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Open Access Article
1 - Analyzing the similarity of Avini's speech texts with Jung and Molana in mystical teachings
seidezahra hosseini nia saber emami Amir Ismaeil Azarbefore and after it, it forms an intertwined network of meanings, similarities and semantic and linguistic differences. From this point of view, it is comparative and interacts with the texts before and after itself. As a branch of contemporary literature, sacred defens Morebefore and after it, it forms an intertwined network of meanings, similarities and semantic and linguistic differences. From this point of view, it is comparative and interacts with the texts before and after itself. As a branch of contemporary literature, sacred defense literature has acquired some of its meanings through interactive relationships with earlier texts, especially mystical texts, and from a comparative perspective with mystical literature, it is somewhat in line with a common meaning-making discourse. In this article, we have tried to analyze the mystical origins and the similarity of the texts of Avini with the works of Molana and Carl Gustav Jung using a descriptive analytical method with a comparative approach. The results of this research show the alignment of Avini's words with concepts such as; manifestation, light, darkness, and the meeting of God, which are the most frequent words and concepts of Molana's verses and mysticism, and which are used with a new expression in the proposal and process of Jung's individuality. Manuscript profile -
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2 - Comparative Analysis of Dezh-hoshroba with Gonbad-Sorkh in Nezami’s Haft-Peikar
Muhammad Behnamfar Azam NazariMathnaviManavi is concluded with Dezh-Hoshroba or Ghal-e Zat-alsor which is one of the most important and attractive stories of Mathnavi and different descriptions have been written for it so far .Nezami’sGonbad –sorkh in Haft –Peikar has a particular MoreMathnaviManavi is concluded with Dezh-Hoshroba or Ghal-e Zat-alsor which is one of the most important and attractive stories of Mathnavi and different descriptions have been written for it so far .Nezami’sGonbad –sorkh in Haft –Peikar has a particular Position in the corpus of Nezami’s works as well . It has been endeavored in this article to analyze and study these two stories with a Comparative Perspective concerning some similarities between these two stories.The result of the study shows that Molana for writing Dezh-Hoshroba was influenced by Nezami’sGonbad-Sorkh and like other Mathnavi’s stories, he has used it for his own goals and purposes-Dr both of them have used a common source . Manuscript profile -
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3 - Comparison of some different interpretations of Maulavi from Quranic verses in "Fiehmafieh" and "Spiritual Mathnawi"
ALI BAZVAND arash amrai RAHMAT shayesthefarComparison of Rumi's Different Perceptions of Quranic Verses infih-e Ma-fih and Masnavi Faye with Educational Approach Molavi is one of the most famous poets in the seventh century whose valuable verses and narrations are replete with divine teaching, verses f MoreComparison of Rumi's Different Perceptions of Quranic Verses infih-e Ma-fih and Masnavi Faye with Educational Approach Molavi is one of the most famous poets in the seventh century whose valuable verses and narrations are replete with divine teaching, verses from the Holy Quran and Hhadises. His different Interpretations of Quran verses and Hhadises in his works (fih-e-ma-fih) show that he has complete understanding over the Islamic and Quran science. The understanding of his words would be impossible without a sound knowledge of his interpretation of Holy Quran as it happens that the poet has more than one interpretations of the same verse. The difficulty in understanding Molavi’s Interpretations is mainly originated from his skillful use of signs and symbols. These symbols are considered as secrets whose decoding seems to be very difficult. In this paper, the researcher tries to investigate the speeches which have different meanings, helping the readers to interpretation this mystic poet. Manuscript profile -
Open Access Article
4 - Beauty and Aestheticism in Molana’s Masnavi with a Focus on Prophecy and Testimony as the Central Metaphors
Ali Asghar Abedi Ahmad Zakeri Fateme HeydariBeauty from the perspective of Molavi is the manifestation of the truth and the appearance of God's grace to the universe. But it is the science by which you might, perhaps, discover the advent of a miracle of abstraction to the world of testimony. Molana is in the posi MoreBeauty from the perspective of Molavi is the manifestation of the truth and the appearance of God's grace to the universe. But it is the science by which you might, perhaps, discover the advent of a miracle of abstraction to the world of testimony. Molana is in the position of a great and rare mystic, especially after meeting Shams, where his eyes were closed and his heart was opened. In all parts of the universe, he has observed the light of truth and has tried to draw a picture of his observations. This article attempts to examine part of this understanding of the notion that it contained the beauty and appearance of the universe. The data related to the article with the mode of library research is obtained, and written, in a qualitative, descriptive and analytical report. The authors' goal is to recognize Molana’s perception of beauty and the results show that he has found the connection between beauty and the source of beauty due to his forgetfulness and the use of intuition and illumination in an incredible degree but, indeed, the chief thing about him is that he has organized beauty into the central metaphors of his thoughts, that is to say, the resignation and the testimony of the unseen. Manuscript profile -
Open Access Article
5 - The Study and Analysis of Taalab in Attar’s and Maulavi’s Worldview
Shahram Foroughi mohammadali khaledian Hasan Ali Abbaspoor EsfedenTaalab( seeking) is a verbal sign that has become widely used in Islamic mysticism. In order to find out the place of Taalab in Islamic Sufism, it is necessary to consider mysticism as a system, a system that is founded on the pillars of Sharia, Tariqat and Truth. This MoreTaalab( seeking) is a verbal sign that has become widely used in Islamic mysticism. In order to find out the place of Taalab in Islamic Sufism, it is necessary to consider mysticism as a system, a system that is founded on the pillars of Sharia, Tariqat and Truth. This structure of conduct, is derived from tariqat and seeking is considered the first step in mystical conduct. Therefore, seeking is an inseparable part of the structure of mysticism, and traces of it can be seen in almost all works of mysticism. But in the meantime, two great mystics of Iran, Atar and Maulvi, have spoken about it a lot and accelerated its features. In Attar's thoughts, seeking is considered the first of the seven valleys of Saluk, and thus it should be considered as one of the defining components of his intellectual system, but in the Masnavi, it is basically a system of thought in which the place of the components of Rumi's thought can be recognized. There is no data. In the Masnavi, not one wadi of the wadi is considered as a saluk, and it is mentioned in a definite place; Rather, Masnavi can be present everywhere. Undoubtedly, it is difficult to find, categorize and measure them, which is a difficult task in Attar's thought. The result of this research shows that Attar and Maulavi consider the request as the beginning of conduct and one of the means to realize the nine goals. They know the truth, the health of the soul and the happiness of human beings, the data of this project was collected by the library method and after classification, it was described by the qualitative method. Manuscript profile -
Open Access Article
6 - The Study of Fables in Mowlavi's Qazalitate Shams
Mohammed Qolam Rezaei Chenour Borhani Narrative parable (allegory) is a story in poetry or prose which has two meanings: primary or outward and secondary and inward meaning which is below the outward layer. Fable is one type of allegory and consist of a short tale- whether in poetry or prose- w More Narrative parable (allegory) is a story in poetry or prose which has two meanings: primary or outward and secondary and inward meaning which is below the outward layer. Fable is one type of allegory and consist of a short tale- whether in poetry or prose- which is intended to convey a moral lesson. Characters in fable are often animals; but inanimate objects, humans and gods may also be presented in that. Fable in the Persian theosophical parables also has been used for expressing theoretical theosophy concepts and practical theosophy orders. Amongst artistic aspects of Molavi's works in the Shams's lyrics(Qazaliate Shams) is employment of the narrative parables; there are 16 fables among these narrative parables; these fables in terms of structure and form are two types: 1. Fables with storied action and operation (6), 2. Fables in the form of dialogue or scenic story (10). These fables have the same theme and structure in terms of processing and simplicity and brevity is their outstanding feature. 4 of the Molavi's fables are moral- theosophical parable and 10 fables are parable of theoretical theosophy concepts and 2 fables are parable of Kalam (Islamic Philosophy) thoughts. Manuscript profile -
Open Access Article
7 - The allegorical language of the Roman Mulla
jafar havasihis point of view, the appearance of the stories is not very important, but what is important the results and his impressions of the stories. Most of the imaginary images used in Molvi's poems are allegories. Each of Molavi's stories and allegories can be look Morehis point of view, the appearance of the stories is not very important, but what is important the results and his impressions of the stories. Most of the imaginary images used in Molvi's poems are allegories. Each of Molavi's stories and allegories can be looked at from a special and different point of view, and one can see a wonderful and amazing sight as much as one's understanding and vision. Molavi's poems are not ordinary words in the field of literature, but rather authoritative and scholarly anecdotes and parables. He has brought the moral principles and diversity of opinions and experiences in the anecd Abstract In his works, Maulavi has used anecdotes and verses as parables to achieve new results. From otes. Maulavi's approach in allegorical stories is usually based on mystical teachings in order to explain and scientifically interpret the subjects. The author has tried to discuss the expertise and mastery of Rumi Mullah in stories and allegories in order to make clear and visible the degree of possession and initiative of Rumi in the design of stories and allegories. The method of compiling the article is library and using various sources and .analytical and descriptive method Manuscript profile -
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8 - Comparative survey of samples of practical wisdom in Hadighe Sanai and Masnavi Manavi
MOHSEN BAHARVAND Masoud Sepahvandi"Practical wisdom" is knowing good and bad in human behavior, and awareness of behavioral should and should not. In practical wisdom the emphasis is more on ethics, prudence and cultivation, everything is limited to human and does not include non-human, man's optional t More"Practical wisdom" is knowing good and bad in human behavior, and awareness of behavioral should and should not. In practical wisdom the emphasis is more on ethics, prudence and cultivation, everything is limited to human and does not include non-human, man's optional tasks are greate value, and attempt is made to show the ways of being human. Indeed Practical wisdom is a set of should and should not that related to ethics and politic and mystical thoughts. Practical wisdom has been noticed because it is the way to human bliss so ethical teaching has been a major part of the concept of poetry and poets have played an important role in promoting ethical virtues that each of them has dealt with it in a specific way. Allegory is one of the methods that mystical poets, especially Sanai and Molavi, use to turn the audience's mind to it. And in this way, they put lights in front of human examples of practical wisdom for cultivation and ethical progress. This research is intended to discuss and compare some examples of practical wisdom regarding their similarities and differences in the form of allegory in the poetry of Sanai and Masnavi Molavi. Reviews show that Sanai's ethical system is based on religion, but Molavi despite adherence to r eligion is largly influenced by Sufi thought and he has a mystical approach to ethical issues. Sanai lights the lamp of wisdom and respects knowledge and practice to move towards bliss and Molana even accepts mind and knowledge, considers love and follow the mystic as the way to bliss. Manuscript profile -
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9 - The Study of 'communicative acts' in a figurative tale in First Book of Masnavi Ma'navi (a case study on negotiations of the Fifth Story of Masnavi based on Haberma's Communicative Act
Abolfazl GhanizadehThe 'dialogue democracy' is a 20th century theory claimed by German philosopher and sociologist Jurgen Habermas. This dialog is formed in a 'general domain' with the 'free participation of talented citizens'. Its interaction toll is 'general communicative language', and MoreThe 'dialogue democracy' is a 20th century theory claimed by German philosopher and sociologist Jurgen Habermas. This dialog is formed in a 'general domain' with the 'free participation of talented citizens'. Its interaction toll is 'general communicative language', and it is conducted to arrive at 'understanding' or 'acceptance of better argumentation'. Habermas' theory has gained its reputation as the 'communicative act' in the contemporary political literature. In the figurative story of 'Lion and Nakhjiran', Molavi outlines a negotiation which is comparable with that theory. As such, the present article, first deals briefly with concepts such as 'critical theory of Habermas', 'general domain' , as well as the 'general communicative language'. Then, through the analysis of the negotiations made in the story of Lion and Nakhjiran, it concludes that; the first negotiation is more compatible with Habermas' dialog democracy, and as the story goes ahead, its communicative act decreases and its political and strategic shades become stronger. The political shade is an internal layer of the studies figurative story. Manuscript profile -
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10 - Allegorical and Symbolic Concepts of Snake in Epic, Lyric, and Gnostic Works (On the Basis of The Shah-Nameh by Ferdowsi, The Khamseh by Nizami, and The Masnavi by Molavi)
hamid ayaz Soheila Mousavi SirjaniSymbol is a sign, point, word, or something which has such a clear and bright feature that it can represent that property. The aim of using symbol is that a message be sent beyond its outward meaning. In this study, we investigate symbolic concepts of snake in epic, lyr MoreSymbol is a sign, point, word, or something which has such a clear and bright feature that it can represent that property. The aim of using symbol is that a message be sent beyond its outward meaning. In this study, we investigate symbolic concepts of snake in epic, lyric, and gnostic works (on the basis of The Shah-Nameh by Ferdowsi, The Khamseh by Nizami, and The Masnavi by Molavi) comparatively and according to the library method and descriptive-analytic method. At first, symbolic concepts of this creature in epic, lyric, and gnostic domain will be expressed. Then, we will determine the percentage of collation of the symbolic concepts in two or all three works and percentage of usage of snake symbolic concept in each work.The outcome of this article is this point that 37.5 percent of this creature’s concepts (baseness, hurtfulness and twisting) in all three works and 37.5 percent (strength, guarding and darkness) in two of them are conformed; 25 percent of the concepts are used only in one of them. In addition, 12.5 percent of concepts are in epic domain, and 25 percent are in gnostic one. There is no concepts in lyric domain for snake. 62.5 percent of concepts are in other domains (besides epic, lyric, and gnostic). Manuscript profile -
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11 - A Study on postmodern strategies of "Pir e Changi" of Mathnavi
Leila Rezaei Abbas JahedjahMathnavi – Ma'navi is the most innovative and wonderful work in classic Persian literature because of its new narrative strategies. These special strategies that jalal al-Din Rumi used in the narration of the tales that found In other Persian literature books befo MoreMathnavi – Ma'navi is the most innovative and wonderful work in classic Persian literature because of its new narrative strategies. These special strategies that jalal al-Din Rumi used in the narration of the tales that found In other Persian literature books before Mathnavi, have some resemblances with modern or postmodern narratives. One of these innovative narratives in Mathnavi is the fiction of "Pir e Changi" (the oldman who plays harp). Rumi has presented this fiction with many changes and so this narrative is not in the original form as mentioned in "Asrar al Tawhid (the mystery of Unification) by Mohammad ibn Monavvar. In this article this tale from mathnavi has been studied in the field of postmodern criticism by the theory of Brian Mchale. The result shows that we can find the evidences of postmodern fictions as: death of the author, autonomy of characters, the end of metafictions, open ending and the combination of parallel worlds. Manuscript profile -
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12 - Women in Molana's Works
Masoume Khodadadi MahabadThis paper tries to study Molana's views about women both in his prose and poetry (Masnavi , Fihmafih and Maktoobat or Letters), in his life- and behavior-related works, such as his Managheb- Ol- Arefin. In Masnavi Maanavi, Molana employs every possible thing, including MoreThis paper tries to study Molana's views about women both in his prose and poetry (Masnavi , Fihmafih and Maktoobat or Letters), in his life- and behavior-related works, such as his Managheb- Ol- Arefin. In Masnavi Maanavi, Molana employs every possible thing, including objects, vegetation, animals, and different human characters in order to create intellectual and mystical creatures in his stories. Examining women’s characters in these stories paves the way to figure out his ideas about women. Some of these women are universally known, such as Saint Mary and Asiya, and so on. Some of them are unknown but of mystical importance. In Fihmafih, one can find a lot about women based on which Molana’s view on women can be figured out. Goodness and badness of women’s character can be a subject of study in Fihmafih. Maktoobat (Letters) is regarded as one of the most important works to help get familiar with Molana’s thoughts and ideas. It should be noted that Maktoobat (Letters) is indeed Molana’s book of letters, including his memories and his private and social life. All these reveal lots of mysteries to understand Molana’s realities of life. Manuscript profile -
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13 - Didactic Images of expression in Masnavi’s introduction
ebrahim EbrahimtabarThere is no doubt that Jalaled in Mohammad Molvavi is one of the most famous Persian poets. He is well known for his great book "Masnavi". So much was written about this book but because of the variety of topics and subjects there is still more to say. One of these poin MoreThere is no doubt that Jalaled in Mohammad Molvavi is one of the most famous Persian poets. He is well known for his great book "Masnavi". So much was written about this book but because of the variety of topics and subjects there is still more to say. One of these points of discussion is images of expression in the introduction of Masnavi which reflect Molana’s didactic views. Molavi used these expressions to talk about moral and religious issues in a clever way. These images are so vast; there fore, only two of them simile and metaphor are used a lot and will be discussed here. Manuscript profile -
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14 - The study of the inner and outer beauty of allegories for Hafez and Molavi’s viewpoint
Kazem Dehghanian Fard Seyed Ahmad Hosseini Kazerooni Seyyed Jafar Hamidi Maryam ParhizgarIranian Poets and writers have always been using different kinds of allegories to express the symbolicand moral concepts during ages of Persian classic literature. Allegory is one of the tools that not only creates literal enjoyment&n MoreIranian Poets and writers have always been using different kinds of allegories to express the symbolicand moral concepts during ages of Persian classic literature. Allegory is one of the tools that not only creates literal enjoyment and provokes emotional feelings in the reader but also expresses emotions and poetical concepts as if they are carved on a piece of stone. Hafez and Molavi have used different kinds of allegories to induce symbolic and moral concepts. Molavi has used more allegorical tales and equation techniques but Hafez has used exemplums and equation techniques to express the inner and outer beauty .Hafez has described the inner beauty as “ Aan” and Latifeh but Molavi by using allegories has preferred the inner beauty which originates from purity of the heart and knowledge to the superficial beauty which is irrelevant to the purity of the heart. Manuscript profile -
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15 - The mystical origins in Masnavi by Molavi using allegoric
morad mansouri Manijeh Fallahi Malek Muhammad FarokhzadThere are a lot of works of art in Islamic mysticism which try to know and introduce the world with different methods. Among them, the mystical works of art often illustrate the internal world of the author using the models surrounding him with methods and instruments l MoreThere are a lot of works of art in Islamic mysticism which try to know and introduce the world with different methods. Among them, the mystical works of art often illustrate the internal world of the author using the models surrounding him with methods and instruments like irony. Symbols and surreal and metaphorical concepts. Molana has a used all these instruments to develop its own subjects which we can refer to his frequently used technreques in mystical literature among them are the concepts like “perfect men” “the knowledge of God” “the recognition of universe” and “knowing the relationship between the lover and beloved”. “Molavi” could present a special anthology and mystical anthropology and the whole a complete excellent knowledge in his textual and poetic works to the human being, using the deep religious teachings and previous mysticists experiences together with his own mystical experiences with emphasis on allegorical instances of the Persian literature. The man purpose of this paper is to study the mystical origins in Masnavi by Molavi with emphasis an allegorical instruments within the framework mentioned before. This study has been done using the descriptive and analytical method and the data has been gathered using the library method and in reference to the previous papers finding. Manuscript profile -
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16 - The investigation of Molavi Kurd’s ideas on compulsion and free choice
jalal ahmadiSayyed Abdorrahim Molavi( 1806-1882 A.D) is one of the greatest kurd mystics and scholars in the nineteenth century A.D. He not only is a mystic and scholar but also is a skilful and capable poet of Persian, Arabic, Surani and Orami kurdish languages. According to the w MoreSayyed Abdorrahim Molavi( 1806-1882 A.D) is one of the greatest kurd mystics and scholars in the nineteenth century A.D. He not only is a mystic and scholar but also is a skilful and capable poet of Persian, Arabic, Surani and Orami kurdish languages. According to the works left by him, Molavi is not only outstanding in commentary, Hadith, poem and writing, but also he fairly can be one of prominent theologians. There are three works as Fawaeh in Persian, Alfazila in Arabic and Aghida Almarziyh in surani Kurdish which have interpreted and explained the theologian analytics in verse in most precise and delicate manner. The writer in this essay tends to deal with one of the most tumultuous topics of discourse from Molavi’s point of view. While many researches have been done about compulsion and free choice with different ideas, it seems that all differ with that of Molavi’s. So the conclusion of this research which has been done analytically is that according to the definition of the divine decree from Molavi’s point of view, man is completely free to do what brings forth divine reward or punishment to him. Manuscript profile -
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17 - Gist of teachings related to resurrection and metemsychosis in Masnavi-e- Molavi
Omidvar MalmoliThis article aims to study a gist of teachings related to resurrection and metemsychosis in Masnavi-e- Molavi. Masnavi-e- Molavi is an instructional poetry book and the Molavian believe that all human spirits exist in the eternal world and each of them descends to MoreThis article aims to study a gist of teachings related to resurrection and metemsychosis in Masnavi-e- Molavi. Masnavi-e- Molavi is an instructional poetry book and the Molavian believe that all human spirits exist in the eternal world and each of them descends to this inferior world whenever they wish , and possess their own bodies in order to take excellency and perfection then elevate again to the eternal world. Through this research I found an opportunity to review Masnavi and examine a fact that all philosophers and gnostics agreed on. Manuscript profile -
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18 - Study on Vernacular Language in Molavi’s Spiritual Couplets Fifth Tome
Saeed Ghashghaei Fatemeh InaloueiIn his glorious book, Spiritual Couplets (Masnavi-E- Manavi), by using colloquial elements in Persian Language, Molana Jalal-E-Dinn Mohammad Balkhi (Molavi) has tried to elaborate and interpret his given pedagogical and theosophical concepts for the people as whole. Thu MoreIn his glorious book, Spiritual Couplets (Masnavi-E- Manavi), by using colloquial elements in Persian Language, Molana Jalal-E-Dinn Mohammad Balkhi (Molavi) has tried to elaborate and interpret his given pedagogical and theosophical concepts for the people as whole. Thus, he has benefited from vernacular language and literature to make the speech more effective on audience in his masterpiece. At the present study, it has been dealt with extraction and classification of colloquial idioms, ranging from the smallest to the biggest speech unit (i.e. from morpheme to sentence) and implication of poetic evidences in Spiritual Couplet (Masnavi Book) at fifth tome where one may observe them under some titles including morpheme, lexicon, verb, composition, clause, sentence, ellipsis and iteration, adage (proverb). Manuscript profile -
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19 - Evolutionary development Of heart in molavis Masnavi
Ali Akbar Afrasiyabpour Mitra Fakhraie TehraninejadUndoubtedly, Molavi is the biggest poet who turns the spiritual evolution in to poetry version and he uses poem, allegory and story as a means of attaining the reality. The key opening of Mathnavi secrets is 'heart's' various statuses. In this research, the 'heart' and MoreUndoubtedly, Molavi is the biggest poet who turns the spiritual evolution in to poetry version and he uses poem, allegory and story as a means of attaining the reality. The key opening of Mathnavi secrets is 'heart's' various statuses. In this research, the 'heart' and its various statuses and its evolutionary development in Molavi’s Mathnavi (couplet poems) in details in comparison to the works of his contemporary poets and predecessors, is introduced and discussed meticulously. Seven different concepts are found in mathnavi for evolutionary development of heart. Three different statuses such assadr', 'Ghalb' andshaghaf' are not flourished with gleam of light, are related to physics of heart; Molavi thinks that the physics of heart does not deserve be considered to be the basics of the 'heart'. The name of 'Ghalb' has been used for other various statuses of 'haert'. Yet, the second status, only has been recognized as with the name of 'Ghalb'. 'Heart' in the staus of ''Foaad', 'Habbat-ol-Ghalb',soveyda' and 'Mohjat-ol-ghalb', are flourished with the gleam of light. Jalaleddin doesn't mention any name for the last status of the 'heart'; But its concept flows out through Mathnavi work, by means of many interpretation and implications Manuscript profile -
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20 - Manifestation Of perfected man in Masnavi Manavi
Naser Naseri fariba jalaliBy survey on the stories of Masnavi we encounter with traces of Gnostics and wise men that have gone prosperity and happiness way and experienced lovely real life aspects with Molana poems and surpassed in the meaning and truthfulness and showed their sincerity and devo MoreBy survey on the stories of Masnavi we encounter with traces of Gnostics and wise men that have gone prosperity and happiness way and experienced lovely real life aspects with Molana poems and surpassed in the meaning and truthfulness and showed their sincerity and devotion and released their sensuality and egotism. This article aims to introduce perfected man as a superior subjective creature of Molana and unique characteristics of the perfected men by referring to examples in Masnavi. The perfected man of Molana is a devotee that releases himself and seeks God and unifies in divine spirit and achieves spirituality in one hand and he is an eager lover that seeks beloved and combines in dive unity. He is manifestation of divinity that attends in the material world; and he places in center of the world and becomes ultimate goal of creation that his accompaniment is accompaniment by God and his abstention leads to deprivation of holiness. Prophets and holy figures are manifestation of perfected men in Masnavi Manuscript profile -
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21 - Introduction to the Phenomenology Of Love mysticism in the mysticism Of Molavi and Hafiz
Yusof JafarzadehIn the view of Love mysticism becoming of "humanity" as a manifestation of Divine attributes in the human occur in three stages: not awakened soul (Adam innocent of sin), awakened soul (Adam after sin) and love (lover Adam to God). According to this view angel is symbol MoreIn the view of Love mysticism becoming of "humanity" as a manifestation of Divine attributes in the human occur in three stages: not awakened soul (Adam innocent of sin), awakened soul (Adam after sin) and love (lover Adam to God). According to this view angel is symbol of not awakened soul and devil is symbol of awakened soul and human is a symbol of the love stage. Thushuman is comprehensive of angel and devil attributes. After the events of primordial sin, human stepped from the stage of angelic and the lack of awareness to the stage of awakening and awareness. In fact, the devil makes his entrance into this stage, but this stage is a window to enter the love scene of human and God in the context manifestations of God's Attributes glory and beauty in this world. Thus, in this sense, love transcending from relationship based on legal and moral rules to personalized relationship based on coquetry and need of loversand put in the center of meaning of this world life. This article is an introduction of the phenomenology of love- mysticism in the mysticism of Molavi and Hafiz. Manuscript profile -
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22 - Molana’s Semantic Views of love from Mystics’ point of view
Zahra KashanihaSweet story of love is a common theme in theosophy and among lovers of literature, which fills humankind's life with its heavenly perfume as a way to remind us of heaven and even encouraging setting off. Love is featured with codes and secrets, and it is Molavi's job to MoreSweet story of love is a common theme in theosophy and among lovers of literature, which fills humankind's life with its heavenly perfume as a way to remind us of heaven and even encouraging setting off. Love is featured with codes and secrets, and it is Molavi's job to reveal the secretes as he considers it as a trust to all creatures in their quest toward the One, and it is trusted in heart of very particles in the universe. This essay as a descriptive work is a try to discuss love as a key toward treasure of existence and heaven and surveys viewpoint of Molavi Roomi in this regard, so it is a fresh air of love and reminder of the source of love through recognizing true and fake love. Manuscript profile -
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23 - A Survey of Ethical and Rational Epistemology and their Relationship with Mystical Thoughts of Mowlavi Balkhi
Sedigheh SoleimaniSubject of this paper is related to epistemology, ethics and wisdom and its relationship with mysticism and mystical way of thinking of Balkhi Rumi's poetry and thought. This research answers the question of how to train for various reasons and what steps to explain. MoreSubject of this paper is related to epistemology, ethics and wisdom and its relationship with mysticism and mystical way of thinking of Balkhi Rumi's poetry and thought. This research answers the question of how to train for various reasons and what steps to explain. What comes in the mind of researchers as an assumption is the fact that Rumi had a special affinity toward "rationality and its relationship with God and nurturing human being". And since this is a significant part of Masnavi, the book, he strived to reform it into poetic mystic theme. He has designed some chapters, frameworks, and general rules with special subdivisions regarding rationality, its stages, and pioneers in social rationalities. Manuscript profile -
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24 - Instructional Function of Masnavi’s Inter and Outer story On The Basis of Association Theory
Mohamad ali Khazanedarloo Mohamad kazem Yousefpour Hossein YaseriAssociation is one of the mental capabilities.This category as a style in instruction, has got a particular position in literary texts, especially mystical ones. In style of educational association, the nature of education is not predetermined, fictitious.this style mak MoreAssociation is one of the mental capabilities.This category as a style in instruction, has got a particular position in literary texts, especially mystical ones. In style of educational association, the nature of education is not predetermined, fictitious.this style makes the text produce, in other words.It produces writerly.The direction, and educational orientation is determined through the process of teaching and training. The principle and the essence of association is movement and dynamism. The topic of this rserarch is to stady the instructional of function of masnavi’s Inter and outer story based on association theory.our research shows that the association is an educational and instructional style and molavi’style in masnavi. Of the association, features in Masnavi of maanavi are speech processing, thoughtful variation, dynamism, multilayer text and unmonotonousness instruction. Molana’s creativity applied the association which is a compulsory process on the service of instruction, a voluntary one in which the instruction has been used for a change. Manuscript profile -
Open Access Article
25 - The Analysis of Tajalli (Epiphany) in Divan-e Shams
azim hamzeian Tannaz Rashidi NasabTajalli (Epiphany) of God in the universe is one of the most notable intellectual foundations of Sufism. The Gnostics believed that the universe is an epiphany of God's names and attributes and the most important of them is the “Perfect Man” that is the most MoreTajalli (Epiphany) of God in the universe is one of the most notable intellectual foundations of Sufism. The Gnostics believed that the universe is an epiphany of God's names and attributes and the most important of them is the “Perfect Man” that is the most perfect tajalli in the universe. Rumi is known as one of the greatest mystics of the Sufi history.. Rumi, has introduced the most complete emergence of perfect human in Sufism – in the most of his poems – Shams -e Tabrizi, so in this work, he has been praised Shams. This study is to expression and show the Rumi explores ideas about the that in fact, with his mystical view about emergence of the names and attributes of God with descriptive and analytical method in Divan-e-Shams, according to Supererogatory proximity hadiths and duties, the great epiphany of God, has been discussed at the ultimate unity. Manuscript profile -
Open Access Article
26 - A Study of Predestination (Qadha and Qadar) from the Perspective of Verses and Hadiths with Rumi's Viewpoint in Masnavi
Ahmad Soleimani seadhashem GolestaniThe present research uses a descriptive-analytical method to explain Rumi's view on determinism, free will and the positions of agreement and disagreement without preference over each other which leads to a coherent study in accordance with our religious principles betw MoreThe present research uses a descriptive-analytical method to explain Rumi's view on determinism, free will and the positions of agreement and disagreement without preference over each other which leads to a coherent study in accordance with our religious principles between mysticism and verses. The belief in "fate and predestination" stems from the belief in the principle of general causality in the world. According to this belief, in the universe, every phenomenon has a cause and a measure, and nothing comes into being without a cause and without a definite measure. The purpose of this research is to study predestiation (Qadha and Qadar) in verses and hadiths from Rumi's point of view. In Rumi's Masnavi, the relationship between reason and fate is emphasized in a beautiful and appropriate way. Rumi, like his predecessors, does not have a single and tangible idea of reason, fate, and value, so in his famous work, Masnavi Manavi, he explains this issue. Manuscript profile -
Open Access Article
27 - Mystical-Psychological Analysis of Eating Desire from Molavi’s Viewpoint
Kouros karimpasandiIn Molavi’s anthropological attitude, one of the primary and vital desires of man is eating desire. Molavi regards the eating desire of the human being to be the main and basic physiological necessity of human from the human exterior and with the physiological loo MoreIn Molavi’s anthropological attitude, one of the primary and vital desires of man is eating desire. Molavi regards the eating desire of the human being to be the main and basic physiological necessity of human from the human exterior and with the physiological look of the human being, which leads to the emergence of other human desires and leads to the growth and prosperity of human potentials. This paper analyzes the methodology of explaining the Molavi’s epistemic and psychological attitudes about appetite with the result that humans, while benefiting from all kinds of eating provide their physical needs in moderation ؛ and to cultivate their spiritual aspects, they will forgive the eating desire and apply in the ducts and channels of the clan to become wisdom , thought and faith, and to bring about human heavenly ascension. Manuscript profile -
Open Access Article
28 - Reflecting elements of Hormesis school in poems Attar, Moiana, and Hafez
Mahmood taghi poor badr shahin ghasemi farzaneh sorkhiReflecting elements of Hormesis school in poems Attar, Moiana, and Hafez Hermeticism one of the oldest intellectual traditions it is in Iranian mysticism. Which its course through Dhul-Nun of Egyptian, and ibn Arabi To shahabuddin Suhravardi To Iranian poetry and lit MoreReflecting elements of Hormesis school in poems Attar, Moiana, and Hafez Hermeticism one of the oldest intellectual traditions it is in Iranian mysticism. Which its course through Dhul-Nun of Egyptian, and ibn Arabi To shahabuddin Suhravardi To Iranian poetry and literature has been established. Hermes or Hermeticism Philosophy which according to the writings of Hermes Trismegistu is created. Upcoming article with descriptive,analytical method and comparative.The research results show Effort has this capability that the objective and tangible world Man to the abstract world and transmits withinThe acti0ns of these three poets coherence of Hermetic mysticism with iranianMysticism it is in his poem. This approach useful works To improve the quality And a little of human lif brings. This essay has tried in some key topics such as,Klchemy, transformation, Manifestation, Abstraction and…Share the words of three poets. In writing this articie from direct sources such as Divan Attar, Maulawi s spiritual masnavi and Hafez s sonnets, Hermetic books and the Hermetic tradition used. According to this article sir Bin Maieh Hormesi In the poetic works of iraqi style, the result of inclusiveness the general Popularity of poets, in the 5th-9th centuries it has been seen in order of Manuscript profile -
Open Access Article
29 - The Study of Feminine Status in the Works of Simin Daneshvar, Fereshteh Molavai and RaziehTojjar
Shahrooz Jamali Sayedeh Roya SajadiThe perception of social condition derived from the literature and letter can conduct the researchers to achieve an imbibition beyond the formal and prominent viewpoints of society. Being one of the most significant tools in the perception of social status, the literatu MoreThe perception of social condition derived from the literature and letter can conduct the researchers to achieve an imbibition beyond the formal and prominent viewpoints of society. Being one of the most significant tools in the perception of social status, the literature has been analyzed in this study to reveal the social role and status of women; accordingly, three feminine authors have been chosen, i.e. Simin Danshvar; RaziehTojjar and Fereshteh Molaviwhose their works have been studied in this contribution. Women in the works of Daneshvar are assumed to have a more socially active role in comparison to those of other authors. Contrarily, women in Tojar ‘books are believed to be the traditional women with partially persistent dissatisfaction, indicating surrendered wife without any will, power and authorization. More obviously, the independent and single-minded women can be inferred from the works by Daneshvar, having some social roles in addition to those of housekeeping and efforts to improve and modify their status and society. Several socially-oriented women are observed in the works of Molavi, indicating an interstitial social status of women in relation to those by Danashvar and Tojjrar Manuscript profile -
Open Access Article
30 - Molavi’s Artistic Viewpoint of Quran and Hadis in Kolliyaat-e Shams
Badrie GhavamiIn Islamic Theology and Moslem’s Literature, Quran and Hadis are two primary rich and complete sources which poets and writers have inspired from constantly through the history. Molavi is one of the poets of Persian language who has benefited from them in an MoreIn Islamic Theology and Moslem’s Literature, Quran and Hadis are two primary rich and complete sources which poets and writers have inspired from constantly through the history. Molavi is one of the poets of Persian language who has benefited from them in an artistic manner. Artistic selection and picking some verses and prophet’s sayings has made Molavi more successful than other poets in connecting with the audience; this issue has made Molavi’s Ghazaliaate specific and different in comparison with other poet’s Ghazaliaat. Although, this way of application is also observed in Sanaaie’s and Attar’s poem, it has noticeable frequency in kolliyaat-e- Shams and has particular variety there. This means that Molavi has now and then interfered in expressions of verses and prophet’s sayings or their meaning or he has sometimes used verses and prophet’s sayings in a meaning other than their real meaning. Molavi’s particular art lies in the type of entangling these phrases with other words of poems to make compound adjectives and nouns. The writer of this article has investigated some poems of Kolliyaat-e- Shams as a sample here and has shown how the poet has used verses and prophet’s saying and their artistic reflection. This is in order to linguistically artistic landscapes of Molavi’s Ghazals to the audiences. Manuscript profile -
Open Access Article
31 - Molavi 's Lingual Art in Kolliyaat-e- Shams
Badriyah GhavamiThe secret of beauty of Molavi 's Ghazals is to a large extent due to the poet 's language to which innovation and affluence of words and combinations has given a particular appearance. Molavi 's new experiences have caused him to find out various delicacies of language MoreThe secret of beauty of Molavi 's Ghazals is to a large extent due to the poet 's language to which innovation and affluence of words and combinations has given a particular appearance. Molavi 's new experiences have caused him to find out various delicacies of language and via this very realization find an appropriate language for his own poems.This survey is the outcome of a new attitude at Kolliyaat-e- Shams from a lingual viewpoint. An attempt has been made in this article to observe Molavi 's language as far as possible. Language is like other components of poems made of some units: Phonic unit, lexical unit and structural unit. The writer intends in this to observe Molavi 's lexical unit in Kolliyaat-e- Shams.Kolliyaat-e- Shams is unique among Ghazal poets due to extent of dictions. This extensiveness and variety is because of broad range of Molavi 's thoughts and emotions. Molavi 's attention to meaning has affected the application of dictions in a way that informal words and combinations are rare.Particular dictions which are rare in other Ghazal poet 's languages are affluently seen in Divaan-e- Shams. Molavi 's main art is innovating new words. Due to his experiences and based on emotional needs, Molavi has innovated new words and combinations which have not been used before him. Even the structural patterns of some of these words do not follow phonic and structural rules. These very agents not only have no harm to Molavi 's language but also clarify Molavi 's lingual art to the audience. Manuscript profile -
Open Access Article
32 - The Analysis and Comparison of Love in Hafez, Molavi (Rumi), and Ibn Al-Farid`s Works
Azarnoush Gilani Vahid GholamiThe Analysis and comparison of Love in Hafez, Molavi (Rumi), and Ibn al-Farid`s works Abstract: Love is one of the fundamental issues of Mysticism, as without considering it, Mysticism and Transcendent theosophy can not be understood. Love in Mysticism literature has al MoreThe Analysis and comparison of Love in Hafez, Molavi (Rumi), and Ibn al-Farid`s works Abstract: Love is one of the fundamental issues of Mysticism, as without considering it, Mysticism and Transcendent theosophy can not be understood. Love in Mysticism literature has also a great position, so a major part of Mysticism literature is about this issue. in Mysticism literature, specially in Hafez, Molavi (Rumi), and Ibn al-Farid, which are the cases for this research, Love can be studied in two aspects: Virtual Love or Human Love, and Mystic Love or Divine Love. Although experts have different and sometimes contradictory opinions on this, but as we can see in the meaning of these poet`s works, Human Love or Virtual Love is like a bridge to the Divine Love, and the true purpose of them is to attain to the spiritual and transcendental Divine Love, since for these poets the humane beauty and all kinds of beauties in world, is nothing more than the epiphany of Right (God). In this article, by using our references, we try to analysis and comparison Love in Hafez, Molavi (Rumi), and Ibn al-Farid`s works. Manuscript profile -
Open Access Article
33 - A Comparison of the Intertextuality of the Qur'anic Poems of abu al-atahiah and the Molavi About the ways toAscetic
Mohamadjavad koochakyazdi ali nabiolahi One of the literary treasures is poetry, meanwhile, many muslim poets are influenced by the Holy quran, and in their poems they have published the teachings, a comparative study of some of these poets In order to understand their views and the quality of the qura More One of the literary treasures is poetry, meanwhile, many muslim poets are influenced by the Holy quran, and in their poems they have published the teachings, a comparative study of some of these poets In order to understand their views and the quality of the quran's impact on them about strategies for achieving ascetic the purpose of this article is.To do this two Muslim poets namely, Abu al- atahiah as an Arabic-language poet and mawlawi was chosen as a persian poet. At first, ascetic's poems of abu al-atahiah and Molavi were identified Then, using the content analysis method and the term and identifying the verse the poet has chosen the relationship between poetry and the Qur'an was explained, this work was done in three forms of partial negation, general negation and parallel negation based on Kristeva's view. The results of this study showed that the views of these two poets on the ways of achieving asceticism are very broad Things like: Fighting the air of self, emphasizing resurrection, remembering God's constant supervision, and paying attention to the end of the world; among these are the results It is also possible to say the poems of Abu al-atahiah with an ascetic approach is and Multidimensional Molavi Poems and it is mystical. Manuscript profile -
Open Access Article
34 - A comparative study of the outlook of Sanaee and Molavi about the traveling
REZA AGHAYARI ZAHEDin Persian literature, traveling has been proposed in the poems. The spiritual dimension which is known as the internal, spiritual, and inner traveling desire has been originated from the thoughtfulness principal of mystic literature. This journey’s destination is Morein Persian literature, traveling has been proposed in the poems. The spiritual dimension which is known as the internal, spiritual, and inner traveling desire has been originated from the thoughtfulness principal of mystic literature. This journey’s destination is God which finally ends up with decay in God is known as a type of rebirth of the faithful follower (called survival after death). All efforts of the mystics revolve around the guidance of human being to this route. If we investigate the thoughts of the mystics during the pass of centuries, we can come across a thought bond within this relationship. Each poet has emphasized about inner journey in a different way but referring to the same concept. In the present research the thoughts of two great figures in mysticism, Sanaee and Molavi, about traveling . The results showed that both poets have understood their mystic responsibility in a way that they considered themselves responsible to guide human beings to enter the route to know their divine identities. Therefore, they have stressed on inner journey. The obligatory journey of human being has exiled him/her from the divine world into this world and human beings should try to re-enter that world through inner journey. To do so, human being should abandon worldly pleasures and should enter mystic routes with the help of a leader. Regarding this view, we can refer to the ancient pattern of heroic journey to the mystic world Manuscript profile -
Open Access Article
35 - A survey of mystical concept in the poetry of Molavi e Kord
ali fathollahi shamsossadat hosseyniSied Abdo al Rahim Molavi is one of the best and well-known figure in the nation of Kord people so trhat his poem is distinguish with pen name of Mah Adoomi. His positin between caliber and capable Kord people is fixed and it is due to his ability in the realm of Kalam MoreSied Abdo al Rahim Molavi is one of the best and well-known figure in the nation of Kord people so trhat his poem is distinguish with pen name of Mah Adoomi. His positin between caliber and capable Kord people is fixed and it is due to his ability in the realm of Kalam and his work show this and prove his ability in this field of science. His relation and cooperation with the sect of Naghshbandieh is clear and it has been proved. He composed a lot of his poetry in the honore of Seraj aj din and Shikh e Bahai. Most his poetry shows the co-relation between the student and their teacher in the realm of mysticism. His poetry in the language of Persian and Arabic and Kordish crystalize that he had ability in this languages. It could be said that his ritual work and concept are not just his content of poetry but also mystical poetry so that searching and analyzing of this is more important and this is the main point of this paper. Manuscript profile -
Open Access Article
36 - Meaning Layers in the Historical Evolution of Baroque (A Look at Personification of “Pari” in rumi)
Narges Mohammadi Badr Yahya Noorodini AghdamBaroque literature is a 17th century prose genre that has several distinctive characteristics when compared to literary styles of earlier centuries. The baroque era is known for the use of dramatic elements in all art forms, and works of baroque literature are generally MoreBaroque literature is a 17th century prose genre that has several distinctive characteristics when compared to literary styles of earlier centuries. The baroque era is known for the use of dramatic elements in all art forms, and works of baroque literature are generally no exception. Writers of this time period expanded and perfected the uses of allegories with multiple layers of meaning. Smaller-scale metaphors are also frequent trademarks of this genre, and many works of baroque literature focus on humanity's struggle to find deep meaning in existence. A fairy tale is a type of short story that typically features folkloric fantasy characters, such as fairies, goblins, elves, trolls, dwarves, giants, mermaids, or gnomes, and usually magic or enchantments. Fairy tales may be distinguished from other folk narratives such as legends - which generally involve belief in the veracity of the events described - and explicitly moral tales, including beast fables. Fairy (= Pari) is found in oral and in literary form. The history of the fairy tale is particularly difficult to trace because only the literary forms can survive. Two theories of origins have attempted to explain the common elements in fairy tales found spread over continents. One is that a single point of origin generated any given tale, which then spread over the centuries; the other is that such fairy tales stem from common human experience and therefore can appear separately in many different origins. Fairy tales with very similar plots, characters, and motifs are found spread across many different cultures for example Mowlana`s Works, Fairy (pari) is personage whit several means.This Study is about layers of meaning in baroque literature and pairy personage in Qazaliyyat e Mowlana Manuscript profile -
Open Access Article
37 - Secularism in the stories of Rumi’sMathnavi
MirJalaledin Kazzazi Zohre Vafayi FardMasnavi of Rumi is the most valuable moral mystical work of Persian literature which seeks to teach the real life and show peoplethe way ofbeing happy. Although the emphasis in this book is on the ultimate perfection of human and creation resource, but in a mutual relat MoreMasnavi of Rumi is the most valuable moral mystical work of Persian literature which seeks to teach the real life and show peoplethe way ofbeing happy. Although the emphasis in this book is on the ultimate perfection of human and creation resource, but in a mutual relationship,it quests for the good life in this world. The subject of this research is that the world and its manifestationshow and from what perspective have beenrepresented in this work. For this purpose, classifying the stories that have secularism components, we investigated the concepts and segmented them on the basis of the considered measures.It also attempts to examine how and why Rumishows tendencies to the world. So doing, after explaining the concept of secularism, all lines of Rumi's Mathnavi in several important areas of the manifestations of secularism,that is,wisdom, tolerance, avoiding prejudices based on morality and notthinking of heavenly reward and avoidance of blind imitation have been investigated and those stories which have explored the idea have beenmademore prominent with the aimof clarifying Maulana’s look at the world and its manifestations. As a result, we found that Maulana validatedworld because it is the way to heaven andperfection, but contrary to the many of reaserchers, Mulana has no negative point view to the world, but he emphasizing on making use of them,directly and indirectly described in the storiescontaining four hundred bits, all areas of secularismto reach the ultimate goal of creation. Manuscript profile -
Open Access Article
38 - What could we learn from Shams-e Tabrizi even today?
Rahman MoshtaghmehrShams-e Tabrizi is still one of the unknown figures in the history of Iran-Islamic mysticism. A crucial part of our knowledge of him is due to Molana, who believes that he owes his poetry and mysticism and the meanings of his works to him. Nevertheless, Shams himself ha MoreShams-e Tabrizi is still one of the unknown figures in the history of Iran-Islamic mysticism. A crucial part of our knowledge of him is due to Molana, who believes that he owes his poetry and mysticism and the meanings of his works to him. Nevertheless, Shams himself has some sayings that are collected in his “Maqalat.” This paper has originated from the very “Maqalat” and his direct sayings. There has been an attempt to present his views in a slightly systematic way on important issues such as God, the unity of religions, The mission of the prophets and “Sharia’”, following, a knowledge of the self, collection of inward and outward attitudes, independence and the rejection of imitation, talent and necessary qualifications for guidance and education, politeness and generous spirit, viewing the truth from different perspective and the mirror of death to be presented formally. Shamas because of putting emphasis on the independence of thought and avoid duplication, has different personal view regarding these issues; therefore, today we could learn this type of thinking as well as his positive doctrines from Shams. Manuscript profile -
Open Access Article
39 - Partiality in Molavi's Masnavi Based on the Theory of Ethics of Care
Mohammad Yavari Zeinab RahmanianEthics of care is a new ethical theory that has been defined based on the principles of care and responsibility, which was first proposed by Carol Gilligan in contrast to traditional ethics. In this theory, she used Laurence Kohlberg's method to the development of child MoreEthics of care is a new ethical theory that has been defined based on the principles of care and responsibility, which was first proposed by Carol Gilligan in contrast to traditional ethics. In this theory, she used Laurence Kohlberg's method to the development of children's moral judgment and based it on the three elements of partiality, bias, and emotionalism. In a way that she rejects the traditional ethics of obligation and consequentialism and considers it imperfect and patriarchal. In this article, by descriptive-analytical method and through explaining the theory of ethics of care, partiality of Molavi's principles of moral judgment in Masnavi have been studied. By contemplation on Molavi's poems and stories, it was concluded that this moral mystic, with his religious and mystical ideology rooted in Islamic teachings, has established a moral balance between reason and emotion and has brought the theory of ethics of care into his words. He has gone beyond gender and time and has referred to the most detailed moral principles such as hypocrisy, rape, absenteeism, corruption, hypocrisy, imitation and etc. and has judged the consequences of non-observance of these principles. His main audiences in this category are the political pillars of the government, scholars and jurists, poets, praisers and clowns, the general public, the misunderstood, the Sufis, the false ascetics, and the false personalities who are most frequent in the false Sufi and Zahedan classes and Maulana Criticizes hypocrisy and corruption. Manuscript profile -
Open Access Article
40 - Listen to the Nice Melody of the World Constituents (The Ascetic Analysis of Prayer from Molavi viewpoint)
atamohammad RadmaneshPrayeristhe foundation of religion and the nearest way to approach Allah. Saying prayers with great attention results in the achievement of treasures of secret and divine realities and consequently to the everlasting beloved. Prayer is the best and the most effective de MorePrayeristhe foundation of religion and the nearest way to approach Allah. Saying prayers with great attention results in the achievement of treasures of secret and divine realities and consequently to the everlasting beloved. Prayer is the best and the most effective device to fight against Satan and its deceits. It is the predictor of man and causes him to be relieved from the jaws of the devil of self. It renews the first servitude contract between man and his God. This percept that Prophet Mohammad has called it his “eye sight”- has such a position that saying even two units of it is superior to the entire world and its preferences and leaving it results in the destruction of religion. Molavi, who is one of the most famous eloquent Gnostic speakers, considers an external and an internal appearance for prayers that the person who says the prayers, depending on his own capabilities and the extent he understands its reality can achieve the goal of prayer and approach Allah. He considers the prayer said with love to be superior to the prayer said with asceticism, because while ascetic approaches his beloved very slowly and with his physical foot. The Gnostic man paves this way through love wings and gets closer and closer to his beloved. He considers cleaning the self from preventive thoughts and the idols of carnal desires as a necessity for passing exaltation way, and based on holy verses, he believes that not only human beings and angels, but also animals, plants, and things all praise Allah, however, one need to possess heart ears to be able to hear such a nice melody. This research has investigated the ascetic appearance of prayer in the poems of Molavi based on Masnavi and according to verses of holy Quran, and honorable traditions. Moreover, the speech of ascetic people and especially those of the followers of Molavi have been referred to. Manuscript profile -
Open Access Article
41 - The aspects of teaching in humorous writing of Molavi's Mathnavi
mohammadreza SakiMolana Jalaledin Mohammad Molavi is one of the mystics and great men of this land. He has composed the precious book of Mathnavi for teaching and education of his followers. In this books sometimes we come across with the worst type of humorous writing. This way of writ MoreMolana Jalaledin Mohammad Molavi is one of the mystics and great men of this land. He has composed the precious book of Mathnavi for teaching and education of his followers. In this books sometimes we come across with the worst type of humorous writing. This way of writing caused many researchers reproach him for these expressions and claim that Molavi not to be allowed to use such a humorous writings. In this research paper, first we try to define humorous writing and irony from different researchers' perspectives and then stress that Molana only use them in teaching and education of ethical and mystical points. Manuscript profile -
Open Access Article
42 - Happiness-orientation and its Didactic aspects in Ghazals of Shams
ali dehghan javad SedighiHappiness is a mental and internal phenomenon and has an active role and presence in human’s individual and social life. Therefore it has been glorified in Islamic mysticism and religion. Didactic views of happiness are considered as the most important roles of i MoreHappiness is a mental and internal phenomenon and has an active role and presence in human’s individual and social life. Therefore it has been glorified in Islamic mysticism and religion. Didactic views of happiness are considered as the most important roles of it in mysticism. Theghazals of Jalalu’d-Din Muhammad MolaviBalkhi – named as “Shams-i-TabriziGhazals”- are in a high importance and dignity according to the amount of happiness subject usage in it. This paper tries to study happiness-orientation factors and symptoms after defining happiness especially from the mystic and didactic view. The study and survey of Molana’sgazals demonstrates that he was a happiness-orientated poet and has used the features of the didactic applications of happiness to convey his mystic thoughts in a great deal. Manuscript profile -
Open Access Article
43 - The Influence of Molavi’s Masnavi on Valadnāmeh
امیدوار مالملی Masnavi-e Valadnāmeh, composed by Soltān Valad, is about mystical truths, Quranic commentary, ethical truths, fables, kennings as well as inner states of mystics like Molānā Jalāl Al-Din, Borhan Al-Din Mohagegh, Shamse Tabrizi and Salāh Al-Din Zarkoob. Valadnām More Masnavi-e Valadnāmeh, composed by Soltān Valad, is about mystical truths, Quranic commentary, ethical truths, fables, kennings as well as inner states of mystics like Molānā Jalāl Al-Din, Borhan Al-Din Mohagegh, Shamse Tabrizi and Salāh Al-Din Zarkoob. Valadnāmeh, containing up to 10000 verses, was composed by Soltān Valad in 690 A.D. Soltān Valad was Molānā Jalāl Al-Din’s eldest son, well familiarized with his father’s ways of teaching. Therefore, studing Valadnāmeh for better understanding and interpreting of Masnavi is necessary. The influence of Masnavi on Valadnameh is examined in this article. Manuscript profile -
Open Access Article
44 - Imam Ali in Molavi’s Masnavi
رقیه نیساری تبریزی There is a kind benevolence as well as affection concerning Imam Ali in Molavi’s Masnavi. The present article displays the portrait of Imam Ali through quotations from him. In his poems, especially in Masnavi, Molavi quotes from Imam Ali’s h More There is a kind benevolence as well as affection concerning Imam Ali in Molavi’s Masnavi. The present article displays the portrait of Imam Ali through quotations from him. In his poems, especially in Masnavi, Molavi quotes from Imam Ali’s hadiths and excerpts of his life story. This is not for reference purpose, but rather it is suggestive of an expression of reverence and admiration towards him. Moreover, in these poems, Molavi’s point of view and his mystical ideas can be traced. Manuscript profile
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