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Open Access Article
1 - Comparative Analysis of Simile in Wisdom Poems of Boostan and Motanabbi,s songs
mohammad benam far majid khosravi Abstract Simile is one of the most obvious and fundamental ways of expression that has a major role in imagination and effect of poet’s speech. In this article in a descriptive – analysis and comparative method, similes have been surveyed in theosophic More Abstract Simile is one of the most obvious and fundamental ways of expression that has a major role in imagination and effect of poet’s speech. In this article in a descriptive – analysis and comparative method, similes have been surveyed in theosophical poems of Boostan and Motanabbi’s theosophical poems from different aspects such as: mutual of simile, perceptual simile and conceptual simile, singular and compound, point of resemblance and … and statistical analysis of them is presented. The results of research reveal that, Saadi and Motanabbi, have used different types of similes including: singular, compound, absolute simile, implicit simile, shortened simile, emphatic simile and …, but in the application of simile they are statistically different. As among 311 images that were extracted from theosophical verses of Boostan, 97 of them were similes (%31) and among 112 images that were extracted from theosophical verses of Motanabbi 43 were similes (%38) and this fact shows that Motanabbi,s power or trend to simile is more than Saadi. The second result is that Saadi,s similes are often singular, shortened and obvious, but Motanabbi,s similes are compound, implicit and complicated. Manuscript profile -
Open Access Article
2 - Investigating the effectiveness of Soltani's fatutnameh style from the style of Golestan and Saadi's prose treatises with the approach of Quranic verses based on the theory of intertextuality
Najmiyeh Karimi Hossein Azarpivand Gholamreza TamimitavandashtiFatwat or chivalry is a social movement and spiritual impulse in the culture of ancient Iran, which has been mixed with the Quranic culture and the foundations of the Muhammadan Sharia (PBUH) since the introduction of the religion of Islam to the vast geography of Iran, MoreFatwat or chivalry is a social movement and spiritual impulse in the culture of ancient Iran, which has been mixed with the Quranic culture and the foundations of the Muhammadan Sharia (PBUH) since the introduction of the religion of Islam to the vast geography of Iran, and has been widespread among the masses of the people of that time. This research, using the method of qualitative content analysis and referring to valid library documents, investigated the effectiveness of the style of Soltani's fatut-nameh from the style of Golestan and Saadi's epistles, based on the theory of intertextuality, and reached the following results: Soltani's fatut-nameh It has been most influenced by the luminous verses and blessed surahs of the Holy Quran and the works of Saadi Shirazi. Waez Kashfi has embellished the Quranic teachings and the basics of Islamic mysticism in the style of prose mixed with order and masterful imitation of the authorities of Hariri, Badiul Zaman and Saadi Shirazi. Because emotional states make people's character and the poet, like other members of the society, is influenced by emotional states and feelings and emotions, and his artistic personality, which is actually his style, is developed in this way. So, if two or more poets lived in a certain geography at the same time and wrote poetry, it cannot necessarily be said that they have the same style. Manuscript profile -
Open Access Article
3 - Anthropology and Characterization of Personality in Sa'adi Golestan Fables
Ebrahim zaheri abdevand Parastoo karimiThe purpose of this study was to investigate the subject of portraiture and portraiture in Golestan anecdotes using a descriptive-analytic method. On the anthropological point of view, Saadi has put forward and critiqued various philosophical, mystical, romantic and edu MoreThe purpose of this study was to investigate the subject of portraiture and portraiture in Golestan anecdotes using a descriptive-analytic method. On the anthropological point of view, Saadi has put forward and critiqued various philosophical, mystical, romantic and educational views. Saadi believes that one cannot always judge the intrinsic attributes of a person through physical appearance or judge them only on the basis of a masked face, because human personality becomes complicated by education. That is simply not recognizable. For him, anthropology or frost means understanding one's personality through nonverbal actions or communication. In terms of portraiture, in the Golestan anecdotes, the characters have three physical, overlapping, and psychological figures, each of which is valued in a significant way. Extravagant and physical portrayal represent the social and cultural status of the characters and how they are valued, and are portrayed within the characters through psychological portrayal. In terms of function and transmission of the theme, Saadi indirectly reveals the characters' personalities to the reader through actions such as standing, competing, empowering and demanding, and arousing their hatred or admiration by creating emotional connection. The order, in turn, has guided their thinking about the subject. Manuscript profile -
Open Access Article
4 - Analysis of allegory and allegorical metaphor in Saadi'
ghseem،Nazanin،Masoud Sahrai،Sepahvandi،BaharvandAllegorical metaphor, which is considered as one of allegorical types , is one of the main topics of rhetoric and controversial topic that has always turned the minds of rhetoricans to conduct research in this area, so today the research process in this area has became MoreAllegorical metaphor, which is considered as one of allegorical types , is one of the main topics of rhetoric and controversial topic that has always turned the minds of rhetoricans to conduct research in this area, so today the research process in this area has became more active and extensive and the research shows that the allegorical metaphor, as one of the most expressive type of metaphors considered to be compound imagery, is mixed with other literary subjects , so in some rhetorical books, allegorical metaphor and allegory , which means assimilation and comparison one thing with another as one thing because the allegory is an extended metaphor . Allegorical metaphor , which is one of the most useful rhetorical tools in Saadi's poetry , has been used on different occasions and in different ways to convey the message. In this research, while defining and explaining allegory and allegorical metaphor , we have selected verses from Saadi's Sonnets and analyzed them , which shows that Saadi used allegory and its types in this poetry, but the use of allegorical metaphor is less frequent than other types of allegory. Manuscript profile -
Open Access Article
5 - Investigating the Commonalities of Mystical Compulsion and Al-Ash'ari Compulsion in Koliyat Saadi (Complete Works of Saadi))
Anvar Ziaii Aiyoub Koushan Ali DehghanOne of the most important issues that has occupied people's minds is the issue of determinism. Saadi, who spent many years studying and getting pensions in Al-Nizamiyya of Baghdad, had deep mystical orientation and was impressed by the ideas of the Suhrawardiyah doctrin MoreOne of the most important issues that has occupied people's minds is the issue of determinism. Saadi, who spent many years studying and getting pensions in Al-Nizamiyya of Baghdad, had deep mystical orientation and was impressed by the ideas of the Suhrawardiyah doctrine. This led to a change in Saadi's beliefs about compulsion and his point of view tended more toward mystical compulsion rather than verbal compulsion. The question of this research is whether there are any commonalities between the obvious aspects compulsion arising from Saadi's mysticism and the compulsion arising from Sa'adi's verbal disposition. The research method used in this research was descriptive-analytical. The results showed high frequency of commonalities in the subjects of mystical compulsion and Ash'arist compulsion in Koliyat Saadi (Complete Works of Saadi). Manuscript profile -
Open Access Article
6 - A comparative study of mystical themes and themes in Hamidi and Golestan Saadi
Hediya Khenafere Mansoureh Tadayoni Masoud Pakdel Farzaneh RahmanianThe authorities of Hamidi and Golestan Saadi are very important books in Persian literature in different periods, whose structural and content similarities allow a comparative study of that period from different perspectives. In this article, which is organized in a des MoreThe authorities of Hamidi and Golestan Saadi are very important books in Persian literature in different periods, whose structural and content similarities allow a comparative study of that period from different perspectives. In this article, which is organized in a descriptive-analytical way, by using content analysis, the mystical themes and themes of these two books have been considered and their comparative study has been done, and their similarities and differences have been stated. By choosing the format of the story and using the principles of storytelling, Hamidi and Saadi have tried to show their writing skills and motivate the reader to read their work. These two writers, while creating art in literary and fictional choices, incorporate traces of mysticism and realize the similarities of mystical concepts, themes and themes in the scenes of these stories and the influence of spiritual, moral, mystical and literary atmosphere on the characters. The difference is that in Golestan, the mystical color is more in line with Hamidi's authorities. In the authorities alone, there is an obvious authority in Sufism. Manuscript profile -
Open Access Article
7 - بررسی سبکشناختیِ غزلیاتِ سعدی شیرازی در زنده انگاری عناصر طبیعت
Touran Ziamotlag manizhe fallahi reza fahimiAbstractimportant critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. MoreAbstractimportant critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. Animation is from the perspective of the life of the mosque, and in this belief, the mosques understand their existence, the creator and the cause of the world outside themselves and praise God. Saadi's ghazliat has the ability to analyse the physiology of nature's poetry. The results of this set show that, at the Avi level, Saadi, aviary elements, besides beauty and absorption of the mind, in listening to poetry music, it allows the audience to relate the concept. At a combined level, the application of unique compositions, nature, and dynamics of the combined functions of the abyss in terms of language, life, and unanimity, and the meaning is similar to the writing form, highlighted and significant impact on the audience. At a literary level, the use of linguistic illustrations such as the metaphorical image, symbol, concept of nature, the cause of the creation of expressions, images and participation of the audience has been placed on the active side of the text equation. Revival in words: May the wind, plants, mountains and heavenly crimes be greater. Writers, with an analytical way of describing the cognitive style of the concept of life in Saadi Ghazliat,Keywords: Styling, Life Nature, Ghazlia, Saadi. Manuscript profile -
Open Access Article
8 - Nature in Saadi’s Though
Halale Amini Sara MahmoudiThe poet Saadi called Spring. As far as the frequency of the elements in his works as a style attribute accordingly. Saadi naturalism is often due to the nature and spirit of young and enthusiastic and he knew Khvshbashy. But this ignores that Saadi elements of nature a MoreThe poet Saadi called Spring. As far as the frequency of the elements in his works as a style attribute accordingly. Saadi naturalism is often due to the nature and spirit of young and enthusiastic and he knew Khvshbashy. But this ignores that Saadi elements of nature as a means to express their great ideas to serve to stay this way in the minds of the audience. This article is extracted and examined metaphors from nature. And its results showed that the use of these elements aim Saadi not only inculcate the spirit of greetings and young people in the audience, but is forever immortalized his name. Saadi with the help of the ideas that seek to explain the elements of nature in general in their work are: love, advice and self-glory. In this study, the fresher ideas expressed in the form of anthropomorphism probably been informed. Manuscript profile -
Open Access Article
9 - Cognitive semantics experience love in Sa'di's Golestan
Masoume MonteshlooOne of the new schools in the field of linguistics, cognitive linguistics, which examines the relationship between human language, his mind, he pays physical and social experiences. The beliefs of the followers of this school is that of language, thought patterns and re MoreOne of the new schools in the field of linguistics, cognitive linguistics, which examines the relationship between human language, his mind, he pays physical and social experiences. The beliefs of the followers of this school is that of language, thought patterns and reflects the characteristics of the human mind. The study of language is the study of mental models spokesman. Discussion image schemas is interseting infrastructure in the studies of cognitive semantics. Human experience of the outside world, making creates in her infrastructure of mind that they convey in their own language To express abstract concepts in the form of their. This image schemas have the same conceptual structures. In this paper we examine the cognitive concept of "love" as one of the main aspects of thinking Saadi in Golestan be addressed. The Prime definitions and descriptions Saadi About Love were produced in the framework of the image schemas, path schema, Force schema meaning the motion and it was through content analysis. As a result, it was: Saadi v schema metaphor to express the concept of "love is sea", the schema of motion to express "Love is Travel" and the scheme of power to express "love is king" is used. And the requirements for it to be able to love and understand the objective phenomena. Manuscript profile -
Open Access Article
10 - The L.N.P Usage in Golestan Saadi's Anecdotes with an Emphasis on the Swish Pattern
Mousa Zare Kobra Nodehi Mohammad Ali KhaledianThe switch model was first introduced in 1985 by Richard Bandler (Psychologist) and John Grinder (Linguist), the founders of the L.N.P field. According to this model, pleasant and purposeful behaviors are replaced by unpleasant, forced, and unwanted behaviors with the h MoreThe switch model was first introduced in 1985 by Richard Bandler (Psychologist) and John Grinder (Linguist), the founders of the L.N.P field. According to this model, pleasant and purposeful behaviors are replaced by unpleasant, forced, and unwanted behaviors with the help of internal resources. Among the great poets and writers of Persian literature aligned with this method of treatment, Saadi is an experienced and practical teacher who, in Golestan, by applying the model of immediate displacement, replaces unpleasant and inhibiting behaviors with pleasant and joyful behaviors with the help of internal resources. The purpose of this research, which has analyzed all chapters of Golestan with analytical and descriptive methods, is to use the L.N.P in Golestan Saadi's anecdotes with an emphasis on the Swish pattern. The hypothesis emphasizes the issue that everyone has the necessary and sufficient resources to create pleasant images and the results they are looking for and can take action from internal resources to produce positive and uplifting images by accurately knowing the aggressive and disturbing stimuli. With this aim, the results of the findings in Golestan showed that effectively confronting the trap and freeing the mind from the captivity of invasive images can be the reason for the emergence of good ideas and the development of pleasant feelings in the mind, and as a result, it will be an effective reason to prevent its spread to others. Also, this powerful encounter will bring vitality, vitality, and lasting self-esteem. Manuscript profile -
Open Access Article
11 - Considering the common proverbs in the Saadi’s district of Shiraz and their equivalents
Farzaneh Fahandej Saadi Maryam Zibaeenejad Maryam KohansaalThese proverbs were gathered through library-field method with descriptive approach. Since, in this method, in addition to identifying and classifying the proverbs, their etymology and how they formed are studied, likewise, to be sure of “speaker’s purpose&r MoreThese proverbs were gathered through library-field method with descriptive approach. Since, in this method, in addition to identifying and classifying the proverbs, their etymology and how they formed are studied, likewise, to be sure of “speaker’s purpose” when saying the proverbs especially about their “second meaning” public opinion poll was done. The goal of this study is to introduce the proverbs of people in this historical place; moreover, the root, equivalent and the meaning of some proverbs are to be considered and the final goal is to register and to keep them. Similarly, the results of the study show that most of the proverbs of the people of this district are “satirical” and some of them are “irony” and people made most of the proverbs based on the daily life, experiences, events especially which happened to the elders and often use by them as an advice. Moreover, they changed some of these proverbs according to their thought, in a way that firstly, it seems to be no equivalents for them but after researching, it specified some of these proverbs are the same as those have also been existed in the statements of the notable in the Persian literature. Furthermore, some other proverbs, exclusively belong to the Saadi’s district of Shiraz and we can’t find any equivalent for them in the books or speeches of the other regions. Manuscript profile -
Open Access Article
12 - Examining Didactic Ideas in the Book "Riyaz al-Khlood" by Mulla Abu Bakr, Author of Chori (an Unknown Imitative Work from Golestan Saadi)
Faroogh Nemati Hadi YousefiMulla Abu Bakr, the author of Chori, is one of the writers and scholars of the 11th century of Hijri who has written precious works and compositions in various religious and literary fields. The book of Riaz al-Khalood is a didactic -moral work in Persian language which MoreMulla Abu Bakr, the author of Chori, is one of the writers and scholars of the 11th century of Hijri who has written precious works and compositions in various religious and literary fields. The book of Riaz al-Khalood is a didactic -moral work in Persian language which is considered as one of the most important works of the author. This book that contains many moral and didactic themes is written in imitation of Golestan Saadi and is written in eight chapters through which the author has expressed the most obvious didactic categories sometimes in verse and sometimes in prose. The author has achieved this through following the style and moral approach of Saadi in Golestan, or through pointing out some of the good traits and warning against some reprehensible traits. By doing so, the author of Chori has been able to compose an original and remarkable work in the field of Persian didactic literature and play his role in to show the title of an ethics teacher in his course. Paying attention to the words of ancient Iranian elders, using proverbs, anecdotes, etc. is one of the ways that the author of the book has expressed thye didactic themes. In the meantime, reciting poems in Persian and Arabic is one of the most important tools of Mulla Abu Bakr Musnaf in the book Riyad al-Khulood which contains moral and didactic meanings. This article, with a general review of the book "Riyaz al-Kholood" and its structure, has employed an analytical-descriptive method to analyse the data. Manuscript profile -
Open Access Article
13 - Analysis of the Manifestations of Self-Actualized Personality in Saadi's Bustan and Gulistan with a Comparative Approach to Carl Rogers's Theory
sayede fatemeh mozafarpour khoshroudi Nahid Akbari Hosein Ali PashaIn the second half of the twentieth century, the school of "humanism" emerged and the effort to raise the level of human self-awareness and discover the capabilities of modern human beings became the goal of this school. One of the proponents and theorists of this schoo MoreIn the second half of the twentieth century, the school of "humanism" emerged and the effort to raise the level of human self-awareness and discover the capabilities of modern human beings became the goal of this school. One of the proponents and theorists of this school was Carl Rogers. He chose characteristics for people on the path of growth and prosperity. Among the sophisticated and great men of Persian literature, Saadi has faced various social problems during his lifetime. In the form of anecdotes and fictional characters, he introduces strategies for man to achieve salvation. In this study, the characters of Saadi's Bustan and Golestan (his two important and valuable works) have been studied according to Rogers's model of self-fulfilling human being and have been adapted according to his view points. In this study, the authors have reviewed the characters of Gulistan and Bustan anecdotes from the perspective of humanistic psychology based on Rogers’s self-actualization model. The results of studies show that in these two valuable educational works, which are the result of Saadi's psychic and spiritual journey, personalities from various walks of life, including scholar, mystic, eremite, lord, and the wife of a mendicant man, have played influential roles. By accepting the difficulties of life, creativity, and free will in making decisions according to Rogers’s theory, they have been able to achieve self-awareness and human perfection. Manuscript profile -
Open Access Article
14 - Examining the pictorial schemas of envy and longing in Bostan Saadi
Mastureh Dadvarkashani Sayyed Hamed Mousavi jervekaniAfter presenting theoretical discussions about image schemas - which is proposed in the field of cognitive semantics - the present research seeks to find the answer to this basic question; namely, what shceme image Saadi has employed in explaining the two categories of MoreAfter presenting theoretical discussions about image schemas - which is proposed in the field of cognitive semantics - the present research seeks to find the answer to this basic question; namely, what shceme image Saadi has employed in explaining the two categories of envoy and longing and secondly, what is his purpose of using image schemas for these two moral vices? The result of the present study showed that the Sheikh of Shiraz used these two morally objectionable adjectives in his Bostan under the volumetric and non-volumetric schemas and sometimes a combination of schemas. Based on this analysis, the unpleasant character of envy causes many negative effects for the envious person, one of which is longing. For this very reason, these two categories have been emphasized in the present research. The results of the research show that Saadi used two schemes of power and volume for envy. However, envy has a volume pattern everywhere in the Bostan. By studying the statistical graphs of this article, it appears that the frequency of schemas of longing is higher than that of envy. Therefore, Saadi instead of paying attention to the powe of envy, concentretes on its result; namely, longing. Eventually, a person should avoid envy so as not to be caught by its results. In other words, Saadi explains the necessity of avoiding envy by stating its inevitable results. It should be mentioned that no research has been done with this particular approach regarding the Bostan. Finally, the research method is analytical-descriptive. Manuscript profile -
Open Access Article
15 - The L.N.P Usage in Golestan Saadi's Anecdotes with an Emphasis on the Swish Pattern
Mousa Zare Kobra Nodehi Mohammad Ali KhaledyanThe Swish pattern was first introduced in 1985 by Richard Bandler (Psychologist) and John Grinder (Linguist), the founders of the L.N.P field. According to this model, pleasant and purposeful behaviors are replaced by unpleasant, forced, and unwanted behaviors with the MoreThe Swish pattern was first introduced in 1985 by Richard Bandler (Psychologist) and John Grinder (Linguist), the founders of the L.N.P field. According to this model, pleasant and purposeful behaviors are replaced by unpleasant, forced, and unwanted behaviors with the help of internal resources. Among the great poets and writers of Persian literature aligned with this method of treatment, Saadi is an experienced and practical teacher who, in Golestan, by applying the model of immediate displacement, replaces unpleasant and inhibiting behaviors with pleasant and joyful behaviors with the help of internal resources. The purpose of this research, which has analyzed all chapters of Golestan with analytical and descriptive methods, is to use the L.N.P in Golestan Saadi's anecdotes with an emphasis on the Swish pattern. The hypothesis emphasizes the issue that everyone has the necessary and sufficient resources to create pleasant images and the results they are looking for and can take action from internal resources to produce positive and uplifting images by accurately knowing the aggressive and disturbing stimuli. With this aim, the results of the findings in Golestan showed that effectively confronting the trap and freeing the mind from the captivity of invasive images can be the reason for the emergence of good ideas and the development of pleasant feelings in the mind, and as a result, it will be an effective reason to prevent its spread to others. Also, this powerful encounter will bring vitality, liveliness, and stable self-esteem. Manuscript profile
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