important point in the opinion of these two thinkers. Manuscript profile -
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60 - Intertextual relations between the anecdotes of Rumi in Masnavi in the first book with the texts of Persian poetry and prose (based on the theory of Gérard Genette)
siamak saadatiIntertextuality examines the relationships between texts. Because in every text there are references to earlier works; In other words, new texts are the offspring of earlier texts. Hence, it can be said that there is no new and original text and every writer is inspired MoreIntertextuality examines the relationships between texts. Because in every text there are references to earlier works; In other words, new texts are the offspring of earlier texts. Hence, it can be said that there is no new and original text and every writer is inspired to create his work from the works of his predecessors. In intertextuality, two texts are compared: a text below and a rough text. Gérard Genette has perfected the theory of intertextuality. Genette divides intertextuality into three categories, which can be examined in the form of: the explicit, implicit and implicit presence of one text in another. In this article, the author first explores the roots of Rumi's mystical anecdotes and thoughts in the first book of Masnavi in mystical, fictional, interpretive works, Poetry Courts and Persian historical books. Then he divides these anecdotes into three categories based on Genet's theory of intertextuality. At this stage, the following text of Masnavi is specified. This text below should have both chronological and historical precedence over other texts and should be most similar to Masnavi narration. This study shows that Rumi had read many Arabic historical, interpretive, fiction and mystical books before him and brought them to the margins of Masnavi. However, in all the cases studied, he has changed mystical thoughts and previous anecdotes to achieve his mystical, theological and moral goals. Manuscript profile -
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61 - The study and analysis of Qur’anic intertextuality relations of Nasir Khusraw’s Diwan based on Genette's theory
sakineh pirakIntertextual analysis, which deals with the connection and interaction between texts and examines the similarities, differences, and influences of one text on other texts, has gained popularity in recent years in literary criticism and linguistics. According to this the MoreIntertextual analysis, which deals with the connection and interaction between texts and examines the similarities, differences, and influences of one text on other texts, has gained popularity in recent years in literary criticism and linguistics. According to this theory, texts and their speakers are mutually impacted and profit from one another's literary and intellectual sources, whether consciously or subconsciously. This theory proposes that texts and their speakers are mutually impacted and benefit from each other's literary and intellectual sources, whether consciously or subconsciously. In the realm of Persian literature, the Qur'an is one of the hypotexts that has long served as a reference and inspiration for poets and writers with varying viewpoints on its formal and semantic aesthetics. They have utilized Quranic principles and teachings to enhance the veracity and depth of their words. One of these poets is Nasir Khusraw, whose hypotext of inspiration for his Diwan is the Holy Quran. Using a descriptive-analytical technique and quoting library sources, an effort was made to examine the dimensions impacted by Nasser Khosrow from Quranic verses based on Genette's intertextual theory. This research demonstrates that in Nasir Khusraw's Diwan, intertextual explicit and its branches (words, phrases, short sentences, extra and descriptive combinations) are the most prevalent of Genette's intertextual relationships. Words are the most often employed intertextual method in these poems, among the numerous branches of intertextual explicit. Implicit intertextuality frequently follows explicit intertextuality. Among the different branches of this intertextual, intertextuality thematic is increasingly diversified compared to other types. Manuscript profile -
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62 - Analysis of the mystical intertextual relations of the republican order with book of orthography based on Gerard Genet's theory
Elham Ghanavati mohammad ghasemi Ahmad khatibi khiyali aliasgar halabiIntertextuality is the production of text through interaction with the texts of its predecessors or contemporaries, in which the participation of those texts in the text in question is explicit, implicit, and implicit from one text to another. Gerard Genet is one of the MoreIntertextuality is the production of text through interaction with the texts of its predecessors or contemporaries, in which the participation of those texts in the text in question is explicit, implicit, and implicit from one text to another. Gerard Genet is one of the most prominent researchers in the field of intertextuality, focusing most of his studies on the nature of narrative discourse. With this view, Suhrawardi's encyclopedias have been evaluated in the position of pre-text and the order of the Republic of Sheikh Kharghani as post-text. In this study, it is shown that Sheikh Kharghani has been influenced by the encyclopedias and most of the intertextuality in the Republic's order has been done implicitly (borrowing and inspiration) and sometimes Kharghani has an implicit view of the encyclopedias. The present article concludes that Sheikh Kharghani is in a mystical-intellectual atmosphere similar to Suhrawardi, and this closeness has led to the creation of commonalities and conceptual similarities in the work. In this research, intertextuality has been studied in the republican order and after studying the theoretical foundations, it has been adapted to Suhrawardi's encyclopedias. The result presented in a library method and in an analytical-descriptive way proves the intertextuality in the work. Manuscript profile -
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63 - Intertextual analysis in the stories of Azadaran Bil and Tatar Khandan by Gholamhossein Saedi with an emphasis on Bakhtin's dialogue and polyphony
nemat mansoori Badrieh Ghavami Reza Borzoiy Jamal AdhamiThe present study investigates the intertextuality in the stories of Azadaran Beil and Tatar Khandan by Gholam Hossein Saedi based on the theory of Mikhail Bakhtin. What is referred to as intertextuality today is a term that can be called discourse between texts. Intert MoreThe present study investigates the intertextuality in the stories of Azadaran Beil and Tatar Khandan by Gholam Hossein Saedi based on the theory of Mikhail Bakhtin. What is referred to as intertextuality today is a term that can be called discourse between texts. Intertextuality is the study of the discourse of texts in literary and cultural works of the world. Before Ferdinand de Saussure's theories, everyone believed in the independence of texts, but Saussure's theories lack the validity of these theories. Based on this theory, Bakhtin believes that texts and their speakers consciously or unconsciously benefit from each other's intellectual and literary sources. The authors of this article intend to analyze these two works with the method of content analysis and with the aim of knowing more about the works of this author based on Bakhtin's theory and with the library method; The findings of the research show that the author was influenced by the Quran and Islamic beliefs and also mentioned some popular beliefs during the stories. The expression of proverbs and myths, irony and bringing part of prayers and supplications are other indicators of these works. Saedi has sometimes mentioned other stories in his works, and in terms of content and theme, he has been influenced by Sadiq Hedayat's Buf Kor and Kafka's Metamorphosis. Manuscript profile -
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64 - The Presence of Angels in Hafez & Imam Khomeini Poetry with the Approach of Quranic Intertextuality
Sayyed Hossein Mousavi shamsalhajeyah Ardalani Sayyed Jafar HamidiAngels are inconspicuous beings that god created them to serve through his orders. On the other hand, it is intertextuality which is the method of text convergence, based on impressionability from previous texts and the influence on later texts. The current research is MoreAngels are inconspicuous beings that god created them to serve through his orders. On the other hand, it is intertextuality which is the method of text convergence, based on impressionability from previous texts and the influence on later texts. The current research is qualitative research with the descriptive-analytical method based on library resources and with the aim of investigating the role of angels in the poetry of Hafez of Shiraz and Imam Khomeini, it has been compiled based on Quranic intertextuality. Both Hafez and Imam Khomeini had mystical tendencies and regarding the fact that they had complete familiariaty with the word of God, therefore the dominant theme of their poems is based on mysticism. Angels as executors of God's orders, which mostly have a formative identity, are well considered by Hafez and Imam Khomeini. They pointed to a wide range of angel's activities; both aspects of mercy and wrath and also in between which depend on reaction to human behavior, were regarded. Manuscript profile -
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65 - Effect of Quran and other former texts on Mathnavi Taghdis and Mathnavi Maanavi based on theory of Genette's Periphertextuality
Ramin khosravi Iqbal MirJalaluddin kazazi Farhad tahmasbiMathnavi Taghdis written by Mullah Ahmad Naraghi has imitated Mathnavi Maanavi and abundant subjects have been studied and analyzed from the mystical and religious viewpoints similar to Molana's Mathnavi. In this paper, the effect of Quranic stories and other former tex MoreMathnavi Taghdis written by Mullah Ahmad Naraghi has imitated Mathnavi Maanavi and abundant subjects have been studied and analyzed from the mystical and religious viewpoints similar to Molana's Mathnavi. In this paper, the effect of Quranic stories and other former texts on Mathnavi Taghdis and Mathnavi Maanavi has been analyzed based on Genette’s Periphertextuality theory. Findings of this paper show that Mowlana and Naraghi have utilized Quranic stories, folklore culture, former mystical texts etc. Explaining the form and thought of their narrations, this paper investigates the abovementioned narratives. Therefore, their work is result of intertextual relation in which they have established with other texts according to Genette. Manuscript profile -
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66 - The study of Intertextuality in subversions and commercials
Khalil Nemat Jafar HakimLiterary criticism, text analysis and their effect on the world literary and art creativity, texts relationship or intertextual topics from the view of literary critics and thinkers, since the twentieth century have become very important and have had different reflecti MoreLiterary criticism, text analysis and their effect on the world literary and art creativity, texts relationship or intertextual topics from the view of literary critics and thinkers, since the twentieth century have become very important and have had different reflections in the cultural world. Some experts believe that all the texts are somehow related and no new text will come into existence without any relationship to previous texts. They think the individual knowledge and awareness is the product of the group knowledge and awareness. The meaning of any literal text, either prose or verse, cannot be fully understood without being aware of the governing traditions over the previous related texts. In other words, all the texts, including literary and nonliterary texts do not have an independent identity. This process which is called intertextuality, deals with the presence of a text in another text and with the omission of some concepts such as author, history and society, it studies the text independent of the author but dependent on other texts. However, in intertextual relationship studies finding these traces are not enough and we should see what the author has done with the elements taken from other works. This article tries to investigate the intertextual relationship in subversions and commercials. Manuscript profile -
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67 - A Comparison of the Intertextuality of the Qur'anic Poems of abu al-atahiah and the Molavi About the ways toAscetic
Mohamadjavad koochakyazdi ali nabiolahi One of the literary treasures is poetry, meanwhile, many muslim poets are influenced by the Holy quran, and in their poems they have published the teachings, a comparative study of some of these poets In order to understand their views and the quality of the qura More One of the literary treasures is poetry, meanwhile, many muslim poets are influenced by the Holy quran, and in their poems they have published the teachings, a comparative study of some of these poets In order to understand their views and the quality of the quran's impact on them about strategies for achieving ascetic the purpose of this article is.To do this two Muslim poets namely, Abu al- atahiah as an Arabic-language poet and mawlawi was chosen as a persian poet. At first, ascetic's poems of abu al-atahiah and Molavi were identified Then, using the content analysis method and the term and identifying the verse the poet has chosen the relationship between poetry and the Qur'an was explained, this work was done in three forms of partial negation, general negation and parallel negation based on Kristeva's view. The results of this study showed that the views of these two poets on the ways of achieving asceticism are very broad Things like: Fighting the air of self, emphasizing resurrection, remembering God's constant supervision, and paying attention to the end of the world; among these are the results It is also possible to say the poems of Abu al-atahiah with an ascetic approach is and Multidimensional Molavi Poems and it is mystical. Manuscript profile -
Open Access Article
68 - Educational and moral teachings of tebbol qoloob Mohammad Naqshbandi and Kimia Sa'adat, Imam Mohammad Ghazali, based on the intertextuality approach
golamreza hatefimajomerd Mansoor Dehghan manshadi Abdolah MoradiAn analysis with the "intertextuality" approach examines the communication of a text with other texts. The main purpose of this study is to compare the moral teachings of Kimia Sa'adat and tebbol qoloob . Ethics is an important part of teaching literature in Persian lit MoreAn analysis with the "intertextuality" approach examines the communication of a text with other texts. The main purpose of this study is to compare the moral teachings of Kimia Sa'adat and tebbol qoloob . Ethics is an important part of teaching literature in Persian literature. In Persian, such works as Kimia Sa'adat and tebbol qoloob have been created with the theme of educational literature, full of moral teachings. In examining some of the virtues and moral vices of these two books, we find that the moral teachings in these two works are well-presented and impressive. Ghazali and Naqshband in their works will give their moral messages to humankind. The man of the present age, the controller and the deterrent of the fall in the corruption of the past, needs more than ever before. Consequently, the contemporary world's need for ethics is critical to the emergence of existing moral corruption. Accordingly, by recognizing the virtues and moral vices of these two writers, they can be seen in their worldview and by contemplating their thoughts in the way of the knowledge of morality and introducing their moral messages in order to apply them in life Individual and social way to save humanity from the ruin and corruption of the current world, the author has analyzed and analyzed the descriptive-analytical approach using the library method of the present article in the form of scientific-research paper. Manuscript profile -
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69 - Comparative study of the three axes of Gerard Genet intertextuality with the theory of Islamic rhetoric in the gardens of lights by Mohammad Sadegh Ghomshami
Mahin Farahmand Seyyed Mahmoud Seyed Sadeghi Shams Al-Hajiyeh Ahmadi roknabadi Intertextual links are one of the new approaches in the reading and critique of texts in the theory of genetic transmutation. According to this approach, no text is independent of other texts and each text is an intertext derived from previous texts that will be p More Intertextual links are one of the new approaches in the reading and critique of texts in the theory of genetic transmutation. According to this approach, no text is independent of other texts and each text is an intertext derived from previous texts that will be present in later texts. Gerard Genet, one of the theorists in the field of intertextual links, formulated his theory of transtextuality in five axes, one of which is the intertextuality axis. He has divided intertextuality into three types: intertextual connection, explicit-intentional, covert-intentional and implicit, and has also defined and limited the conceptual scope of each of these interpretations. Relying on a descriptive-analytical method, this study comparatively examines the intertextual aspects of genet with the theory of Islamic rhetoric in the treatise of Hadayegh Al-Anwar by Mohammad Sadegh Qomshami. Accordingly, the types of explicit-intentional, covert-intentional and implicit intertextuals and their comparative aspects in Islamic rhetoric, including proverbs, allusions, adaptations, allegories, allusions, guarantees, resolutions and contracts, are examined in this text. One of the objectives of this research is to study the use of previous texts based on the theory of genet and their adaptation to the theory of Islamic rhetoric. The result of the research indicates that the most common type of intertextuality is implicit intertextuality and in accordance with Islamic rhetoric, it is a kind of allusion. After that, hidden-intentional intertextuality has the highest frequency. Qomshami art in how to use the previous texts and use the intertextual element and create an original and innovative connection between the previous texts and the present text has artistically attracted and convinced the audience. Manuscript profile -
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70 - Investigating and analyzing Dimensions of Mehdi Akhavan Sales's influence from the verses of the Holy Quran Relying on the intertextual theory of Gerard Genet
AKRAM ZAFARI Dr.BATOOL FAKHR -E- ESLAM Dr.hossein seyyedi Dr.akbar shabany In recent years, in the field of literary criticism, a theory called intertextual criticism has become popular, according to which none of the texts have an independent identity and have been created under the direct or indirect influence of their previous works. More In recent years, in the field of literary criticism, a theory called intertextual criticism has become popular, according to which none of the texts have an independent identity and have been created under the direct or indirect influence of their previous works. The frameworks of intertextual critique were first explained by Julia Kristova, but culminated in Gerard Genet's views, so that today Genet's views are considered as a model in intertextual studies. He divides intertextuality into three categories, "explicit, implicit, and implicit," to which all texts fall. One of the sub-texts that poets pay attention to is religious characters, which in contemporary Persian literature, the Third Brotherhood is among the poets who have reflected religious issues in their poems. Citing the most important Islamic religious text, the Qur'an, he described some of his mentality and shared it with the audience. Therefore, in the present article, relying on descriptive-analytical method and citing library sources, the dimensions of the Third Brotherhood's influence on Quranic verses in four sections of content, lexical, structural and ritual stories have been studied and explored to answer these questions. It should be given that: a) The third Brotherhood has been influenced by the verses of the Qur'an? B) Which of the levels of the intertextual view has been used more in the poems of the Third Brotherhood? The foundations of Genet's intertextual theory have been used to avoid scatterbraining. The results of the research show that the poet has used the earlier text, namely the Qur'an, to explain the political, doctrinal, descriptive, protest-philosophical, moral and lyrical concepts. Manuscript profile -
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71 - Comparative comparison of the intertextuality types of Gerard Genet with the theory of Islamic rhetoric in the sixteenth and seventeenth chapters of the principles of chapters in obtaining
Saeed Abedini Dr. Azizollah Tavakoli Kafi Abad Dr mahmoud sadeghzadeh Today, the link between comparative literature and intertextuality is a new achievement that makes it easy to analyze the work within its patterns and methods. One of the most important elements of analysis in the field of comparative literature is the study of si More Today, the link between comparative literature and intertextuality is a new achievement that makes it easy to analyze the work within its patterns and methods. One of the most important elements of analysis in the field of comparative literature is the study of similarities and the effect of works on each other and how to realize or convey a subject and theme; Existence is constructed and then acquires that discourse and even changes the meaning of the central text. In the present paper, relying on the descriptive-analytical method, we make a comparative study of the intertextual aspects of genetics with the theory of Islamic rhetoric in the principles of chapters. Accordingly, the types of overt-intentional, intentional, covert, intentional and implicit intertextuals and their adaptive aspects in Islamic rhetoric, including guarantee, allegory, proverbial transmission, adaptation, contract, allusion, dissolution and implication, are examined in this work. One of the objectives of this study is to evaluate the use of previous texts based on the theory of genetics and their adaptation to the theory of Islamic rhetoric. According to the present study, the most diverse type of intertextuality is implicit intertextuality and adaptation in accordance with Islamic rhetoric. Therefore, they have the most abundant intertextual intertextuality, respectively. Hedayat's creativity in how to use the previous texts and use the intertextual element and create an innovative and creative connection between the previous texts and the present text in an artistic way will attract and convince the audience. Manuscript profile -
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72 - From Persepolis to Naqsh-e Rostam: An Archaeological Survey on the Nature of Site's Element in the Story of “Atash Parast”
Fatemeh Johari Najmeh Dorri This is the retrieval of the other texts' presence and regenerating them in the narrative texts that enriches the process of reading as well as evaluation of any substantial work. On the other hand, assuming archaeology and its evidences as yet another textual sou More This is the retrieval of the other texts' presence and regenerating them in the narrative texts that enriches the process of reading as well as evaluation of any substantial work. On the other hand, assuming archaeology and its evidences as yet another textual source, the question arises that, how was the interplay between the narrative texts and archaeological evidences, as two influential and important texts, during their natural development process in Iranian society?Preliminary studies indicate that the issue had become increasingly apparent in the works of celebrated authors such as Sadegh Hedayat — due to their relatively extensive studies in different fields of historical geography, their historical approach, as well as their inherent propensity in discerning archaisms and “epochs” in their works. Furthermore, among his oeuvre, “Atash Parast” is the one that provides the ground for a comparative-intertextual reading, by establishing the connection between the narratives of the story and the most prominent elements of the Iranian archaeology. Accordingly, the present study explains the reasoning behind the relocation of the fabled place-in-question by comparing subsequent text (“Atash Parast”) with the former text (the travelogue of Eugène Flandin), using the principles of comparative and intertextual criticism to prove the hypothesis behind its intentional relocation from Persepolis to Naqsh-e Rostam. Moreover, the mentioned relocation has caused the elements of the original discourse to be separated from their context, placed in another context and provide more substantial archaeological ground for the intertextual reading of the work-in-question. Manuscript profile -
Open Access Article
73 - Interpretation of Quality and Dimensions of Intertextual Relations in Contemporary Public Constructions in Uzbekistan with Architectural Works in this Country at Timurid Era (Since 1960-1990)’
leila zamaniaghaiee Hossein Soltanzadeh -
Open Access Article
74 - Intertextual Relationships in the Contemporary Architecture of Iran During 1961-1977
Maziar Ghaseminia Hossein Soltanzadeh -
Open Access Article
75 - بررسی میزان همبستگی بین سبک نوشتاری زبان آموزان ایرانی وجنسیت و شخصیت آنان
بیوک بهنام بهروز عزبدفتری شیما احمدی آزاد نحوه ی کاربرد کلمات توسط افراد مختلف میتواند نشان دهنده ی فرایندهای مختلف روان شناختی از قبیل تفکر، احساس، ادراک، و شخصیت آنها باشد. در این مقاله با تکیه بر عوامل جنسیت و دو بعد مهم شخصیتی ( برونگرایی- درونگرایی و روان رنجوری- ثبات هیجانی)، که از طریق تست ش More نحوه ی کاربرد کلمات توسط افراد مختلف میتواند نشان دهنده ی فرایندهای مختلف روان شناختی از قبیل تفکر، احساس، ادراک، و شخصیت آنها باشد. در این مقاله با تکیه بر عوامل جنسیت و دو بعد مهم شخصیتی ( برونگرایی- درونگرایی و روان رنجوری- ثبات هیجانی)، که از طریق تست شخصیتی آیزنک (نسخه ی اصلاح شده) مورد ارزیابی قرار گرفتند، به بررسی میزان ارتباط بین سبک نوشتاری زبان آموزان ایرانی و جنسیت و شخصیت آنها پرداخته شده است. مفهوم معنای صریح (رسمی) در مقابل معنای ضمنی (وابسته به قراین) بعنوان مهمترین عوامل تنوع زبانی تلقی شده اند. برای اندازه گیری صراحت زبانی (رسمیت) ، بر اساس فراوانی انواع مختلف کلمات، از یک روش تجربی استفاده شده است. اسم، صفت، حرف اضافه، و حرف تعریف در سبک زبانی صریح فراوانی بیشتری دارند و ضمیر، قید، فعل، و ندا در سبک زبانی ضمنی تکرار بیشتری دارند. فراوانی کلمات احساسی مثبت و منفی توسط برنامه ی بررسی زبانی و شمارش کلمات ارزیابی گردیدند. نتیجه ی این تحقیق هیچ رابطه ی معناداری را بین این متغیرها نشان نداد؛ دلیل آن را میتوان تاثیر دیگر عوامل غیر زبانی تعیین کننده ی صراحت مانند موقعیت و میزان تحصیلات دانست. Manuscript profile -
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76 - بررسی مقابله ای بینامتنیت در مقالات پژوهشی تالیف شده توسط مولفان ایرانی و انگلیسی در رشته زبان شناسی کاربردی
داود کوهی نسرین ملانقی زادهگفتمان علمی این امکان را در اختیار مولفان قرار می دهد که از متون مولفان دیگر در قالبها و الگوهای قراردادی بهره جویند. با اینحال، یکی از عواملی که می تواند بر نحوه استفاده مولفان از متون دیگر تاثیر بگذارد تعلقات فرهنگی مولفان است. بر اساس فرض مذکور، این پژوهش به بررسی مو Moreگفتمان علمی این امکان را در اختیار مولفان قرار می دهد که از متون مولفان دیگر در قالبها و الگوهای قراردادی بهره جویند. با اینحال، یکی از عواملی که می تواند بر نحوه استفاده مولفان از متون دیگر تاثیر بگذارد تعلقات فرهنگی مولفان است. بر اساس فرض مذکور، این پژوهش به بررسی موضوع بینامتنیت آشکار در مقالات پژوهشی تالیف شده توسط مولفان ایرانی و انگلیسی در رشته زبان شناسی کاربردی در دوره زمانی سالهای 2000-2010 پرداخته است. در راستای این هدف، الگوی ارائه شده توسط سویلز (1990) که توسط تامپسون و تریبل (2000) و تامپسون (2005) گسترش یافته مورد استفاده قرار گرفته است. نتایج پژوهش حاضر حاکی از استفاده متفاوت مولفان دو گروه از استراتژیهای نقل قول است. نتایج به دست آمده می تواند مورد بهره برداری مولفان و محققان حوزه زبانشناسی کاربردی قرار گیرد. Manuscript profile -
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77 - A comparative Study of Resaleh Qoshayriyeh and Siyar al-Auliya Based on Gérard Genette's Theory of Transtextuality
Maliheh KarimipanahSince mystical texts are based on Qoranic verses, hadiths, and sayings of saints, they are more suitable for the exploration of transtextual relations than other texts. This comparative study aimed to analyze transtextual relations in Resaleh Qoshayriyeh and Seyr al-Aul MoreSince mystical texts are based on Qoranic verses, hadiths, and sayings of saints, they are more suitable for the exploration of transtextual relations than other texts. This comparative study aimed to analyze transtextual relations in Resaleh Qoshayriyeh and Seyr al-Auliya based on Gérard Genette's theory of transtextuality. The goal was to discover which types of transtextual relations exist in Seyr al-Auliya, and how this work has established a dialogic relationship with Resaleh Qoshayriyeh. Based on the results, Mir Khord Kermani established a conscious transtextual relationship to create a work on the same level as Resaleh Qoshayriyeh. Among the different types of transtextual relations, explicit, latent, and implicit intertextual relations were observed at the level of themes and narratives; a paratextual relation existed in the book’s structure and parts (main title and subtitle, chapters, sections, and epilogues); an architextual relation in the book’s style and language; and a hypertextual relation of the adaptation type in the use of mystical terms, verses, hadiths, anecdotes, and sayings of the saints. Manuscript profile -
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78 - Analytical review of Quranic intertextuality in the verses of Mullah Abdul Karim Modarres (case study: The Court “Sana va Skalah”)
abdollah rasool nejad masoud bavanpouri soudabe jafariHoly Quran and the issues with it have always been among the important issues which have been the center of attention of researchers and the profound effects of this holy book from the time of its descend to the present time have been obvious to everyone. This impressib MoreHoly Quran and the issues with it have always been among the important issues which have been the center of attention of researchers and the profound effects of this holy book from the time of its descend to the present time have been obvious to everyone. This impressibility is not limited only to the period of descending of the Quran and Arabic old literature but contemporary poets, even poets of other languages and religions were impressed by Quranic concepts and values . Many prominent poets of different languages have decorated their court with words and combinations from the Holy Quran. Mullah Abdul Karim Modarres is one of the leading Kurd poets who enjoys valuable and distinctive position in Kurdish literature. He has interpreted the Quran in Kurdish and clearly he has been impressed. He has several books of poetry and religion, in which the authors of this article have examined the court “Sana va Skalah” (praise and supplication). The poet sometimes has used the same verse of the Quran or a translation in Kurdish language, and in the second part of his poem, the poet has praised God's great attributes. The authors intend to express examples of this effect using descriptive and analytical method. Manuscript profile -
Open Access Article
79 - Criticism and Analysis of the Duty-Oriented Role of the Concept of Ṣalāh in the Selection of Surah Ḥamd as the First Revealed Surah
seyed mohamadreza hoseininia mehdi akbarnezhad qmars rajabyThe topic of the first revealed verse and chapter is one of the controversial topics in the field of Quranic sciences. The obligation of prayer at the beginning of the Prophet's mission is one of the strongest indicators, which has been used in the preference of Surah Ḥ MoreThe topic of the first revealed verse and chapter is one of the controversial topics in the field of Quranic sciences. The obligation of prayer at the beginning of the Prophet's mission is one of the strongest indicators, which has been used in the preference of Surah Ḥamd as the first revealed Surah. In this article, which is organized by the analytical descriptive method, the narrative evidences about the obligation of prayer at the beginning of the mission, and the elemental role of Surah Ḥamd, which formed the content of this concept, are challenged as a pre-established assumption. Therefore, in order to discover the first revelation of the Qurʾan, other evidences and proofs should be sought and another method should be suggested. What is this evidence? And which is this method? The answers to these questions are the approaches of this article. Therefore, in this research, instead of just relying on controversial topics of narration, paying attention to the special characteristics of the Holy Qurʾan; like its textuality and the property of being a book, it is suggested as a valid and reasoned method to measure the validity of the sayings related to the category "Awwala mā Nuzila" (the first thing that was revealed). Manuscript profile -
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80 - Quranic and Hadithic Intertextuality in the 9th Ode of Adibol-Mamalek Farahani
hamidreza jadidiIntertextuality is a way of criticism in literary explains that no context is original and pure; but every context is a reflection of previous ones. Bakhtin, Julia Kristeva and Gérard Genette are great researchers who worked on interconnection between related wor MoreIntertextuality is a way of criticism in literary explains that no context is original and pure; but every context is a reflection of previous ones. Bakhtin, Julia Kristeva and Gérard Genette are great researchers who worked on interconnection between related works of literature. Genette divides intertextuality into three large categories: implicit or explicit; covert or overt; hidden or open. The Holy Quran is the most effective book to create Farsi texts and many poets were influenced by it and by Infallibles’ narratives. About ritual literature, obviously, the results should be clear in order to approach a deeper understanding of poems. Adib al-Mamalek Farahani, the remarkable poet of Constitutional Time, who was quietly familiar with Arabic literature, Quran and Infallibles’ narratives, used these sources especially in his political and social poets. He had poetical picture of Quranic contents sometimes; and offered new examples of misreading. In this article, by analytical-descriptive method and by looking at Gérard Genette’s criticism method, writer tried to summarily express rhymes of Adib al-Mamalek’s ninth ode, inspired by Intertextuality. These rhymes show his complete ability to comprehend Quran’s characters and words, and Infallibles’ narratives; mostly gained explicit way for better stimulus. Manuscript profile -
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81 - A Survey of Khaqani's ode of Madaen Porch (Based on the Theory of Intertextuality With an Inter-semiotic, Intra-semiotic Approach)
hamedreza ansari ali eshghi Abolghasem AmirAhmadiIntertextuality is a much discussed theory in the area of Literary and artistic studies dealing with the relationship of literature / texts with one another ; and inasmuch as the Persian Poetry is one of the texts that has constantly had a profound and inseparable bond MoreIntertextuality is a much discussed theory in the area of Literary and artistic studies dealing with the relationship of literature / texts with one another ; and inasmuch as the Persian Poetry is one of the texts that has constantly had a profound and inseparable bond with the antecedent Work in various areas of human thought and idea over its different periods of life, field of inter-textual studies about it is widespread. Khaqani-e Sharvani (b.1141 d.1216) is a great poet of personal style who has benefited from a variety of motifs in his poems, and this matter has turned his poems into an encyclopedia taking on a profound and widespread inter-textual relationship with the diversified past literature. Hence it is, an endeavor has been made so as to consider his well – known and lasting ode of Madaen Porch with attention to the bidirectional nature which it bears to the effect that it has been affected by the non-verbal sign of the majestic edifice of Khosro's arched roof on the one hand, and on the other hand it is affected to some extent by the literary works that his antecedents have created under the impression of observing this historical and magnificent palace – on the basis of the intertextuality theory while emphasis is being laid on inter-semiotic intertextuality and intra-semiotic intertextuality. Manuscript profile -
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82 - Intertextuality in the critical proofreading of the manuscripts of mystical interpretations of Surah Yusuf case study: Bahr al-Mahabbah fi Asrar al-Mawaddah
mahboobe shamshirgarhaThe concept of intertextuality has a great function in understanding and criticizing mystical texts as well as Proofreading manuscripts. In particular, If the many connections between the mystical interpretations of Surah Yusuf in the interpretations of the middle centu MoreThe concept of intertextuality has a great function in understanding and criticizing mystical texts as well as Proofreading manuscripts. In particular, If the many connections between the mystical interpretations of Surah Yusuf in the interpretations of the middle centuries are understood, it will have a great impact on correct reading and solving some problems of Proofreading these texts. The existence of a network of earlier and later intertextual relationships in these works, Including the qesse- ye- Joseph, Anis al-Muridin and Rawzah al-Mohebeen, Anis al-Muridin and Shams al-Majalis, Hadaiq al-Haqaiq, as well as Bahr al-Mahabbah fi Asrar al-Mawddah is very strong. So that the effort to understand the meaning in each one with the assumption of independence does not lead to the right result. This article, using the method of content analysis, with the aim of emphasizing the perspective of intertextuality in Proofreading the mystical interpretations of Surah Yusuf, seeks to show how the Manuscript proofreader will be able to understand the text by considering this point of view; so that he can achieve the main goal of proofreading, which is to achieve a text as close as possible to the author's work. In Proofreading Bahr al-Mahabbah as a case study, a comparative study of specific interpretations of Surah Yusuf and understanding the relationship between them led to solving some difficulties. Some if the examples are: Choosing the names of some characters in the story, such as the names of Yusuf's sister and Zulikha and her rival, Manuscript profile -
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83 - Analysis of Intertextual Links between Parvin Etesami's Poems and Hafez's Lyric Poems Based on Genet Transtextual Approach
Parvin Golizadeh Mokhtar Ebrahimi Maryam AshkaniThe purpose in this research is to show the influences of Hafez on Parvin Etesami in terms of thought and language. The method of research is based on Gérard Genette’s rather descriptive and analytical, but actually intertextual approach. Intertextuality re MoreThe purpose in this research is to show the influences of Hafez on Parvin Etesami in terms of thought and language. The method of research is based on Gérard Genette’s rather descriptive and analytical, but actually intertextual approach. Intertextuality relies on discovering influences and effects of texts upon other texts. Based on this approach there are no unique, pure, or all- inclusive texts. All texts are influenced by texts that existed before and will influence other texts in the future and such relation is present in the conversations that exist among texts (Genette). The terminology of intertextuality was first introduced in the late 1960s by Julia Kristeva. Gérard Genette is among theorists that utilized intertextuality in a practical manner and called it transtextuality. Our reading of Parvin’s Qasidahs and Hafez’s Ghazals reveals to us the presence of metatextuality and paratextuality from Genette’s five categories of Intertextuality, Paratextuality, Metatextuality, Hypertextuality, and Architextuality. The relations of metatextuality in some of the poetry by Parvin & Hafez are telling of Parvin’s adherence to cultural and intellectual principles of Persian classical poetry and Hafez’s critical positions on these matters. Manuscript profile -
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84 - Intertextuality in Didactic Literature (Qābus-Nāma and the Instructions of Ptah-Hotep; the Oldest Book-for-Offspring in the World)
Saba Jalili jashn abadi sayed mahdi RahimiOne of the topics in text criticism is intertextuality Which refers to the various relationships of texts in terms of form and meaning. It considers the text as a loop in an intertextual chain that is related to the texts before and its contemporaries and the texts afte MoreOne of the topics in text criticism is intertextuality Which refers to the various relationships of texts in terms of form and meaning. It considers the text as a loop in an intertextual chain that is related to the texts before and its contemporaries and the texts after. In other words, each text has a hidden and explicit connection with its genre, both formally and semantically. Advice to offspring is a sub-Genre of didactic literature that has an ancient history in human civilization. This tradition of advising that relies on the three principles of antiquity, universality, continuity, and repetition, requires intertextual and comparative analysis. According to historical documents, the instructions of Ptah-Hotep is the oldest book-for-offspring in world literature. These instructions date back to 2880 BC in Egypt. in Persian language and literature, Qābus-Nāma is a famous and successful example that shortly after writing, until the end of the Qajar period, was considered and imitated by the authors of texts in Iran. The very ancient place of Instruction of Ptah in the tradition of advice to the son, and the fame of Qābus-Nāma is the main reason for selecting these works. In this research, with an analytical-comparative approach, the extra-textual, hypertext, and intra-textual characteristics of these works were investigated. That have similarities in the type of audience (authors' sons), social status of the authors (Isesis court minister and Prince Ale-Ziār), pride in lineage, having an emotional introduction and an emphatic ending, recommendation to apply the teachings, expressing behavioral advice in the community and family. This achievement shows that there was a common tradition in writing advice for the offspring, which of course varies slightly depending on the type. Manuscript profile -
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85 - A Study on the comparative inter-texturality didactic doctrines of “orphan tears” (by Parvin Etesian with) " the governor of our city is shameless beggar” (by Anvari)
Roghayeh SadraieToday, inter-textuality is referred to literary and linguistic theories. Julia Christo for the first time proposed this term. Then, the theory was developed by Gerald Janet. The inter-texturality theory emphasizes that no work is independently made by the author. In fac MoreToday, inter-textuality is referred to literary and linguistic theories. Julia Christo for the first time proposed this term. Then, the theory was developed by Gerald Janet. The inter-texturality theory emphasizes that no work is independently made by the author. In fact, it is affected by previous texts and contemporary thoughts of contemporary literature. Inter-texturality examines the relationship of a text with others texts as a structural method for making literary texts and arriving to effective purpose. The present paper aims at evaluating the moral and social doctrine of Parvin Etesami based on inter-texturality theory. For this purpose, one of the poems of Parvin has been chosen. In this article, the poem of "the orphan tears “by Parvin Etesami with poem of" the governor of our city is shameless beggar " by Anvari was studied, analyzed and contrasted from inter-textuality theory. Manuscript profile -
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86 - Investigation and analyzing the role of urban volumes in memorization and urban identity with an inter textual approach (Case study; Kerman city)
azadeh atashpanjeh mohammad naghizadeh zahra sadat saeedeh zarabadiObjective: urban volumes, including sculptures and elements in the text of their city,form a layer of city identity and a suitable platform for formation of signs and symbols of urban identity and creation of memorable and social spaces.In recent decades, it seems that MoreObjective: urban volumes, including sculptures and elements in the text of their city,form a layer of city identity and a suitable platform for formation of signs and symbols of urban identity and creation of memorable and social spaces.In recent decades, it seems that neglect of some features in creation and use of these works,especially in terms of content and space, has caused problems in the identity of contemporary urban spaces and reduced effectiveness of these works.Purpose is to analyze how urban volumes of Kerman city affect the identity and memory of urban space by examining intertextual references and sources of inspiration and themes of these works.Research method of this paper is researches of logical reasoning and its method is to use reason to explain the relations and comprehend the components of a mental system in a descriptive and analytical form and the intertextual approach is used as a theory in semantic critique and analysis of works of art.Results show that use of social, psychological,cultural and literary works, respectively,had the greatest impact on the design of urban elements and sculptures.Also,turning method of explicit meaning into implication and turning mere statues into meaningful elements and implicit references has strengthened the value and symbolic aspect of works and authentication in higher degrees. Manuscript profile -
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87 - The Intertextuality in an English as a Foreign Language Textbook: An Analytical Study of Interchange Fourth Edition
Hani Mansooji Ahmad Mohseni -
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88 - Intertextuality and Plagiarism in EFL Writing: An Analysis of University Professors’ Attitudes towards MA Theses
Hossein Pourghasemian Mohammad Afzali -
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89 - Kei Khosrow and Bahrām Gor: An Intertextual Reading of Shānāmeh and Haft Paykar
Rezā Refāee Qadimi Mashhad Hoseinali QobādiShānāmeh, as an exemplary pattern for Persian epics, has been the source of numerous epic works. Based on an intertextual reading, in the present article the attempt is made to study the influence of the Shānāmeh on Haft Paykar in the creation of the mythological person MoreShānāmeh, as an exemplary pattern for Persian epics, has been the source of numerous epic works. Based on an intertextual reading, in the present article the attempt is made to study the influence of the Shānāmeh on Haft Paykar in the creation of the mythological personality of Bahrām Gor (Bahrām the Onager). The present study seeks to explore the mythological personality of Kei Khosrow in Shānāmeh that has inspired Nizami Ganjavi in the processing of Bahrām Gor 's character. Nizami Ganjavi's reference at the beginning of Haft Paykar to Shānāmeh and the textual evidence reinforces this claim. So, one can find a pattern for the creation of the character of Bahrām Gor according to Nizami Ganjavi's narrative. Based on the thoughts of Gérard Genette and by using a descriptive-analytical method and intertextual approach, the article tries to examine the characters of Bahrām Gor and Kei Khosrow in Shānāmeh and Haft Paykar. The results show that explicit and implicit intertextual relationships are presented in cases such as the actions and behaviors and mystical personality of the two characters and the dreams and predictions of the elders about them. Manuscript profile -
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90 - Love in Sefat al-āšeqīn and Abhar al- āšeqīn: An Intertextuality Approach
Ebrāhim Ebrāhimtabār Jamshid NajafAbhar al-āšqīn is a collection of Rūzbahān Baqalī Šīrāzī’s thoughts about love. Because of the great importance of this mystical treatise in Persian literature, it has had great influence on its later works including masnavi of Sefat al- āšqīn MoreAbhar al-āšqīn is a collection of Rūzbahān Baqalī Šīrāzī’s thoughts about love. Because of the great importance of this mystical treatise in Persian literature, it has had great influence on its later works including masnavi of Sefat al- āšqīn, composed by Helali Joghtaei. Since these two books have a lot of similarities in content and subject matter, they can be studied based on Genette's Intertextuality theory that suggests three types of "explicitly deliberate", "hidden-deliberate," and "implicit" links between texts. The findings of the present research show that many themes related to love, such as eternality and the mutuality of love and its obstacles are presented in both books. The intertextuality relationship between them shows that Sefat al- āšqīn is not a mere imitation of Abhar al- āšqīn without any creativity. By using descriptive-analytic method, the present article tries to show the common themes about love in both books. Manuscript profile -
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91 - The Traces of Myths in Atash Bedune Dood (Fire without Smoke); A Review Based on Gerard Genette's Intertextuality Theory
Royā Novin Hamidrezā Farzi Ali DehghānMyth is one of the significant elements in the structure and content of the contemporary stories. One of Persian contemporary stories, influenced by myths, is Nader Ebrahimi's Atash Bedune Dood (Fire Without Smoke). By using descriptive-analytical method and library sou MoreMyth is one of the significant elements in the structure and content of the contemporary stories. One of Persian contemporary stories, influenced by myths, is Nader Ebrahimi's Atash Bedune Dood (Fire Without Smoke). By using descriptive-analytical method and library sources and based on Gerard Genette's intertextuality theory, the present article attempts to identify the traces of myths in the story. The authors assume that Ebrahimi has consciously used mythological elements in the structure and content of his work and has established intertextual relationships. He has been influenced by mythological and epic texts, especially Shāhnāmeh. Mythological and epic stories, including Rostam and Sohrab, Fereydun, Siavash, Banu Goshasp, as well as mythological themes, such as the sanctity of tree and transformation of hero into plant have played a role in shaping the story. Based on Genette’s five subtypes of transtextuality - intertextuality, paratextuality, architextuality, metatextuality and hypotextuality - these subjects have been explored in the article. Manuscript profile -
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92 - Intertextual Relationships in the Story of Khalil and Its Iranian Roots
Zeinab Sādeghi Sahlābād Mahboobeh MobāsheriIn the present study we examine the hereditary and intertextual relationships in Khalil, a short novel written by Leonid Leonov, Russian author of the 20th century. The story is influenced by Iranian mystical and classical literature and has been created with Oriental a MoreIn the present study we examine the hereditary and intertextual relationships in Khalil, a short novel written by Leonid Leonov, Russian author of the 20th century. The story is influenced by Iranian mystical and classical literature and has been created with Oriental and Iranian tone. So, we take into account the concept of intertextuality and examine the impact of texts on each other. The prototype of the hero of the story (Khalil) is one of the kings of the Timurid era, and the chronotope (spatio-temporal) pattern of the story relates to ancient Iran. The Oriental atmosphere of the story is conveyed to the reader through the use of a large number of Persian words and a language style similar to Iranian works. Also, the main character of the story has characteristics similar to those of Iranian literary heroes. In terms of content and structure, there are semantic and structural connections between mystical, mythical, and folk narratives and the story. Its themes and contents have been adapted from various anecdotes, and each of them has influenced part of the story. In the end, by using descriptive-analytical method, we show how successful Leonov is in creating a special story with a multi-dimensional discourse combined with Eastern narrative traditions. Manuscript profile -
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93 - Hypertextuality and The Reconstruction of Mythological Characters of Orpheus and Eurydice in Amélie Nothomb's Mercure
Fātemeh-sādāt Tabātabāie Karim Hayāti Ashtiāni One of the postmodern features of Amelie Nothomb's novels is the use of myths, most notably the myth of Orpheus and Eurydice in Mercure. Nothomb draws inspiration from the myth, makes major changes to it and rewrites it with her feminist perspective. Contrary to More One of the postmodern features of Amelie Nothomb's novels is the use of myths, most notably the myth of Orpheus and Eurydice in Mercure. Nothomb draws inspiration from the myth, makes major changes to it and rewrites it with her feminist perspective. Contrary to the myth of Orpheus and Eurydice, in Mercure, woman has priority over man and has the last word. In this research, by using analytical-comparative method, we describe these changes and the techniques used and show that the communication system that connects the novel to the myth is hypertextuality. We also try to explain in detail the main mythemes that make up the image of Eurydice, the duality of female characters, the duality of the structure of the novel, as well as the reversal of the roles. The characters of Adele and Azel take different paths and present two different images of Eurydice. In fact, these changes are due to the independence and ambiguity of the novel's female character through the process of duality in the image of Eurydice, and cause the author to present a new version of the myth of Orpheus and Eurydice, in which woman is superior to man. Manuscript profile -
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94 - An Intertextual Reading of Two Stories from Masnavi Manavi and Decameron
AFSANEH SAADATI Hasan YazdanpanahOne method of gaining a deep understanding of texts is through examining the interactions between different works. Authors are often influenced by each other's writings, whether intentionally or unintentionally. The focus of the essay is to explore the intertextual read MoreOne method of gaining a deep understanding of texts is through examining the interactions between different works. Authors are often influenced by each other's writings, whether intentionally or unintentionally. The focus of the essay is to explore the intertextual reading of two stories: "The Sufi Who Caught His Wife with a Strange Man" from Masnavi Manavi, and the second story from Day Seven of Decameron ("Peronella Hideth a Lover of Hers in a Vat, Upon Her Husband's Unlooked for Return") through the lens of Genet's theory of transtextuality. These two stories share similarities in themes such as unfaithfulness, betrayal, enjoying life, women's cunning, and the fear of scandal. The present research adopts an analytical-comparative approach to compare these two classic works and highlight their commonalities and differences. The research findings suggest that Boccaccio recreated a story from Masnavi Manavi in a remarkable manner within his own tales. The study not only establishes a favorable foundation for comparative analysis but also paves the way for further exploration of Rumi's works. Manuscript profile -
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95 - Hypertextuality in the Selected Anecdotes of Asrar Nama; An Analysis
zeinab rezapour Maryam ZamaniExamining the interaction between texts is one of the ways to know texts accurately; hypertextuality is an approach to text reading that shows relationships between texts in a systematic way. Most of the anecdotes of Asrar Nama (composed by Attār of Nishapur) have their MoreExamining the interaction between texts is one of the ways to know texts accurately; hypertextuality is an approach to text reading that shows relationships between texts in a systematic way. Most of the anecdotes of Asrar Nama (composed by Attār of Nishapur) have their roots in previous works, but they have been changed and reproduced in this book very thoughtfully and purposefully. By using analytical-comparative method and based on Gérard Genette’s theory of hypertextuality, the present article attempts to investigate the relationship between the Asrar Nama and its subtexts. The findings of the research show that Attar uses subtexts in the form of explicit and implicit intertextual relationship in order to validate the narrative and confirm the content. The most type of hypertextual relationship between Asrar Nama and its subtexts is trigonomy or homogeneity in a quantitative transformation and pragmatic transformation methods. Processes such as transformation of motivation, transformation of value, qualitative transformation, amplification, expansion, cutting and summarizing the text lead to change the discourse of the stories, to highlight the content, to add fictional elements, to turn the text from a report mode into a narrative mode, to devalue or value the characters of the anecdotes and to adjust the goals in the Attār's narration. Hypertextuality in Asrar Nama is interpretive; it has played an effective role in explaining Attar's mystical views, expanding the themes, and symbolizing the anecdotes that are monosemantically and superficially narrated in the sources of Asrar Nama. Manuscript profile -
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96 - The Analysis of the Verses and Narrations of the First Book of Masnavi Manavi Based on Harold Bloom's Theory of Creative Misprision
alieh youseffam Masoume Kazemi NezhadCreative misprision is a theory proposed by Harold Bloom based on intertextuality and the relationships between literary texts and their influence on each other. The theory posits that there is always a conflict between poets and writers of the past and the succeeding o MoreCreative misprision is a theory proposed by Harold Bloom based on intertextuality and the relationships between literary texts and their influence on each other. The theory posits that there is always a conflict between poets and writers of the past and the succeeding ones. In his most important work, The Anxiety of Influence, Bloom emphasizes the two-way but hostile relationship between new writers and past ones. To get rid of the anxiety of influence of the past texts, poets and writers use methods through creative misprision to create new works in an attempt to show their own superiority to their predecessors. In the present research, we analyze the transformations that Jalāl al-Din Rūmi has applied in order to get rid of the anxiety of the influence of past texts , and to study the role of Bloom's creative misprision in Masnavi by using analytical-comparative method. The findings show that Rumi's creative method in the creation of stories and anecdotes to get rid of the influence of past texts is an instance of the creative misprision. For this purpose, he has employed a variety of techniques such as association, using educational, religious and philosophical themes, changing the elements of the stories, and symbolism. Manuscript profile -
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97 - Intertextual Interaction between Qaboosname & Quotations of Sufis Based on Gerard Genette’s Theory
Ebrahim Danesh Faramarz JalalatQaboosname is one of the prominent works of Persian didactic literature. It is considered a central text among Persian literary works due to its formal attractiveness and thematic variety. This book had an undeniable intertextual role in the evolution of the Persian tex MoreQaboosname is one of the prominent works of Persian didactic literature. It is considered a central text among Persian literary works due to its formal attractiveness and thematic variety. This book had an undeniable intertextual role in the evolution of the Persian textual galaxy in getting, developing, and transferring religious, social, and educational teachings. Wise quotations and pieces of educational advice are some of the valuable heritage that reached Qabooname to remarkable Persian works after it. Analyzing intertextual relations between Qaboosname and quotations of Sufis can explain the share of mysticism in Onsorolma’ali’s educational system and make us familiar with the amount and the way of intertextual application of Qaboosname and its intellectual references. It also can help us to reach a better understanding of the book and its related texts. This paper in a descriptive and analytical way has concluded that the high frequency of implicit and explicit intertextuality indicates that Qaboosname has a high level of literariness and aestheticism. The high amount of educational topics such as social, and religious issues and the necessity of linguistic and behavioral politeness signifies that social interactions are important in Onsorolma’ali’s view and intellectual framework of Sufism. Paying attention to the quotations and behaviors of the first-class Sufis of Islamic mysticism indicates that Onsorolma’ali had a firm belief in getting educational teachings from basic Sources of this movement. Manuscript profile -
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98 - The Influence of Intertextuality in the Novel 'Suvashun' on Audience Engagement During Reading
Esmaeel BANIARDALAN Shahrokh Amirian DoostGenetic intertextuality is a well-known form of intertextuality. From a genetic point of view, intertextual relationships in texts can be distinguished into two types: real (strong) and single-layer (weak). True intertextuality is only achieved when the connection betwe MoreGenetic intertextuality is a well-known form of intertextuality. From a genetic point of view, intertextual relationships in texts can be distinguished into two types: real (strong) and single-layer (weak). True intertextuality is only achieved when the connection between two texts transcends mere lexical and formal similarities, indicating a strong intertextual bond. Through genetic intertextuality, a thorough exploration of textual relationships at various levels—both formal and thematic—proves essential in identifying the type, nature, and intensity of intertextuality. Furthermore, Roland Barthes employs a genetic intertextual interpretation to enhance the reader's experience and interaction with the text. He posits that texts can be viewed as either "readings" where the audience plays a passive role or "writings" where the audience actively engages. Barthes contends that leveraging these two forms of intertextuality is pivotal in decoding the text effectively. This qualitative study employs a comparative analytical approach to analyze data. The findings underscore the significant impact of a strong intertextual relationship in transforming the novel, "Suvashun," into a narrative that captivates the reader's passive engagement. Manuscript profile -
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99 - Welcome toHades and the Myth of Persephone: A Comparative Analysis Based on Theory of Intertextuality
Afsane Hasan zade dastjerdiSometimes, the writers of literary texts utilize some characters from the other texts, stories and even the whole plot. One of main recourses of stories is myths that have been reflected in rites, beliefs and fables in different forms. The Greek myth of Persephone and h MoreSometimes, the writers of literary texts utilize some characters from the other texts, stories and even the whole plot. One of main recourses of stories is myths that have been reflected in rites, beliefs and fables in different forms. The Greek myth of Persephone and her journey to the kingdom of Hades, the god of underworld, a myth about death and resurrection, is one of them. The main character of the novel, Welcome to Hades, by Belgheis Soleimani, travels like Persephone and after experiencing the events finally reaches the underworld. By using analytic method the present article attempt to explore the role and method of presence and recreation of the myth of Persephone in the novel, Welcome to Hades, with respect to Julia Kristeva’s theory of intertextuality and the ideas of Bakhtin about the logic of dialogue of texts and intertextual relationship in literary texts. The results of the research show that the myths of Persephone and Hades are a pretext for the novel Welcome to Hades and have influenced the structure and characters of the novel. By this way the hidden dimensions of the novel can be understood better. Manuscript profile -
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100 - Mythical-Intertextual Analysis of Heyrani; Based on Julia Kristeva's Theory of Abjection
Fātemeh ZamāniJulia Kristeva has developed new approaches to analyzing texts by focusing on the theory of intertextuality and based on linguistics and psychology. According to the theory of abjection, derived from the post-structuralist ideas of Kristeva, literary creator, as a spoke MoreJulia Kristeva has developed new approaches to analyzing texts by focusing on the theory of intertextuality and based on linguistics and psychology. According to the theory of abjection, derived from the post-structuralist ideas of Kristeva, literary creator, as a spokesperson, becomes estranged from abjects and offers solutions, including taking refuge in myths andarchetypes, to purify himself/herself and his/her community. In the present article, Heirani (Astonishment), a novel by Mohammd Ail Sajjadi, is analyzed based on the theory of abjection. The results show that the author has considered the archetypes, like water, anima, immortality, mountain and the number of seven as well as the mythical characters such as Siavash, Bahrām, Mehr and the sacred cow in order to get rid of individual and social abjects. In this regard, the novel has a mystical-intertextual relationship with the Shāhnāmeh and the story of Siavash. Manuscript profile -
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101 - Intertextual Relationship between Sawāneh Ol-'Oshshāq & Abhar al-'Āshiqin
منصوره مختاری محبوبه مباشری قدم علی سرامیSawāneh Ol-'Oshshāq, a treatise by Ahmad Ghazālī (c. 1061–1123 or 1126), and Abhar al-'Āshiqin, another treatise by Ruzbihan Baqli Shirazi (d. 1209), have common points in mode of expression, language usage and content. The simultaneous and intertextual reading ca MoreSawāneh Ol-'Oshshāq, a treatise by Ahmad Ghazālī (c. 1061–1123 or 1126), and Abhar al-'Āshiqin, another treatise by Ruzbihan Baqli Shirazi (d. 1209), have common points in mode of expression, language usage and content. The simultaneous and intertextual reading can lead to change our views about these texts and acquaint us with their common features and special features of their own. Based on Gérard Genette’s ideas, the intertextual reading of the texts reveals that the Abhar al-'Ashiqin is, explicitly and implicitly, influenced by Sawāneh Ol-'Oshshāq in selecting words, terms and proper names and allusions to Quranic verses, Tradition (hadith), and mystical stories and terms. Their intertextual relationship is much deeper and extensive than direct influence and adaptation which may appear. Manuscript profile -
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102 - Investigating the mystical positions "Sabr" and "Reza" in four works Dastour al-Juhumor, Awarif al-Maarif, Manazel Al-Saerin, and Al-Sawad and Al-Bayaz, relying on Gerard Genet's intertextuality
elham ghanavatimohammadghasemi ahmad khiyali khatibi ali asghar halabiIntertextuality is the production of text through interaction with the texts of its predecessors or contemporaries, the participation of those texts in the desired text is done explicitly, implicitly, and implicitly from one text to another. Gérard Genet is one of the MoreIntertextuality is the production of text through interaction with the texts of its predecessors or contemporaries, the participation of those texts in the desired text is done explicitly, implicitly, and implicitly from one text to another. Gérard Genet is one of the most prominent researchers in the field of intertextuality, who focuses most of his studies on the nature of narrative discourse. With this point of view, the two books Manazel al-Saerin Ansari, Awarif al-Maarif Sohravardi in the pretext position and Sheikh Kharqani's Dastour al- Jumhour have been evaluated as the posttext.In this article, an attempt has been made to analyze the mystical views of these four works with the descriptive analytical method, around the two mystical positions of "Sabr" and "Reza" in order to reveal the dominant mystical aspect of their personality. From the examination of his views, it was concluded that Ibn Kharqani is very interested in practical trust, patience in hardships, and contentment with God's destiny, and his thoughts were implicitly influenced by his previous works. Manuscript profile -
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103 - Analysis of intertextual theory in the field of Arabic literary criticism, translations provided from it and introduction of elders in this Field
sajad arabi hamidreza gholamiThe concept of intertextuality was introduced in 1982 by Siza Qasim in an article called “Paradoxical view in contemporary Arabic stories” in the discourse of contemporary Arabic criticism. This theory was accom pained by different reactions from Arab MoreThe concept of intertextuality was introduced in 1982 by Siza Qasim in an article called “Paradoxical view in contemporary Arabic stories” in the discourse of contemporary Arabic criticism. This theory was accom pained by different reactions from Arab critics and they have provided different translation of it, and have different views and same have theorized about this and they raised view that had hot been raised in this field until then.In the present study, an attempt is made to study and analyze intertextual theory in the field of Arabic literary criticism by descriptive-analytical method, and to examine the most important efforts and works of authors in this field in the Arab world. The results show that the efforts of contemporary Arab critics on intertextuality have taken two trends so far which are: The first is to refer to the field of ancient criticism and adapt this theory to the critical heritage, and the second is to suffice with the new form of intertextual theory without referring to the ancient heritage of literary criticism.Contemporary Arab critics have made great strides in both practical and theoretical terms, Their efforts and achievements in this field and other new theories show this. Manuscript profile -
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104 - A Study of the manifestations of metamorphosis in Gholam Hossein Sa'edi’s Works with respect to Gérard Genette's Theory of Hypertextuality
elahe feizimoghadam Mohammad Aref Mohammadreza SharifzadehThe purpose of this article is the hypertextuality study of manifestations of metamorphosis in Gholam-Hossein Sa'edi's works according to Gérard Genette's theory of hypertextuality. This theory is one of the five types of Genette's theory of transtextuality which MoreThe purpose of this article is the hypertextuality study of manifestations of metamorphosis in Gholam-Hossein Sa'edi's works according to Gérard Genette's theory of hypertextuality. This theory is one of the five types of Genette's theory of transtextuality which concentrates on inspiration, derivation and effectiveness of the hypotext on the hypertext. Besides, this theory includes two basic types, imitation and transformation. Metamorphosis is considered as one of the most remarkable elements in myths, folk tales, and legends. Based on this process, unexpected and gradual changes demonstrate themselves in the appearance and sometimes in the conscience of the creatures and they transform from one form to another while displaying different performances. Moreover, sometimes they can appear in the combined structure of humans, animals, plants, and objects. Literature is the origin of presence of these manifestations and they have had mutual effects on each other over the time. The mutual impressiveness and effectiveness provide an opportunity to study them with respect to the theory of hypertextuality especially by considering contemporary literatute as the target resources which fewer researchers have focused on it. The results of the study demonstrate that the manifestations of the metamorphosis exist in thirteen stories, one novel, six plays, and three screenplays written by Gholam-Hossein Sa'edi. In this article, based on the descriptive-analytical method, these manifestations were classified and determined in three different groups and then they were studied based on a qualitative content analysis. At the end, impressiveness of these manifistations in Gholam-Hossein Sa'edi's works from ancient literature and folk tales has been studied according to the hypertextuality theoretical framework. The results represent that Gholam-Hossein Sa'edi sometimes has used these manifestations with direct and indirect influence of ancient and religious narratives and folk tales (hypotext) in his works (hypertext), however, in most of the time, he has used his creativity and imagination to make these manifestations in favor of progress of the story. Manuscript profile -
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105 - The Qur'anic Intratextuality in Two Types of Revelatory and Allusive in The Magamate Hamidi Based on The Theory of Genette
Abbas Soltanpour Hamid Reza farzi Ali DehqanAbstract Although Julia Kristeva was the creator of intratextulity term, other theorists, in continuation of her tenets, with the same or different origins, have dealt with the presence of one text in other texts. Gerard Genner's approach, opposite to Kristeva's and in MoreAbstract Although Julia Kristeva was the creator of intratextulity term, other theorists, in continuation of her tenets, with the same or different origins, have dealt with the presence of one text in other texts. Gerard Genner's approach, opposite to Kristeva's and in different front, by affecting and being affected, have been chosen as the theoretical basis of this research to study two kinds of non-verbal affectability in the Magamate Hamidi from the Holy Qur'an. We have tried, in this abstract, to produce the spiritual aspects of the Qur'anic intratextuality ( revelatory and allusive ) in the aforementioned book. In the revelatory intratextuality, we will discover the origins of implications and the encouragement of the author to take advantage of it; in allusive intratextuality, on the other hand, we are led by the allusive terms to the meanings and extensive Qur'anic knowledge. The statement " those who possess righteousness and axiom, don't die " indicates the revelation of the author from the verse of martyrdom, and allusion to two key words in maxims of Loghman Hakim, associates Loghman's advices to his son. The text of the Magamate Hamidi has been thoroughly studied and scrutinized here and the aspects of the author's affectability for the Holy Qur'an and its frequency have been specified. Finally with the comparison of the frequency of these intratextualities , it was revealed that revelatory intratextuality with the considerable function has played role more than allusive intratextuality. The method of this research is descriptive-analytic and the atmosphere of the activity is bibliotic. Manuscript profile -
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106 - Intertextuality of the Qur'anic Verses in the Transcription of "Gholshan" from Mohammad Rahim Kermani
Seyyed Ya'ghoob Hosseini Maryam MahmoodiAbstract In fact, the intertextual relationship, studies the bonds of one text with the other past or present texts. Julia Christova was the originator of intertextuality. Later on Gerard Janet developed this idea and divided MoreAbstract In fact, the intertextual relationship, studies the bonds of one text with the other past or present texts. Julia Christova was the originator of intertextuality. Later on Gerard Janet developed this idea and divided it to its subdivisions. Today, the intertextual technique is one of the most outstanding characteristics of poetical and textual structure. In this case, The Holy Qur'an as an ethereal source, is of the most significant sources which has inspired most of the writers and poets in the Islamic world. Mohammad Rahim Kermani, the writer of the ethical book " Gholshan ", and of the imitators of the Gulestan of Sa'di, has also utilized the intertextual technique. We have tried, in this article, by using the intertextuality and by employing analytical – descriptive method to investigate these impacts on the text of this book. The aim of this article is to reveal the approach and intertextual relations to highlight the didactic and ethic teachings of the Holy Qur'an. The attention of the author of the Gholshan to the Qur'an and utilizing it in numerous methods shows his presence of mind, the vastness of his knowledge, and indicates his commitment to religion. Mohammad Rahim Kermani, by using the Qur'an in his words has revealed the literary aesthetics elements in its best form. Manuscript profile -
Open Access Article
107 - Intertextual Analysis of Sacred Defense Paintings
nayere mobinipour mohammadali khabari Mohammadreza SharifzadehTo read a text, you need previous and contemporary texts, and no text is independent of its predecessors. Since every work of art is a text, a painting can also be considered a text. Due to the appropriateness of Gerard Genet's intertextual theory with the subject, it h MoreTo read a text, you need previous and contemporary texts, and no text is independent of its predecessors. Since every work of art is a text, a painting can also be considered a text. Due to the appropriateness of Gerard Genet's intertextual theory with the subject, it has been used as a theoretical framework. The painting of the Holy Defense has its own semantic and aesthetic system that is different from each other. Tastes both in the production and in the acceptance of works of art change depending on the social transformation that has taken place in terms of the structural nature of the work under study. This article intends to answer the questions of how the painting of the Holy Defense was able to represent this subject through text and image and convey it to the audience and how to describe it in the form of aesthetics. The method is fundamental in terms of purpose and based on historical, descriptive and analytical methods in terms of nature. Considering the study of sacred defense paintings and semantics and the reproduction of the sacred concept of war by paintings (texts) and how the concept of sacred warfare is reproduced by images and their role in the reproduction and desecration of war is presented as the final result. Manuscript profile -
Open Access Article
108 - Analysis of the intertextual relation between local historiography and Shahnameh
فرشته محمدزاده Mohamad gafar yahaghi Bahman Namvar motlagh Javad AbbasiAbstract Intertextual relationship is the most important principle in shaping new texts, nevertheless texts coming from different disciplines have always influenced one another and there exists an intertextual connection between them. Based on this notion the purpose o MoreAbstract Intertextual relationship is the most important principle in shaping new texts, nevertheless texts coming from different disciplines have always influenced one another and there exists an intertextual connection between them. Based on this notion the purpose of this research is to explore and determine the extent to which the local historical writings were influenced by Shahnameh as a pretext and an ideal literary model. Gerard Genette’s transtextuality theory which is the most complete theory in the study and recognition of the relation between texts is used in this article to find an answer to the question. This research makes use of descriptive analytic and library method. The study and the analysis of the textual data reveals that the local historians with significant frequency have employed four kinds of intertextual elements such as indirect speech, allusion, reference, and plagiarism in historical texts, hence Shahnameh as a pretext served as an ideal model to meet their expectations, motivations and purposes. Manuscript profile -
Open Access Article
109 - The Study on the “Fire Ordeal of Siavosh’s Paintings” Based on the Genette’s Trannstextuality
فاطمه ماه وانAbstract According to Genette’s theory Shahnameh is a hypotext and its pictures and drawings are considered as hypertext. Now this question arises that under what circumstances hypertexts of drawings are in accordance with hypotext of Shahnameh and in what MoreAbstract According to Genette’s theory Shahnameh is a hypotext and its pictures and drawings are considered as hypertext. Now this question arises that under what circumstances hypertexts of drawings are in accordance with hypotext of Shahnameh and in what circumstances they undergo transformation and change. To answer these questions comparative and semiotic approach are applied to both Shahnameh and its drawings. The tale of fire trial of Siavash which is the most popular and frequent scenes portrayed in the tradition of Persian paintings is chosen. The present article deals with the role of intertextual relationship between Shahnameh and its pictures in production of its paintings and the study seeks to examine and express how the narrative text had been transformed into a pictorial version. The study deals with the following questions: From the standpoint of intertextual relationship to what extent the painting of Siavash’s fire trial shows direct reference to the text? To what extent the narrative in terms of images undergo changes or rather stay intact? The research method is as follows: First the narrative is studied in terms of interpreting the symbolism of the main elements, then comparative approach is applied to the image version of the narrative. Finally employing Genette’s transtextuality theory, the paintings are analyzed from two perspectives to verify whether or not modifications had taken place in the process of transition of the theme from the text to the image. The purpose of the article is to provide a practical example to express how the theory of transtextuality lends itself to the body of Persian art studies. Manuscript profile -
Open Access Article
110 - The study and analysis of Iranian national epic romances in the light of intertextuality approach (with emphasis on Shahnameh, Samnameh, Borzunameh, Garshaspnameh, and Banu Goshaspnameh)
kamalodin Arekhi Mahmood Abbasi Abdolali Oveisi KahkhaAbstract Romances are regarded as the integral part of Iranian national epics. Considering the fact that epics produced after Shahnameh were all influenced by it, many lyrical characteristics of Shahnameh are found in them. The attempt is made in this MoreAbstract Romances are regarded as the integral part of Iranian national epics. Considering the fact that epics produced after Shahnameh were all influenced by it, many lyrical characteristics of Shahnameh are found in them. The attempt is made in this article to study these characteristics in the light of intertextuality approach. Intertextual relationships are divided into three categories in terms of diction, theme, and content. The epics were examined from the perspective of content intertextuality and the descriptive analytic library method was employed in this research. The results of the study indicate that subjects such as falling in love via hearing, the role of mediators in love, women as pioneers in declaring love, role of astronomers and priests or Mobadan, and etc are used intertextually in most romances. Manuscript profile -
Open Access Article
111 - The analysis of the manner in which dynastic historical accounts find expression in Shahnameh on the basis of intertextuality concept forwarded by Gerard Genette
Fereshteh Mohamad zadeh Mohammad ja’far Yahaghi Bahman Namvar Motlagh Javad AbbasiIntertextuality is based on the relationship of a text with other texts. These texts could come from two different branches but still be dependent on one culture as Shahnameh and dynastic historical documents are of this kind in a way that close connection between MoreIntertextuality is based on the relationship of a text with other texts. These texts could come from two different branches but still be dependent on one culture as Shahnameh and dynastic historical documents are of this kind in a way that close connection between Shahnameh’s pre- texts and the dynastic historical accounts was formed during subsequent eras. Therefore the main question and the objective in this research is the nature of the relationship that exists between Shahnameh and its historical counterpart from the sixth century till the middle of the eighth century AH. Gerard Genette’s theory of transtextuality which is a thorough theory in this regard is used in this research. The method of research is comparative and is based on the description and the analysis of the data. The results obtained demonstrates that dynastic historians according to their historical views, and their own historiographic style in order to fulfill their own expectations and those of their audience had willfully chosen Shahnameh. In this vein they had most benefitted from four kinds of intertextual figures, quotation, allusion, plagiarism, and referencing respectively. Manuscript profile
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