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Open Access Article
1 - Comparative study of the three axes of Gerard Genet intertextuality with the theory of Islamic rhetoric in the gardens of lights by Mohammad Sadegh Ghomshami
Mahin Farahmand Seyyed Mahmoud Seyed Sadeghi Shams Al-Hajiyeh Ahmadi roknabadi Intertextual links are one of the new approaches in the reading and critique of texts in the theory of genetic transmutation. According to this approach, no text is independent of other texts and each text is an intertext derived from previous texts that will be p More Intertextual links are one of the new approaches in the reading and critique of texts in the theory of genetic transmutation. According to this approach, no text is independent of other texts and each text is an intertext derived from previous texts that will be present in later texts. Gerard Genet, one of the theorists in the field of intertextual links, formulated his theory of transtextuality in five axes, one of which is the intertextuality axis. He has divided intertextuality into three types: intertextual connection, explicit-intentional, covert-intentional and implicit, and has also defined and limited the conceptual scope of each of these interpretations. Relying on a descriptive-analytical method, this study comparatively examines the intertextual aspects of genet with the theory of Islamic rhetoric in the treatise of Hadayegh Al-Anwar by Mohammad Sadegh Qomshami. Accordingly, the types of explicit-intentional, covert-intentional and implicit intertextuals and their comparative aspects in Islamic rhetoric, including proverbs, allusions, adaptations, allegories, allusions, guarantees, resolutions and contracts, are examined in this text. One of the objectives of this research is to study the use of previous texts based on the theory of genet and their adaptation to the theory of Islamic rhetoric. The result of the research indicates that the most common type of intertextuality is implicit intertextuality and in accordance with Islamic rhetoric, it is a kind of allusion. After that, hidden-intentional intertextuality has the highest frequency. Qomshami art in how to use the previous texts and use the intertextual element and create an original and innovative connection between the previous texts and the present text has artistically attracted and convinced the audience. Manuscript profile -
Open Access Article
2 - Investigation and reflection of social issues in contemporary poetry based on Hossein Manzavi's ghazals
Zainab Watankhah Seyyed Mahmoud Seyed Sadeghi Maryam Parhizkari Lyrical literature is the oldest type of literature in which the poet displays his existential truth and expresses his personal feelings towards life and society, in such a way that social realities and society can be objectively reflected in a detailed and limi More Lyrical literature is the oldest type of literature in which the poet displays his existential truth and expresses his personal feelings towards life and society, in such a way that social realities and society can be objectively reflected in a detailed and limited way. He saw literary works. The purpose of studying societies in poetry is to analyze the social concerns and issues of that period. Hossein Manzavi is one of the greatest ghazal writers of the present era, who is famous for his romantic ghazal; the subject of his sonnets is mostly about love, yet he has addressed social and political issues in his sonnets. The lover in the isolated sonnet has taken on a different face and this indicates the poet's different attitude towards the subject of love. Manzavi has a personal and special style in his descriptions, which distinguishes his poetry from other contemporary poets. In his lyrical compositions, different and dual themes can be seen around lyrical, social and religious topics and issues. In this research, the author is trying to analyze the social and related issues in isolated sonnets with descriptive-analytical method and library tools and to answer the question, what are the most important social issues used in isolated sonnets? The result of the research indicates that the poet was able to create a new language to express love in such a way that this distinction and duality of approach can be seen in his romantic sonnets. Manuscript profile -
Open Access Article
3 - Discourse and postmodern elements in the poems of Seyed Mehdi Mousavi
Zainab Watankhah Seyyed Mahmoud Seyed Sadeghi Maryam Parhizkari Persian classical poetry, especially lyric , in continuation of its evolution, after the constitutional revolution and after the intellectual domination of the Nimaei current, has witnessed various areas and currents, one of which is mainly under the banner of tod More Persian classical poetry, especially lyric , in continuation of its evolution, after the constitutional revolution and after the intellectual domination of the Nimaei current, has witnessed various areas and currents, one of which is mainly under the banner of today's lyric or new lyric or neoclassical poetry. Be. In the 1970s, a fledgling movement based on the idea of Western postmodernism created an atmosphere known as form poetry or avant-garde. Which in its nature had a kind of conflict with the known criteria of the literary tradition. Seyyed Mehdi Mousavi, the leading poet of this movement, became the flagship of this style with the publication of the book "fereshtaha kodkosh kardand". This article seeks to analyze the discourse of this idea and the linguistic and content characteristics and approaches of Mousavi's poems.The method of the present research is qualitative and descriptive. In this research, the mentioned poems have been examined and the findings of the research show: The idea of postmodernism, which showed itself in literature, was initially faced by the poems of the poets Nosora and SepidgooBut with effort Mousavi and the choice of rhythmic and maqfi poetry has been able to open its way.The next finding shows that linguistic, syntactic, moral and attention to language deconstructions are evident in Mousavi's poetry. Manuscript profile
List of Articles . Seyyed Mahmoud Seyed Sadeghi
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