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Open Access Article
1 - COMPARATIVE STUDY OF THE MANIFESTATIONS OF NARRATIONS IN DĪVĀN-E ŠHAMS-E TABRĪZĪ (THE WORKS OF SHAMS OF TABRIZ)
Jalil Tajlil Maalek ShoaeiReferring to narrations and assertions has been the most influential faith after Quran in the history of Islam. Scholars and narrators have tried to maintain and reserve narrations and assertions. Arab and Persian poets have enjoyed using these narrations in t MoreReferring to narrations and assertions has been the most influential faith after Quran in the history of Islam. Scholars and narrators have tried to maintain and reserve narrations and assertions. Arab and Persian poets have enjoyed using these narrations in their poetry to increase the eloquence of their works. This has resulted in mutual ties between poetry and Islamic learnings and enrichment of Persian language, literature and culture. Using narrations and assertions not only adds to the eloquence but it also increases the beauty of content and form. Many poets have used them in their works and among them Molawi is a prominent one. Manuscript profile -
Open Access Article
2 - A Study on Silence Discourse in Molana's Pen – Name based on Shams's Sonnets
zahra irani Malek Mohammad Farrokhzad Reza Heidari NouriBased on Jakobson and Michael Ephratt about communication roles between speaker and listener, a meaningful message would transfer through a physical channel. They believe that this communicative pattern is proved in all verbal interactions. When a mystic intends to show MoreBased on Jakobson and Michael Ephratt about communication roles between speaker and listener, a meaningful message would transfer through a physical channel. They believe that this communicative pattern is proved in all verbal interactions. When a mystic intends to show a world in which words lose their application, sometimes narrates stories which encourage silence. According to Jakobson's communication pattern we may enjoy silence in communication process and find the joy of peace in six communicational roles. The results of the present research show the application of some silence communicational roles in Molana's words are more frequent. Manuscript profile -
Open Access Article
3 - An Analytical Study on Common Mythical Symbols and Elements in Shahnameh and Odes by Shams
Asiyeh Ghavami Farhad BaratiThe subject of "Shams' Ods" – by Jalāl ad-Dīn Muhammad Balkhī – is the expression of mystical concept and divine love. Rumi has enjoyed mythical symbols to explain mystical concepts and other poetic themes throughout the mentioned odes. The pr MoreThe subject of "Shams' Ods" – by Jalāl ad-Dīn Muhammad Balkhī – is the expression of mystical concept and divine love. Rumi has enjoyed mythical symbols to explain mystical concepts and other poetic themes throughout the mentioned odes. The present article studies the elements of myth including the characters, creatures and symbols that have had a mystical manifestation appearance in "Shams' Odes". Studied elements, creatures and characters in this paper are Rostam, Zāl, Kay Qobád, Sohrab, Esfandiar, Zahak, Kay Kāvus, Mani, Kay Khosrow and mythical creatures such as Mount Qaf, Gypaetus and Phoenix which the most important source is "Shahnameh" by Ferdowsi. The result of this research is that Rumi has benefited the extravagant epic works including Ferdowsi's "Shahnameh" by citing the elements of myth and epic in order to better explain the mystical themes and concepts in "Shams's Odes" so that scholars of mystical literature have considered it as an obvious and valuable sample of mystical epic. Manuscript profile -
Open Access Article
4 - Quranic intertextuality in the lyrics of Hafez
Ahmadreza yalameha Moslem rajabiUndoubtedly,The poet and scholar of Islam and Muslim that is influenced by religious books Tries That In his speech Reflects Verses of the Quran and hadith inmate PBUH. This is one of the poets Hafez .his Poetry is a very large position. He knows all the great literatur MoreUndoubtedly,The poet and scholar of Islam and Muslim that is influenced by religious books Tries That In his speech Reflects Verses of the Quran and hadith inmate PBUH. This is one of the poets Hafez .his Poetry is a very large position. He knows all the great literature and poetry. He has been widely used Verses of the Quran. Perhaps this is one of the secrets of his poems into account durability. In this study, we examined the Quranic view of intertextuality in his lyrics. In fact, in the words of the poet and mystic Quranic intertextuality large, has been manifested in many forms. He has used in his Poetry Many Quranic words and phrases This paper describes Various forms unaffected Hafez of the Quran. This section introduces us to the color of the Qur'an lyrics of hafez. Manuscript profile -
Open Access Article
5 - Analysis of dominant discourse in Hafez's lyric poems based on challenging-argumentative aspects of speech action theory
saeed akbari pabandi Mehri Talkhabi hosein arianSpeech act is one of the important topics in the pragmatics and linguistic philosophy in which the researcher in his/her analysis gives the most role to discourse in context. This paper aims to shed light on the dominant discourse of Hafez's lyric poems. It also shows h MoreSpeech act is one of the important topics in the pragmatics and linguistic philosophy in which the researcher in his/her analysis gives the most role to discourse in context. This paper aims to shed light on the dominant discourse of Hafez's lyric poems. It also shows how the poet, in the position of a social critic, for inspiring his views to the audience has used various verbal methods and speech act to convey his views to the audience. The study of the speech acts of Hafez's lyric poems to discover the dimensions of his belief system has research importance. It is assumed that the dominant discourse and the distinguishing feature of Hafez's lyric poems is RENDY'S discourse, and it tells about the poet's ideology and the way he communicates with the institutions of power. For this purpose, we acted on topics related to speech act theory centered on the Five maxims of John Searle, and analyzed the data extracted from DIVAN in statistical-descriptive methods. The results of the research indicate that Hafez in producing his discourse, has used integrated acts and different methods of reasoning, including imperative, persuasive and persuasive to better influence the audience, to invite them to the world of their beliefs Also, the dominant discourse in this poet's lyrics is RENDY’S one. Manuscript profile -
Open Access Article
6 - The Construction and Deconstruction of Beliefs in Sanai’s Sonnets and Investigating the Relation between them and his Mystical Orientation: Structuralist Reading
Fateme Sadat TaheriThis article studies sampels of deconstruction of beliefs in Sanai’s sonnets.Mysticism and Sufism due to their different attitudes toward God, the world, and human beings has manifested for the first time the deconstruction of beliefs in Persian literature and, he MoreThis article studies sampels of deconstruction of beliefs in Sanai’s sonnets.Mysticism and Sufism due to their different attitudes toward God, the world, and human beings has manifested for the first time the deconstruction of beliefs in Persian literature and, hence, spoke of the invalidity of common thoughts and notions. To this end, different concepts, language, and thought have deployed to offer different interpretations. Regarding Sanai’s superior position in the consistent representation of mystical themes in Persian poetry time and his pey attention to culture, the author, through a descriptive-analytical approach, seeks to answer this fundamental question: Which are the Sanai’s methods, practices and aims that he has used to deconstruction of the common beliefs of his? What is the relation between deconstruction of beliefs in Sanai’s sonnets and mystical Orientation? And how much can his sonnets be read on Structuralis readin? It can be argued that Sanai as the father of Persian mystical poetry, through reversing semantic concepts, Qalandarane consepts, contradictory expression, and adopting the language of the mad, deconstruction of beliefs to create a new impression in readers’ minds. Sanai is due to his mystical courage, fearlessness and spirituality, which can be influenced by the devotion to the trance (Sokr) and his follow-up of the Khorasan School. The weirdness of these themes has attracted much attention and audience and Construct and Deconstruct of Beliefs that these metodes is explored by Structuralis reading in the text in Sanai’s sonnets whithout any attention to history and ordinary sciences. Manuscript profile -
Open Access Article
7 - The "I" is rich and epic (Case Study of Divan Hafez and Shahnameh Ferdowsi
Fersshteh Ahekhteh Ahmad GoliThe linguistic characteristics of the literature of nations in various diverse and literary forms reflect the special infrastructure, the main constituents of their culture and literature. Meanwhile, giant species and epic species flourish along with other types, the cy MoreThe linguistic characteristics of the literature of nations in various diverse and literary forms reflect the special infrastructure, the main constituents of their culture and literature. Meanwhile, giant species and epic species flourish along with other types, the cycle and the centrality of their literary language, and maintains a special place for reflection of the author's thoughts and thoughts and behaviors. Since the phenomena of the authors of this type of text and the sensitivity of the attendance of their authors in the text can not be denied, the examination of the position of the author and the influence of the angle of the meeting in the text can reveal the vague points of the writings. "I am rich" or expressing the emotional and emotional character of the author in the rich and romantic texts, represents a representation of unconscious secrets from the author's intrinsic view to the various subjects around him. Since the phenomena of the authors of this type of text and the sensitivity of the attendance of their authors in the text can not be denied, the examination of the position of the author and the influence of the angle of the meeting in the text can reveal the vague points of the writings. The infrastructure of "my individual and my love", "my social", "my moral", and even the mystical and mythological forms, each of which expresses the exact pattern of the author's mind to the reader, and in an involuntary and unconscious way, the author's mentality to persuade the reader Guides. In the epic texts, the author and the presence of "my individual" and "his poetic self", though apparently not positioned, but in the underlying structures of the narrative and reporting of the pseudonymous and historic text of the text, the writer's burrow into his inner feelings and norms Willfulness can be seen in various forms. The supreme advocate of the "myths" of the heroes and heroes and their defenses and their frontiers in confronting the pole of malice and misdeeds, the sacrifice of national and patriotic honors, and even ethnicity against the aliens, ... Values and Values National and nationalist thoughts portray a saga in connection with his emotions and emotions, although the narrative tale of the story has a background and background beyond the mind and the language of the author. Since Ferdowsi's "Shahnam", as well as "Divan Hafiz" of Shirazi, are considered to be perfect examples of two types of epic and richness, the investigator of the measure of the presence of the "hero of the Liric", or the "poetic myth", is represented by the representation "I have voluntarily" an epic manifestation in an adaptive manner in these two epic and Persian epics. Manuscript profile -
Open Access Article
8 - Levels of representation of annihilation from the perspective of the narrator of Ghazaliat e Shams
Rashid KakavandAlthough annihilation literally means destruction, but in the path of mysticism, it is a high level of knowledge that is manifested in the presence of a friend, and in the words of Abolhassan Kharghani: "A friend, when he comes with a friend, sees just friend, does not MoreAlthough annihilation literally means destruction, but in the path of mysticism, it is a high level of knowledge that is manifested in the presence of a friend, and in the words of Abolhassan Kharghani: "A friend, when he comes with a friend, sees just friend, does not see himself." Mystics, theoretical and practical, have addressed this issue. Exciting anecdotes have been narrated from the great mystics, each of which reveals their credibility as well as the true meaning of annihilation. After a detailed search in the wonderful world of mystics and finding examples of theories of mystics and experts in their definitions and interpretations on the subject of annihilation, and then finding illustrative examples of anecdotes and practical experiences of annihilation quoted in authentic mystical books and texts Yes, we have turned to the sun's lyric poems. Rumi's spontaneity is a manifestation of annihilation that ranges from the selection of percussion and melodic weights, repeated intermediate rhymes, breaking the rules of language and even the form of poetry, small and large language and poetic norms, paradoxical expression, to creating spaces. Includes eerie and so-called surreal. We looked for examples of each of these effects in Rumi's sonnets and placed them in a regular category. The narrator of Rumi's sonnets confronts annihilation in three positions: conscious, semi-conscious and unconscious. The conscious narrator of the sonnets consciously and logically speaks of annihilation and educates the disciples, and in a theoretical sense, speaks of annihilation and reveals its conditions and details. The half-conscious narrator of these sonnets is in a state of fascination and perdition, but he has not completely lost it yet; Knows and speaks of his wisdom with a fascinated state; In fact, sparks of his subconscious shine in the middle of consciousness. But the unconscious narrator of Rumi's sonnets narrates the unspoken and abandoned, unselfish and mortal, impossible and lost moment of presence and meeting. It is the unconscious release of the narrator who speaks. It is in these moments that the singer of Shams's lyric poems encounters wonderful and unprecedented moments; Moments full of astonishment, and confusing. I am the narrator in these third type narratives; Because individuality and in other words: Rumi's personal experiences are expressed in this section. Finally, a surprising variety is created in Shams's sonnets, which includes some of Rumi's norm-breaking in form, weight, rhyme and language. Manuscript profile -
Open Access Article
9 - The range of codes and symbols of happiness and hope in Mawlana's sonnets
Parvindokht Rezaei Majdabadi Hosein Parsaei Reza Forsati JoybariThe symbols of happiness and hope as two interconnected signs that always affect the form and meaning of human life and character, have been a subject of reflection in all human cultures. Rumi is a happy and hopeful human being according to what can be obtained from his MoreThe symbols of happiness and hope as two interconnected signs that always affect the form and meaning of human life and character, have been a subject of reflection in all human cultures. Rumi is a happy and hopeful human being according to what can be obtained from his works, especially the sonnets of Shams. In this article, the two signs of happiness and hope, not only as signs that indicate conventional and personal meanings; Rather, it serves as the center of a spectrum of various symptoms that are somehow associated with happiness and are considered to be the factors that cause it. The main issue of this article is to show the range and semantic spectra of happiness and hope. This issue has been formed according to the assumption that the abundance of dancing weights and the turbulent tone and joy of love in Rumi's sonnets probably expresses a meaning beyond what is received from the two signs of joy and hope. Thus, it is necessary to represent these spectrums and the semantic auras that result from them, and the "purpose" of the authors is to represent the breadth of thought and the depth of Rumi's emotion in this regard. The data of the research, which have been analyzed and described by a qualitative method, show that Rumi has maintained his happy spirit in almost all moments of life and in every mental condition and in every encounter with environmental phenomena, and has not left a circle of despair. Sit on the face of his life. Manuscript profile -
Open Access Article
10 - Analysis and identification of verse linking methods in Hafez's lyric poems Using the theories of the last centuries Hafez's researchers
Zohreh Khalili Asghar Dadbeh Ahmad khiyali khatiniIn the feature of "connection" or "non-connection" in Hafez's lyric poems, there are two dominant and contradictory theories, "verse independence" and "continuity of meaning of verses".according to Shah Shoja's famous critique in Hafez's poems both theories has existed MoreIn the feature of "connection" or "non-connection" in Hafez's lyric poems, there are two dominant and contradictory theories, "verse independence" and "continuity of meaning of verses".according to Shah Shoja's famous critique in Hafez's poems both theories has existed in Hafez's living time and now, in our time these theories are in the center of attention for Hafez's researchers.The theory of the continuity of the verses of Hafez's lyric poems under the title of "logical sequence of verses" as opposed to the theory of "independence of verses" which by comparing Hafez's lyric poems to the surahs of the Qur'an and using the term "Pashan" in the group "Independence of verses", Offered many reasons to reject the "logical sequence of verses".In the last century, many Hafez's researchers have proposed theories in defense of "semantic coherence of verses", but the way each of them proposed to link Hafez's verses was different and sometimes contradictory to the other theories.In this research, while introducing and examining the views of Hafez's researchers in this field, an attempt has been made to identify and analyze their methods for connecting the poet's verses, because belief and commitment to "semantic continuity of verses" leads to better understanding and deeper knowledge in Hafez's poems.The statistical population of this research is the works of Hafez's researchers in the last century who have expertise on the "semantic continuity of verses" of Hafez's poem or have provided a way to connect Hafez verses. The sample size is all books, articles and sources that have been referred to in this research. the research method is descriptive-analytical and the theoretical framework, views and analyzes that believe in the semantic continuity of Hafez's verses. Manuscript profile -
Open Access Article
11 - A Formalistic Analysis of Three Sonnets of Shams
Jaleh Akhtaryar Azar Fatemeh Emami Maryam ArjmandRussian formalism is one of the most influential approaches of literary criticism that examines literature from a linguistic perspective. The formalist approach often looks at the forms of literary texts and believes that it is the literary forms that carries meaning an MoreRussian formalism is one of the most influential approaches of literary criticism that examines literature from a linguistic perspective. The formalist approach often looks at the forms of literary texts and believes that it is the literary forms that carries meaning and meaning is nothing but the connections between the formal components of the word.In this article, the researcher has studied three lyrics of Rumi from the perspective of Russian formalism based on the theory of Jacobsen and Grammon in a descriptive-analytical method. It is worth mentioning that Rumi has created tones in the lyrics through repeated words, symmetry, imagery, metaphor, expression, pauses, emphasis and etc., which interact with the emotional dimension of the work. The role of structural art, which is one of the principles of formalism, has an aesthetic aspect in Rumi's lyrics and has led to innovation in the construction and form of verses in order to become richer and more artistic through harmony, de-familiarization, anomaly, metaphorical and figurative images. Manuscript profile -
Open Access Article
12 - An Introduction to the Most Important Stylistic Features of Fayz Kashani's Sonnets
firoozeh yazdanpanah Mohammad yosof nayyeriOne of the most remarkable fields of Persian literature is mystical literature which has a very strong background and comprises a large part of our literature. An analytical study of the works in the fields of Sufism and Mysticism is required in order to understand thei MoreOne of the most remarkable fields of Persian literature is mystical literature which has a very strong background and comprises a large part of our literature. An analytical study of the works in the fields of Sufism and Mysticism is required in order to understand their status in different eras and places as well as the stages of their evolution. Molla Mohsen Fayz Kashani is a very prominent and influential poet of the Safavid era, to whom, more than 200 works of poetry are attributed. This great scholar and mystic has a book of poetry containing around twelve thousand verses. The aim of this paper is to study Kashani's sonnets from a stylistic point of view. For this purpose, the final five hundred sonnets of Kashani’s book of sonnets will be examined separately from textual, semantic and literary aspects. It is worth pointing out that there are some rhetorical and structural features in this poet's sonnets which can be described as Kashani’s stylistic features, and will be discussed in detail in this article. Manuscript profile -
Open Access Article
13 - Review and analysis a contract between certainty and bewilderment in Attar`s Gazal
Razeie Shahrabadi Touraj AghdaeiGnosis is replete with contrasts. due to These contrasting elements, which were ascribed to the Attribute of the entire universe and it`s various glories and also, sever and different spiritual mood And experiments in various spiritual conditions, gnosis language was di MoreGnosis is replete with contrasts. due to These contrasting elements, which were ascribed to the Attribute of the entire universe and it`s various glories and also, sever and different spiritual mood And experiments in various spiritual conditions, gnosis language was directed toward specifying Thise contradictory state.bewilderment and certainty, are among gnostic contradictionsone and a Step toward gnostic manner and behavior, which have shone through poet`s and mystic`s poetry Variously. Attar, as a mystical poet, who is filled whit gnostic achievements and experiment, has Reflected these two magniflcent issues in his poems so noticeably. this articie is to demonstrate The contract between certainty and bewilderment in Attar`sGazal (Poems). as a result of rummaging Through Attar`s poems, it is understood that certainty and bewilderment have a circular movement. Also upon Attar`s opinion, to reach mystic manner, the acquired certainty as result of bewilderment Eventually will astonish the gnostic, because, the last step to divinely certainty is confession to Bewilderment by absolute and incomparable God. Here, research data Have collected by analytical By library approach and have processed by analytical and descriptive mathods. Manuscript profile -
Open Access Article
14 - Letter semantic in collection of Hafez’ sonnets
ahmad zakeri saman ghani sfandabadPoetic language of Hafez has formatted with gathering manyelements which one of the most important of these elements isletter applying. &nb MorePoetic language of Hafez has formatted with gathering manyelements which one of the most important of these elements isletter applying. Using in a definite time from letters with regarding wideness of meaningand special review of literature that there is in Persian language and alsothe potential which it has during time cause poet to use from semanticextent and applying extent (use) in order to benefit from expression ofidea. So letter applying and identified administrating methods such as :propositions in meaning of Mahazat (front), Mojavezat, Moshabehat(Similarity), Maeiyat (Companionship), and conjunctions in meaning ofFarz(Hypothesis), Foriyat(Urgency), Qasam (Swear). Therefore we hopethat cognition of these methods help researchers to achieving to appear and hidden word and receiving secrets of Hafez’ words. Manuscript profile -
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15 - simle and metaphore based on weaponry in saadis sanncts
fariba gharedaghi -
Open Access Article
16 - Characteristics of Lover and Beloved in the Odes of Attār and Mowlānā : A Comparative Study
Faezeh Payriz Zanjani Mehdi Mahoozi Mandana HashemiLove is one of the main concepts and themes in Persian literature. Attār and Mowlānā (Rumi) who are both nobles of romantic mysticism, prefer suffering in love to ascetic life. In the present article using comparative method, the manifestations of the lover and the belo MoreLove is one of the main concepts and themes in Persian literature. Attār and Mowlānā (Rumi) who are both nobles of romantic mysticism, prefer suffering in love to ascetic life. In the present article using comparative method, the manifestations of the lover and the beloved is analyzed in the odes of two poets and their views is extracted and expressed from one hundred verses that contain common and different views of them. This article aims to study the manifestations of the lover and the beloved in the odes of Attār and Mowlānā in order to describe similarities and differences between these two poets. This study is done through descriptive-analytical method. Findings of the study reveal that although there are differences between Mowlānā and Attār views in the issue of love, Mowlānā is greatly influenced by Attār, but has numerous abnormalities. Attār in his description of love, focuses more on bodily and external aspects rather than the mystical and spiritual aspects of the lover and especially the beloved. So that the bodily descriptions are more frequent. In Mowlānā odes, the descriptions of the beloved are totally mystical and even in the verses in which the poet, if necessary, describes the appearance of the beloved, they are accompanied with the mystical odour, so that the reader feels that the appearance of the beloved in these descriptions is rather symbolic. Manuscript profile -
Open Access Article
17 - The Study of Fables in Mowlavi's Qazalitate Shams
Mohammed Qolam Rezaei Chenour Borhani Narrative parable (allegory) is a story in poetry or prose which has two meanings: primary or outward and secondary and inward meaning which is below the outward layer. Fable is one type of allegory and consist of a short tale- whether in poetry or prose- w More Narrative parable (allegory) is a story in poetry or prose which has two meanings: primary or outward and secondary and inward meaning which is below the outward layer. Fable is one type of allegory and consist of a short tale- whether in poetry or prose- which is intended to convey a moral lesson. Characters in fable are often animals; but inanimate objects, humans and gods may also be presented in that. Fable in the Persian theosophical parables also has been used for expressing theoretical theosophy concepts and practical theosophy orders. Amongst artistic aspects of Molavi's works in the Shams's lyrics(Qazaliate Shams) is employment of the narrative parables; there are 16 fables among these narrative parables; these fables in terms of structure and form are two types: 1. Fables with storied action and operation (6), 2. Fables in the form of dialogue or scenic story (10). These fables have the same theme and structure in terms of processing and simplicity and brevity is their outstanding feature. 4 of the Molavi's fables are moral- theosophical parable and 10 fables are parable of theoretical theosophy concepts and 2 fables are parable of Kalam (Islamic Philosophy) thoughts. Manuscript profile -
Open Access Article
18 - Bidel in the Deep Ocean of the Mystical Sonnet: A Critical Perspective
Mehdi Mahouzi Seyyed Ibrahim ArmanBidel Dehlavi as the greatest mystical poet in the Indian Subcontinent has unleashed the Indian School of Persian poetry from its formal form and style. To him the sonnet was the continuation of the thoughts and ideas of Mowlavi’s in his ‘Shamsiyaat’. MoreBidel Dehlavi as the greatest mystical poet in the Indian Subcontinent has unleashed the Indian School of Persian poetry from its formal form and style. To him the sonnet was the continuation of the thoughts and ideas of Mowlavi’s in his ‘Shamsiyaat’. The present article is an attempt to come to an understanding of Bidel through the lens of his mystical sonnets where he upholds the idea that, in the process of the mystical return a human being takes , all the forms of multiplicity direct themselves towards a direction of unity. All those forms in their downward waft from the creator to the created are representational which confer and illustrate the characteristics of the Creator. The mystical sonnets of Bidel dramatize a mystical epic which renders the love of a human being for his eternal beloved. These sonnets frequently carry surreal layers of meaning in themselves thus making the poetic vocabulary he uses in his depiction of such a mystical expressions quite perplexing to the readers as well as the researchers. All these said, his poetry bears such an enthusiasm and attraction in itself that his use of such meter and feet, rhythm and rhyme has all made it more inviting and effective to the readers. Manuscript profile -
Open Access Article
19 - Allegorical Expression of Joseph in the Mirror of Nizari Quhistani’s Mysticism
Maryam ParhizkariThe story of Joseph the prophet has been particularly paid attention to in Nizari Quhistani’s book of poem. The research question of this study is going to explore how the component parts and characters of this story are dealt with allegorically and used to expres MoreThe story of Joseph the prophet has been particularly paid attention to in Nizari Quhistani’s book of poem. The research question of this study is going to explore how the component parts and characters of this story are dealt with allegorically and used to express the mystical, religious, moral, and philosophical thoughts of poet. Another posed question of this study deals with the allegories used by Nizari to express the story of Joseph and the trajectory according which the story is explained. A book titled Kashf o lasrar by Abolfazl Meibodi and an article titled Esharat Erfani dar Dastane Hazrat Yousef are used as literature review. The significance of this study is emanated from Nizari’s special attention to the great story of Joseph from mystical and allegorical viewpoint. The current study attempts to discover the allegorical position of this story in Nizari’s book of poem and also to elaborate on the component parts of the story of Joseph in a framework of mystical literature. The descriptive and analytical methodology, by using library sources, are used to develop our research project. After note taking about any single part and character, they are categorized and analyzed. Finally, regarding to the features of allegorical approach, the researcher investigate the component parts and characters in the framework of mystical literature. The findings of this study shows that Hakim Nizari had a mystical view on the story of Joseph and all characters and elements of the story are used symbolically and allegorically. Manuscript profile -
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20 - Analysis of allegory and allegorical metaphor in Saadi'
ghseem،Nazanin،Masoud Sahrai،Sepahvandi،BaharvandAllegorical metaphor, which is considered as one of allegorical types , is one of the main topics of rhetoric and controversial topic that has always turned the minds of rhetoricans to conduct research in this area, so today the research process in this area has became MoreAllegorical metaphor, which is considered as one of allegorical types , is one of the main topics of rhetoric and controversial topic that has always turned the minds of rhetoricans to conduct research in this area, so today the research process in this area has became more active and extensive and the research shows that the allegorical metaphor, as one of the most expressive type of metaphors considered to be compound imagery, is mixed with other literary subjects , so in some rhetorical books, allegorical metaphor and allegory , which means assimilation and comparison one thing with another as one thing because the allegory is an extended metaphor . Allegorical metaphor , which is one of the most useful rhetorical tools in Saadi's poetry , has been used on different occasions and in different ways to convey the message. In this research, while defining and explaining allegory and allegorical metaphor , we have selected verses from Saadi's Sonnets and analyzed them , which shows that Saadi used allegory and its types in this poetry, but the use of allegorical metaphor is less frequent than other types of allegory. Manuscript profile -
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21 - Examining examples of the language of allegory in Hafez sonnets
Manijeh Fallahi Malek Muhammad Farokhzad Seyyed Ali Mohammad JalilianHafez is a Sonneteer Famous, whose history, its prominent name, is not only recorded in the poet's colony, which is at the top of the world's mystical account. His lyrics are the epitome of the days and day, a life that has passed in the revelation and mystic revolution MoreHafez is a Sonneteer Famous, whose history, its prominent name, is not only recorded in the poet's colony, which is at the top of the world's mystical account. His lyrics are the epitome of the days and day, a life that has passed in the revelation and mystic revolutions. So it can be said that he is a perfect mystic, not a famous singer, who is a mystic poet. He has used the precious collection of heritage of mystical experiences and has infused them in his enigmatic poetry in the finest possible way. Thus, he summons two procedures of love and mysticism in his own poem. On the other hand, in order to carry the dual meaning of the word, it is necessary to use the language and the means of expression with the potential of the abundance, which, of course, is an illustration of the language of the parable, including: the symbol, the enigma, the inspiration and art of the arts, and the virtual documents which he has brought to goodness. It utilizes the profound talent of these infusions and brings a great deal of meaning to it without the accumulation of void. The main objective of this research is to study the aspect of mysticism, spirituality and love in Hafez's poetry using the abilities of the allegory language. The main purpose of this research is to investigate the aspect of mysticism, spirituality and love in Hafez's poetry using the abilities of the allegory language. This research is descriptive and the required information has been collected by library method using available articles. Manuscript profile -
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22 - Investigating the meta-needs and meta-harms in Saeb Tabrizi's personality based on allegorical verses of the poet's lyric poems based on the theory of humanistic psychologists
behzad pourrezaeyan Seyed Ahmad Hosseini Kazerooni seyed jafar hamidi Ezat DireIn the present era, the nascent science of psychology has been able to rely on various theories of thinkers in this science, to provide new windows for researchers and critics, including the analysis of the inner worlds of writers of classical and contemporary texts in MoreIn the present era, the nascent science of psychology has been able to rely on various theories of thinkers in this science, to provide new windows for researchers and critics, including the analysis of the inner worlds of writers of classical and contemporary texts in the field of Persian literature. Is. Accordingly, the main structure of this article is formed with the above approach and pursues two main goals. The first is to discover and identify the needs and meta-harms of Saeb Tabrizi's personality based on humanistic theory and the second is to study Saeb's allegorical approach in expressing these characteristics. In order to achieve these two goals, the words and poems that the poet has dealt with in his lyric poetry due to two important features of the Indian style, namely eloquence and the discovery of new themes, have been used. In this method, 364 lyric poems from The divan has been selected and examined based on Morgan table and using simple random sampling from among 6995 sonnets. Accordingly, after expressing information about allegory, its function and branches, the subject of personality and its meaning are explained, and then 18 cases of paralysis and meta-harm mentioned by Maslow are extracted from Saeb's court and his allegorical approach in expressing this characteristic Have been reviewed and analyzed. In this research, which has a descriptive-analytical approach, while explaining the limitations and meta-harms of the poet's personality as a self-fulfilling human being, an attempt has been made to answer the basic question of whether Saeb succeeds in using an allegorical approach to express the issues and meta-harms of his personality. have been? Manuscript profile -
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23 - The allegorical approach of Saeb Tabrizi in expressing the characteristics of a healthy person from the perspective of human-oriented psychologists, relying on the Divan Ghazlitat poet
Seyed Ahmad Hosseini Kazerooni Behzad Pourrezaein Seyyed Jafar Hamadi Ezat DireToday, the use of modern psychology in the field of Persian literature and in the analysis of the internal world of classical and contemporary texts has been able to provide new ways for researchers and critics. Accordingly, the overall structure of this paper is based MoreToday, the use of modern psychology in the field of Persian literature and in the analysis of the internal world of classical and contemporary texts has been able to provide new ways for researchers and critics. Accordingly, the overall structure of this paper is based on the above approach and follows two major goals. First, the discovery and identification of the characteristics of the personality of healthy people (self-sustaining) based on the theory of humanists and secondly, the study of the allegorical approach of Sa'eb in expressing these characteristics. To achieve these two goals, the poet has also used the words and poems that have been addressed by the poet in his two-sided discourse with regard to two important features of the Indian style, the pious and the discovery of new themes. In this method, 364 sonnets from the aforementioned court were selected based on Morgan's table and simple random sampling from 6995 sonnets. Accordingly, after describing the article about allegory, its function and its branches, the subject of personality and its concept is explained, then the twelve characteristics of the introduced human beings in humanistic theory are extracted from the Divine Divine and its allegorical approach In the expression of these features will be examined and analyzed. Manuscript profile -
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24 - Wisdom in Contrast with Love and Madness in Masnavi and Shams Sonnets
hadi Khadivar Rajab TohidianA long-time existing subject in Persian mysticism, which has formed innovative works, is wisdom and its contrast with mystical love and madness or the contrast of Aristotelian peripatetic school (philosophy and reasoning) with the platonic Eshragi school (mysticism and MoreA long-time existing subject in Persian mysticism, which has formed innovative works, is wisdom and its contrast with mystical love and madness or the contrast of Aristotelian peripatetic school (philosophy and reasoning) with the platonic Eshragi school (mysticism and intuition). The wisdom which is confronted, and humiliated, by a mystic poet like Molana in his two eternal works, i.e. Masnavi and Shams Sonnets, is Greek wisdom which follows self and dream, acting as an obstacle in reaching the destination, and in Molana's words, “It is the incomplete love which denies love.” This does not refer to the complete wisdom, bearing the title of “wisdom of wisdom,” which has been admired and praised in religious verses and sayings and in the works of some mystics such as Molana. This paper, by referring to other mystical poems and texts, tries to examine the contrast between such wisdom and mystical love and madness. Manuscript profile -
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25 - Allegorical and Symbolic Manifestations of "Soul" Divane -Shamse- Tabrizi
Masoud SepahvandiSymbolization is one of the fundamental and inseparable Sufism and educational bases during the history. In this way, those agnostics who look and think poetically and ingeniously has had more shares of capacity of symbolism to suggest own ideas and opinions. Molana is MoreSymbolization is one of the fundamental and inseparable Sufism and educational bases during the history. In this way, those agnostics who look and think poetically and ingeniously has had more shares of capacity of symbolism to suggest own ideas and opinions. Molana is one of gnostic poets because of his artistic talent and his rhythmical and literary style communicates his numerous and worldly messages covered by special statements to his readers. Therefore, one of the beautiful manifestations of Shams lyrics is new and symbolic conceptions based on some words. I includes"Soul"and implications and compositions of them. In this survey the word "soul" and its synonyms based on above is researched in Shams lyrics. Manuscript profile -
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26 - The Beauty of Friend's Face in Saadi's view* (A View of Saadi Aestheticism Thoughts)
Ali Dehghan Fatemeh AlimohammadiBelieve in Divine manifestation in human appearance or studying meaning beauty in mien mirror of beautiful youth has been the method of Aestheticism by some sufia's. In their belief, looking at one beautiful knower is permissible provided that it won't be of passion, bu MoreBelieve in Divine manifestation in human appearance or studying meaning beauty in mien mirror of beautiful youth has been the method of Aestheticism by some sufia's. In their belief, looking at one beautiful knower is permissible provided that it won't be of passion, but by the objective of credit and observer pays attention to the absent one by looking the beautiful one and see ureator's face and beauty in creature. Sa'adi like other Gnostic men attributed to this school, know worshiping visual beauty and virtual love as the way to perfect beauty. Studying Saadi's works and researchers' suggestion indicate that several factors and fields have made Saadi be fond of beautiful people he knows beautiful people and even the whole existence, evidence of Devine beauty. Therefore, to beautiful he knows conditions in human element and believes that each short – sighted person should not look at the beautiful people's face, but this love should be far from sexual enmities. These research examiners Saadi's works and shows the quality, conditions and factors of Saadi's beauty worshiping description in the mirror of his poems evidence. Manuscript profile -
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27 - Studying the structure of parable and equation methods in Kamal Khojandi’s Sonnets
M. Khodayari A. haghighi poshtiriKamal Aldin Masoud Khajandi, known as Kamal Khojandi and also nick named as Kamal, is the great poet and mystic of eighth century and also contemporaneous with Hafez Shirazi. Kamal Khojandi’s style of ode writing is similar to Sadee’s. Sadee’s sonnets MoreKamal Aldin Masoud Khajandi, known as Kamal Khojandi and also nick named as Kamal, is the great poet and mystic of eighth century and also contemporaneous with Hafez Shirazi. Kamal Khojandi’s style of ode writing is similar to Sadee’s. Sadee’s sonnets influence on Khojandi is very significant specially in meaning, syntax, phrases and compounds, speech music, rhythm and rhyme, string and also applying the methods of equation and parable. In modern expressing texts, parable is a new and independent technique which is independent from simile and metaphor and is the same as equation manners. The relation between parable and equation manners is a controversial issue. Equation manners is a parable like technique which is popular in Indian poets’ style.Parable and equation manners are the creators of artistic pictures and logical and understandable conditions in a sonnet through which it would be possible to create artistic images and suitable conditions for simpler description and expression of logical issues. Since, Kamal Khojandi had a complete understanding of these two techniques i.e. parable and equation manners, has made his poems more artistic and reasonable. So, in the present research the structure of parable and equation manners in Kamal’s complete collection of sonnets has been studied. Manuscript profile -
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28 - Mystical Approach towards the Concept of Projection in Psychology
Nasser Kazem Khanloo Nasrin Beyranvand"Projection" in psychology is one of the mechanisms through which we can realize and understand the mind and the relative recognition of his personality. Among poets and great thinkers of Iran, there are few people such as Maulana Jalaluddin Balkhi who could be found as More"Projection" in psychology is one of the mechanisms through which we can realize and understand the mind and the relative recognition of his personality. Among poets and great thinkers of Iran, there are few people such as Maulana Jalaluddin Balkhi who could be found as the psychological aspects of human behavior is attended by him. All through his poetic and prose works, especially in the Masnavi and -the psychological analysis and even some knowledge of the issues and concepts such as "self-deception", "justification", "projection" and frequently viewed is.The Great sourcepsychology that personality traits, interests, attitudes and motivations withthe creation of its elementsreflect. One of the new concepts in this article reflect the psychology of the "projection" in his works, especially his iconic imagery, tracking and based on evidence, are reasonably determining the concept of projection, projection and causes along with the incidence listed. Manuscript profile -
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29 - Fakhruddin Ibrahim Iraqi’s Intellectual Components in his Sonnets
MohammadYusef Nayyeri Mojgan EskandariSheikh Fakhruddin Ibrahim Iraqi is one of the mystic poets of 7th century AH. By inclining toward mysticism, especially MohiuddinArabi’ pantheism, which was given to him through ZakariaMultani, and one the other hand, paying attention to the thoughts of Ahmad Ghazali a MoreSheikh Fakhruddin Ibrahim Iraqi is one of the mystic poets of 7th century AH. By inclining toward mysticism, especially MohiuddinArabi’ pantheism, which was given to him through ZakariaMultani, and one the other hand, paying attention to the thoughts of Ahmad Ghazali and Sanaee’smoghane, as well as disregarding social superficialities and public beliefs, he composed ambitious and beautiful sonnets quite different from other poets. The research shows that some of these thoughts as unity in the sonnets have at least attendance and in Lumaat and al-Targi`at and tarkībāt with more intensity has been mentioned. However, love or essence that Iraqi by it and its Paraphernalia (paramour and minion) express relationship between absolute essence with creatures in dimension of feeling and emotion and not in form has been mentioned in Lumaat make the structure and the main framework of the sonnets of Iraqi In the end it should be mentioned that based on the intent of Calandarian and Kharabatian that roguish and love, poverty and mortality and existence and Naught has been mixed, Iraqi is a sort of kharabati and Calandar. In addition, this intention and secttion are extracted from his sonnets Manuscript profile -
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30 - رستاخیز عرفانی انواع نادر صوت در غزلیات شمس
mandana kamarkhani Mir jalaledin Kazazi -
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31 - Semantic Continuity of Hafiz’s Lyrics Based on Psychoanalytic Analysis with an Approach to Islamic Mysticism
Zohreh Khalili Asghar Daadbeh Ahmad Khiali KhatibiIf we look at the characters of Hafiz's divan from the field of psychology, the presence of archetypes, especially "anima" can be seen in them. At the beginning of the lyricss shown by Anima, the beloved is usually earthly and the lyrics is romantic, and as we approach MoreIf we look at the characters of Hafiz's divan from the field of psychology, the presence of archetypes, especially "anima" can be seen in them. At the beginning of the lyricss shown by Anima, the beloved is usually earthly and the lyrics is romantic, and as we approach the final verses, a spiritual and spiritual sense prevails over the verses, and the beloved finds heavenly effects. In 26th lyrics (He is agitated and smiling and has a drunken smile....) It also has such a characteristic while the cause of these fluctuations and changes in the transformation of the archetype of anima to the archetype of the wise old man as well as the self-scrutiny and individuality of the poet and the whole lyrics narrates the process of this transition. The use of analytical psychology interpretation in the lyrics in question opens a window to the commentator's point of view and equips him to look deeper than traditional interpretations into the poet's poems and the fundamental and strong connection in the vertical axis of speech that in Understand the dust of conscious prejudices of the covered mind, while this inner attitude is also a suitable vehicle for mystical interpretations of Hafiz's Lyrics in question. Manuscript profile -
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32 - جنبه های عارفانۀ حیا در غزلیات شمس
Majid Farahanizadeh Abas Mohamadian -
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33 - Study of Elements of Animal Symbolism in the Koranic in Shams' Lyrics a Prototype Perspective
Ali safayi roghaye AlianiPeople try to use normal speeches and writings in order to express their meanings, but the normal language is not able to induce mental meanings and beyond, thus by elevating the lingual capacity they evade normality and make use of applying symbols. Accordingly, Rumi, MorePeople try to use normal speeches and writings in order to express their meanings, but the normal language is not able to induce mental meanings and beyond, thus by elevating the lingual capacity they evade normality and make use of applying symbols. Accordingly, Rumi, a religious poet and intellectual, has subject matters in his mind that induces them through the eloquent mechanism of symbolism onto the audience, and since the Koranic themes flowed in the unconscious mind of Rumi, in which the variety of words and meanings Rumi used regarding traditions and the Koran represented his Islamic knowledge, therefore, symbols have consecutively maintained their religious background whereby in most cases to infer the implicit layers of a symbol one should take it into account its religious deep structure. The result of the studies shows that Rumi has utilized the Koranic predicates and traditions to process his Islamic and mystical patterns including refinement of soul, introspection, resurrection, and so on, which are composed of various layers of mental and lingual by poet in a form of concentric circles revolving around a human axis. Manuscript profile -
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34 - Manifestation of Mysticism in Reza-Qoli Khan Hedayat’s Lyrics
Neda Pazaj Ata Mohammad Radmanesh Mohammad Ebrahim IrajpourSafavid era and the one after cannot be considered as the instant elimination period and regression era for Sufism. This was the era of turbulent social conditions so that after a period of interregnum, people had their full attention to the mystics of the time and the MoreSafavid era and the one after cannot be considered as the instant elimination period and regression era for Sufism. This was the era of turbulent social conditions so that after a period of interregnum, people had their full attention to the mystics of the time and the followers at this era left outstanding works of their own. Included was the Reza-Qoli Khan Hedayat as a symbol of sophistication during Qajar period. Along with managing court and administrative affairs, he went through the course of mysticism and left behind significant works accordingly. This paper takes a glimpse of mysticism during Qajar era, the course of tariqa by Reza-Qoli Khan Hedayat, poetic style, the emotional and intellectual level of the poet, and the reflection of the mystical topics in his lyrics. Manuscript profile -
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35 - A Study of Mystical Concepts in Emlaye Bukharaei’s Divan
Tahereh Safavinezhad Jalil Nazari Mohammadreza MasumiEmlaye Bukharaei is one of the mystical poets of the Vararoud region of Central Asia, who has followed a mystical path in the service of his elders and has reached the authorities with certainty. His lyric poems are full of mystical terms and mysteries. The purpose of t MoreEmlaye Bukharaei is one of the mystical poets of the Vararoud region of Central Asia, who has followed a mystical path in the service of his elders and has reached the authorities with certainty. His lyric poems are full of mystical terms and mysteries. The purpose of this article is to study the mystical concepts in Emlaye Bukharaei 's Divan which has been done in a library style and in a descriptive-analytical method. Content analysis of his lyric poems shows that he is influenced by great mystics such as Hafez and Molana in mystical path, love, confrontation of reason and love and the superiority of love over reason, anti-asceticism, rendezvous, tendency to predestination and piety. He composed his lyric poems following them. To express his experiences in the field of mysticism and Sufism, he has used mystical and symbolic words, terms and expressions such as Saqi, Zulf, Ab-e Hayat, Kharabat, Mey, Meikadeh, etc. Manuscript profile -
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36 - کاربرد اصطلاحات عرفانی در غزلیات ابن حسام خوسفی
Fereshteh Khavari Habib Jadidoleslami Behrouz Roomiani -
Open Access Article
37 - Study and Analysis of the words Talab and Tarab in Rumi's lyric poems
Hamidreza Ghaffarian-e Mabhut mohammadali Khaledyan Hasan Ali Abbaspoure EsfadanWe know that each class and group use its own language to express the characteristics of its profession and method. Mystics and Sufis are no exception. For this reason, from the beginning of the second half of the second century, through Islamic Sufism and its aftermath MoreWe know that each class and group use its own language to express the characteristics of its profession and method. Mystics and Sufis are no exception. For this reason, from the beginning of the second half of the second century, through Islamic Sufism and its aftermath, they have created many terms and described and explained them. The first step of sufi’s journey (Soluk) is called Talab. Rumi believes that the requirement of this journey for the seeker (Tāleb) is to be an avid of love, or to serve the Murshid, therefore withMurshid’s blessing and guidance, a desire arises in him. When he reached the desired point, the next step will start which is called Tarab. Rumi’s basic plan for everyone's life is such spiritual that one should either strive for Tarb or Tarb. In fact, his life passed after getting acquainted with Shams transformation. Rumi's attitude towards happiness is so positive. He never places sorrow in his heart and always cries out of love by Sama (Sufi ceremony) and invites everyone to happiness. In his opinion the durable happiness will be achieved when we fall in love. In this research, we want to examine how Rumi explains these two steps, i.e. "Talab" and "Tarab". Manuscript profile -
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38 - Contrast analysis in linguistic components of Divan Salim Tehrani
somayyeh abdollahi nejat Mohammad Reza Zamanahmadi abdolreza modarreszadehThe examination of the dualities in art and literary works has attracted the attention of contemporary linguists,mythologists,narrators, and semioticians.They believe that from this perspective a better understanding of literary works can be achieved. The Indian style i MoreThe examination of the dualities in art and literary works has attracted the attention of contemporary linguists,mythologists,narrators, and semioticians.They believe that from this perspective a better understanding of literary works can be achieved. The Indian style is one of the periods that expresses its intellectual, cultural, geographical and religious oppositions more effectively than any other period. Among the poets of Indian style, "Salim Tehrani" is one of the powerful thinkers who has been able to create exquisite and interesting intertwining themes in various fields In this paper, the author examines in a documentary, library manner the dual opposites or reciprocal couples as one of the central elements of his poems. For this purpose, four sonnets were selected from the different positions of his court. In these sonnets, 335 dual contrasts were found, that is, about 3.3 per sonnet.These two dichotomous variants are categorized into three categories: lexical and verbal (70%),semantic and intellectual (81%) and literary (31%)The semantic reciprocal pairs are more frequent in Salim poems.Some of these interconnected couples, such as asceticism,perfectionism, and so on. He has distinguished himself from others and has shown his line of thought and beliefs. The most important reasons for Salim's attention to the dual oppositions of travel and distance from home, the impact of the social environment, the attention to ethical and mystical concepts, and the poet's attention to aesthetic and musical issues.In any case, dual contrasts are one of the stylistic features of saline grains that have semantic and aesthetic function Manuscript profile -
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39 - بررسی سبکشناختیِ غزلیاتِ سعدی شیرازی در زنده انگاری عناصر طبیعت
Touran Ziamotlag manizhe fallahi reza fahimiAbstractimportant critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. MoreAbstractimportant critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. Animation is from the perspective of the life of the mosque, and in this belief, the mosques understand their existence, the creator and the cause of the world outside themselves and praise God. Saadi's ghazliat has the ability to analyse the physiology of nature's poetry. The results of this set show that, at the Avi level, Saadi, aviary elements, besides beauty and absorption of the mind, in listening to poetry music, it allows the audience to relate the concept. At a combined level, the application of unique compositions, nature, and dynamics of the combined functions of the abyss in terms of language, life, and unanimity, and the meaning is similar to the writing form, highlighted and significant impact on the audience. At a literary level, the use of linguistic illustrations such as the metaphorical image, symbol, concept of nature, the cause of the creation of expressions, images and participation of the audience has been placed on the active side of the text equation. Revival in words: May the wind, plants, mountains and heavenly crimes be greater. Writers, with an analytical way of describing the cognitive style of the concept of life in Saadi Ghazliat,Keywords: Styling, Life Nature, Ghazlia, Saadi. Manuscript profile -
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40 - The magic of proximity in Saadi's lyric poems
shaiestehsadat hoseini robat Enayat allah shrifpour Gholam Abbas zakeriThe magic of proximity as one of the components of formalism plays a prominent role in the artistic expression of speech. In fact, this topic deals with the balance between phonemes and words. And from this perspective, we can mention many rhetorical elements such as re MoreThe magic of proximity as one of the components of formalism plays a prominent role in the artistic expression of speech. In fact, this topic deals with the balance between phonemes and words. And from this perspective, we can mention many rhetorical elements such as repetition, phonology, types of puns, prostration, arrangement and balance, and other industries. Phonetic accompaniment creates music from this perspective, enchants the audience and induces meaning. In this way, it adds to the audience In such a way that sometimes words that are not related to each other in terms of meaning and their similarity is only in terms of phonetics are accepted. 's pleasure.And the mind seeks to discover meaning for them, and the poet or writer-artist will be more successful in inducing his desired goals and meanings by using this technique.In this article, using descriptive method and providing examples, we examined the magical effects of proximity in Saadi's lyric poems.It can be said that the magical effects of proximity in Saadi's sonnets, according to the division of kourosh safavi from the types of balance, can be mentioned more in the subset of phonetic balance, and through this, Saadi has increased the influence of his words. Manuscript profile -
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41 - Reflection of Arabic and Persian Proverbs and Sayings in the Mirror of Odes and Lyric Poetry and Fragments of Taqi Danesh
rajab tohidiyanStudying Persian literature and poetry from the beginning of its formation to the present time reveal that poets and writers have abundantly used Arabic and Persian proverbs and sayings in myriad ways and methods to add sweetness and eloquence to their writings. By stud MoreStudying Persian literature and poetry from the beginning of its formation to the present time reveal that poets and writers have abundantly used Arabic and Persian proverbs and sayings in myriad ways and methods to add sweetness and eloquence to their writings. By studying the works of great poets such as Ferdowsi, Naser Khosrow, Onsorolmaali, Nasrullah Munshi, Saada din Verminy, Sanai, Anwari, Nezami, Khaghani, Attar Nish Aburi, Atta Mulk Jowini, Maulana, Sadie, Hafiz, and some others, it is disclosed that they have extensively used Arabic and Persian proverbs, verses, anecdotes and sayings to express high moral, mystical, social, political, and literary thoughts to the extent that such expressive way turns as a dominant characteristic of their style. Taghi Danesh, the eminent poet of late Qajar and early Pahlavi dynasties, was under the shining influence of anecdotes, Persian and Arabic proverbs and sayings and effortlessly attempt to reflect such beauty in his writings. The present study aims to investigate and analyze the ways and techniques of using Arabic and Persian proverbs, sayings and anecdotes in sonnets and fragments of Taghi Danesh. The present research achieves the result that use of Arabic and Persian proverbs, sayings, and anecdotes, following predecessors’ reflection, is evident in all his odes and sonnets and fragments and turns to his distinctive stylistic feature. Manuscript profile -
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42 - Music synergies in terms of artistic use of verbs in the ghazals of Hafez
M ohamad Mojavezy ramezan MojavvezyHafez has long since been known, and researchers areeager eloquence and beauty aspects, beautiful poems of the great poet explored and put on display, but the beauty of it, the words of Hafiz, resurrection and its beautysurprisingly novel. This study is trying, with the MoreHafez has long since been known, and researchers areeager eloquence and beauty aspects, beautiful poems of the great poet explored and put on display, but the beauty of it, the words of Hafiz, resurrection and its beautysurprisingly novel. This study is trying, with the current study and explore specific techniques to use its poet, Hafez art word shown in the increased load music and other aspects of the beauty of his words portray. In general we can say that the verb in the poetry of Hafez, one of the most significant factors, illustrator and poet is done by combining various actions of the imagination, music is Ragvshnvaz his word. Manuscript profile -
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43 - Linguistic expressions emphasize and its rhetorical functions in the Hafez sonnets "By relying on the three senses of God, man and love"
ali ahmadnia abbasali vafaei alireza shabanluIn this descriptive-analytical method, this paper attempts to introduce the methods and functions of expressive emphasis in the discourse of Hafez's Ghazalat. Emphasis is one of the mechanisms of language that is created in different ways and in different ways and has v MoreIn this descriptive-analytical method, this paper attempts to introduce the methods and functions of expressive emphasis in the discourse of Hafez's Ghazalat. Emphasis is one of the mechanisms of language that is created in different ways and in different ways and has various rhetorical functions. Emphasizing the emphasis on the meaning of the text helps to better translate the thoughts and thoughts of the speaker. Emphasis is considered as one of the language mechanisms in the context of the "contingent role" and "emotional role" of the language. These roles, respectively, are "audience-focused" and "speaker-oriented" roles that seek to convey thoughts in the text to the audience and express the feelings of the speaker. Each language user uses specific methods to sharpen their words based on the idea and purpose of expressing a subject. Semantic spheres emphasized in the textual context of Hafez Ghazalat are limited to the three strands of "God, Man and Love," but unlike the limitations of these spheres, methods and expressions of emphasis in these poems are diverse and varied. Among these methods, types of repetitions, various methods of confinement and palace, the use of emphasis constraints, quandary and question sentences, imperfect verbs, high degree of certainty, pseudo-immemorial, action verbs, facial verbs, calligraphy, displacement Significant syntactic components of sentences, sentences and delayed vocabulary are more frequent than other methods. The findings of the research show that Hafez used the emphasis in two direct ways "addressed to a particular audience" and indirectly "without considering a particular audience"... Manuscript profile -
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44 - Monastery customs and its symbols from Rumi's point of view in lyric poems
Maryam raisi ata mohammd radmansh gorbanali ebrahimi.The great mystics each have their own language and pictorial and symbolic system. Those who have had pure personal experiences have their own personal images and interpretations. Rumi has given a secret meaning to the words of everything and everyone, according to the More.The great mystics each have their own language and pictorial and symbolic system. Those who have had pure personal experiences have their own personal images and interpretations. Rumi has given a secret meaning to the words of everything and everyone, according to the association of meanings that took place in his mind. The scope of Rumi's cryptography includes animals, plants, constellations, myths, prophets, etc.; Therefore, the investigation of all aspects of cryptography and mystical terms in Rumi's Ghazals requires extensive research. In the present research, monastic symbols in Rumi's Ghazals have been investigated. This research seeks to answer the question: How are monastic customs and symbols reflected in Molavi's poetry? The results show that Rumi has used a variety of words and terms in creating new symbolic meanings. The most important result of the present research is that, due to Rumi's creativity in cryptography, Rumi's sonnets cannot be interpreted according to the mystical terms found in Sufi books; Because the mystical terms used show the conscious mind of the writers who have their own intellectual style. Some of the customs and traditions that have found symbolic meaning in Diwan Shams are: pir, food, farashi, sama, etc. The purpose of this research is to reflect monastic symbols in Diwan Shams Molavi. The research method is documentary and library, and text analysis is obtained through evidence. Manuscript profile -
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45 - A look at the modern compounds and meaning of some words in Shams' sonnets
Maryam BolouriThe sonnets of Shams are elite and distinguished in using words and special compounds as well as possessing privilege of worthy concepts in the field of romantic frenzy and genuine mystical contents. Based on many studies in terms of distinguishing and semantic and lexi MoreThe sonnets of Shams are elite and distinguished in using words and special compounds as well as possessing privilege of worthy concepts in the field of romantic frenzy and genuine mystical contents. Based on many studies in terms of distinguishing and semantic and lexical norm violation, this mighty work has been known as a unique work. The present study introduces some of new compounds and different meaning of some terms in Shams ' sonnets; the compounds which are considered as semantic norm violation using modern imagery, metaphors and metonymy or the words which have different form and meaning from the grammatical norms. Thus, they are considered lexical norm violation. he results of the research present that the concepts of life, love, spirit and tone have the highest frequency and most visualization in the poetry. Also, when Rumi, in the field of vocabulary and grammar , breaking the norm and highlighting, tried to send the message and the meaning of poetry to the audience, while they do not notice his ignorance of the norms, but in the field of rhetoric, he was making new combinations and has acted as a painter to attract­ the audience to this flamboyant tableau of compositions. Manuscript profile -
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46 - A Semiotic Approach to a Sonnet by Moulana
Yadollah Mohammadi Mostafa Gorji Seyed Ahmad ParsaSemiology as a new approach in literary criticism is used to analyze different works and in the past 50 years i.e since 1964 literary experts have used it so as to analyze various texts. This kind of analysis regarding its range has been used in different scinces and te MoreSemiology as a new approach in literary criticism is used to analyze different works and in the past 50 years i.e since 1964 literary experts have used it so as to analyze various texts. This kind of analysis regarding its range has been used in different scinces and texts. It should be said that creative texts due to using specific signs have been emphasized much more. Semiotic poetry analysis (classic and modern poems) can be a ground for it, and the literary texts can be realized best. This study aims to select the sonnet no. 1 from "Kolliyate Shams" of the Jalala-din-balkhi (edited by forozanfar) and to analyze the signs of literary and mystical as well as the relationship between the signifier and the signified will be clarified. To do it, at first literary semiotics was developed, then a sonnet from "Kolliyate Shams" based on this approach was analyzed. The study method is descriptive – analytical. The sonnet analysis shows that Mowlana didn’t mention the connotation meaning of words or signs, but he used the spiritual meaning and literary meaning in his works. In this sonnet, 21 literary signs and 11 mystical signs were analyzed. Manuscript profile -
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47 - Stylistics scrutiny of Vahdat Kermanshahi's odes
Masood sepahvandi Alireza Shahrestani Seyyed Arman Hosseini AbbarikiOne of the most grand poet and Gnostic of 13 century was (Tahmasb khan) he called by (Vahdat Kermanshahi). He born in the west of the country. Almost the reason of his fame was by composing a pure theosophy odes. That is include purport, like: love & pantheism. Ther MoreOne of the most grand poet and Gnostic of 13 century was (Tahmasb khan) he called by (Vahdat Kermanshahi). He born in the west of the country. Almost the reason of his fame was by composing a pure theosophy odes. That is include purport, like: love & pantheism. Therefore that Vahdat Kermanshahi have a serious role in creation contemporary literature of Kermanshah and design, literature style of this area. So, in this inquiry, whole effort will be for scrutiny his odes by stylistics point. The method of work is scrutiny his odes in 3 level. Verbal level (phonetic, lexical, syntactic), mental level, literary level. Also try to show the matters how make a notability in his poetic language. Manuscript profile -
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48 - Cultural semiotics of Shams Ghazals based on astronomical myths
Saied Mehdi Mosavi shamsalhajeyah Ardalani sayed Mahmood Sayed sadeghi -
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49 - Comparative Worship and its genetical position in the Hafez poems and Plato's thought
azam etemadifard There are so many matters and topics, among indelible literary works of different nations, that if their contents would be studied, we will get opportunities of their challenges and debates that make their study rational. Worship and its genetical po More There are so many matters and topics, among indelible literary works of different nations, that if their contents would be studied, we will get opportunities of their challenges and debates that make their study rational. Worship and its genetical position, also, is a topic that is ignored in Hafez poems and Plato works. This topic is referred to the topic of love and based on creation and Man’s nature considering the Human nature and Alast promise (the promise that was given to God by his creatures in the world before this world), in the Hafez words, and considering the ideas before The descent of the Spirit in the Flesh, in the Plato’s words. By the importance of these topics in Iran’s literature and Western philosophy and necessity of clarifying of concerned issue to bring man to eternal bliss, this research tries to study these two kinds of works in an analytical-comparative manner. Findings show that the similarity, synonymy, and same meaning, in spite of long time between them, show that they ask to Man’s nature by intrinsic seeking prosperity and they say that love is integrated to Huma’s spirit and help him to pass spiritual levels toward God till eternal Companionship to him. Manuscript profile -
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50 - A look at what the concepts of "Human Dignity", "Social Justice" and "Freedom" mean In Hafez's lyric poems and the UN Declaration of Human Rights
ezzat khalighi Saeid Roozbahani Abolghasem Amirahmadi The concept of Human Rights is respected in all cultures and numerous laws have been enacted in this regard, and it is not necessarily limited to the contemporary era. As literature is a manifestation of culture reflected in the context of society, it reflects exa More The concept of Human Rights is respected in all cultures and numerous laws have been enacted in this regard, and it is not necessarily limited to the contemporary era. As literature is a manifestation of culture reflected in the context of society, it reflects examples of human rights. In the field of Persian literature, Hafez in the mirror of the Divan of Ghazals, while dealing with lyrical, romantic, mystical and ... issues, has also spoken about Human Rights issues. In various verses, he has repeatedly objected to the shortcomings of Human Rights and called on his audience to directly and indirectly adhere to its principles. To achieve this goal, Hafez has made innovations, including the development of Rend's personality. In this study, citing library sources and descriptive-analytical method, the concepts of "Human dignity", "social justice" and "freedom" in Hafez's sonnets (with an approach to Rand actions) and the UN Declaration of Human Rights have been explored. . The results of the research show that Hafez's creation in the Divan of Ghazals was a critical and protest attempt to highlight the deprivations related to Human Rights in Iranian society and to increase the scope of knowledge and insight of the oppressed people. Also, in this way, the "insider / foreigner" dichotomy in the whole political structure of Iranian society is described. Another is that The concepts mentioned in the Universal Declaration of Human Rights have no roots exclusively in the contemporary world and go beyond time and geographical boundaries. Manuscript profile -
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51 - A study and analysis of the concept of "Taysir" in the spiritual Masnawi and Ghazals of Shams by Mowlavi And comparing it with the views of Islamic jurisprudence
ALI BAKHSHI farhad edrisi mohammadhosein saieni hosein moradi zanjaniTaysir is one of the jurisprudential concepts that has found its way into the culture of Islamic jurisprudence from the Qur'an and discussions have been held about it. In the field of Persian literature, Mowlana is known as a poet who was first a jurist and a religious MoreTaysir is one of the jurisprudential concepts that has found its way into the culture of Islamic jurisprudence from the Qur'an and discussions have been held about it. In the field of Persian literature, Mowlana is known as a poet who was first a jurist and a religious scholar and after meeting with Shams Tabrizi, he joined the Jirga of Sufis and mystics. In this regard, he has used several jurisprudential terms during his intellectual and personality renaissance in the spiritual Masnawi and Ghazals of Shams. In this article, with a descriptive- analytical approach and library resources, the jurisprudential concept of Taysir from Mowlana's point of view has been studied and explored. It seems that in the words of the poet, such things as: urgency, error, priority of tasks over each other and epistemological issues are mentioned as influencing factors. Jurisprudential beliefs have influenced him and given him a new shape. Also, the propagation of Taysir's discourse is directly related to Mowlana's spirit of tolerance and tolerance. Manuscript profile -
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52 - هوشنگ ابتهاج در سایه ی سبک ویژه ی غزلیات شمس
لیلا هاشمیان محمد تقی یوسفی -
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53 - معشوق مهتر و کهتر در غزلیات و رباعیات سعدی
شبنم حاتم پور -
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54 - بررسی و تحلیل آیین های مربوط به ازدواج در مثنوی معنوی و غزلیات شمس
وحید رحمانی خلیلی پروین دخت مشهور سید حسین سیدی -
Open Access Article
55 - The Analysis of Personification of Love In Divan-e Shams
Zeynab Hosseini Nazanin DarvishiLove is one of the most important concepts expressed in Divan-e Shams, where it has a human personality with specific behavioral characteristics. The human traits attributed to love, and the manner of occurrence of these features in the path of mysticism is important gi MoreLove is one of the most important concepts expressed in Divan-e Shams, where it has a human personality with specific behavioral characteristics. The human traits attributed to love, and the manner of occurrence of these features in the path of mysticism is important given Mowlavi's perception of love. In this research, the traits and behaviors of love as an acting being were extracted from Divan-e Shams, and the actions of love on the path of the lover's uprising in reaching God, were categorized in five main stages. Manifesting its traits to the lover, love moves from its most intense incarnation, which is “bloodthirsty”, to its most delicate expression which is “mother”. The most intense image of love shows characteristics related to ”pleasure” and “being loved” , and these concepts are most frequent. Then there’s “enmity” with images like “aggressive”, “bloodthirsty”, etc. The third feature is love’s being “guide”. These images, emphasizes on the affectionate aspects of love. That is in conflict with the image of love as a powerful being which is seen at the first look at Divan-e Shams. Manuscript profile -
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56 - تحلیل و مقایسة عناصر موسیقایی در غزلیات سعدی و رهی معیری
حسین آقاحسینی شهرزاد نیازی -
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57 - بررسی سبکشناختی غزلیات خسروخان اردلان (یکی از مقلّدان خواجه حافظ شیرازی)
یحیی آتشزای سید آرمان حسینی آبباریکی -
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58 - تحلیل بازتاب «فولکلور» در ادبیات غنایی با تکیه و تأکید بر غزلهای شهریــار
حمیدرضا قانونی -
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59 - تحلیل بلاغی غزلیّات کمال اسماعیل از منظر تشبیه
شهرزاد نیازی سپیده خلیلیان -
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60 - بازی نشانهها در غزلیات بیدل دهلوی
فریده داوودی مقدم احمد فروزانفر -
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61 - .
خدابخش اسداللهی محرم سعدزاده -
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62 - Rumi’s Linguistic Changes in Shams Sonnets (Ghazals)
Hojjatollah Bahmani MotlaghPoetry is an incident in language. Poets create innovative constructions by seizing the normal language. In this research, Rumi's linguistic changes in Shams lyrical poems have been analyzed. For this purpose, Shams Tabrizi Sonnets with Kadkani introduction and selectio MorePoetry is an incident in language. Poets create innovative constructions by seizing the normal language. In this research, Rumi's linguistic changes in Shams lyrical poems have been analyzed. For this purpose, Shams Tabrizi Sonnets with Kadkani introduction and selection, were selected as the statistical sample of the research and were studied to identify the instances of linguistic changes which were then classified to two categories: lexical and syntactic changes. Subsequently, the lexical changes were categorized to three classes: structural, phonetic, and semantic. The results show that Rumi has violated the phonetic, morphological, and syntactic rules of the language and has created a novel work. This involvement of Rumi in language has led to: expanding and highlighting the language, and strengthening the musical side of his speech. The abundance of some of these changes is so high that it can be considered a stylistic feature of Rumi's sonnet. Manuscript profile -
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63 - An investigation and analysis of the political and social structure and content of "Iham" in Hafez's Ghazals
mohammad pooryavar choobar ahmadreza nazari masoomeh nazariĪhām is among the most pleasant literary devices and the best way to express social woes and a medium through which to express discontent, albeit conservatively, in societies under authoritarian rule. Hafiz extensively employed this rhetorical embellishment to criticize MoreĪhām is among the most pleasant literary devices and the best way to express social woes and a medium through which to express discontent, albeit conservatively, in societies under authoritarian rule. Hafiz extensively employed this rhetorical embellishment to criticize the tumultuous situation, not least in his Ghazals. Relying on the descriptive-analytical method, this inquiry delves into the īhām-loaded poetry of Hafiz aimed at social and political issues. It will shed light on the influence of Mongol invasion of Persia and the dominance of Genghis Khan’s successors in the Hafiz’s poetry. It also identifies the most prominent instances of īhām with socio-political function in his poetry. The results suggest that the best part of social and political īhāms is aimed at the corrupt establishment, principal among them the hypocrite Mongol rulers. As well, two types of īhām were used more frequently than the other ones: tanāsub and mujarrad. Manuscript profile -
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64 - Investigating the lexical layer style of Qari Abdullah's lyrics based on layered stylistics
Shafighollah Shafaghat |Gholamreza Mastali ParsaLayered stylistics is one of the new approach of stylistics, through which we can analyze literary texts by using intra-textual way, and based on constructive layers like(phonetical, lexical, syntactic, rhetorical and intellectual). Among other types, layered stylistics MoreLayered stylistics is one of the new approach of stylistics, through which we can analyze literary texts by using intra-textual way, and based on constructive layers like(phonetical, lexical, syntactic, rhetorical and intellectual). Among other types, layered stylistics is one of the most precise method in explaining literary works throug the use of which we can from one side realize important lingual characteristics and from other side glanced to the the ruling thought of the literary work. In this article, has been struggled to examine the stylistic features of the Ghazals of Qari Abdullah in the lexical layer with a (descriptive-analytical) approach. After examination and accuracy, the results of the research show that the frequency of abstract words, codes related to ruins and tariqat, general words and additional combinations was high in Qari's poems; Also, the use of slang words and idioms is another matter that has characterized the poet's style. Manuscript profile -
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65 - .
mohammad reza haji aghababaei batool vaez -
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66 - .
Akram Haratian -
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67 - Meaning Layers in the Historical Evolution of Baroque (A Look at Personification of “Pari” in rumi)
Narges Mohammadi Badr Yahya Noorodini AghdamBaroque literature is a 17th century prose genre that has several distinctive characteristics when compared to literary styles of earlier centuries. The baroque era is known for the use of dramatic elements in all art forms, and works of baroque literature are generally MoreBaroque literature is a 17th century prose genre that has several distinctive characteristics when compared to literary styles of earlier centuries. The baroque era is known for the use of dramatic elements in all art forms, and works of baroque literature are generally no exception. Writers of this time period expanded and perfected the uses of allegories with multiple layers of meaning. Smaller-scale metaphors are also frequent trademarks of this genre, and many works of baroque literature focus on humanity's struggle to find deep meaning in existence. A fairy tale is a type of short story that typically features folkloric fantasy characters, such as fairies, goblins, elves, trolls, dwarves, giants, mermaids, or gnomes, and usually magic or enchantments. Fairy tales may be distinguished from other folk narratives such as legends - which generally involve belief in the veracity of the events described - and explicitly moral tales, including beast fables. Fairy (= Pari) is found in oral and in literary form. The history of the fairy tale is particularly difficult to trace because only the literary forms can survive. Two theories of origins have attempted to explain the common elements in fairy tales found spread over continents. One is that a single point of origin generated any given tale, which then spread over the centuries; the other is that such fairy tales stem from common human experience and therefore can appear separately in many different origins. Fairy tales with very similar plots, characters, and motifs are found spread across many different cultures for example Mowlana`s Works, Fairy (pari) is personage whit several means.This Study is about layers of meaning in baroque literature and pairy personage in Qazaliyyat e Mowlana Manuscript profile -
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68 - .
احمدرضا یلمه ها راضیه جمشیدی -
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69 - .
شهریار حسن زاده -
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70 - .
آسیه ذبیح نیا عمران -
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71 - .
عبدالله ولی پور رقیه همتی -
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72 - Investigation and Analysis of the Didactic Function of "Command and Prohibition" in Shams's Ghsalz
Fatemeh JamaliPersian language literary texts have always been considered as one of the most important examples and most effective elements of teaching and explaining educational and moral teachings of the society. Now, taking into account the fact that mystical texts inherently and MorePersian language literary texts have always been considered as one of the most important examples and most effective elements of teaching and explaining educational and moral teachings of the society. Now, taking into account the fact that mystical texts inherently and in themselves have the mission of teaching and conveying uplifting teachings, it can be seen that examining and analyzing the educational aspects of these works with different research approaches is a necessity. Molana is one of the most prominent mystical-educational figures of Persian literature, and by examining his speech, we can reveal the efficient ways of connecting mysticism and education. He uses all linguistic and rhetorical techniques to explain and communicate his spiritual teachings. In this context, the science of meanings and its rhetorical tools, especially the secondary purposes of the sentences, due to the fact that it deals more with the subtleties and inner capacities of the words, thoughts, and teachings of the mystic, has been able to serve the guiding mission of this poet. The purpose of the author in the current research is to investigate, understand, and introduce the intersection of education and mysticism by using commands and prohibitions in Molana's sonnets.an Shams's poems, as a romantic-mystical work, be considered as an educational work? And how and to what extent was command and prohibition able to serve the educational aspect of Rumi's words? The research method in this article is analytical-descriptive with a case study of Shams's poetry. The results show that according to Rumi's audience-centered approach in his words, as well as the fact that in the use of commands and prohibitions, the presence of the audience is alive and dynamic, in this work, despite its non-educational and lyrical nature, he was able to express his educational thoughts in both direct and indirect ways with the aim of guidance and education. Manuscript profile -
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73 - Sa'di's Sidestepping from Taking Advice Unlike His Habit
Mahboobe MoslemizadehAdvice, in any kind and purpose, shows the direction of man's thoughts toward the improvement of his life's conditions and obtaining prosperity. Sa'di, the Iranian supreme moral poet, whenever begins to give advice, talks so delicately, tenderly and firmly; his advices MoreAdvice, in any kind and purpose, shows the direction of man's thoughts toward the improvement of his life's conditions and obtaining prosperity. Sa'di, the Iranian supreme moral poet, whenever begins to give advice, talks so delicately, tenderly and firmly; his advices have been imitated during his next periods. The question of this article is that some Sa'di Ghazals, contrary to his other works that have made him well known for his teachings and experiences contains sidestepping from taking advice, in these ghazals, he not only avoids advice instead of advising his addressed, but also requests the adviser not to recommend him anymore, because he is involved in an incurable sickness i.e. the madness of love that is not match with the wisdom, and the advice which origins from the wisdom, has no opportunity to affect him. The method of this research is study and analysis; the conclusion is extracting and analyzing verses in which Sa'di avoids frankly any wisdom and taking advice but does not deviate from morality at all and emphasizes that in any case he takes advice except for love in which he cannot accept any recommendation on having patience for his beloved even in return for suffering hardships. Manuscript profile -
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74 - Happiness-orientation and its Didactic aspects in Ghazals of Shams
ali dehghan javad SedighiHappiness is a mental and internal phenomenon and has an active role and presence in human’s individual and social life. Therefore it has been glorified in Islamic mysticism and religion. Didactic views of happiness are considered as the most important roles of i MoreHappiness is a mental and internal phenomenon and has an active role and presence in human’s individual and social life. Therefore it has been glorified in Islamic mysticism and religion. Didactic views of happiness are considered as the most important roles of it in mysticism. Theghazals of Jalalu’d-Din Muhammad MolaviBalkhi – named as “Shams-i-TabriziGhazals”- are in a high importance and dignity according to the amount of happiness subject usage in it. This paper tries to study happiness-orientation factors and symptoms after defining happiness especially from the mystic and didactic view. The study and survey of Molana’sgazals demonstrates that he was a happiness-orientated poet and has used the features of the didactic applications of happiness to convey his mystic thoughts in a great deal. Manuscript profile -
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75 - نمودهای حس آمیزی در غزل های مولانا
مهرانگیز اوحدی -
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76 - نگرش عرفانی به طبیعت در دیوان شمس تبریزی
مریم مجیدی -
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77 - The Word Association between Shams and the Words of Aftab and Khorshid in Divan Shams
Rahmān Barzgar Bahman Nozhat Fātemeh ModarresiIn the present article the attempt is made to consider the relationship between three terms of "aftab", "khorshid" and "shams" (all three mean "sun") in Divan Shams based on mystical motifs. Jalāl al-Din Rūmi uses these terms in two ways. First, he uses them for illustr MoreIn the present article the attempt is made to consider the relationship between three terms of "aftab", "khorshid" and "shams" (all three mean "sun") in Divan Shams based on mystical motifs. Jalāl al-Din Rūmi uses these terms in two ways. First, he uses them for illustration. Second, with these words, he describes the character of Shams Tabrizi. For illustration, Rūmi, like other poets, points to the term "aftab". He is aware of the mythological and religious background of the words "khorshid" and "aftab", so for describing the character of Shams Tabrizi, first, he combines these two words with the word "shams" and then converts the word "shams" from sign to word by hermeneutic interpretation. In this way, he can record two terms "aftab", "khorshid" as mystical motifs. "Shams" is identical with "khorshid", and thus all the mythological and mystical features of "khorshid" appear in "shams". By using descriptive-analytical method, the present study has concluded that Rumi has dealt with worship of Shams Tabrizi and regards him as the god of mythology and searches for "self" in the process of individuality by annihilation in him. All of this process can be interpreted by Jung's psychology. According to this interpretation, Shams Tabrizi is a means to reach God. Manuscript profile -
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78 - Mystical Expereinces in the Ghazals of Attār: A Revew Based on Willam James' Theory
homayon jamshidyan leila norozpor motahare chobineAccording to William James, mystical experiences have four characteristics: ineffability, noetic quality, transiency and passivity; these marks can be found in almost all texts that narrates mystical experiences. In the present article, those ghazals of Āttār that indic MoreAccording to William James, mystical experiences have four characteristics: ineffability, noetic quality, transiency and passivity; these marks can be found in almost all texts that narrates mystical experiences. In the present article, those ghazals of Āttār that indicate mystical experiences have been extracted, categorized and analyzed. Also, in these poems, some other marks such as heterogeneous imaginations of mystical intuition and missing the mystic have been found. The results of the research show that after coming face to face with the Holy, the mystic is unable to explain Him; for everyone comprehends Him by his/her own way. The mystic misses himself/herself in the process of revelation; after facing the Holy, also, he claims that he/she knows himself/herself much better, and sometimes he/she claims that has obtained knowledge of the outer world. The reports about this knowledge, like the relation of part to whole and the fact that the part contains all of components of the whole, show that there are a lot of similarities between them and the subjects of holography. The mystic complains that facing with the Holy is transient. During the experience, he is passive and there is a profound sense of being taken over. Manuscript profile -
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79 - The Mortality of Soul in the Gazals of Sanāei: A Cognitive Analysis Based on Motion Schema
Hosein Hasanpour Ālāshti Aliakbar Bāqeri Khalili mahdis kazemiThe mortality of soul is one of mystical subjects that Sanāī has entertained it in his poems (gazals). Image schemas are meaningful structures and novel patterns. The sensual experience and interaction with environment and external world shape these image schemas. MoreThe mortality of soul is one of mystical subjects that Sanāī has entertained it in his poems (gazals). Image schemas are meaningful structures and novel patterns. The sensual experience and interaction with environment and external world shape these image schemas. They can help to learn about the mentality, consciousness of poet, and his way of conceptualizing and categorizing. Motion schemas are one of important and very useful parts of image schemas in studying mystical texts. By analyzing motion schemas, it is possible to find why they have been center of attention for Sanāī. In the present article, first, three schemas are considered in the gazals of Sanāī: ‘love as journey’, ‘religion as journey’ and ‘bohemianism (kalandari) as journey’ and then, a cognitive analysis of them are presented. Manuscript profile -
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80 - Persona in the Works of Jung and Jalāl al-Din Balkhi (Divan-e Shams): A Comparative Study
Ali Mohammadi Masome EsmaeelipourPersona is a psychological term but in the works of Carl Gustav Jung, it is a distinguished concept. According to Jung, Persona has two meanings: first, it is a mask man wears to present an unreal picture of himself; secondly, it refers to unreal imaginations and though MorePersona is a psychological term but in the works of Carl Gustav Jung, it is a distinguished concept. According to Jung, Persona has two meanings: first, it is a mask man wears to present an unreal picture of himself; secondly, it refers to unreal imaginations and thoughts that prevent the ego from growing. The identification with the persona leads to lack of development of personality. In Persian mystical literature, esp. Divan-e Shams, composed by Mowlana Jalāl al-Din Balkhi, there are some themes that overlap with Jungian concept of persona. In the present article, we have decided to study those symbols employed by Mowlana in his Divan that refer to the mask. Manuscript profile -
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81 - Functional analysis of proveb in Saib Tabrizi poems
Ashraf Sheibani Aghdam Jaleh Karimi KiwiPoems and proverbs always have dual function, proverbial commission is an important element of literature which poets and authors use it to increase sweetness of speech and due to the fluency and clarity of concepts and meaning and making the truth more clearly and prov MorePoems and proverbs always have dual function, proverbial commission is an important element of literature which poets and authors use it to increase sweetness of speech and due to the fluency and clarity of concepts and meaning and making the truth more clearly and proving the words to show their capability and artistic ability in poem. One of the most important issues of linguistics in field of applied style is “speech act”. This article investigates the aspects of pragmatics of language, which is a scientific tool for analyzing speech based on John Searle ideas, the American linguist and also explain the sonnets of Saib Tabrizi in pragmatic area and the type of speech acts. This article is related to the Master thesis of the researcher. One outcome of this study is explaining and analyzing the applied style in practical form by categorizing the speech acts and the practical aspects of it which are the clear framework to consider differences of acts in proverbial commissions of Saib and his attitude toward his universe by different quotations enriched with messages and themes which reveal the social aspects of individuals in its interactive language. Manuscript profile -
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82 - study the effect of meters on the content and format with Comparing meter of odes of Naser Khosrow and Saadi's Sonnets
Malek Shoai elham javaniMeter should be considered the most important element and common points of poem. In fact, meter is nature and the innate of a poem which some are so enamored with meter that cannot imagine poem without it. This study is trying to compare the frequency of meter of odes o MoreMeter should be considered the most important element and common points of poem. In fact, meter is nature and the innate of a poem which some are so enamored with meter that cannot imagine poem without it. This study is trying to compare the frequency of meter of odes of Naser Khosrow and Saadi's Sonnets to study the effect of meter on the content and format. In Saadi's Sonnets and odes of Naser Khosrow 18 common meters can be found. The total meters related to Saadi are 17 and total meters related to Nazer Khosrow are 6 meters which regarding the frequency of (2.63) is seen in specific meters of both Saadis' sonnets and Naser Khosrow odes.The number of Saadi's Sonnets are 2.5 times more than odes of Naser Khosrow. It in spite of can be deduced that the effect of meter is very impartial on the content and the potential meter in the poem, It can be found very weak relationship between the content and format of the sonnets and odes using of these meters considering various Factors must be analyzed that may influence this relationship. Manuscript profile -
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83 - Bidel in realm of mystical lyrics
Mehdi MahooziMirza Abdul-Qader Bidel Dehlavi is a prominent poet of mystical poetry in the subcontinent of India. He has transformed the Indian school of poetry from mere superficiality to the utmost wisdom. Bidel's poetry in realm of mystical lyrics is the continuation of Mawlana J MoreMirza Abdul-Qader Bidel Dehlavi is a prominent poet of mystical poetry in the subcontinent of India. He has transformed the Indian school of poetry from mere superficiality to the utmost wisdom. Bidel's poetry in realm of mystical lyrics is the continuation of Mawlana Jalalud-din Mohammad Balkhi's line of thought in his Diwan Shams. The purpose of this article is to introduce Bidel in the realm of mystical lyrics. According to Bidel all multiplicities in man's journey towards God leads to unity. In his descent however all multiplicities are regarded as the attributes of Deity which have descended from the zenith of the universal and Absolute to the nadir of the particular and relative. Bidel's mystical lyrics is a spiritual epic which expresses love and yearnings for the Divine beloved. These often merge with a sort of surrealist thinking, thus mystical terms in his Indian style of poetry mostly are complex and implicit, and it is difficult of find an equivalent for them. Nevertheless, his mastery in using prosodic forms and verbal rhymes gives such dynamism and fervor to his lyrics that only reveals the hidden charm and passion within the Ghazals. Manuscript profile -
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84 - Father and Son Who is their beloved?
Mohammad Ali EslamiNodushanThe present article deals with the sayings of Baha al-din Valad written in his famous journal, entitled Maaref which has been published in 13333 by the efforts of Professor Fourouzanfar. It is an attempt to make a comparison between the characteristics of thebelov MoreThe present article deals with the sayings of Baha al-din Valad written in his famous journal, entitled Maaref which has been published in 13333 by the efforts of Professor Fourouzanfar. It is an attempt to make a comparison between the characteristics of thebeloved in the words of BahaValad with what Moulana has drawn of his beloved and master Shams Tabrizi in his Ghazaliat. Through this comparison and assessment, the writer seeks similarities in line of thought of the father and the son and also reveals point of departure in their thoughts. Manuscript profile -
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85 - Subtlities in Diwan Hafez (unprinted notes of Jalalud-din Homai)
naserodin Shah HosseiniThis article contains invaluable notes by Homai in which he reveals a number of subtlities in some poems of Hafez. Thanks to Dr shah hosseini, these notes which have not been printed in any publications, is now at the disposal of this literary journal. Homai points to t MoreThis article contains invaluable notes by Homai in which he reveals a number of subtlities in some poems of Hafez. Thanks to Dr shah hosseini, these notes which have not been printed in any publications, is now at the disposal of this literary journal. Homai points to twelve instances where there are ambiguities in Hafezs' poetry. He discusses some briefly and some in more detail. His revelations could greatly enhance the understanding of such poems. Manuscript profile -
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86 - Hadith Moulana and his Masnavi in gatherings andspeeches of the Indian mystics
Sharieef Hossein GhasemiThe great Indian mystics have always been in contact with the Persian mystics. Migration of the mystics to India and coming of Moslems from the old Khorasan to this land has greatly helped the development of these relations. Indian mystics have always had el MoreThe great Indian mystics have always been in contact with the Persian mystics. Migration of the mystics to India and coming of Moslems from the old Khorasan to this land has greatly helped the development of these relations. Indian mystics have always had elders and relatives in Khorasan and this bondage has continued for some time. One of the most distinguished eminent Persian mystics is Moulana Jalal al-Din Mohammad Balkhiwhose mystical and spiritual identity remained unrecognized in India in his time, however he was always praised by the poor and the Indian mystics and his Masnavi and Ghazaliat were reverberated in gatherings and speeches of the Indian mystics. Mystics such as Bu Ali Qalandar, SheykhAmanallahPanipat, shaykh Hassan Badakhshi for the confirmation of their mystical sayings especially about unity of being have drawn upon the verses from Masnavi. In this article the manner in which the Indian mystics came under Moulana’s spell is studied, and where appropriate examples are provided. Manuscript profile -
Open Access Article
87 - Investigating musical devices in Saadi’s lyrics
Pegah KhadishSaadi’s poetic language, described as simple but impossible is formed by juxtaposing numerous elements the most significant of which is musical rhythm. This musical quality has many known devices such as rhythm, internal and external rhyme, harmonious cadenc MoreSaadi’s poetic language, described as simple but impossible is formed by juxtaposing numerous elements the most significant of which is musical rhythm. This musical quality has many known devices such as rhythm, internal and external rhyme, harmonious cadence (synonymy, homophony, oxymoron), and some rhetorical figures such as pun, cadence, and contrast are effective in its formation. Recognizing these devices, will assist researchers to unravel the mysteries hidden in his poetic language and diction, and to appreciate the relationship between sound and sense in his poetry. In this article an attempt is made to illustrate how the musical quality is achieved through the various devices used in 200 selected lyrics of Saadi. Manuscript profile -
Open Access Article
88 - The Study of the stylistic features and motifs in Kalim Kashani’s Ghazaliat
Mahmud Sadegh ZadehKalim Kashani is a creative, balanced, and prolific poet who has tried his hand in all types of poetry but his main reputation is for his lyricism. Kalim’s Ghazaliat apart from having common features of Indian style, due to its poetic force of creativity, ri MoreKalim Kashani is a creative, balanced, and prolific poet who has tried his hand in all types of poetry but his main reputation is for his lyricism. Kalim’s Ghazaliat apart from having common features of Indian style, due to its poetic force of creativity, richness of diction and semantics, and lyrical inclinations, it has linguistic, literary features. The art of Kalim lies in his creation of imagery, content and he uses all the rhetoric possibilities of language in such a simple clear manner that makes his dense imagery far from complexity and ambiguity. Similies in Ghazaliat Kalim is divided into three parts: wide, farfetched, and favourite. In his Ghazaliat, Kalim uses mostly perceptual metaphors and sometimes he creates novel imagery out of non poetic subjects. Although parallelism is the main feature of Saeb’s poetry, but Kalim is known to be the pioneer of this style and it is the characteristic of his poetry. Kalim’s Ghazaliat in terms of mental and spiritual states is expressive of his philosophical and lyrical thoughts. The frequency of words, and his particular motifs in many cases is representative of his speculative and skeptical philosophical ideas. The main feature of his Ghazaliat is the application of such motifs which is the core of imagination and it reveals his perspective of life. In this research, the analysis of his Ghazaliat with reference to previous studies has been made and examples were given. Manuscript profile -
Open Access Article
89 - Conceptual metaphor approach of "love" in moral teachings Case study: Sadi's Sonnet
ali dalirdisefani Ali Reza Shabanlu Soheila Mousavi Sirjani azita afrashiiCognitive linguistics deals with the connection between the mind and language and the physical-social experiences of humans and includes a set of ideas in the intellectual foundations of which conceptual metaphor is one of the most important. According to Lakoff and Joh MoreCognitive linguistics deals with the connection between the mind and language and the physical-social experiences of humans and includes a set of ideas in the intellectual foundations of which conceptual metaphor is one of the most important. According to Lakoff and Johnson's theory of conceptual metaphor, conceptual metaphor means perceiving the objective concept of a phenomenon from the field of "origin" and transferring it to a mental concept in the field of "destination", and the elements and factors of connection between these two fields are called "mapping". Love is one of the most important feelings in human life, and the way of looking at love is one of the important topics in poetry and prose literature. Methods: This thesis is an analysis of the concept of "love" in Sadi’s sonnets with the approach of conceptual metaphor theory. This research is carried out with the descriptive-analytical method and according to the frequency of the word "love" in the context of Sa’di’s sonnets. Conclusion: The sub-mappings of conceptual metaphors of "love" in Sadi’s Sonnet are coherent. The structural nature of the conceptual metaphor of love in Sadi’s sonnets allows him to elaborate a concept in detail. The variety of metaphors in Sa’di sonnets makes us face Sadi’s organized mind in the analysis of the conceptual metaphor of "love". Manuscript profile -
Open Access Article
90 - Oath and its Comparative Study in the Qur'an, Jurisprudence, Law and Allusions in Rumi's Ghazals
asiyeh rahimi soraYa razeghy zahra ghoroghiSwearing is one of the oldest rituals that writers, commentators, jurists and lawyers have given many definitions and have looked at it from many angles, which extracts have crystallized in the works of poets and writers, including Divan Shams. Commentators have divided MoreSwearing is one of the oldest rituals that writers, commentators, jurists and lawyers have given many definitions and have looked at it from many angles, which extracts have crystallized in the works of poets and writers, including Divan Shams. Commentators have divided Quranic swearing into two categories according to who issued them: the first type is binding swear.This sear is used in Islamic jurisprudence and is called a marriage swear. The second type is investigative swear, which are mostly used in law and justice and sometimes in disputes. Rumi's speech in Diwan Shams is full of jurisprudential, legal and Quranic oaths, which has a high frequency of Quranic oaths due to Rumi's familiarity with the Quran. In the meantime, most of the researchers' attention has been focused on mythological swearing, which in this article, in addition to a short research on swearing in literature, Quran, jurisprudence and law.The swearing of Diwan Shams were also analyzed from various angles. It is clear that discovering and understanding the types of swears in Divan Shams will help to understand the secrets of Rumi's poems and vast thoughts. The method of this research is descriptive-investigative and analytical, using the library method. According to the findings of the research, Rumi acted in two ways in expressing the hints related to oaths in his ghazals, either he used the same phrase related to swear in his poem or he used the method of associating meanings in which a phrase or a word brings to mind the swear. Manuscript profile
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