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Open Access Article
1 - Analysis of the written discourse of Ataba al-Kataba with a pragmatic approach based on Fairclough theory
Reza Heidari Nouri Delaram BaghdadiThis article is an analysis based on Norman Fairclough's theory in the Ataba Al-Kataba with a pragmatic approach that examines and analyzes linguistic forms, their purposes and functions based on Fairclough's views. The theoretical basis of the research is in the framew MoreThis article is an analysis based on Norman Fairclough's theory in the Ataba Al-Kataba with a pragmatic approach that examines and analyzes linguistic forms, their purposes and functions based on Fairclough's views. The theoretical basis of the research is in the framework of a three-level (layered) model of description, interpretation and explanation. The dimensions of discourse are very prominent in "Schools and Letters of Ataba al-Katabah" due to the close connection between language and social structures and the influence of the text on social relations. In this text, in addition to the effect of power relations, specific language choices that are specific to the style of this period are distinguished in the process of meaning production. The purpose of this study is to show the type and style of twentieth century discourse and to show the power of the author (Montajeb Jovini) in the form of his discourse. The different view on introduction and analysis of Ataba Al-Kataba is another goal of this study. This research has been conducted by descriptive-analytical method and it is examined by qualitative content analysis method and citing the text of the letters and mentioning the evidence of the example. Manuscript profile -
Open Access Article
2 - The narration of symbolism and the flow of mind in the symphony of the deads and towards the lighthouse
Kian PishkarThe field of comparative literature is one of the largest and most extensive fields of study in world literature, which can open many openings for literary enthusiasts to know nations, literature, cultures, traditions and thoughts. Among the great Iranian and British wr MoreThe field of comparative literature is one of the largest and most extensive fields of study in world literature, which can open many openings for literary enthusiasts to know nations, literature, cultures, traditions and thoughts. Among the great Iranian and British writers, many people have heard the names of Abbas Maroufi and Ms. Virginia Woolf and are not familiar with their valuable works that have undoubtedly influenced the literature of their country and the world. The novels "Symphony of the Deads" by Abbas Maroofi (1957) and "Towards the Lighthouse" by Virginia Woolf (1942-1882) are valuable and great works of Persian and English literature that have their own unique features and characteristics that comparative study of their narration based on modern narrative, the proposed format and structure of the fluid flow of the mind, while facilitating their literary understanding, can provide a new way in the practical study of modern and postmodern comparative literature. Manuscript profile -
Open Access Article
3 - Comparative Linguistic Stylistics in Rostam’s Combat with Ashkbous in Shahnamaeh and Amroas’s Combat with Imam Ali in Ali Nameh
Farshad Eskandari Sharafi Hossein Sahragard hasan heidaryAli Nameh is the first religious epic in Persian literature traced back to fifth A.H. The composer of this versified story is a Shia poet alias to Rabi’e who has composed the descriptions of Imam Ali’s combats, especially his combats in Jamal and Sefein, ver MoreAli Nameh is the first religious epic in Persian literature traced back to fifth A.H. The composer of this versified story is a Shia poet alias to Rabi’e who has composed the descriptions of Imam Ali’s combats, especially his combats in Jamal and Sefein, versus Shahnameh. Applying a descriptive-analytical method and library references, the present paper aims to determine the influence level of this less known religious epic from the stylistic elements of Shahnameh linguistically. This is a comparative study; therefore, at first, we have chosen two stories from Shahnameh, “Rostam’s combat with Ashkbous” and “Amroas’s combat with Imam Ali” and Ali Nameh composed by Rabi’e. The stories were compared and contrasted phonologically, morphologically and syntactically in order to figure out their common and distinct features linguistically. The findings reveal that although Ali Nameh has been composed against Shahnameh 70 years after that, it is highly affected by Shahnameh in term of linguistic styles. In fact, Ali Nameh includes a majority of phonological, morphological and syntactic features of Shahnameh and its Khorasani style. The high level of influence from Shahnameh proves that Shahnameh has always been considered as an indicator and stylist work which has inspired other epic poets. Manuscript profile -
Open Access Article
4 - A comparative study of vocabulary diversity in Arabic and Persian dubbing of Inside Out based on Johnson's model
Abdulbasit Arab YousefabadiIn recent years, statistical analysis is used as a tool to evaluate the independent characteristics of texts. Keith Johnson, one of the theorists of statistical stylistics, believes that the style of that text can be obtained by calculating the ratio of the vocabulary o MoreIn recent years, statistical analysis is used as a tool to evaluate the independent characteristics of texts. Keith Johnson, one of the theorists of statistical stylistics, believes that the style of that text can be obtained by calculating the ratio of the vocabulary of each text. In translation studies, this model can also be used to check the vocabulary diversity of the target text and compare it with the source text. The Inside Out (2015) is the winner of the Oscar award for the best animation, which was well received due to the fascinating subject of psychology and artistic depictions of mental concepts. In terms of style, the script of this animation is full of general and specialized words, a feature that is also evident in the translation of the script. In this research, an attempt is made to compare the lexical diversity of the Arabic and Persian dubbing of the above animation by relying on the descriptive-analytical method and referring to Johnson's model. The results show that the vocabulary of the Arabic dubbing of animation (52%) is more diverse than its Persian dubbing (45%). The reason for this variety of vocabulary can be found in the word production process in Arabic (based on derivation) and its clear difference from the word production process in Persian language (based on composition); Because the process of derivation provides the possibility of producing more diverse words than the process of composition. Manuscript profile -
Open Access Article
5 - Stylistics of Akhavan Sales's Poems about the Imposed War; Relying on the Intellectual Level
Reza Zarinkamar Mohammad Mehdi SayarPoets who wrote about the imposed war are divided in two groups; the first group of poets are influenced by the trend of the Islamic Revolution, whose literary and artistic life was formed or highlighted during the Islamic Revolution and the imposed war. The second grou MorePoets who wrote about the imposed war are divided in two groups; the first group of poets are influenced by the trend of the Islamic Revolution, whose literary and artistic life was formed or highlighted during the Islamic Revolution and the imposed war. The second group consists of poets who had a significant reputation before the Islamic Revolution and wrote about the necessity and sense of duty about the imposed war. Mehdi Akhavan Sales is from the second group. Before the Islamic Revolution, he was a prominent poet and with the beginning of the war, he used his epic and artistic poetic language to save the country from foreign aggression. This study examines the poems of Akhavan Sales about the imposed war and analyzes them from a stylistic point of view- based on the intellectual level. The result of the research is that Akhavan, as a pro-Iranian and pioneer poet, in spite of his religious and political differences with the dominant discourse and poets of the Islamic Revolution, is remarkably close to the desirable identity model of the governance in his war poems Manuscript profile -
Open Access Article
6 - Investigating the effectiveness of Soltani's fatutnameh style from the style of Golestan and Saadi's prose treatises with the approach of Quranic verses based on the theory of intertextuality
Najmiyeh Karimi Hossein Azarpivand Gholamreza TamimitavandashtiFatwat or chivalry is a social movement and spiritual impulse in the culture of ancient Iran, which has been mixed with the Quranic culture and the foundations of the Muhammadan Sharia (PBUH) since the introduction of the religion of Islam to the vast geography of Iran, MoreFatwat or chivalry is a social movement and spiritual impulse in the culture of ancient Iran, which has been mixed with the Quranic culture and the foundations of the Muhammadan Sharia (PBUH) since the introduction of the religion of Islam to the vast geography of Iran, and has been widespread among the masses of the people of that time. This research, using the method of qualitative content analysis and referring to valid library documents, investigated the effectiveness of the style of Soltani's fatut-nameh from the style of Golestan and Saadi's epistles, based on the theory of intertextuality, and reached the following results: Soltani's fatut-nameh It has been most influenced by the luminous verses and blessed surahs of the Holy Quran and the works of Saadi Shirazi. Waez Kashfi has embellished the Quranic teachings and the basics of Islamic mysticism in the style of prose mixed with order and masterful imitation of the authorities of Hariri, Badiul Zaman and Saadi Shirazi. Because emotional states make people's character and the poet, like other members of the society, is influenced by emotional states and feelings and emotions, and his artistic personality, which is actually his style, is developed in this way. So, if two or more poets lived in a certain geography at the same time and wrote poetry, it cannot necessarily be said that they have the same style. Manuscript profile -
Open Access Article
7 - Appealing and preferential stylistics in the Holy Quran from Aesthetic Viewpoint
Rahimeh Choulanin Nancy SaakiRhetoric scholars have always tried to understand the true meanings of words that express the true meaning of the appealing and preferential style. It is obvious that this style of expression is sometimes used semantically from one meaning to another simultaneously; and MoreRhetoric scholars have always tried to understand the true meanings of words that express the true meaning of the appealing and preferential style. It is obvious that this style of expression is sometimes used semantically from one meaning to another simultaneously; and sometimes it's possible that these two styles of expression shift according to the context of their application, in a way that their applications were not easily identifiable and determinable; so that the proximity of the meanings (appealing and preferential) is such that sometimes the two mentioned implements are used interchangeably and this application is very popular among the rhetoric scholars. The main point is to explain the aesthetic significance of the meanings of these words and the implements used in two expression styles, and to clarify how they are applied in Qur'an. The method of the article is qualitative and exemplary analysis technique in some Verses of Qur'an and abstract discussions are avoided. The result of the study shows that linguistic structure is not an impartial and unbiased structure in expression and presentation, and when it is used as an insignificant appealing or preferential combination, it would not be limited to them but should incorporate a structure of both meanings and the intended meaning as needed should be provided. Manuscript profile -
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8 - A stylistic comparison between the two poems; in the lament of Baghdad(Shams al-Din al-Kufi) and in the lament of Cordoba(Ibn Shohaid)
seyyedeh mohtaram shabpa bisheh seyyed babak farzaneh alireza baqer marzieh gholitabarStylistic studies intend to study the structure of poetry and to analyze its parts and the purpose is to reveal its arrangement according to the phonological, structural and rhetorical levels, in order to distinguish between the literary products and to judge the volubi MoreStylistic studies intend to study the structure of poetry and to analyze its parts and the purpose is to reveal its arrangement according to the phonological, structural and rhetorical levels, in order to distinguish between the literary products and to judge the volubility of it; the literary text is interspersed with weakness and refraction. stylistics studies intend to study stylistic structures in literary discourse, "the rhythmic, synthetic and semantic structure." Its purpose is to reveal the relationships that bind these structures, in order to reach the uniqueness of the literary discourse in terms of its linguistic structure and the realization of the artistic and literary value that lies behind it. This study aimed to study the stylistics and style of language and terminology and its three levels: The phonemic level, the semantic level, and the syntactic level, and made a stylistic comparison in two poems: One is Shams al-Din al-Kufi and the other for Ibn Shahid. In the first poem, the poet laments his beloved city "Baghdad" and in the other he weeps for his loss of “Cordoba”. After studying the stylistic features and characteristics in both poems and comparing them, the conclusion is that both poets have used stylistic features to give it meanings that the apparent language is unable to convey to the recipient. Upon comparison, it became clear that each of them had surpassed in some characteristics over its owner and failed in others. and there is an intentional balance in the rhythm of the two poems. Manuscript profile -
Open Access Article
9 - A study of the literary and linguistic level of Mahmoud Manaf's poems, the poem "The Great Debate" as a model (In light of Roman Jacobson's communication theory)
seyed mohammad bagher mahdavi tahere chaldare katayoun fallahiMahmood Muhammad Al- mousavi known as Mahmood Manaf is one of the anonymous poets in the world of Arab literature today. In addition to his poetic language, he is famous for his poetic genius out of which he gained invaluable experiences. They give value to the generati MoreMahmood Muhammad Al- mousavi known as Mahmood Manaf is one of the anonymous poets in the world of Arab literature today. In addition to his poetic language, he is famous for his poetic genius out of which he gained invaluable experiences. They give value to the generations with the framework of linguistic elements, aiming at accomplishing perfection. Employing descriptive-analytic research method, the present study seeks to investigate one of his doctrinal poems named " major debate" based on Roman Jacobson's theory. Jacobson presents six language functions within his communicative theory: motivating, emotive, poetic, uniting (or possessive), symbolic and metalingual. The study also, relying on three stylistic levels, namely intellectual, literal and linguistic, investigates his poetic functions with a view on emotive, poetic and motivating functions. One of the findings of the study indicates that the poet is honest in his enthusiasm since he uses complete ballade which is one the most comprehensive ballades; he uses that in order to highlight simple and unsophisticated emotions such as rage, joy and pride. Likewise, another conclusion is that the proportion of voiced letters is more than that of voiceless ones, which is in concordance with the general atmosphere of the poem because it shows the severity of his anger at the Umayyad’s policy. In all these matters, we see emotive and motivating functions as an outstanding role. The conclusion reached at out of the stylistic investigation of imagery and its function in this ballade is that Mahmud Manaf employs simile and metaphor . Manuscript profile -
Open Access Article
10 - Style and Stylistics in Arabic Pastiches
An am pankehsazArabic pastiches are poems by which their composers imitate the brilliant previous poems meterly, rhymely and contently. and throughout the long history of the Arabic literature, they enjoyed very-various styles with The invention occasionally. So the stylistics, arisin MoreArabic pastiches are poems by which their composers imitate the brilliant previous poems meterly, rhymely and contently. and throughout the long history of the Arabic literature, they enjoyed very-various styles with The invention occasionally. So the stylistics, arising from the Structuralism, can study them by its analytical methods which include the rhetorical, rhythmical, and textualitical aesthetics ( elements ). This essay modestly tries as ar as possible to apply one of these methods on an ode of the thirteenth century and its imitator of the wentieth century. Manuscript profile -
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11 - Examining the Stylistic Features of the Novel "Roots in the Depths" with a Critical Stylistics Approach
mahboobe besmelThis research seeks to analyze the novel "Roots in the Depths" from the perspective of critical stylistics and to answer the question of how one can achieve the hidden ideology of text using specific stylistic components. In this article, the novel was considered based MoreThis research seeks to analyze the novel "Roots in the Depths" from the perspective of critical stylistics and to answer the question of how one can achieve the hidden ideology of text using specific stylistic components. In this article, the novel was considered based on the characteristics of critical stylistics. The aim of this study is to reach an in-depth interpretation of the work. Because, from the perspective of critical stylistics, it is easier to reach the hidden manifestations of ideology, domination, power, and prevailing discourse of the novel, and to reflect on how language reproduces these social concepts. The novel "Roots in the Deep" deals with the warriors and veterans’ issues. Shafi's - a war veteran - resistance as a representative of the national (religious) discourse against life difficulties and local and traditional laws and his hopefulness shows the failure of local discourse and its being bobtailed and, conversely, the authority, being promising and continuity of the national (religious) discourse over time. The present article is organized by descriptive-analytical method. Manuscript profile -
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12 - A study of stylistic characteristic of "Focus" in Nasir al-Din Shah Qajar’s diaries and to come to know about an aspect of his personality accordingly along with a criticism of the non-specialized corrections of his works
Nasim Mohammadi Ali Mohammad Moazzeni In this article, for the first time we have studied "Focus" and its various types as one of the most important and most frequently used stylistic features in Nasir al-Din Shah Qajar's diaries with a linguistic, literary a More In this article, for the first time we have studied "Focus" and its various types as one of the most important and most frequently used stylistic features in Nasir al-Din Shah Qajar's diaries with a linguistic, literary and stylistic approach, along with a descriptive - analytical - statistical method. For this purpose, first we have shown the most important methods of "Focus" in speech in the form of a diagram, divided in two parts: Morphology and Syntax, by using the most important opinions of researchers and our personal efforts as well; Then we have examined the most important methods of "Focus" in these notes. By analyzing the obtained data, we have shown a new aspect of Nasir al-Din Shah's personality; Finnaly by selecting random examples from the original copy and confronting the corrections made from these works, we have shown that the misreadings, misunderstandings and unexplained eliminations made by the editors in these corrections, have made them unreliable and invalid for literary and linguistic research.. Manuscript profile -
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13 - A Thematic and Stylistic Analysis of Mohammad Taher Qazvini’s Masnavi Weapons of War
Mohammad Hosain Tashkari Bafghi Fatemeh Ghafouri Mehdiabad Pouran Yousefipour KermaniMirza Mohammad Taher Qazvini’s Weapons of War is one of the most valuable and poetic works of the 11th and early 12th centuries AH. This work includes 800 lines and is composed in the form of Masnavi. In this research, while briefly introducing the author and his MoreMirza Mohammad Taher Qazvini’s Weapons of War is one of the most valuable and poetic works of the 11th and early 12th centuries AH. This work includes 800 lines and is composed in the form of Masnavi. In this research, while briefly introducing the author and his valuable work, the stylistic coordinates of this work have been studied. This research has been done based on a descriptive-analytical method. The poet has used historical allusions and hints to enrich his poems and thoughts. It is noteworthy that Mirza Mohammad Tahir Vahid Qazvini was influenced by the Safavid period in his illustration and depiction of war tools in Masnavi Weapons of War and this work is one of the first instances to use new weapons tools such as pistols and weapons and guns. In his book, Vahid Qazvini has repeatedly dealt with stories, religious narrations, historical and Islamic events, and great personalities such as the Holy Prophet (PBUH) and Imam Ali (AS). In addition to these topics, he is well acquainted with Persian and Arabic literature and refers to stories and characters. The study of intellectual, linguistic and literary levels of this work undoubtedly paves the way for the knowledge and thinking of the poet's scientific and literary practice for those who are interested as well as the researchers. Manuscript profile -
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14 - Stylistic Analysis of an Anecdote from Tazkirat- al-Awliya by Attar Neishabouri in the Light of Critical Discourse Analysis
Vida Ali Asgari Farhad Tahmasbi Sareh ZirakDiscourse stylistics is influenced by critical discourse analysis and role-oriented linguistics, which goes beyond the sentence level in literary texts and analyzes the text in the context of the situation. In this method, in addition to traditional stylistic analysis, MoreDiscourse stylistics is influenced by critical discourse analysis and role-oriented linguistics, which goes beyond the sentence level in literary texts and analyzes the text in the context of the situation. In this method, in addition to traditional stylistic analysis, content, influence of thoughts, ideology, and the atmosphere of text creation are explained and examined. This research uses a descriptive-analytical method to discover and recognize the various layers of Tazkirat al-Awliya as an outstanding mystical work, and examines the relationship between the layers of text, and language and ideology of the author. The results indicate that in the lexical level, the employment of religious vocabulary is influenced by the ideology of the text , highlighting the virtue and attention to the hereafter. This invites the reader to a world-hatred discourse of the text. The high frequency of informative and imperative objects and active verbs has resulted in the certainty and dogmatism of the text in the syntactic layer, and in the layer of pragmatics, explicit and persuasive morphemes have been used in the form of many news sentences, which show the author's awareness, belief and understanding of the issues raised. As a matter of fact, the author informs others about his inner desires and feelings, concerns and truths that is bound to. In the meta level, the text encourages the reader to leave the material world behind, and to devote to virtuous and ascetic life manifested in the dominant discourse of the text. Manuscript profile -
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15 - Analysis of Symbolic Characters in Oppositions Based on Sociological Criticism in Hafez's Poetry
Seyyed Mahmoud Seyed SadeghiDisagreeing means inconsistency and expression of words and sentences that are signs of dissatisfaction. If the opposition is rooted in socio-political anomalies, then the "opposition" is someone who takes on the role of fighting injustice and social corruption, especia MoreDisagreeing means inconsistency and expression of words and sentences that are signs of dissatisfaction. If the opposition is rooted in socio-political anomalies, then the "opposition" is someone who takes on the role of fighting injustice and social corruption, especially among powerful groups in society, and using the opportunities that exist in the hand of power. Due to his criticism of social condition, Hafez is deemed amongst the poets of disagreement who utilizes symbolic words to take side with ethico-social norms. In his social, anti-readings he challenges the religious hypocrites who are corrupted. The purpose of this study is to examine and analyze symbolic characters as one of the characteristics of intellectual style in opposition to social readings of Hafez's poetry, which has been done using a descriptive-analytical method. The result of this research shows that Hafez has been able to show one of his critical tricks in opposing the existing government by employing various personalities. Manuscript profile -
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16 - An Introduction to the Most Important Stylistic Features of Fayz Kashani's Sonnets
firoozeh yazdanpanah Mohammad yosof nayyeriOne of the most remarkable fields of Persian literature is mystical literature which has a very strong background and comprises a large part of our literature. An analytical study of the works in the fields of Sufism and Mysticism is required in order to understand thei MoreOne of the most remarkable fields of Persian literature is mystical literature which has a very strong background and comprises a large part of our literature. An analytical study of the works in the fields of Sufism and Mysticism is required in order to understand their status in different eras and places as well as the stages of their evolution. Molla Mohsen Fayz Kashani is a very prominent and influential poet of the Safavid era, to whom, more than 200 works of poetry are attributed. This great scholar and mystic has a book of poetry containing around twelve thousand verses. The aim of this paper is to study Kashani's sonnets from a stylistic point of view. For this purpose, the final five hundred sonnets of Kashani’s book of sonnets will be examined separately from textual, semantic and literary aspects. It is worth pointing out that there are some rhetorical and structural features in this poet's sonnets which can be described as Kashani’s stylistic features, and will be discussed in detail in this article. Manuscript profile -
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17 - Shahrokh-Nameh: Epic or lyrical poems?
Elham Shirazi MohammadHosein KaramiShahrokh-Nameh is an epic-historical poems of the poet of the 10th century AH Mirza Muhammad Qasemi Gonabadi. The topic of this Masnavi is about of conquests, Justice, journeys, honesty, goodness and braveries of Shahrokh, the the ruler of the Timurid Empire from c MoreShahrokh-Nameh is an epic-historical poems of the poet of the 10th century AH Mirza Muhammad Qasemi Gonabadi. The topic of this Masnavi is about of conquests, Justice, journeys, honesty, goodness and braveries of Shahrokh, the the ruler of the Timurid Empire from coronation to death. In this manuscript, beside a brief introduction of the poet, the stylistic features of his poems are explained at three levels of linguistic, literary and intellectual in a layered manner. By reviewing the poems, in addition to the epic themes, it appears that many of the verses are different from the epic atmosphere of the poems. Therefore, this is a martial and festive work which the existence of beautiful idols in battle scenes and even bringing SĀQI-NĀMA at the end of each topic has made this feature even more prominent. Qassemi has created a new style of saga. By carefully examining the issues and events of the stories, the authors reached the point that Shahrokh-Nameh is a combination of epic, history and lyric. Qasemi's lexical games indicate his dominance of vocabulary, metre and rhythm in poetry. Qasemi's imagery depicts his skill in imagination and meaning and to the fullest extent; it is the use of words, expressions and lyrical images to express epic adventures. Manuscript profile -
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18 - Layered Stylistics of the Novel of Hasti (Existence) by Farhad Hassanzadeh
somayeh avarand seyed Ahmad Hosseini Kazerooni seyedJafar Hamidi Mohamad Reza ShahbaziUsing new branches of stylistics and retrieval of appropriate tools for analyzing Persian texts can open a new window to them. the present descriptive and content analysis study attempted to examine the novel of Hasti (Existence) by Farhad Hassanzadeh, which has receive MoreUsing new branches of stylistics and retrieval of appropriate tools for analyzing Persian texts can open a new window to them. the present descriptive and content analysis study attempted to examine the novel of Hasti (Existence) by Farhad Hassanzadeh, which has received a lot of attention in terms of critical stylistics, in the context of narrative and textual macro-layers with the analysis of focalization, the degree of continuity of focalization (variable and multiple focalization) and focalization facets (the perceptual facet of time in order, duration, frequency, location, and the ideological facet), as well as the phonetic, lexical, syntactic, pragmatic and rhetorical sub-layers in relation to its outer layer (situational context). The findings suggested that there are some stylistic variables in the text that has led to the discovery of an ideology and the explanation of current social issues such as war, poverty, etc. On the other hand, the type of employing the sentences with respect to audience analysis has encouraged the adolescent audience to welcome the novel and has led to its national and international success. The present study introduced the critical stylistics of the adolescents’ novel as an applied practice in the field of stylistics studies in children’s literature, and provided a deeper understanding of the adolescents’ novel by analyzing the text. Manuscript profile -
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19 - Contra-reading and De-canonization as Tagi-Danesh’s Manifest Style
Rajab TohidiyanTaqi Danesh, one of the early Qajar and late Pahlavi‘s traditional and anonymous poets, tremendously influenced by poetry of Khorasani, Azerbaijani, Iraqi, and especially Hindu style. Regarding Taghi Danesh‘s lyrics and poems and taking famous Hindu poets in MoreTaqi Danesh, one of the early Qajar and late Pahlavi‘s traditional and anonymous poets, tremendously influenced by poetry of Khorasani, Azerbaijani, Iraqi, and especially Hindu style. Regarding Taghi Danesh‘s lyrics and poems and taking famous Hindu poets into consideration, two contradictory views (co-reading and contra-reading) could be grasped. In other words, once he followed traditional, repetitive, cliché and one-dimensional literary styles (poetic style of Khorasani, Azerbaijani and Iraqi) in poetic elements and phenomenon, famous fictitious, historical, mythic and Qurani characters. And another time breaking the norms and contra-readings represents dramatically contradictory views to the same subjects and issues. The object of contra-reading in Tagi-Danesh poetics is to achieve “alien concept” and avoid long literary traditions of one-dimensional, cliché and repetitive, characters, famous mythic, Qurani, historical meanings and concepts in custom and literary norms. His recent vision looks from different angel to these issues, judges them contrary to custom and leaves from canon the religious Qurani characters and elements. The present study attempts to extract contra-readings and De-canonization from Taghi-Danesh poetics and presents the findings alphabetically. The results show that Tagi-danesh following Indian poets has remarkably applied contra-readings and sharecropper. Manuscript profile -
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20 - Analysis and interpretation of Modality and Syntactic Voice in Literary texts of Arash Kangargar and Derafsh Kaviani Poetry
Seyyed Hossein vahid arab Ahmad ZakeriIn stylistic analysis of text and viewpoints of the poet, it is important to examine and identify “categories of modality and syntactic voice” of the layered stylistics structure. The purpose of this paper is to understand the correlation between modality wi MoreIn stylistic analysis of text and viewpoints of the poet, it is important to examine and identify “categories of modality and syntactic voice” of the layered stylistics structure. The purpose of this paper is to understand the correlation between modality with meaning of speech, degree of certainty of lyrics, and determination of the poet's words. In order to discover the relationship between the poet's language and his insight and worldview using a descriptive-analytical method, three syntactic modality variables including verb, adverb and adjective as well as two active and passive syntactic voice were examined in two valuable collections of contemporary poetry, Arash the Archer and Derafsh Kaviani. The research findings indicated that there is a consistent and complementary relationship between syntactic structures and speech content. Indicative mood, as a dominant mood with definite degree of expression, makes statement about Arash the Archer and Derafsh Kaviani. With great interest and based on the needs of society, Kasraei and Mosadeq tried to restore those myths. Passive voice is the most frequent syntactic voice. However, in the texts of this study, as the sentences with intransitive and copular verbs cannot be passive, they work in the opposite way of diagnostic criteria so the active voice overcome the passive voice and adds to the authoritative power of the speaker's words. Four stylistic components – dynamic poetic syntax, emotional and idealistic stylistic form, two views of hope and disappointment, and overt and covert position – are created by the confluence of two syntactic layers. Manuscript profile -
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21 - Critical Study of Stylistics in Fariba Vafi’s A Secret in the Allies
Mehri TalkhabiThis article is to study Fariba Vafi’s novel of A secret in the Alleys, applying a critical stylistics approach in order to find an answer for the fundamental question of “how the covert ideology and discourse behind the lines of the novel can be reveal by m MoreThis article is to study Fariba Vafi’s novel of A secret in the Alleys, applying a critical stylistics approach in order to find an answer for the fundamental question of “how the covert ideology and discourse behind the lines of the novel can be reveal by means of examining its stylistics?” The research was conducted via a layer stylistic approach, i.e. at first, the outer layer and situational context, and then the narrative and textual layers have been examined. The purpose of this descriptive-analytical study is to show the interpretation and deep understanding of the novel; because, from the perspective of critical stylistics, the covert ideology, authority, power, and discourse prevailing the story can be better understood. It also can lead the readers to find out how the language reproduces those social implications. At the end, this article concludes that, the contrasting characters and discourses, as well as the negative aspect of the language used in the narration, could be the manifestations of the stylistics that lead the reader to discover the ideology behind the lines of the novel – which is here the suppression of women in a patriarchal system and their passive reaction toward it. Manuscript profile -
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22 - Discourse Stylistics of a Ghazal by Saadi (Focusing on Two Lexical and Rhetoric Layer Analysis)
sadina amini farhad tahmasbi Sareh ZirakThe discourse stylistics is created from combination of two layer stylistics and discourse analysis and analyzes the literary works stylistics from discourse analysis perspective; this method emphasizes on the situational texture (external) and its interaction to the te MoreThe discourse stylistics is created from combination of two layer stylistics and discourse analysis and analyzes the literary works stylistics from discourse analysis perspective; this method emphasizes on the situational texture (external) and its interaction to the text texture (internal). The common and dominant macro discourses of Saadi age include the religious –mystical institution discourse and governing-political institution discourse and public/peasant institution discourse. The main question of this research is that how these discourses have affected the romantic discourses that are dominant discourse in the Saadi’s Ghazals and created a romantic process discourse. The results of research indicate that the dominant discourses have been reproduced through discourse interaction and contrast in the visage of main characters of Saadi’s Ghazal, means the lover and beloved and the relations between religious-mystical and governing-political institutions as powerful and discourse making institutions from one side and public/peasant dominated and receptor institution on the other side have been displayed. Manuscript profile -
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23 - Who is the versifier of Pand Nameh?
مینو Fatoorechilasjlasj Manuscript profile -
Open Access Article
24 - An analysis of the style of prison poems in contemporary Persian poetry
sadegh Ebrahimi kavariIN the name of Allah,the beneficial,merciful An analysis of the style of prison poems in contemporary Persian poetry Sadegh Ebrahimi kavari Assistant professor of the Islamic Azad university- Abadan branch Since prison poems compris a large bulk of Persian poetry, and MoreIN the name of Allah,the beneficial,merciful An analysis of the style of prison poems in contemporary Persian poetry Sadegh Ebrahimi kavari Assistant professor of the Islamic Azad university- Abadan branch Since prison poems compris a large bulk of Persian poetry, and since they show technical developments Persian poetry has undergone,a thorough study of such poems is very important. Since there are numerous prison poems in contemporary Persian literature, this study restricts itself to analysis of of the structure and the style of such poems. In addition, this study focuses on the prison poems written at the our time.To do so,we have selected poems by Malek al Shoara Bahar who is a key figure in writing such poems. The main goal of this study is to analyze the feature of this genre with an emphasis on Bahar and the contemporary persian poetry. key words: prison poems,stylistics, Malek al shoara Bahar. Sadegh Ebrahimi kavari Assistant professorof the Islamic Azad university- Abadan branch-Iran Manuscript profile -
Open Access Article
25 - A Stylistic Study of the Poem "Ya Set Al-Dunya Ya Beirut" by Nizar Qabbani
Maryam AkbarimousaabadiFor the analysis of a literary text, there are several critical approaches, each of which approaches the text from a particular angle, and it is the text that invites the critic to choose the method of critique; Because each text, although it can be examined in differen MoreFor the analysis of a literary text, there are several critical approaches, each of which approaches the text from a particular angle, and it is the text that invites the critic to choose the method of critique; Because each text, although it can be examined in different ways, but it is more consistent with the method than the others. Stylistics is an intra-textual method that focuses on the structure of the text, the text being both a tool and a goal. Numerous perspectives on stylistics eventually lead to the text, which consists of levels. The three levels of phonetics, composition and semantics are the most important, although other categories can be encountered. Stylistics as a branch of linguistics that considers language as a systematic set of signs and relations, defines the text as a systematic structure consisting of related components. The results of the stylistic study of Nizar's poetry indicate that the poet's choices are implied in three levels of the text and have an aesthetic burden. The stylistic features of the poem as well as the type of the poet's attitude can be seen in the choice of letters and the rhythm of the poem, the types of sentences and semantic domains, as well as in the use of the mythical symbol. Manuscript profile -
Open Access Article
26 - A Structuralist Reading of Parental Love in Sharif Murtaza’s Divan
Somaye Hasanalian Roya kamaliStructuralism is a new critical approach based on literary methods and linguistics which identifies and analyses literary texts and elaborates on its structural beauties. Love and affection as an important element in literature and poetry is highly effective on the stru MoreStructuralism is a new critical approach based on literary methods and linguistics which identifies and analyses literary texts and elaborates on its structural beauties. Love and affection as an important element in literature and poetry is highly effective on the structure of literary texts. Therefore, studying affection in literature creates new fields in literary criticism. Love and affection toward children as an important type of affection, is also important in children upbringings and educational patterns. This issue is mostly covered by the poems of Sharif Murtaza and other poets. Thus, the purpose of this study is to analyze affection toward children in the Divan of Sharif Murtaza in the light of structuralism in the four types of lyric poetry (eulogy, salutation, honoring and elegy), based on the analysis of the theme and the structural levels of the poem (musical, grammatical, verbal and rhetorical) in some of selected poems and also based on their comparison to affection parameters. The findings show that emotion is the main element in Sharif Murtaza’s ballads and his language and expressions are colored with emotion. His adherence to emotion in his language has made his poems valuable in the literary studies. Manuscript profile -
Open Access Article
27 - Style, Stylistics and the Analysis of literary Style from the Perspective of Holy Quran
Ali Haji KhaniMany of scholars think that the term of style has two types: verbal style and semantic style. Since the meaning of style in Islamic approach is different from that of western approach, so we have too many different definitions of style. Undoubtedly the eleme MoreMany of scholars think that the term of style has two types: verbal style and semantic style. Since the meaning of style in Islamic approach is different from that of western approach, so we have too many different definitions of style. Undoubtedly the elements of literary style also are different in Islamic approach from the western approach. Meanwhile the effective elements in Islamic literary style have not been studied or introduced well. This article examines the issue of literary style and its elements and also views of the ancients in this regard on one hand and stylistics and its elements and views of the Westerners on the other hand. Expressing the differences between the Islamic approach and the secular approach, this article is focused on the analysis of elements of literary style from the perspective of the Holy Qur'an, for example elements such as instinct and intent, faith and monotheism, mind and emotion, feeling, and the talent, as well as the role of responsibility in this literature. This is what this quick check has dealt with and I would hope to be of some desired goal. Manuscript profile -
Open Access Article
28 - Sound Rhythm in the Ode "Balqis" by Nizar Qibbani
Jamal TalebiModern ode depends on two fundamental factors, rhythm and meter in shaping its musical structure. Sound rhythm is a verbal tool with which the poets express their feelings and emotions and transfer it to the reader. Nizar Qibbani, contemporary Syrian poet has used this MoreModern ode depends on two fundamental factors, rhythm and meter in shaping its musical structure. Sound rhythm is a verbal tool with which the poets express their feelings and emotions and transfer it to the reader. Nizar Qibbani, contemporary Syrian poet has used this expressive method in his odes especially the famous ode "Balqis". He composed this ode in memory of his wife Balqis Ravi who was killed in bomb explosion of Iraq embassy in Beirut. The rhythms created by order of words are observed abundantly in this ode. The present paper has investigated metrical devices in the ode through a descriptive- analytical approach. The most important conclusion of this discussion is that Nizar Qibbani has been able to change phonetic level of words. He not only considered external rhyme of the ode but also had special attention to rhythm caused by rhymes density, rhythmic words, words repetition and order caused by words arrangement. The above mentioned elements altogether have given dramatic musical quality to the ode. The poet has been able to offer pleasant and calming rhythm to this ode through rhyme diversity and other sound elements and so monotony has been diverted and this feature has been appeared in such odes. Manuscript profile -
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29 - The Analysis of Statistical Stylistics in some of Hamedani's and Yazeji's Maqamat Based on Bosiman's Hypothesis
Soqra Falahati Hamed Sedqi Esmail AshrafResearchers paid special attention to statistical stylistics studies such that recognition and discrimination of different styles in every text can be possible applying this method. Bosiman's statistical stylistics is quantitative but not qualitative. In this stud MoreResearchers paid special attention to statistical stylistics studies such that recognition and discrimination of different styles in every text can be possible applying this method. Bosiman's statistical stylistics is quantitative but not qualitative. In this study, We have investigated examples of Hamedani's and Yazeji's Maqamat based on Bosiman's equation in the paper. This equation adjusts Maqamat's style. The style of both authors in their Maqamat is based on this equation of literary style and passiveness degree is different from a Maqameh to another.Main element leading to increase of adjective-verb ratio in Maqamat of Hamedani and Yazeji is excessive usage of literary prose and poetry of Maqameh and also because Maqameh is considered as means for practicing writing and standing against religions of prose and poetry. Maqameh is similar to spoken word and that is including dictionary and expressing society status and its emotions. Among theme elements, only age has effect on Maqamat and this element is effective in raising of verb- adjective ratio for both of the authors.This paper is to investigate and study the style of Hamedani and Yazeji in some of their Maqamat based on Bosiman's hypothesis. Manuscript profile -
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30 - A Criticism on Style Deviation Theorists
Mohammad Hadi Moradi Majid Ghasemi The term “stylistics” has started with the emergence of linguistic research at the first decades of twentieth century. Charles Bally (1865-1947), is the founder of modern stylistics in the French School, and is a substitute for Sau More The term “stylistics” has started with the emergence of linguistic research at the first decades of twentieth century. Charles Bally (1865-1947), is the founder of modern stylistics in the French School, and is a substitute for Saussure at the Linguistics Department of University of Geneva. Stylistics is a sort of criticism process that reveals the aesthetic bases of literary works. One of the most prominent kinds of stylistics is deviation; it is some kinds of variety and alteration which enhances text’s value. Deviation is a technique of communicating between creator and recipient, because this technique reveals the capability of creator in using the hidden part of language to convey the message to the recipient with its all stylistic value. So style deviates from the norm to reveal the objectives that normal language is not able to convey. But some theorists believe that the style is nothing more than deviation. This article tries to criticize this opinion by using examples from poetry and holy Quran. Manuscript profile -
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31 - Stylistic Analysis of Ayatollah Gheravi Isfahani's panegyric in Praise of Imam Reza Extracted from Divan Al-anvar Al-ghodsieh(The Sacred Rays)
Afarin Zare' Razeih Karimi Fatemeh KosariAyatollah Mohammad Hossein Gheravi Isfahani known as Compani is one of the contemporary famous scholars and mystics and the author of Arabic poems of divan Al-anvar Al-ghodsieh, entitled as Moftagher. In his Persian and Arabic divan there are many poems in praise MoreAyatollah Mohammad Hossein Gheravi Isfahani known as Compani is one of the contemporary famous scholars and mystics and the author of Arabic poems of divan Al-anvar Al-ghodsieh, entitled as Moftagher. In his Persian and Arabic divan there are many poems in praise of prophet Mohammad's family among which is his long Arabic panegyric in praise of Imam Reza – peace be upon him. The present study intends to study Ayatollah Gheravi's mystical- literary ode in praise of Imam Reza –peace be upon him- in a structural method and analyze three stylistic levels of this poem which are phonetic level, causal, and combinative respectively. For this reason, having explained the concept, principles and stylistic forms, it deals with stylistic analysis of Gheravi's panegyric. One of the prominent conclusions of this study is that applying stylistics as one of critical approaches , deep richness of a literary work can be analyzed in three levels and its artistic and literary elegances found. Among these findings these cases can be mentioned: harmony between meaning and rhythm in panegyric, poet’s skill in choosing combinations being proportional to his intended meanings and purposes, poet’s inspiration by his philosophical trends in composing panegyric and his power in arousing the audience by choosing profound concepts in the form of most elegant and newest metaphors. Manuscript profile -
Open Access Article
32 - Stylistic Study of the Poem Later in Paradise
Issa mottaghizadeh Kobra Roshanfekr Nouroddin parvin Stylistics is a new science which analyzes the structure of composed lyrics based on the three layers: vocal, syntax and rhetorical. In this study with descriptive analytic method and the frame work of stylistics More Stylistics is a new science which analyzes the structure of composed lyrics based on the three layers: vocal, syntax and rhetorical. In this study with descriptive analytic method and the frame work of stylistics the researchers try to study the elegy Later in Paradise composed by Suad Sabah one of the pioneers of contemporary on the death of his beloved son Mobarak. The three levels mentioned will be analyzed in this poem to examine the link between melancholy and style.The main result of the application of this theory in analysis his elegy shows that there is a strong association between the sentiment elegy and style of poets. And sentimental grief has a direct impact on poet his. Manuscript profile -
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33 - Repetition in Divan Al-JorhAl-Falestini va Baraemoddam (Palestines’ Scars and the Buds of Blood ) by Zainab Habash (A Study in Phonetic and Semantic Stylistics)
Amin Nazari Tereizi Amin Nazari Tereizi Mohammad Khaqani Isfahani Somayeh HasanalianRepetition is astylistic phenomenon in literary texts that plays a prominent role in two phonetic andsemantic structures. In this study we surveyed emphasis on under standing features of meaning and rhythm in the Habash’s poem. Furthermore, we explained the MoreRepetition is astylistic phenomenon in literary texts that plays a prominent role in two phonetic andsemantic structures. In this study we surveyed emphasis on under standing features of meaning and rhythm in the Habash’s poem. Furthermore, we explained the most important aspects of repetitionby relying on statistics and stylistic method. We chose repetition phenomenon as the subject of research because it is one of the most important phenomena that Palestinian resistance poem is indexed by .The survey of this phenomenon is considered as research in fields of technical and aesthetic aspects of language of poetic text.Findings of the study show repetition in the poem of Habash is simple and compound repetition. Simple repetition is the same as the repetition of sound and word and compound repetition is the same as the repetition of sentence .Repetition isn’t random and accident in the Habash’s poem but it is purposely and regularly in direction of music and meaning in order to demonstrate her love to Palestineand to express sorrow for the tragedies and testimony of relatives and friends and to blow the spirit of resistance and revolution to remove the usurpation. Manuscript profile -
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34 - Figurative Elements in The Novel of Romances of Jonah in The Belly of The Whale by Jamshid Khanian
Seyed Ahmad Hosseini Kazerooni Somayeh Avarand Seye Jafar Hamidi Mohammadreza ShahbaziLiterature of resistance in a specific meaning is one of the literary genres that is kind of new in Iran with many stories and novels in which the author has employed allegory and symbol to express himself and create his work. Symbol and allegory include something vague MoreLiterature of resistance in a specific meaning is one of the literary genres that is kind of new in Iran with many stories and novels in which the author has employed allegory and symbol to express himself and create his work. Symbol and allegory include something vague, unknown or hidden from us known as a code in the new era and stylistic criticism of a work that can even include an author's style. Layered stylistics, which is a modern method of stylistics, considers situational context as the macro layer, fragmenting the text into micro layers. Then, exploring those layers, it searches the features and frequent traits, ultimately leading to the discovery of ideology. In this descriptive-content analysis study, first, according to the situational context, the novel of Romances of Jonah in the belly of the whale byJamshid Khanian, an allegorical work in the literature of resistance, was fragmented into lexical, syntactic and rhetorical micro layers, and then analyzed stylistically.The findings suggest that the ideology of the author lies in the syntactic layer since this is an allegorical story and allegory usually reflects in the syntactic layer. Presenting a perfect example, the author introduces the journey from an earthly love to the heavenly love as the best type of love; then, employing the code and allegory, makes the audience interprete and think, creating an allegorical style for his novel. Manuscript profile -
Open Access Article
35 - Study of Language and Literature in Ibn Arabi's Mystical Muwashahs
Seyyed Mehdi Masboogh Mehri Ghaderi Bibak Zahra Niko NeghadOne of the most valuable literary assets is mystics' written heritage. More Mystics In addition to reflecting on the meanings of Sufi and employment practice spiritual journey, in seminary as well as in the field of literature and poetry have also qualified. Sometimes m MoreOne of the most valuable literary assets is mystics' written heritage. More Mystics In addition to reflecting on the meanings of Sufi and employment practice spiritual journey, in seminary as well as in the field of literature and poetry have also qualified. Sometimes mystical works simply, and sometimes have a difficult language; Thus, in addition to content analysis and description of the mystical meaningsand delicacies spiritual, check this works in terms of style and aesthetics is too important. Ibn Arabic mystic and poet of the sixth century AD have left many of his works. One of the highlights of this great mysticis his mystical muwashahs. Muwashahs in terms of language and structure was a new phenomenon. Since muwashahs by Ibn Arabic has its own characteristics and literary style. This paper, based on Analytical method paid attention to the study of stylistics one of his muwashahs in both linguistic and literary. As a result article show That muwashahs Ibn Arabic is full of songs and music and the poet to increase his music poetry benefited from literary industry and the old vocabulary and language Rkayyk And the features of the muwashahs is use of simile and metaphor. Manuscript profile -
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36 - Functions and rhetorical developments of the "color" element in the transition from Persian poetry styles
sorayya azarbera thorollah noroozi mohammadreza shad manamen reza mostafaviAnalysis and detection of stylistic elements can only be achieved by detailing the frequency of exit from the soft language. This detail requires an examination of the literary, linguistic, and intellectual details of a literary text. The element of color is one of the MoreAnalysis and detection of stylistic elements can only be achieved by detailing the frequency of exit from the soft language. This detail requires an examination of the literary, linguistic, and intellectual details of a literary text. The element of color is one of the cases in which the quality of its rhetorical and semantic use varies in different literary styles and periods. By examining the functions and rhetorical developments of this pictorial element, a stylistic metamorphosis can be shown. Since stylistic developments are not very accurate and possible except by considering a wide range, so by considering five styles of Persian poetry and three prominent poets from each style, the subject has been addressed. The results show that in Khorasani style, descriptive compounds resulting from colors are in sensory matters and often with elements of nature. The predominant tricks in this style are the use of metaphor. in the Seljuk style, the frequency of abstract compounds is higher and the functions of irony, allegory and symbolism are higher in the field of mysticism and social issues (with the emergence of Sanai). In the Azerbaijani style, the rhetorical and expressive industries reach their peak, and the color "bleu" becomes a means of creating ambiguity, metaphor and irony with high frequency. In this style, “haft peykar” has a special place because it also uses the symbolism of myth (in colors). in the Iraqi style, too, most sensory combinations are used to explain mental concepts. Manuscript profile -
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37 - A Study on Stylistic Analysis of Nezami Ganjavi’s Poems
Seyyed Mahmoud Reza Gheibi Maryam Ebadi AsayeshUnderstanding and examining literary works is one of the significant features in determining the linguistic, literary, and intellectual parameters of that work. Being one of the prominent Persian poets, Nezami Ganjavi is the one whose poems especially in regard to Styli MoreUnderstanding and examining literary works is one of the significant features in determining the linguistic, literary, and intellectual parameters of that work. Being one of the prominent Persian poets, Nezami Ganjavi is the one whose poems especially in regard to Stylistics have many things to discuss. Examining Stylistic features, to some extent, one can understand his poetic structure and specify his position in the poetry and literature of Iran. The purpose of this study is understanding the Stylistic features of Nezami Ganjavi and reaching to his personal style at last. In this regard, the present study tries to derive the most significant linguistic, intellectual and literary features of his poems to present a better understanding of the poetry and style of the mentioned poet, systematically. In the preset study after examining the different samples from Nezami’s two books of poetryKhosroo and Shririn and Leyli and Majnoonusing descriptive and analytical method, Nezami’s outstanding characteristic of poems appeared which the most important were: the diversity of vocabulary used, poetic combinations, creating new concepts, didacticism, diversity of subjects, concerning different sciences, folklore and creating original imagery. Manuscript profile -
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38 - The effect of light on the stories of Rumi's stories Sanai
Katayoun Moradi ali mohammad mozeniThe effect of light on the stories of Rumi's stories SanaiAbstractStudying the influence of poets from each other, one of the issues that can further the understanding of literary works and helps researchers. In this article we try with descriptive analytical method and MoreThe effect of light on the stories of Rumi's stories SanaiAbstractStudying the influence of poets from each other, one of the issues that can further the understanding of literary works and helps researchers. In this article we try with descriptive analytical method and with the poetic evidence, examine the effect of light on Rumi narrativization Sanai.The result proves that Rumi with all greatness is deeply influenced by the ideas and work of the poet Ghazni and Consciously or unconsciously focuses his mind on Sanai's works. Maulana effectiveness Sanai, in the field of mind, language, images and stories is very clear and undeniable. However sanai as a guide for Rumi that learns to him the Direction, because sanai's thoughts, stories and comments in Rumi's works are lofty and deeper.Poetic images, spiritual thoughts, Fostering stories and the word of the poetry of Rumi much higher than the Sanai's lyrics. In the other words, In the creation of Works and mystical poetry, Sanai was leader and Rumi influenced by him and mystical poetry brings to a climax.Keywords:Sanai, Rumi, Stylistics, Story. Manuscript profile -
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39 - The Analysis of Dramatic Discourse with a Layered Stylistics Approach in the novel of Hiccup Moments by Ahmad Akbarpour
somayeh avarand Seyyed Ahmad Hosseini Kazerouni Seyed Ja'far Hamidi mohamad reza shahbaziDiscourse is a term used for examples of language usage and how it affects the audience, including the language of communication, or larger linguistic units such as interviews, conversations, texts, etc. Therefore, discourse manifests in a variety of forms. Sometimes it MoreDiscourse is a term used for examples of language usage and how it affects the audience, including the language of communication, or larger linguistic units such as interviews, conversations, texts, etc. Therefore, discourse manifests in a variety of forms. Sometimes it manifests as a lecture, sometimes a novel, and sometimes as a play or script, and the like. With this mission of discourse, it appears that in some of the texts, especially novels, two or more types of discourse can be distinguished due to the circumstances and the type of sentence structure. The present descriptive-analytical study tried to first define the discourse and then to examine dramatic discourse with respect to the stylistic characteristics of the novel of Hiccup Moments by Ahmad Akbarpour. The findings indicate that the obvious style of the novel is satyre and is structurally close to a play or screenplay, so that if the author has chosen the play and screenplay forms instead of the novel to express his ideology, he would have been still successful. Manuscript profile -
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40 - Introducing the manuscript of Hazin Shirvani's Hedayat nameh and examining its stylistic features
ayat shokatiAbdur Rahim Shirvani was one of the speakers of the Qajar period. The copy of Diwan includes three works by him (Diwan, Safa-al-Qulob and Hedayat-nameh), which were written in the 12th century, in the handwriting of his son, Mirza Asadullah, during his lifetime, and are MoreAbdur Rahim Shirvani was one of the speakers of the Qajar period. The copy of Diwan includes three works by him (Diwan, Safa-al-Qulob and Hedayat-nameh), which were written in the 12th century, in the handwriting of his son, Mirza Asadullah, during his lifetime, and are kept as a unique copy in the National Library of Tabriz. It can be The present article, with the aim of introducing and examining the stylistic features of Hedayat-nameh, with a documentary-descriptive and statistical method and based on library studies, aims to answer the question, what are the most obvious stylistic features of Hedayat-nameh? The author aims to introduce it and examine its features of calligraphy and style in three linguistic, intellectual and literary levels. The present work is a fictional work, the most important story of which is the story of Prophet Ibrahim and the slaughter of his son, Ismail, which was written under the title Zabih Namah. The findings of the research are based on the fact that the guidance letter was a draft copy that was written in two weights from the sub-collection of Bahr Hazaj. Only 10% of its verses are pure. Some defects of rhyme can be seen in it. Due to the inclusion of religious and mystical content, it can be useful for literary, religious, historical and mystical researches. Manuscript profile -
Open Access Article
41 - Stylistic Analysis of Composite-Tie" with Kara vane Neizeh" a song by Ali Reza Ghazveh Researchers
aziz zilabi Masoud Pakdel sima mansoori Mansoureh tadayoniThe composite poem "With Neizeh Caravan" by AlirezaGhazveh is one of the most famous poems in contemporary religious literature. While creating an epic poem, the poet describes mostly the goals and consequences of the event and talks about the factors leading to its occ MoreThe composite poem "With Neizeh Caravan" by AlirezaGhazveh is one of the most famous poems in contemporary religious literature. While creating an epic poem, the poet describes mostly the goals and consequences of the event and talks about the factors leading to its occurrence, making it a platform for expressing the concepts of freedom, defending rights, and resisting tyranny. At the structurelevel, its rhymes, rows, and word choice are all chosen for that purpose. The themes of his poetry also refer to this event as a great revolution.Paying attention to internal music, giving prominence to ideas and concepts, using the marked vocabularies, fluency and simplicity, eloquent elements artistically, making pictures of imagination and emotion, paying attention to addressee -centered and meanings, emphasizing on religious, revolutionary , humane and ideal concepts are among the features of his poetry style.Since stylistics is a tool for recognizing the poet's human, scientific, literary and ideological identity, this paper uses a descriptive-analytical procedure to investigate obvious stylistic features of the poet's Ashoraee composite based on layering stylistics. The results show the poet uses all the possibilities of poetry to explain his religious ideas and based on these ideas and Alavi, Hosseini and Ashurathemes, he can be called a conceptualist poet. A look at the literary and linguistic aspects of Ghazveh's poetry shows the poet knows the literary and linguistic standards of the past and present and wherever he deems appropriate, heuses them to add to his wordinfluence. Manuscript profile -
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42 - Stylistic analysis of the ideological layer of vocabulary in the writings Seyedziauddin Tabatabai
Ali asmandjounegani fatemeh farhoodiporSeyedziauddin Tabatabai Yazdi, one of the agents of the March 1299 coup, is one of the most influential politicians in Iran's contemporary history, although his political life is closely linked with press activities, but his political face casts a shadow over his pen fa MoreSeyedziauddin Tabatabai Yazdi, one of the agents of the March 1299 coup, is one of the most influential politicians in Iran's contemporary history, although his political life is closely linked with press activities, but his political face casts a shadow over his pen face.At the age of sixteen, he started working as a journalist with the newspaper Nedaya Islam (1288); Then he published Sharq (1327) and Barq (1328) and Raad (until the coup of 1299).By foreclosing one newspaper, he started another newspaper and spread critical thoughts with harsh and reckless language.In this article, while introducing the newspapers and written works of Seyyedziaddin Tabatabai, using the "layered stylistics" method, his lexical style was examined in a descriptive and analytical method by referring to the aforementioned newspaper sources. We have done and have tried to analyze the ideology ruling his mind and language by separating the style of this period from the individual style of the writer and considering the requirements of the time.Paying attention to the political attitude of Seyedzia's newspapers, we came to the conclusion that because his audience was mostly leaders of affairs and policymakers, his intellectual world guides the political attitude of a social class as a whole.And in this target group, his protest in the currents of constitutionalism is reporting on the relations of society and social and political changes and developments, and his language has been more serious than populist newspapers with a critical, frank, serious, bitter and sharp language Manuscript profile -
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43 - Stylistic analysis of footnote or popular novel with a look at the social and political novel of the constitutional period "Tehran Horrible" by Mushfiq Kazemi
akram asgari Fatemeh Pakroo Hamid reza ardestanirostamiContext and purpose: style is the author's or poet's method to show the specific desired content, knowledge and his point of view. These works examine its intellectual, literary and linguistic features. Pa Varagi novel is a new phenomenon and a branch of literature. Thi MoreContext and purpose: style is the author's or poet's method to show the specific desired content, knowledge and his point of view. These works examine its intellectual, literary and linguistic features. Pa Varagi novel is a new phenomenon and a branch of literature. This type of contemporary literary flow, with its artistic language, attracts people's attention and has its roots in popular literature. and is a reflection of the current issues of the society. It reflects political, social and historical realities like a mirror.Study method: This essay has investigated the narration, perspective and intellectual content with a descriptive-analytical method. The noteworthy point is the perspective of the work.Findings: Pa Varagi's novels as a social novel along with the growth and richness of the literary stream that people pay attention to show the weaknesses and cultural defects of the society with simple language and general structure. Findings: Pavaragi novels as a social novel along with the growth and richness of the literary stream that people pay attention to show the weaknesses and cultural defects of the society with simple language and overall structure.Conclusion: With the political, social and cultural upheavals of the late Qajar period, the writers decided to tell the nakedness of the society. Mushfiq Kazemi's first footnote novel "Tehran Makhuf" centered on love, in simple prose of a newspaper in the language of reportage. , with the aim of expressing the sufferings, problems and corruption of the government of that period, he published it. Manuscript profile -
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44 - A study of the motifs in Shiva Arastuei's novel "khof"
Aram Ahmadi Reza Forsati jooybari Hossein Parsaei In fiction, the motif can be a stylistic element and reveal the dominant theme or themes to the reader. Women writers make the most of this linguistic option and, in addition to creating constant sensitivity in the reader, direct the text to a specific arti More In fiction, the motif can be a stylistic element and reveal the dominant theme or themes to the reader. Women writers make the most of this linguistic option and, in addition to creating constant sensitivity in the reader, direct the text to a specific artistic language. Shiva Arastuei's novel "khof" (=Fear) is one of these examples that deals with the "loneliness" and "fear" of man in modern age and expresses a feminine narrative of this loneliness and fear. In this article, we intend to examine the most important motifs in the novel "khof" and show what concepts the author has expressed in this way. These motifs are also characteristic of a feminine style in that they express the sensibilities of a female writer. The method of this research is "descriptive-analytical"; That is, first, data from the novel "khof" is described, and then, based on them, an analysis is performed and leads to a summary. Manuscript profile -
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45 - The Investigation of Conversational Novelistic Dialogosm and Heteroglossia in the Tarikhe Beihagi
Somayeh Atarodi Mahdokht Porkhalegi ChatrodiArtisitic or poetic prose , the literal type of a novel , was considered as the super ficial meaning of words in classical stylistics of dialogism. Then, classical stylistic features which were the results of literary figures of speech survey were related to it or these MoreArtisitic or poetic prose , the literal type of a novel , was considered as the super ficial meaning of words in classical stylistics of dialogism. Then, classical stylistic features which were the results of literary figures of speech survey were related to it or these issues were limited to evaluative and empty words such as expressiveness, imagery, power or clarification for the sake of language description on the basis of personal judgement. Meanwhile, inter- textuality theories of mikail Bakhtin, the great Russian scholar, are remarkable since they are firmly based on linguistics a novel as a distinctive collection of the sounds of artistically organized personal voices and as a result, he present a unique kind of stylisitics which is strongly based on conversafional dialogism and heteroglossia. In this article, the researcher has inverstigated a special kind of dialogism in the Tarikhe Beihagi on the basis of the above theories. Thus, the findings indicate that among classical literary text, the Tarikhe Beihagi which emphasizes on novelistic aspects has got high potonfat for confirmatiom of the theories components including novelistic dialogosm and Bakhtin’s heteroglossia Manuscript profile -
Open Access Article
46 - Additional compounds confluence with knowledge of grammar and rhetoric, stylistics (relying on Kalila)
Samere Shahgoli Mohammad MojaveziOne of the remarkable features of the Persian language, the additional compounds that presents the relationship between addition and possessive.This means that the combined addition of possessive always the same and not the same, but different relationships such as owne MoreOne of the remarkable features of the Persian language, the additional compounds that presents the relationship between addition and possessive.This means that the combined addition of possessive always the same and not the same, but different relationships such as ownership, allocation, metaphor, and the addition of a non-possessive And this has led many people in the grammar of views and a variety of criteria and its variants provide additional division of the chaotic and haphazard And inconsistent with the standards and scope of language and grammar. In this study, to investigate the nature and value of a variety of additional compounds as well as their relationship with knowledge, such as rhetorical and stylistic discussed. And then the composition of the index of technical prose, the Kalila, is studied. The research result shows that the division of additional linguists, and literary meaning is based on criteria and standards .Not merely formal and structural grammar is concerned. They also use more and more prominent in poetry and literature To the everyday language of the grammar it deals. Manuscript profile -
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47 - Examining the elements of text coherence in the Borzoonameh system of Shamsuddin Mohammad Kosaj based on the theory of Hallidi and Hassan
karam Alirezaei Seyed Farajollah Mousavi Alireza Salehi Shamsuddin Mohammad Kosaj, one of the poets of the 8th century, is the author of the old Borzoonameh. In this article, the elements of text coherence in the ancient Borzoonameh system have been investigated based on Halliday and Hassan's theory. The descriptive-an More Shamsuddin Mohammad Kosaj, one of the poets of the 8th century, is the author of the old Borzoonameh. In this article, the elements of text coherence in the ancient Borzoonameh system have been investigated based on Halliday and Hassan's theory. The descriptive-analytical research method and the research data were obtained through the use of library resources and note-taking. The scope and community under study is the ancient part of Borzoonameh, by "Shamsuddin Mohammad Kosaj" with correction and research by Akbar Nahawi. The first part of the poem is an epic story in every sense of the word, which was very well received and noticed by people in the past. But among Iranian researchers and orientalists, it was not known as it should and maybe, and there were more contradictory words about it than other epic poems. The old part of Borzoonameh book has been more successful among other poems written in imitation of Shahnameh, so that part of it has been included in a copy of Shahnameh since time immemorial. Simple and popular plot, fluent language and free of difficult to express and novel arrays, immediacy of story situations, epic and entertaining texture, etc. have caused this story to remain in people's thoughts more than other national and historical epics after the Shahnameh. to stay By examining the elements of text coherence in Borzoonameh, it is possible to consider Shamsuddin Mohammad Kosaj as one of the most beautiful composers of the 8th century following the epic poets of the past, and his success in reflecting their intellectual, linguistic and literary structure in his poems can be confirmed. Manuscript profile -
Open Access Article
48 - Hidden ideologies in Kerman folk tales and legends from the perspective of critical networking
Helma Mahmoudi Amjazi . Abolghasem Radfar Dr,Hamid TabasiFolk tales are regarded all over the world as a great cultural backbone and a subset of popular culture in various societies; for this reason; Many thinkers have made efforts to collect and preserve this precious heritage. In Iran, indigenous culture is the basis of gre MoreFolk tales are regarded all over the world as a great cultural backbone and a subset of popular culture in various societies; for this reason; Many thinkers have made efforts to collect and preserve this precious heritage. In Iran, indigenous culture is the basis of great ideas to which the literature of this land owes. Kerman province has stored a large part of this culture in its historical chest. Kerman, considering its vastness and historical antiquity of several thousand years, is considered the origin of a large part of popular culture; The rich and fruitful culture that is specific to this region and is considered a precious treasure from the customs of previous generations. In the present study, the author uses a descriptive-analytical method to study the ideologies hidden in the stories and myths of contemporary Kerman and to analyze the five ideologies of luck, travel, oppression, marriage and the destruction of rivals in myths. This study seeks to show how the creators of myths have expressed their ideas and to what extent the readers and listeners of the story are subconsciously shaped by the ideology that dominates the myths and legends and their social behaviors. The result is that ideology is reflected as the characters in the story object to the status quo and express their dreams and aspirations. Manuscript profile -
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49 - Comparative Stylistic Analysis of "Naghmeh Ney" by Anne Marie Chimmel and the Poems of Maulana Jalaluddin Mohammad Balkhi
Fereshteh Javadi Hojatolah Gh Moniri Hamideh Behjat Nahid ZaiziAnne Marie chimmel, a German researcher and orientalist of the present century (1922-2003), is known and recognized among Persian speakers mainly as a researcher of Islamic mysticism (especially Maulana resarcher), and her artistic and poetic side is due to the lack of MoreAnne Marie chimmel, a German researcher and orientalist of the present century (1922-2003), is known and recognized among Persian speakers mainly as a researcher of Islamic mysticism (especially Maulana resarcher), and her artistic and poetic side is due to the lack of translation of " Naghmeh Ney" It remains unknown in Persian. The upcoming research has sought to find out the linguistic style and thought of the system with the analytical- descriptive method. It has been analyzed in accordance with the style and context of Rumi's words and in this direction, it shows the reader the extent of Shimel's influence on Rumi's creation of this verse. In short, what was obtained in this study and comparison was that: Shimel was influenced by Rumi's language and mentality in the composition and interpretation of " Naghmeh Ney" from all stylistic aspects - except for The song of the words: due to the bilingual nature of the works of both sides. It has been such that he even borrowed the symbols and signs of Rumi to instill the principles of ruling and mysticism that he believed in, and spoke to the audience with almost the same images that Rumi made and discussed, of course, Shimel also sometimes used to express his opinion and purpose, he gave up his metaphorical or code words in the face of real and figurative meanings and in this way he left a trace of his intellectual and literary independence. Rumi's philosophical/mystical thoughts can be seen from this side. Manuscript profile -
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50 - Paradoxical Stylistics in Hafez Poetry
احمد هاشمی Ali mohammad SajadiIn Persian literature, professing is based on breaking the norms and habits of language, both in terms and meaning, which is well demonstrated in paradox. Paradox in Hafez's poetry is often technically beautiful and, of course, elegant and amazing. In other words, from MoreIn Persian literature, professing is based on breaking the norms and habits of language, both in terms and meaning, which is well demonstrated in paradox. Paradox in Hafez's poetry is often technically beautiful and, of course, elegant and amazing. In other words, from a controversial and contradictory society, it creates a marvelous, artistic and beautiful image. This article is intended to study the paradox and its variants in Hafez poetry. The method is descriptive-analytical. The main question of the research is what Hafez employed in the invention of paradoxical compounds. What types of linguistic, intellectual and literary paradoxes are in the Hafez court. The result of the research suggests that the paradox is active in the context of the poetry and it is one of the main features of his style of poetry. Literary creation creating hope and sense of aesthetics in the atmosphere of Iran after the Mongol invasion, normality to the presidential goal and pure and artistic mysticism of Hafez which are among the main factors in creating a paradox in his poetry are also considered. Manuscript profile -
Open Access Article
51 - Survey and Criticism of Saqi Nameh by Toghray Mashhadi
zahra Mortazavi Bistgani Seyed Mehdi Noorian Mehrdad ChatraeiToghray Mashhadi’s Saqi-nameh is one of the literary genres that received a lot of attention, especially in the Safavid era, and detailed Saqi-namehs, often in imitation of Torshizi’s Saqi-nameh which were written in this era. Toghray Mashhadi, a prolific an MoreToghray Mashhadi’s Saqi-nameh is one of the literary genres that received a lot of attention, especially in the Safavid era, and detailed Saqi-namehs, often in imitation of Torshizi’s Saqi-nameh which were written in this era. Toghray Mashhadi, a prolific and capable poet of the 11th century, wrote a Saqi-nameh in nine thousand verses, which is considered the most detailed Saqi-nameh in the Persian language. He has included terms from popular culture as well as sciences such as music and botany in this Saqi-nameh with a noble imagination and created original poetic images. The deviation from norms of Toghray Mashhadi, especially in the use of Indian words, has attracted the attention of anthologies writers. Due to the fact that Saqi-nameh of Mashhadi has not been widely criticized, the present study tries to analyze the stylistic and linguistic features of this work in detail and show the innovations of it by relying on two old versions of his masterpiece. Manuscript profile -
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52 - Criticism of Jung Sharaf
vahid barzegarJung Sharaf is a collection containing the poems of poets from the 5th century to the end of the 10th century, written by Abd al-Rahman bin Sharaf. This collection can be divided into several parts, firstly, the sonnets written by poets of the 9th and especially the 10t MoreJung Sharaf is a collection containing the poems of poets from the 5th century to the end of the 10th century, written by Abd al-Rahman bin Sharaf. This collection can be divided into several parts, firstly, the sonnets written by poets of the 9th and especially the 10th century. Another part of this collection includes Jami's sonnets, which have been included in the edition in a special way due to the scribe's attention to Jami, and the final part contains the poem of Yusuf and Zulikhai Jami. The importance of this war lies in the choices of the writer, who has the poetic taste of the 10th century people in his heart, the existence of poets that we do not know about, examples of special poems, including a poem with an Indian line, and examples of this kind have added to the importance of the topic. . In this research, we try to examine this war from the point of view of stylistics and literary criticism and to analyze the writer's perspective in the selection of poems. Manuscript profile -
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53 - A Stylistic Analysis of Fervent Prayer of Khmas Ashar: The Symbol of Perfect Connection between the Worshipper and the Worshipped
hossen Cheraghivash eftekhar lotfiOne of most effective way of disseminating eminent knowledge, culture and ethics of humanity is through prayers and prayer texts. Prayer and holy communication are kind of lovely resorting to the beloved and connection of little and weak being to the existing infinitely MoreOne of most effective way of disseminating eminent knowledge, culture and ethics of humanity is through prayers and prayer texts. Prayer and holy communication are kind of lovely resorting to the beloved and connection of little and weak being to the existing infinitely big and strong. From pure reed of selected people of God, prayers come out containing knowledge and realities that are accompanied by sadness, excitement and sweet music. One of these prayers is “khaefin Almanghoul” by Imam Sajad which is reflection of fearful qualities of God. The present study tries to in a descriptive-analytical way, analyzes “khaefin” prayer under the framework of structural stylistics based on classification of the “Balaghat alkhetab” book and “Elmo Nasl by Salah Fazl”, in three levels of vocal, syntactic, expressive and degree of connection of these three levels with each other. A stylistic analysis of prayers illustrate all triple structures of the text with acceptance of connection supremacy from disconnection and connection binary in amazing joint are formed next to each other and with creating single and harmonious structure are moving across central axis of prayer (communication with God). Manuscript profile -
Open Access Article
54 - Investigating colloquial language in Shams' articles
Askari Ebrahimi jooybari Malek Shoaei Ali AsmandColloquial language in Shams' articles The words, terms, interpretations, allusions, proverbs and phrases that are popular among the people of the street and market are called colloquial language .Colloquial language has a wide reflection in Persian literary texts. Thi MoreColloquial language in Shams' articles The words, terms, interpretations, allusions, proverbs and phrases that are popular among the people of the street and market are called colloquial language .Colloquial language has a wide reflection in Persian literary texts. This issue has a high frequency in mystical texts, especially in the words of Shams Tabrizi, because he, like other mystics, thought about the effect of his speech on the soul and psyche of the audience. Therefore, it is one of the most suitable tools. It means that colloquial language is used for fluency, simplicity and catchiness of speech. On the other hand, the peak of inner turmoil, in a maniacal mystic like Shams, breaks the structure of official language and any other framework; therefore market terms, folk tales, common beliefs, allusions, proverbs, and folk pronunciations, even evil and obscene nicknames and so on. It is abundantly seen in the words of Shams Tabrizi. . Manuscript profile -
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55 - The stylistics of Zahir Faryabi's qasayed
Parvin Bekhradi Siroos Shamisa Abdolreza Modarreszadeh. Zahir Faryabi, was a sixth century A.H. poet born in Faryab(near Balkh) who immigrated to Neishabour and several other cities before his death in 598 AH in Tabriz. The beginning of Zahir's life coincided with the sedition of Ghoz that attacked Balkh and other cities More. Zahir Faryabi, was a sixth century A.H. poet born in Faryab(near Balkh) who immigrated to Neishabour and several other cities before his death in 598 AH in Tabriz. The beginning of Zahir's life coincided with the sedition of Ghoz that attacked Balkh and other cities in Khorasan. Thus Faryabi's immigration was not only due to a desire to seek literary knowledge but also for safety. That time there was families of Kharazmshahian, Iraqi Salajeghe and Atabakan who were not at all as powerful and glory as Ghaznavian and 1st Saljoughian, and poets had no honor and no reception. This was a matter which overshadowed poem’s of Zahir. Zahir ’s collection of poems consists of 3790 couplets of which 2292 couplets appear as 81 qaside (odes) and the remaining 1498 in other poetic forms. This article examines the texts from three perspectives: linguistic, literary, and intellectual by way of descriptive-analytical method. Manuscript profile -
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56 - Narrative grammar in the story of Dej Bahman based on the theory of Algirdas Grimas
Mahboobeh Zamani Boroojeni asghar RezapoorianNarrative research is one of the methods of literary criticism that researchers in the field of literature have been busy with. One of the methods of analyzing narrative texts is Grimas' narrative theory entitled "narrative grammar". By using this narrative pattern, it MoreNarrative research is one of the methods of literary criticism that researchers in the field of literature have been busy with. One of the methods of analyzing narrative texts is Grimas' narrative theory entitled "narrative grammar". By using this narrative pattern, it is possible to analyze the types of stories and measure the compatibility or non-compatibility of the stories with Grimas's narrative theory and find the elements in the text. The story of Bahman fortress is one of the magical stories of Shahnameh. In this article, which is taken from the author's doctorate thesis entitled "narrative grammar in the magical stories of the Shahnameh based on the theory of Algirdas Grimas", the researcher intends to criticize this story based on the narrative theory of Algirdas Grimas with the help of the findings of the said thesis. Measure the grimace with it. Manuscript profile -
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57 - Ideological Stylistic Analysis of Contemporary Ashurayi Poetry Of Three Poems by Moallem Damqani, Musavi Garmarudi, and Saffarzade
parven golizadeh mahmod rezaiIdeological stylistics of religious texts is a significant point, helping critics to know the text much more and revealing a set of seemingly hidden points on the ideological approach of the text. Its aim is to uncover the function of ideology, and its limits within the MoreIdeological stylistics of religious texts is a significant point, helping critics to know the text much more and revealing a set of seemingly hidden points on the ideological approach of the text. Its aim is to uncover the function of ideology, and its limits within the text, that is, in which ideological frame the text is located, and how much it is deconstructing that frame, or how much it is following or disobeying it. In the present research, studying the poems of three outstanding Ashurayi poetry, we have shown how much they have been loyal to the Islamic ideology, or they have reached the rubrics of the frame, and also considering their poetic innovations and ideological conceptualizations in the poems. In sum, we concluded that Ali Moallem Damqani is a traditional poet who sometimes reaches to the rubrics to develop his poems, producing different conceptualizations from the ideology. Ali Musavi Garmarudi, a poet who appraises the art and the beauty of his poetic devices more than the other poets, while less loyal to the religious tradition. Beside these two, Tahere Saffarzade is a poet who uses very cautiously of religious ideological concepts, and puts the ideology and content in relation to form in prior. Manuscript profile -
Open Access Article
58 - A staylistic look at repetition and association in Mantegh Alteir
Masood Pakdel Monireh Mahfoozi MoosaviMantegh Alteir is a poem by Attar Neyshabouri and one of the most important mystical masterpieces of Persian language and literature. Considering that in stylistics it is very important to pay attention to frequencies and it is based on frequencies that the stylistic ch MoreMantegh Alteir is a poem by Attar Neyshabouri and one of the most important mystical masterpieces of Persian language and literature. Considering that in stylistics it is very important to pay attention to frequencies and it is based on frequencies that the stylistic characteristics of a poet or a work are determined. The logic of bird has been done, an attempt has been made to analyze the goals and methods of the poet's use of repetition and association. Considered the most important features of Attar's poetic style in the logic of bird; Because the high frequency of repetition and association indicates that the poet was interested in mentioning them successively. These repetitions, which can be seen both in word and in meaning, in addition to the beauty of the poem and the pleasantness of the music, have also highlighted the poem, the poet's emphasis on the importance of the subject and the literary taste of the readers. Manuscript profile -
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59 - The style of Rabi'a narrations in Attar's works
Zahra Sadat Taheri GhalenoThe fundamental questions of the research are: a) The stylistic-narrative components are explained based on which stylistic mechanisms of the narrative? and b) How do these components appear in narrative discourse? The results of the research showed that by analyzing th MoreThe fundamental questions of the research are: a) The stylistic-narrative components are explained based on which stylistic mechanisms of the narrative? and b) How do these components appear in narrative discourse? The results of the research showed that by analyzing the processes, the level of participation of the characters in the story is determined. The point of view in some stories is the third person of the reflector, in some the third person of the narrator, and in the story of "Intention to make the Kaaba of Rabia" the third person is the reflector-narrator. Descriptive suspense and delay are visible, for example in expressing the hardships of the Hajj journey and Rabia's fear of worldly possessions and self-deception.sometimes a mystic who teaches others and sometimes a seeker who learns by himself. The relations between actors or participants of the discourse are formed as an unequal, formal, public and equal relationship Manuscript profile -
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60 - stylistic critique of Sheikh Ahmad Waeli's religious poems
Ezzat Mollaebrahimi Kamal DehghaniStylistics is one of the branches of literary critique that use linguistic and rhetoric in text analysis, and in the critical and literary examination, it relies on the three main elements of the text, the author, and the audience. This research that based on structural MoreStylistics is one of the branches of literary critique that use linguistic and rhetoric in text analysis, and in the critical and literary examination, it relies on the three main elements of the text, the author, and the audience. This research that based on structuralist stylistics, seeks to discover the Hidden Angles of Sheikh Ahmad Waeli's Religious Poems and from this point of view, his poems have been explored in linguistic, literary, and intellectual levels in a descriptive-analytical manner. The results of this study show that the poet's social and political ideas are reflected in his religious poems and the poet makes political and social use of the Ahlul-Bayt (pbuh) and especially the Prophet (pbuh). He is a poet of content and concept and has used simple, yet elusive words and phrases to interpret his beliefs and it rarely gets out of the poetry templates. He has a particular tendency to speak addressing and it has tried to serve its religious poetry to serve the needs and challenges of the Muslim world. He is aware of Quranic concepts and words and he has been able to add Qur'anic thought to his religious poetry. Manuscript profile -
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61 - Examining the literary points of Kashf al-Asrar Meybodi
Maryam Najafi Mazaher Nikkhah asghar RezapoorianKashf al-Asrar is one of the ancient Persian commentaries written by Rashid al-Din Meybodi more than nine centuries ago. In this commentary, below each verse in three stages (according to the author of the book three times) is stated. In this book, Rashid al-Din Meybodi MoreKashf al-Asrar is one of the ancient Persian commentaries written by Rashid al-Din Meybodi more than nine centuries ago. In this commentary, below each verse in three stages (according to the author of the book three times) is stated. In this book, Rashid al-Din Meybodi first translates some of the verses into fluent Persian without explanation (Al-Nubah Al-Awali), then explains the opinions of commentators and scholars on the interpretation of the same part (Al-Nubah Al-Thaniyah) and in the third section expresses mystical points. In particular, he quotes his master Khajeh Abdullah Ansari (Al-Noba al-Thalasha) and generally in this section the beauty of Meybodi Persian prose can be seen. Most of all, the beauty of the prose of this precious interpretation is shown by the stylistics of the third part, which has been studied in the present study in the form of linguistic, literary and intellectual features Manuscript profile -
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62 - Architectural Stylistics of Second Pahlavi Period, with approach of Evaluating the Building’s Physical Behavior in each Style
maziar sardari leila zare Avideh talaei vahid ghobadianArchitectural stylistics as an approach, has various functions in the study of architectural history. One of its most important functions is as a classification method in the history of architecture. In recent researches, the necessity of achieving styles in the Iranian MoreArchitectural stylistics as an approach, has various functions in the study of architectural history. One of its most important functions is as a classification method in the history of architecture. In recent researches, the necessity of achieving styles in the Iranian architecture evolution, by referring to the body of prominent buildings, has always been brought up. Therefore, these bodies and their architecture evaluating, will be the best way to know the styles. The topic of Iranian architectural stylistics has always been a part of challenging debates in scientific societies, due to the wide and varied definitions and functions of it, there is no clear consensus among researchers. The stylistics of the second Pahlavi period has always been very important; on the one hand in terms of looking at past architecture and on the other hand due to the arrival of modern architecture in this period, is a turning point in the history of iran architecture. Therefore, this article tries to extract the titles of architectural styles in the second Pahlavi period with using a qualitative method and interpretive-historical approach, along with extensive documentary and library studies, and then with a detailed examination of the prominent building's body; evaluate the characteristics of each style and classify them. The research results show that five styles; "Traditional architecture", "Western modern architecture", "Organic architecture", "Modernist Iranian architecture" and "High-tech architectures", are the styles in the period from 1332 to 1357 A.S, that each one, according to their own theories, displays historical or modern characteristics, in the body of each buildings with a different image. Manuscript profile -
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63 - Stylistic Analysis of a Poetic Text: A Case from Persian
Ali Rabi -
Open Access Article
64 - Possible Worlds in the Narrative Structure of Masnavi Manavi; A Case Study: The Story of Dezhe Hooshroba (The Castle of Fortress)
Zeinab Hājabokahaki Ashraf Sheibāni Aghdam Mohammad Ali GozashtiThe theory of possible worlds is one of the theoretical foundations of cognitive stylistics that is rooted in Leibniz's philosophy. Understanding how narratives are narrated is central to this theory; it illustrates the text-reader interactions and the relationship of r MoreThe theory of possible worlds is one of the theoretical foundations of cognitive stylistics that is rooted in Leibniz's philosophy. Understanding how narratives are narrated is central to this theory; it illustrates the text-reader interactions and the relationship of reader with literary narrative. Masnavi Manavi, as one of the largest source of the mystical literature, encompasses the foundations of practical and theoretical mysticism. By using descriptive-analytic method and based on the theory of possible worlds, in the present article the attempt is made to propose a new reading of Masnavi Manavi. Jalāl ad-Dīn Muhammad Rūmī, as the narrator of the stories, speaks subtly about narrative discourses and creates worlds, including epistemic, fantasy and ideal worlds, in the mind of reader. In the story of Dezhe Hooshroba (the castle of Fortress), the theory of possible worlds is mostly portrayed as an epistemic world with the aim of teaching mystical doctrines based on the pattern "if ... so". In the ideal world portrayed in the story, Rūmī uses the conjunction of "or" and terms that include desiring, yearning, and demanding. For him, love is the most important means of discovering, constructing and taking intuition of the ideal world. Love helps the sālek (the holy traveler) in the path of intuitive knowledge. We have access to these worlds in temporal, linguistic and natural way, but the frequency of temporal access is greater. Manuscript profile -
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65 - Forūgh Farrokhzād's poems: A stylistic Analysis
حسن حسنپور آلاشتی پروانه دلاور Forūgh Farrokhzād (1935-1967), significant Iranian contemporary female poet, has a unique style in her poems. This uniqueness is shown with reference to the syntax and vocabulary of her poems. The Present article, by using statistical and descriptive methods, t More Forūgh Farrokhzād (1935-1967), significant Iranian contemporary female poet, has a unique style in her poems. This uniqueness is shown with reference to the syntax and vocabulary of her poems. The Present article, by using statistical and descriptive methods, tries to study Forūgh's poetry with respect to the words and their etymology, singular and compound nouns, structure of verbs and relationship between her style and view. Manuscript profile -
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66 - Archetype in the Poems of Ahmad Shāmlū: A Pragmatic Approach
parvane delavar mohamad ali gozashti alireza salehiArchetype is a hidden structural tendency that shows the contents and dynamic processes of a collective unconscious. Archetypes can be studied in different contexts: dreams, myths, religion and literature. The present article, based on the concept of "pragmatic meaning" MoreArchetype is a hidden structural tendency that shows the contents and dynamic processes of a collective unconscious. Archetypes can be studied in different contexts: dreams, myths, religion and literature. The present article, based on the concept of "pragmatic meaning", tries to study the most prominent archetypes - such as anima, land, city/home, water - in the poems of Ahmad Shāmlū (1925-2000). So, the ideological layers of the poems are considered as an outer-context factor, showing their mythological and epic function. Manuscript profile -
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67 - A study of the motifs in Shiva Arastuei's novel "khof"
Aram Ahmadi Reza Forsati juybari hossein parsaeiIn fiction, the motif can be a stylistic element and reveal the dominant theme or themes to the reader. Women writers make the most of this linguistic option and, in addition to creating constant sensitivity in the reader, direct the text to a specific artistic language MoreIn fiction, the motif can be a stylistic element and reveal the dominant theme or themes to the reader. Women writers make the most of this linguistic option and, in addition to creating constant sensitivity in the reader, direct the text to a specific artistic language. Shiva Arastuei's novel "khof" (=Fear) is one of these examples that deals with the "loneliness" and "fear" of man in modern age and expresses a feminine narrative of this loneliness and fear. In this article, we intend to examine the most important motifs in the novel "khof" and show what concepts the author has expressed in this way. These motifs are also characteristic of a feminine style in that they express the sensibilities of a female writer. The method of this research is "descriptive-analytical"; That is, first, data from the novel "khof" is described, and then, based on them, an analysis is performed and leads to a summary. Manuscript profile -
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68 - Explanation and analysis of women's writing in Simin Daneshvar's Savushun novel Based on the feminist stylistics of Sara Mills
saeide khojastepour mohammadAli Gozashti Abdolhosein farzad"Feminist stylistics" is one of the social-cultural approaches of stylistic knowledge, which "Sara Mills" presents as a model in this field, and this method is the best way to investigate and analyze the issue of feminism and its effectiveness in literary texts by using More"Feminist stylistics" is one of the social-cultural approaches of stylistic knowledge, which "Sara Mills" presents as a model in this field, and this method is the best way to investigate and analyze the issue of feminism and its effectiveness in literary texts by using their dimensions and linguistic aspects. Knows. In this article, using this model, we answer the question of what are the characteristics of women's writing and how does it appear in the novel in question. Mills believes that female writers use various linguistic components in the structure and content of their works with the influence of their feminine characteristics, emotions and gender views, and therefore, in the analysis of their works, attention should be paid to three levels of analysis based on words, sentences and discourse. Therefore, with this view and using the model proposed by Sara Mills and the opinions of experts in this field, Simin Daneshvar's novel "Savushun" was selected and analyzed. This research was carried out in the field of practical stylistics and with the descriptive-library method and analyzes based on it based on the components of Sara Mills' model and with the aim of finding the characteristics of women's writing in the selected work. The findings of the research with the characteristics of women's writing in the mentioned novel are as follows: At the level of vocabulary: the multiple use of feminine expressions in Farsi, words belonging to women's domain, the use of color words, the multitude of female characters; At the level of sentences: the use of simple news, descriptive, short, emotional, and detailed sentences. The use of meta-linguistic signs of three dots and a dash, low frequency emotional aspect, question sentences in the form of Soliloquy. On the discourse level: third person (omniscient) external point of view, main character: Yusuf and Zari, narrative text, author narrator, polite and friendly tone, theme with feminist ideas. The time and place of the story of the first Pahlavi period, Shiraz and its villages. Manuscript profile -
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69 - Study on stylistic characteristics in first period of Persian poems (Taherid & Safarids)
Siavash Morshedi Mohammad Najjari From the first period of Persian poem – which started from first decades of 9th century and continued to the end of this century – survived just 64 verses (Poets: Hanzley-e Badgheysi, Mohammad bn Wasif-e Sagzi (from Sistan), Bassam-e Kurd, Mohammad bn More From the first period of Persian poem – which started from first decades of 9th century and continued to the end of this century – survived just 64 verses (Poets: Hanzley-e Badgheysi, Mohammad bn Wasif-e Sagzi (from Sistan), Bassam-e Kurd, Mohammad bn Mokhallad, Mahmud bn Warragh, Firuz Mashreghi, Abusolayk-e Gorgani and Shaker-e Bokhari (from Bokhara) which Gilbert Lazard in the oldest scattered Persian poems collected them. In the paper, have presented different definitions of style briefly, and eventually analyzed in the epoch style point of view, means the similar and specific characteristic in an epoch as frequency. The paper tries to study these poems as three points of view (External form, Internal Form, Subjective Form) and the results presented as frequency and in static charts Manuscript profile -
Open Access Article
70 - Criticism of the translation of the book of stylistics
-- --This article examines and criticizes the translation of Paul Simpson's book on stylistics, which was translated into Persian by Nasrin Faqih Malek Marzban and published by Al-Zahra University. In this book, Simpson has looked at stylistics with a new approach. In this a MoreThis article examines and criticizes the translation of Paul Simpson's book on stylistics, which was translated into Persian by Nasrin Faqih Malek Marzban and published by Al-Zahra University. In this book, Simpson has looked at stylistics with a new approach. In this article, we examine the translation of the book from four perspectives: appearance and form, structure, content and language. In the external and formal criticism, we deal with the weight, volume and cut of the book, page layout, diagrams, font and letter size, binding and binding, paper and cover material, cover and back cover design, and in the structural criticism of the system special book classification; In the content criticism of the translation features and in the linguistic criticism, we examine the grammatical or editorial signs, the use of wrong verbs, prepositions and pronouns, double writing, recording of unusual forms of declaration. Content evaluation is more focused on checking the accuracy and correctness of translation and equivalent choices. The existence of editing and writing problems, weakness in equivalent options, double writing and in many cases lack of translation are the weak points of this book. The book of stylistics opens new intellectual horizons for Persian readers. Manuscript profile -
Open Access Article
71 - Examining the Common Aspects of Stylistics in Contemporary Iranian Architectural Works
Mehrdad Matin Alireza Joze piriکThe research is an investigation of stylistic methods and the extraction of common features in the works of contemporary Iranian architecture. Stylistics is one of the methods of simplifying and categorizing works. With the aim of extracting such commonalities, the que MoreکThe research is an investigation of stylistic methods and the extraction of common features in the works of contemporary Iranian architecture. Stylistics is one of the methods of simplifying and categorizing works. With the aim of extracting such commonalities, the question of this paper: "If there are commonalities between stylistic methods in contemporary architectural writings, what is their number and composition?" and the hypothesis of this paper: "the existence of common methods and their categorization in contemporary architectural stylistics" are among the pillars of the research. Extracting and achieving a coherent structure for the stylistics of contemporary Iranian architecture based on the patterns used in the authored texts of this field and presenting a comprehensive theoretical model for categorizing the works of contemporary Iranian architecture. The research identifies the main factors after library study and categorization of 30 contemporary authored works and after examining the commonalities and differences of stylistic methods. It is a qualitative research with an interpretative strategy, which explains the background of stylistic commonalities in contemporary Iranian architectural works with the historical method and the use of inductive-deductive reasoning. By summarizing the documents and using stylistic common points, an eight-fold classification for the stylistic methods of contemporary architectural texts is explained, which is very complicated in comparison with similar stylistics. Among these, we can mention the simplicity of (Donald Newton Wilber) and (Mohammad Karim Pirnia)'s style. Compared to historical stylistics, narrative stylistics based on non-architectural and unwanted events is very complicated and ambiguous. Manuscript profile -
Open Access Article
72 - The Analysis of the Poetical Thoughts of Andalib Kashani
Mina Salari ali akbar afrasiabpourAbstract Stylistics has greatly been in the focus of consideration in recent years and the restoration poets are the first Iranian experts who unconsciously have dealt with it and explored the ancient scholars' works. They had MoreAbstract Stylistics has greatly been in the focus of consideration in recent years and the restoration poets are the first Iranian experts who unconsciously have dealt with it and explored the ancient scholars' works. They had to scrutinize and learn all the aspects of lingual, thought and literary works of the ancient men so that to imitate them. Although these poets do not possess a specific style and only have imitated the ancient works, they've sometimes created novelty works in the same way. Pondering on their imitation of the previous poets can bring us some useful results. The restoration era poets who Andalib is one of them could save the Persian language from weakness and deficiency, has done great service to preserve the Persian ancient language and its literature. The aim of this research is the poetical thought of Andalib Kashani by bonding the language to the simplicity of contemplation in the poetry (praise, maxim , description and love .) Manuscript profile -
Open Access Article
73 - Studying the Stylistics of Hakim Shafaee Esfahani
Ali AzargoonAbstract Faridoddin Hassan Shafaee, known as Hakim Shafaee, the mystic poet, physical and mental doctor, was of the well-known poets of the Safawids – Shah Abbas the first - era and enjoyed special fame and veneration am MoreAbstract Faridoddin Hassan Shafaee, known as Hakim Shafaee, the mystic poet, physical and mental doctor, was of the well-known poets of the Safawids – Shah Abbas the first - era and enjoyed special fame and veneration among the different ranks of people. His poetry, by having the features of Indian style, is somehow devoid of poetical exaggeration and one can get some significant social and lingual information of that time. Anyhow, it seems that only few noticeable researches have been done about the odes and other works of the distinguished elegists the Safawid's era and have created reformations in its poetical mold. We have tried , in this article, to study his stylistics and innovations in three levels of lingual, thought, and literal aspects. Manuscript profile -
Open Access Article
74 - The Analysis of the stylistic Specifications of Zohuri Torshizi's Odes
Shokoofeh DarabiAbstract Zohuri Torshizi is one of the competent Indian Style poets in the 10th and 11th A. H. centuries who has been remained unknown in Persian language and literature. By his strong power of mind and sophisticated imaginati MoreAbstract Zohuri Torshizi is one of the competent Indian Style poets in the 10th and 11th A. H. centuries who has been remained unknown in Persian language and literature. By his strong power of mind and sophisticated imagination he was able to compose meaningful, stable poetry with modern themes which are difficult to grasp. This punctilious poet of the Safawid era, by using exquisite similes and metaphors has created new compounds and expressions meticulously. The main aim of this research is: What are the most significant traits of Zohuri's style from lingual , syntactic, literary and thinking point of view ? The results of the research showed that innovation in speech and exaggeration in the imagination caused his poetry to be understood with difficulty and sometimes together with misunderstanding of the meaning and in this way the metaphors and similes have appeared themselves in a challenging way in his poetry; and the last word is that the usage of allegory, the method of equilibrium, allusion, paradox and new themes and compounds have high frequency in his divan – book of poetry. Manuscript profile -
Open Access Article
75 - Introducing a Manuscript of the Descriptions of Golshan Raz of Baba Ne'matollah Nakhjavani and Studying its Stylistic Characteristics
Ali DehqanAbstract The Mathnavi of Golshan Raz from Sheykh Mahmud Shabestary, in its smaller volume, is a treasure of Sufi wisdom and had attracted the attention of scholars and mystics since its composition. So far, up to 50 commentari MoreAbstract The Mathnavi of Golshan Raz from Sheykh Mahmud Shabestary, in its smaller volume, is a treasure of Sufi wisdom and had attracted the attention of scholars and mystics since its composition. So far, up to 50 commentaries and translations have bee written about it. One of the most important descriptions of Golshan Raz is of Ne'matollah Nakhjavani known as Alevi Agh Shahri. This description is of great importance because of his enormous encirclement to the mystical themes and explanations of Sheikh Mahmud Shabestari thoughts. Two scripts have been found out from the description; the linear and stylistic features of these versions can play an important role in historiography and stylistics studies. The purpose of this article is to introduce the description of Ne'matollah Nakhjavani on Golshan Raz and its lightness in its characteristics. The author, with the use of simple and sensual passion, repeatedly refers to versed and hadiths ( traditions ) in confirming their interpretations, explaining mystical terms, using particular words and combinations. Manuscript profile -
Open Access Article
76 - A study Cognitive style of the verses of terror and terrorism in the Qur'an
Ismail Salem Khoei Seyyed Taghi Kabiri Mahboub MahdavianAbstract It is one of the important and new sciences in the field of stylistic literature. In this knowledge, the appropriateness between the word and the meaning, the textual coherence and the harmony of the meaning of the word with the MoreAbstract It is one of the important and new sciences in the field of stylistic literature. In this knowledge, the appropriateness between the word and the meaning, the textual coherence and the harmony of the meaning of the word with the structure of the phrases are determined. In this knowledge, the science of meanings and expression is studied. Addressing this very important issue can to some extent reveal the Qur'an's view of this dimension of collective life and invite human beings to live without violence and terror. Therefore, the present article, using the knowledge of stylistics and also relying on descriptive-analytical method, intends to examine the style of verses from the Qur'an in which the category of assassination and murder is discussed. A stylistic study of this type of verses shows that the theological style of those divine verses that are related to terror, in terms of verbal and semantic structure as well as syntactic structure of words, is an avoidance approach and These verses are mentioned in the form of metaphor and irony, and most of the sentences are addressed to the reader in order to convey the state of violence and seriousness in the fight against terrorism to the reader. In general, the style of speech and The general orientation of the words in all the verses related to murder and assassination is such that it shows that murder and assassination are reprehensible and should not be done. Manuscript profile -
Open Access Article
77 - Stylistic Analysis of Interrogative Sentences in the First Juz’ of the Holy Quran
Mohammad Bayat Farahnaz Rafatjoo alireza hosseyniThe Holy Quran, as a divine book and the ultimate miracle, bears the responsibility of guiding and directing humanity. This literary miracle, which is unparalleled, employs various wise and intelligent methods to achieve its crucial mission. Among these stylistic approa MoreThe Holy Quran, as a divine book and the ultimate miracle, bears the responsibility of guiding and directing humanity. This literary miracle, which is unparalleled, employs various wise and intelligent methods to achieve its crucial mission. Among these stylistic approaches, the use of interrogative style stands out. Remarkably, out of the 114 chapters in the Holy Quran, only 18 chapters lack interrogative sentences. Recognizing the significance and role of questioning in discovering truth, the author has chosen to explore the interrogative sentences in the first Juz' (section) of the Quran for research purposes. This study employs a descriptive-analytical method and examines the literary beauty of these interrogative sentences at three levels: grammatical, rhetorical, and visual imagery. The findings of this research can contribute to updating the Quranic messages in a more practical and relevant manner, enhancing the sublime content and themes of the Quran in today's world. Additionally, by utilizing the radiant messages within the Quranic interrogative sentences, the value of questioning and seeking answers becomes evident across various dimensions: belief, knowledge, education, and culture. Manuscript profile -
Open Access Article
78 - Verse Styli sties in the th Century
Sayyed Ziaoddin SajjadiThis is the second part of Sayed Ziaodin sajjadi deceased proffessor's essay which the first part was published in the previous number of the magazine was about two poets of the th century, Anvari and Jamaladdin Esfahani. In this essay first we are going to survey t MoreThis is the second part of Sayed Ziaodin sajjadi deceased proffessor's essay which the first part was published in the previous number of the magazine was about two poets of the th century, Anvari and Jamaladdin Esfahani. In this essay first we are going to survey the most salient characteristics of Anvari's style in his elegy, lyric poems, quatrains, according to his taste in words and combination, poem's rhythme, rhyme and line, and also content of his poems and its main subjects. Jamaladdin Esfahani is introduced with literary ~ritics' point of views, innuences, elegy's style, rhythme, rhyme and line, rhetorical Figures that he applied and also the information that's found in his poetry, his lyrics and quatrains. Manuscript profile -
Open Access Article
79 - Persian Verse Stylistics in the Sixth Century A. H. (third part)
Sayed ziaodin SadjadiThis article is the third and final part of a series of articles written by the late Professor Sadjadi, in introducing the stylistic characteristics of the Persian poetry in the 6th century A.H. This selection concentrates on two other prominent poets of this century na MoreThis article is the third and final part of a series of articles written by the late Professor Sadjadi, in introducing the stylistic characteristics of the Persian poetry in the 6th century A.H. This selection concentrates on two other prominent poets of this century namely, Khaghani Sharvani, and Zahir-al din Faryabi. Furthermore, he has introduced some generalities about the style of Persian Poetry in the 7th century. Manuscript profile -
Open Access Article
80 - Verese Stylistics of the th century
Sayyed Ziaedin SajadiHereby we talk about the characteristics of verse stylistics in the th century. It's started with examinig Sanaii Ghaznavi's Poetry that was known as a Nezami's Eghbalnameh Coincided with the finishing of his EskandarNameh in the th century. MoreHereby we talk about the characteristics of verse stylistics in the th century. It's started with examinig Sanaii Ghaznavi's Poetry that was known as a Nezami's Eghbalnameh Coincided with the finishing of his EskandarNameh in the th century. In this century Persian poetry changed in many ways such as theme, rhythm, form, word, and rhyme blending, novelty and the khorasani's poetry styles developed in the th century, and the most significant change is the entrance of Sufi and mystical ideas which was started by sanaii and Nezami ended it. Manners like virtues, Lampoonic, and Satirizing Poems, Wise sayings, Panegyric verse, Death Elegies, etc. engaged the Poets thoughts in this century. Manuscript profile -
Open Access Article
81 - A few points regarding the aesthetics and stylistic characteristics of moguls' period
Ismaeil HakemiThis article contains writings of the late Dr Forozanfar during the years 1335-1336 at TehranUniversity. Thanks to Dr Ismaeil Hakemi who has compiled these notes while keeping the conversational mode of Dr Forozanfar's lectures, the literary journal at present has acces MoreThis article contains writings of the late Dr Forozanfar during the years 1335-1336 at TehranUniversity. Thanks to Dr Ismaeil Hakemi who has compiled these notes while keeping the conversational mode of Dr Forozanfar's lectures, the literary journal at present has access to them after nearly fifty years. The notes contain some points regarding the revolution of thought and content in Moguls' period, and its reflection on the poetry and prose of the writers of that epoque. The emphasis is put on the impact of social life on the change of style and also how the change of meaning leads to a change in words. Manuscript profile -
Open Access Article
82 - The Analysis of linguistic elements in the poetry of Hossein Panahi from the perspective of Stylistics
Arash Hazegh nejadStyle and Stylistics is an analytical science which was recognized in 1909 by Bally, a disciple of De Saussure. Later, this science was well received in Iran by the great literary authorities. The purpose of this article is to analyze the stylistic features MoreStyle and Stylistics is an analytical science which was recognized in 1909 by Bally, a disciple of De Saussure. Later, this science was well received in Iran by the great literary authorities. The purpose of this article is to analyze the stylistic features in the poetry of Hossein Panahi (1335-1383) such as the influence of cinema and Art on his works, his peculiar language, abundance of proper nouns and foreign words. Examination of colors also leads us to another aspect of the poet’s language. Frequency and percentage of each feature in his poetry is given at the end of the article. Manuscript profile -
Open Access Article
83 - On Stylistic features of Mongols period (second Part)
Ismaeil HakemiThis piece of writing is the second part of late Dr Forozanfar’s lectures given at TehranUniversity in 1335, compiled and revised by Dr Hakemi. The notes discuss various issues such as the impact of Mongols culture and dictum on the works from the 7th century onwa MoreThis piece of writing is the second part of late Dr Forozanfar’s lectures given at TehranUniversity in 1335, compiled and revised by Dr Hakemi. The notes discuss various issues such as the impact of Mongols culture and dictum on the works from the 7th century onwards; the influence of Sufism and mysticism on the prose and poetry, also the impact of the Race and Religion on Literature and Culture of the époque. In narrating Dr Forozanfar's words attempt is made to remain true to his multi dimentional references. Manuscript profile -
Open Access Article
84 - The linguistic investigation of Bahar’s odes
Mohammad Reza Pahlavan Nejad Alireza SezavarBahar is the first person who wrote stylistics in a methodological and scientific manner regarding the prose and defined it scientifically. Although he didn’t live long to continue his research and do the same for the verse but he had scattered notes which l MoreBahar is the first person who wrote stylistics in a methodological and scientific manner regarding the prose and defined it scientifically. Although he didn’t live long to continue his research and do the same for the verse but he had scattered notes which later were collected. In his book of stylistics, Bahar was more concerned with the linguistic aspect rather than other subjects. The most prominent feature of Bahar’s odes is following the language of the past in all aspects especially in social and political issues the content was totally consistent with the details of the society of the day. The movement of return to the ways of the ancients manifests itself mostly through their language particularly in their poetry. In this article Bahar’s odes have been studied in terms of 1) phonology 2) morphology 3) syntax The phonology section is concerned with the characteristics of words such as tashdid, contraction, maximization, minimization, mutation in words and music produced by the proximity of words. Morphology section deals with the employment of old words with fresh meanings and finally syntax is concerned with the structure of the languages in the past and their application in Bahar’s poetry focusing on supplements and variety of “ra”. Manuscript profile
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