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List of Articles
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Open Access Article
1 - Comparative study of the transcendental concept of "demon" in Ferdowsi's Shahnameh and Hadith Sanai
Reza Moradian Dr. Khorshid Norouzi Dr. Khadijeh Bahrami RahnamaShahnameh and Hadiqah, as two important literary works in two different epic and mystical subjects, have many similarities. One of the similarities between the two is the transcendental concepts of demon, which are used in both works, and cause these two works to have a MoreShahnameh and Hadiqah, as two important literary works in two different epic and mystical subjects, have many similarities. One of the similarities between the two is the transcendental concepts of demon, which are used in both works, and cause these two works to have a special affinity in terms of aspect. Transcendental principles and themes and surreal ideas can be traced back to the mythological beliefs, religious beliefs and intellectual traditions of the time and even mystical ideas. The objective manifestations of the demon are based on mythological beliefs that have sometimes been used to symbolize Ferdowsi. The word demon was common in Iranian culture before Islam and changed after the advent of Islam and gave way to jinn. In this research, which is descriptive-analytical and with a library method; The supernatural concept of demon has been criticized in Shahnameh as the most important epic work and Hadiqah al-Haqiqah as the foremost official mystical work by mentioning evidences and comparing their frequency. This research shows that in Shahnameh, the demon has lost its previous position and the authority of the court and the influence they have had in existence has been drastically reduced and they have approached a lower position. While Sanai emphasizes its mystical aspects; Sometimes he uses it in the sense of jinn and sometimes in the sense of inner devil; In some cases, he thinks the same as the meaning of the devil, and sometimes, by using it metaphorically, he opens the door to interpretation and interpretation to this concept. Manuscript profile -
Open Access Article
2 - A Comparative Study and Comparison of the Symbol from the Perspective of Ambiguity in the Poetry of Salman Herati, Seyed Hassan Hosseini and Tahereh Saffarzadeh
Jafar Mohammadi Dr.Arash Moshfaghi Dr.Aziz Hajjaji khjwazFrom the point of view of rhetorical sciences, the symbol is a word, phrase, or sentence that, in addition to its apparent meaning, induces a wide range of semantic meanings for the reader. The expression of mystical ambiguous ideas and the indirect reflection of politi MoreFrom the point of view of rhetorical sciences, the symbol is a word, phrase, or sentence that, in addition to its apparent meaning, induces a wide range of semantic meanings for the reader. The expression of mystical ambiguous ideas and the indirect reflection of political and social ideas in a symbolic form have caused a special emergence of the symbol in the Persian poetic discourse. In contemporary literature, in addition to the above-mentioned factors, the emergence of schools that have a special ambiguity increases the attention to symbolism. From this study, the symbols of contemporary poetry are the unraveling of the ambiguity that rules them. In this research, which has been done in an analytical-descriptive way and library method, the symbols symbolized in the city of Herati, Hosseini and Saffarzadeh, who are considered to be the leading poets of the revolution and war, have been examined in terms of ambiguity. In examining the symbol from the point of view of ambiguity, real symbols, the symbol can be defined according to its original definition and the cases close to the symbol, that is, the symbolic allusions and metaphors of the symbol. The results show that Herati with 55%, Saffarzadeh with 30.8% and Hosseini with 14.2% are in the first ranks to the third of symbolism; Therefore, it can be concluded that gender does not affect the process of symbolism, but depends on the style and approach of the poet. Manuscript profile -
Open Access Article
3 - A Study of Jami's Opinions on "Special Prophecy" in the Divan of Poetry with an Approach to the Basics of Islamic Theology
hashem bahraminia Dr.farzad abbasi Dr.mahdi nowrooz Dr.Mahboobeh zia Nooruddin Abdul Rahman Jami is one of the prominent figures in the field of Islamic sciences in Greater Khorasan. He has left various works in various fields of literature, mysticism, religion, etc., which shows the extent of his awareness. Among these works is t More Nooruddin Abdul Rahman Jami is one of the prominent figures in the field of Islamic sciences in Greater Khorasan. He has left various works in various fields of literature, mysticism, religion, etc., which shows the extent of his awareness. Among these works is the Divan of Poetry, which can be read and analyzed from various dimensions, especially the reflection of theological issues. In this paper, relying on the descriptive-analytical method and library resources, Jami's theological views on the category of "special prophecy" in this work are examined. The results of the research show that Jami did not have a special commitment to any theological school and often used the theoretical foundations of Shia (more) and Ash'ari and Mu'tazilite (less) theology in explaining his views. The closeness of Jami's views to the standards of Shia theology can be justified by his inclinations toward Shafei jurisprudence, which is the closest Sunni group to Shiism. His most important views on the subject of "special prophecy" are: the relationship between the resurrection of the Prophet and the guidance and happiness of human beings; the superiority of Muhammad over all creatures; Muhammad, the main purpose of creation; Being a divine grace, being a trustworthy person; miracles (the Qur'an and other miracles); being the seal of the prophets and being in the forefront of creation. Manuscript profile -
Open Access Article
4 - Investigating and analyzing Dimensions of Mehdi Akhavan Sales's influence from the verses of the Holy Quran Relying on the intertextual theory of Gerard Genet
AKRAM ZAFARI Dr.BATOOL FAKHR -E- ESLAM Dr.hossein seyyedi Dr.akbar shabany In recent years, in the field of literary criticism, a theory called intertextual criticism has become popular, according to which none of the texts have an independent identity and have been created under the direct or indirect influence of their previous works. More In recent years, in the field of literary criticism, a theory called intertextual criticism has become popular, according to which none of the texts have an independent identity and have been created under the direct or indirect influence of their previous works. The frameworks of intertextual critique were first explained by Julia Kristova, but culminated in Gerard Genet's views, so that today Genet's views are considered as a model in intertextual studies. He divides intertextuality into three categories, "explicit, implicit, and implicit," to which all texts fall. One of the sub-texts that poets pay attention to is religious characters, which in contemporary Persian literature, the Third Brotherhood is among the poets who have reflected religious issues in their poems. Citing the most important Islamic religious text, the Qur'an, he described some of his mentality and shared it with the audience. Therefore, in the present article, relying on descriptive-analytical method and citing library sources, the dimensions of the Third Brotherhood's influence on Quranic verses in four sections of content, lexical, structural and ritual stories have been studied and explored to answer these questions. It should be given that: a) The third Brotherhood has been influenced by the verses of the Qur'an? B) Which of the levels of the intertextual view has been used more in the poems of the Third Brotherhood? The foundations of Genet's intertextual theory have been used to avoid scatterbraining. The results of the research show that the poet has used the earlier text, namely the Qur'an, to explain the political, doctrinal, descriptive, protest-philosophical, moral and lyrical concepts. Manuscript profile -
Open Access Article
5 - Rumi's trick in the temporal relationship between narration and story in Masnavi manavi
server Beigi's house Dr.Seyyed Mahmoud Seyed Sadeghi Dr.Shams Al-Hajiyeh Ahmadi roknabadiStorytelling has a unique and completely different place in " Masnavi manavi". The aim of this research, which is descriptive-analytical and library method, is to study the temporal communication methods between narration and story in Masnavi anecdotes, through which a MoreStorytelling has a unique and completely different place in " Masnavi manavi". The aim of this research, which is descriptive-analytical and library method, is to study the temporal communication methods between narration and story in Masnavi anecdotes, through which a stylistic model and a list of narrative possibilities for a variety of classical Persian stories can be achieved. It provided the basis for the creation and invention of new methods. To achieve these goals, we must study and analyze the levels of narrative in Masnavi and the relationship between them. To analyze this issue, the method of recent or contemporary narratology has been used, which mostly includes the theory proposed by the second generation of narratologists (contemporary narratology). Like Genet and his commentators. The result is that Rumi's narration is aimed at mystical and moral goals and this purposefulness affects all dimensions and categories of narration and has made Rumi's narrative method special and distinctive. Manuscript profile -
Open Access Article
6 - Comparative study of magic from »Araf, Shoara, Taha» verses’ points of view by focusing on surrealism
Houra Habibi Dr.mohammadmahdi naderi ِDr,abolfazl ebrahimiozineh In this study, we conducted a comparative study of magic from »Quran«: »Araf , Shoara , Taha» verses’ points of view by focusing on surrealism and Although magic is the basis of all divine religions, »Quran« highlig More In this study, we conducted a comparative study of magic from »Quran«: »Araf , Shoara , Taha» verses’ points of view by focusing on surrealism and Although magic is the basis of all divine religions, »Quran« highlights its importance and possess specific perspective. In mystic literature, magic is an obvious consequence of austerity and hard work on mysticism and concentrating on surrealistic subconscious. This study used analytical-descriptive method along with mentioning to some samples from »Quran« and their resembalance to surrealism. Results showe's that: 1- magics, in both »Quran« and Surrealist, are considered as context that fosters people to some allegations, 2- culture of magic has an interweaving relationship with oracular and internal worlds. This study aimed at comparing both approaches and also providing systematic plan for implication of magic from »Quran« and surrealistic points of view. Manuscript profile
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