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Open Access Article
1 - Concept of Love from Rūzbahān Baqlī’s Viewpoint
محمودرضا اسفندیار فاطمه سلیمانی کوشالیLove has a significant place in the mysticism of Rūzbahān Baqlī– theprominent mystic of the 12th century. Dealing with the concept of loveis the continuation of a tradition that dates back to the early generationsof Sufis. This tradition noticeably has been reflec MoreLove has a significant place in the mysticism of Rūzbahān Baqlī– theprominent mystic of the 12th century. Dealing with the concept of loveis the continuation of a tradition that dates back to the early generationsof Sufis. This tradition noticeably has been reflected in Rūzbahān’sworks, especially in his Abhar al-‘Āshiqīn. In fact, he constructed hismystical path on the basis of love. He believed that love has floweddown into the whole chain of beings, from the highest level to thelowest one.From his point of view, love is one of the God’s attributes. SinceGod’s attributes are inseparable from His essence, and the essence ofGod is ineffable, so love is ineffable too. Therefore, only love coulddescribe itself. Love has no limitations; so, only love can transform therelationship between the Creator and the creature into a relationshipbetween the lover and the Beloved. Rūzbahān considers human beingas a manifestation of God’s beauty. He admires physical beauty andgoodness as an essential element for falling in love and so he believesin an eternal relation between goodness and love. He considers earthylove as a motivating factor for attaining the divine love. By presentingdifferent categories of love, he shows the way to go through this path. Manuscript profile -
Open Access Article
2 - Unity of Religion from the Rumi’s Point of View
عبدالرضا مظاهریAccording to the Sufis the relation between God and the world issimilar to the relation between sun and its rays so all prophets camefrom a single source of light; however lay people who have engaged inmaterial matters could not appreciate this unity, therefore, called MoreAccording to the Sufis the relation between God and the world issimilar to the relation between sun and its rays so all prophets camefrom a single source of light; however lay people who have engaged inmaterial matters could not appreciate this unity, therefore, called theprophets as Moses, Jesus and etc. Since people could not realize theessence of religion, they start interpreting it according to theirunderstanding, and as a result, fighting with each other. Rumi believesthat prophets are the representatives of God on the earth and by usingallegory he tries to explain the unity of the path of prophets. Accordingto Rumi, the mystery of the oneness of religion will be discovered onlyby cutting through the exoteric side of it. From his viewpoint the innateGod-given religion, or the real divine unity, and the devotional prayerare the essence of religion and if people understand this reality, theirconflict will be disappeared. Manuscript profile -
Open Access Article
3 - The Transformation of Human Love to Divine Love from Rūzbahān Baqlī's Viewpoint
زهرا Koshki انشاالله Rahmati GH Arya علیرضا EbrahimAccording to the doctrine of love in the Sufi worldview, the relation between human love and Divine love has always been the subject of debate and has made it a factor to explain the "hierarchy of monotheism". This paper, which is compiled in a descriptive-analytical an MoreAccording to the doctrine of love in the Sufi worldview, the relation between human love and Divine love has always been the subject of debate and has made it a factor to explain the "hierarchy of monotheism". This paper, which is compiled in a descriptive-analytical and phenomenological approach, shows that for Rūzbahān Baqlī, the relation between human love and Divine love is not from the viewpoint of “al-Majaz Qantaratu al-Haqiqah” but from the view that a genuine human love is God’s love. Rūzbahān, especially by highlighting the concept of "esoteric monotheism" versus "formal monotheism", reveals significant differences with its three contemporaries, followers of Shari'ah, outspoken Sufis, and most of the mystics of his time. Finally, by explaining the meaning of the two words Ighanah and Iltibas, He introduces the focus on "manifestations" of that eternal truth in the form of creatures, especially human beings, as the only way to understand the eternal beauty of God and to taste the love of communion and attainment of inner monotheism. Manuscript profile -
Open Access Article
4 - Divine Lover According to Richard Rolle and Aḥmad Ghazālī with an Emphasis on Fire of Love and Sawāniḥ al –ushshāq
زهره Hemmat فاطمه LajevardiThis article compares the views of Richard Rolle (ca. 1300- 1349), an English hermit, mystic, writer and Bible interpreter and Aḥmad Ghazālī (ca. 1060- 1126), an Iranian mystic, writer and preacher on love. These mystics have spoken of love in detail in their works, Fir MoreThis article compares the views of Richard Rolle (ca. 1300- 1349), an English hermit, mystic, writer and Bible interpreter and Aḥmad Ghazālī (ca. 1060- 1126), an Iranian mystic, writer and preacher on love. These mystics have spoken of love in detail in their works, Fire of Love and Sawāniḥ al -ushshāq. This paper, shows that topics on love in these two books include: The essence of love, The beloved, Characteristics of a lover, Essentials of love and Results of love. Re-examining these categories illustrates the differences and similarities between the two mystics' views of the concept of love and lovers. The ideas of Rolle and Ghazālī are overlapping in the nature of love, but their views differ significantly on other topics. From Rolle's point of view, love cannot be realized except through the religious context and Christian ethics, and it only makes sense in relation to God, Christ and the Trinity. However, in Ghazālī's view, the ontological and psychological aspects of love and lover are more intense, and it is capable of being experienced in relation to God and his creatures. The present study compares the view of this two mystics on the Characteristics of lover in detail. Manuscript profile -
Open Access Article
5 - A Comparative Study of Romantic Themes in the Poetry of Fereydoon Moshiri and Nizar Qabbani
Mehdi Momtahen Momtahen Leila KhoshkamBasically, the comparative study of literary works is possible through two schools, the French and the American. In the American school a critic studies and analyzes the works of two authors or poets regardless of the concept of influence. In this school the existence o MoreBasically, the comparative study of literary works is possible through two schools, the French and the American. In the American school a critic studies and analyzes the works of two authors or poets regardless of the concept of influence. In this school the existence of common concepts and themes is regarded as sufficient ground for a comparative analysis. If the two poets concerned are contemporary, like Qabbani and Khalil Matran, the study would be called a balance, and if the comparison involves the style and diction of two poets of different languages, like Qabbani and Moshiri, the study would be called a comparison. Thus, the current study compares the romantic poems of Nizar Qabbani and Fereydoon Moshiri focusing on their common romantic themes and notions. Manuscript profile -
Open Access Article
6 - Comparative Study of Shirin Image in "Shirin & Khosrow" and "Khosrow & Shirin"
Mehrnoush Mansouri MeymandiShirin Khosrow II's wife is one of the famous Persian Literature beloveds. She was charming and familiar to attraction tricks who made the mighty king to obey and curtsy her wishes. The fame of this eternal and everlasting love owes Nezami's efforts. Amir khosrow dehlaw MoreShirin Khosrow II's wife is one of the famous Persian Literature beloveds. She was charming and familiar to attraction tricks who made the mighty king to obey and curtsy her wishes. The fame of this eternal and everlasting love owes Nezami's efforts. Amir khosrow dehlawi – Non Iranian Persian poet – composed "Shirin & Khosrow" by versioning the abovementioned work. This paper attempts to study "Shirin"'s character in "Shirin & Khosrow" by Amir khosrow dehlawi from image and personality point of view. The issue made the author to choose such subject is the hidden role of women in Persian poets' thoughts and works. The present article has been done in librarian method from valid books of Iran and Tajikistan libraries. Manuscript profile -
Open Access Article
7 - Comparative Study of Sonnet in the Poetry of Saadi and Mutenabbi
Leila Ghassemi Haji Abadai Maryam Peykan PourSaadiand Mutenaabi are both among the greatest and most well-known poets of Iran and Iraq who share some similaritiesin their way of thinking and expression as well as their artistic vision. The present article studies their sonnets while focusing on the subjects of lov MoreSaadiand Mutenaabi are both among the greatest and most well-known poets of Iran and Iraq who share some similaritiesin their way of thinking and expression as well as their artistic vision. The present article studies their sonnets while focusing on the subjects of love, lover and beloved in their poetry. It also studies and compares their themes and similar viewpoints. Manuscript profile -
Open Access Article
8 - Comparative study of Ghada al-Samman and Simin Behbahani’s lyric poems
Mehrali Yazdanpanah Sepideh MotevalliIn this paper with the title of “Comparative study of Ghada al-Samman and Simin Behbahani’s lyric poems” is trying to answer this question “what differences and similarities are there between Ghada al-Samman and Simin Behbahani&rsq MoreIn this paper with the title of “Comparative study of Ghada al-Samman and Simin Behbahani’s lyric poems” is trying to answer this question “what differences and similarities are there between Ghada al-Samman and Simin Behbahani’s lyric poems?” Ghada al-Samman is considered as the perfect representative of the new female iterature (women’s literature) and its specific type, i.e. feminine lyrical literature in Arabic literature. Simin Behbahani has been also known as one of the representatives of this new flow as well as the lady of the Iranian lyrics. Language and unique feminine feeling are among the most important features of the romances of these two poets. Manuscript profile -
Open Access Article
9 - A study of love in the poetry of Hossein Monzavi and Nezar Ghobani
Afshar Azizi Dolatabadi Fahimeh AsadiLove is the key word of life mixed with human emotions and romantic whispers of a positive feeling which, according to Movlana Tabib, it is one of our causes and its depth is the key of the poetic melody of most of our poets, especially Nezar and Monzavi. The existence MoreLove is the key word of life mixed with human emotions and romantic whispers of a positive feeling which, according to Movlana Tabib, it is one of our causes and its depth is the key of the poetic melody of most of our poets, especially Nezar and Monzavi. The existence of lover, which is the main source of this emotional relationship mixed with melancholy, waves in the poems of Nezar Ghobani and Hossein Monzavi like other poets. But in Monzavi poetry, still it has retained the main romantic framework of classical poetry more than Nezar Ghobani's poetry. There are many opinions about Monzavi's poetry and ideas. However, in his poetry, the position of love and romance is still not far from the poetry of the Indian style period. But Nezar's poetry, if compared to the romantic themes of earlier periods, the time interval and the dominant culture in his mind, given extensive connections with the contemporary Western world; the evolution of his poetry is felt more than Monzavi depending on his position and the difference of opinions governing the society with the outside world. Manuscript profile -
Open Access Article
10 - Comparative study of the morphology of Hani and Shimrid's love poem with the story of Lily and Majnoon Nezami
Maryam davari Mahmoud Sadeghzadeh Hadi Haidarinia Musa Mahmoud ZehiGhanaian poems are one of the most beautiful and fascinating fiction parts of literature, which has been able to be liked and liked by the general public with the centrality of love and the glorious language of poetry. It is known as the greatest story of Persian lyric MoreGhanaian poems are one of the most beautiful and fascinating fiction parts of literature, which has been able to be liked and liked by the general public with the centrality of love and the glorious language of poetry. It is known as the greatest story of Persian lyric poetry. One of the pillars of Persian poetry, he has been skilled in arranging his poems, describing houses and the character of powerful works. Ghani Lily and Majnoon compose similar Ghanaian poems. This research is regulated in a descriptive-analytical manner and library method, and the author intends to study and compare the lyrical system of Ghani Lily and Majnoon with the most famous love stories of Balochi, Hani and Shimerid. The system dates back to the reign of Rendan Baloch in the 15th and 16th centuries and is about five hundred years old. In this study, the author intends to carefully examine and analyze this poem with the military lyrical system, to reveal the beauties hidden in the work of this Baluchi love poem. Manuscript profile -
Open Access Article
11 - The talk about ethics and courtesy of love in persisn lyrical account of love especially in khosro and shirin
Soheila Mohaghegh Mahbobeh Khorasani morteza rashidiLove is a manifestation of human emotions. Logically, neither of lovers can commit themselves to loving the other one in the same way for ever. This has made philosophers consider this issue carefully. The aim of ethics of love is to not disregard morality and courtesy MoreLove is a manifestation of human emotions. Logically, neither of lovers can commit themselves to loving the other one in the same way for ever. This has made philosophers consider this issue carefully. The aim of ethics of love is to not disregard morality and courtesy of love emphasizes the attitude of lovers after falling in love. Both ethics and courtesy of love determine the success or failure of the love relationship. Our question is how lovers would interact with each other in classic lyrical account of love, compared with some of contemporary accounts of temporary love. Since love is exquisitely manifested in classic works like Khosro and Shirin, this work was selected as the source of the study. Based on Mostafa Malekian’s article, a qualitative analysis was done to read this work to find the impact of observing or ignoring morality and courtesy of love in the romance between the love characters of this story. It was concluded that ignoring ethics of love is evident in classic works and that main characters commit immorality in love so the success of their romance is put in danger. Khosro ignoring the ethics and courtesy of love, destroys their romance. Shirin, however, observes both the ethics and courtesy of love. She behaves reasonably and tries to have love and abstinence simultaneously. It is also interesting that female lovers tend to observe the ethics and courtesy of love more than male lovers. Manuscript profile -
Open Access Article
12 - Post-colonial Criticism of Rouhangiz Sharifian’s Works
Roya Rabizade Fateme HeydariAs a critical approach, post-colonialism has emerged in the field of cultural studies through recent decades. It is, in fact, a representation of a kind of reaction to the colonialism and its cultural, social and political impressions. Post-colonial studies rely on the MoreAs a critical approach, post-colonialism has emerged in the field of cultural studies through recent decades. It is, in fact, a representation of a kind of reaction to the colonialism and its cultural, social and political impressions. Post-colonial studies rely on the function of cultural and cognitive factors, and intend to reveal the different methods the colonialist rulers have applied to colonize societies through the history. The unbalanced allocation of wealth and population played out especially during post-colonial era has caused the increasing of emigrations, which in turns, changes the language, the residency, the demeanor, and beyond them melts one’s identity. As a new phenomenon, immigration could be studied in the scope of post-colonial studies, and the present research aims first at introducing the principles of post-colonial theory and its elements, and secondly at investigating the works of the London-based Iranian emigrant writer, Rouhangiz Sharifian Manuscript profile -
Open Access Article
13 - The trace of “Vasukht” in Persian Poetry (From Khorasani style to shine in an Independent school)
Hadi khadivar Shima farajifarFirst, the authors try to give a precise definition of “Vasukht”, and its types and purposes. They want to determine when and why the poet wrote these poems.also The achievement of this study is that the authors have described the similarities and difference MoreFirst, the authors try to give a precise definition of “Vasukht”, and its types and purposes. They want to determine when and why the poet wrote these poems.also The achievement of this study is that the authors have described the similarities and differences in themes “Vasukht”, in Khorasani and Iraqi style with “Vasukht”, school.“Vasukht”, is a combined infinitive And it is without the letter "n"Means Hatred and back Lover of the Beloved.“Vasukht” somehow was along with the “sukht” flow from start to the present time, not as inclusive as “Sukht” but having different strength and weakness. It is used in the theme today with some modifications.In Khorāsāni School, “Vasukht” has a relative moderation and this behavior occurs the same in beloved and lover. In Arāqi style, although beloved performs “Naz” and lover shows his “Niaz”, there are pale streaks of “Vasukht” speech which is remarkable in its type. It must be said that this method of vasukht was used more during sukht poems, changed with the arrival of the, “vughu” school and “Vasukht”, And it became an independent manner.“Vasukht”, and “sukht” both came out of the hearts of “Vughu” And “Vughu” also Formed by the pattern of telling of Truth and Verisimilitude. Manuscript profile -
Open Access Article
14 - A Comparative Study of the lyrical Story of “Yusuf and Zuleika” in Jami (khatam alshoara) and Andalib’s (a Turkmen poet)
khojehseied Seied Mohammadi Mohammad Fazeli reza ashrafzadehStudying the interplay between international literature is in the field of comparative literature effect in this field and its contribution in this area includes the enrichment of national language and literature and understanding and friendship of nations. The impact o MoreStudying the interplay between international literature is in the field of comparative literature effect in this field and its contribution in this area includes the enrichment of national language and literature and understanding and friendship of nations. The impact of Iranian language, culture and ivilization on native language and literature is one of the areas of research topics in comparative literature.“Yusuf and Zulika” is a Qur'anic story which has had a great infuence on the lyrical literature.In this research,the structure of story and the processing methods of two writers with different languages and cultures have been probed and explained using a comparative-analytic approach.“Yusuf and Zuleika” by Nurmohammad Andalib,the 12th century poet,writer, and translator has been compared with Abdulrahman Jami’s“Yusuf and Zuleika”(9thcentury)so that the similarities and differences of these two works in Turkmen and Persian would be examined.The overall results of this research are as follows:we could see characters of anciant stories.unlike Jami’s narration, Andalib’s work has more metaphysical factor. the central theme of the story is the love of“Yusuf and Zulika”he tries to implicitly press his theosophicad in sight of the story. In Andalib's narrative, Yusuf is the main character of the story, and the proximity of the story is evident to what was mentioned in Sura Yusuf. Andalib trie to narrate the story. Manuscript profile -
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15 - Analysis of the story themes of Aziz and Negar
Zahra Doori Razia FaqihiThis local and folklore system in Taleghan region has not been studied and its introduction is one of the first goals of this research. The course of this research has been done by the library method and the short introduction of this story is a prelude to presenting it MoreThis local and folklore system in Taleghan region has not been studied and its introduction is one of the first goals of this research. The course of this research has been done by the library method and the short introduction of this story is a prelude to presenting its basic analysis. There are several versions of this work at different times, each of which differs in detail from the other. These copies have not been written on top of each other and the narrators and enthusiasts, after years, from their memory and according to They wrote it to their own taste and that of their audience. The result of research and analysis in the themes shows that most of the themes of the story of Aziz and Negar can be seen in the literature of Iran and the world. Including: blindness, travel, habit, battle, madness and rivalry of lovers, letter and letter bearer, dervishes, apples and springs; The presence of such motifs in this story is one of its values. Manuscript profile -
Open Access Article
16 - Characteristics of Lover and Beloved in the Odes of Attār and Mowlānā : A Comparative Study
Faezeh Payriz Zanjani Mehdi Mahoozi Mandana HashemiLove is one of the main concepts and themes in Persian literature. Attār and Mowlānā (Rumi) who are both nobles of romantic mysticism, prefer suffering in love to ascetic life. In the present article using comparative method, the manifestations of the lover and the belo MoreLove is one of the main concepts and themes in Persian literature. Attār and Mowlānā (Rumi) who are both nobles of romantic mysticism, prefer suffering in love to ascetic life. In the present article using comparative method, the manifestations of the lover and the beloved is analyzed in the odes of two poets and their views is extracted and expressed from one hundred verses that contain common and different views of them. This article aims to study the manifestations of the lover and the beloved in the odes of Attār and Mowlānā in order to describe similarities and differences between these two poets. This study is done through descriptive-analytical method. Findings of the study reveal that although there are differences between Mowlānā and Attār views in the issue of love, Mowlānā is greatly influenced by Attār, but has numerous abnormalities. Attār in his description of love, focuses more on bodily and external aspects rather than the mystical and spiritual aspects of the lover and especially the beloved. So that the bodily descriptions are more frequent. In Mowlānā odes, the descriptions of the beloved are totally mystical and even in the verses in which the poet, if necessary, describes the appearance of the beloved, they are accompanied with the mystical odour, so that the reader feels that the appearance of the beloved in these descriptions is rather symbolic. Manuscript profile -
Open Access Article
17 - The erotic literature Armenian in Iran and Armenia (Study of sayatnova’s poems)*
Giti Faraji ali mohammad PoshtdarThe erotic poem is very important in intellectual culture among Asiatic and European, especially the nation of Turkish and Armenian had progressed in this form of artistic in model of verbally and written literature. Last part of sixteen century the erotic poem had pop MoreThe erotic poem is very important in intellectual culture among Asiatic and European, especially the nation of Turkish and Armenian had progressed in this form of artistic in model of verbally and written literature. Last part of sixteen century the erotic poem had popular in Armenian’s literature and half part of seventeen century and age of eighteen was the peak and prosperity for that. In this article we had study the erotic poem, especially Sayatnova’s poem, who is a greatest and outstanding in Armenian literature and competitive with Nezami’s and shirin. Manuscript profile -
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18 - Investigating the Joint Obstacles in Lyric Verses of Weiss and Ramin
Yasamin Aghayi Mofrad Masoud PakdelComplication is one of the important, attractive and exciting elements of the story. Joint obstacles are the most casual and the most interesting complications that the famous story tellers used beautifully. The poet of lyric verse Weiss and Ramin is also among them. Su MoreComplication is one of the important, attractive and exciting elements of the story. Joint obstacles are the most casual and the most interesting complications that the famous story tellers used beautifully. The poet of lyric verse Weiss and Ramin is also among them. Such obstacles would increase the attractiveness of the story and at the same time encourage the readers and listeners to follow the adventure enthusiastically. It is in a way that until s/he reaches the level of resolution. Often at the end of the story con not quench the thirst. In this verses has lovers with different names. One of them is Viro and since he exits the scene soon the obstacles in the way of Mobed shah and Ramin are more colorful. By reading the story and mentioning the poetic evidences such obstacles will be investigated. This study shows that Mobed-Shah has more obstacles than Ramin and the role of women in success or failure in love affairs is more remarkable and because of Weiss's support, the winner is finally Ramin. Manuscript profile -
Open Access Article
19 - A Study of Allegory in "the story of the lover who came at night in the hope of beloved's promise that had been mentioned”
E. Shirmohammadi A. M. Moazeni MoazeniMasnavi Ma'navi, as the great ocean of knowledge, is an excellent educational work in which allegory is a rhetorical ploy and its only purpose is not storytelling itself, but the transfer of deeper meanings and messages has foremost importance. The rhetorical ploy (alle MoreMasnavi Ma'navi, as the great ocean of knowledge, is an excellent educational work in which allegory is a rhetorical ploy and its only purpose is not storytelling itself, but the transfer of deeper meanings and messages has foremost importance. The rhetorical ploy (allegory) because of influence and persuasion features has a very high application. Masnavi Ma'navi is an obvious and typical sample of allegorical work that Moulavi due to the type of work has taken steps in making the path of desired mental complex concepts more clearly and sometimes taken advantages of bringing anecdotes in the heart of each other to transfer these concepts easier.In the following study, we are about to analyze and consider different layers of allegory, one of the anecdotes of the sixth book entitled "the story of the lover who came at night in the hope of beloved's promise that had mentioned". Manuscript profile -
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20 - Analyzing the Artistic Use of Simile and its Influence in the Literary Style of Abhar Al-Ashqin
Asra Sadat AhmadiRozbehan Baghli (died 606 AH), known as Sheikh Shatah, is a famous Sufi. His name shines so brightly in Persian Romantic Sufism that no one can deny it. One of his most important works, which is also considered valuable from a literary point of view, is Abhar al-Ashqin. MoreRozbehan Baghli (died 606 AH), known as Sheikh Shatah, is a famous Sufi. His name shines so brightly in Persian Romantic Sufism that no one can deny it. One of his most important works, which is also considered valuable from a literary point of view, is Abhar al-Ashqin. This book includes chapters related to love and romance and the quality of this great state in Sufism, which is the foundation and principle of this spiritual school. In this book, Roozbahan has discussed topics such as love and the lover, the quality of communication and the unity of this secret, the commitment of the beauty of love and the inseparability of these two unseen beauties from each other, the stability of existence over love and the superiority of human beauty. This wonderful discussion, which is mixed with the most expressive Persian phrases, the most eloquent poems and the most beautiful pictures and similes, is very charming and attractive because Rozbahan's mystic state, which according to his own words has an occult source and a spiritual source, with his special ecstasy, taste and charm, has shed such a light on the expressions of the book that if we say that most of his expressions are alive and dancing, we are not wrong. What helps to bring life to most of the book's expressions is the author's use of rehetoric and especially simile. Similes is everywhere in this book and decorate most of the pages of this work. In this article, types of similes in this book are examined and a general analysis regarding the mystical and literary language of Rozbahan is presented. Manuscript profile -
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21 - A Survey of Possible Integration of Romantic Mysticism and Pantheistic Mysticism
Abbass Gohari Aminreza NooshinRomantic (loving) mysticism changes the relationship between God and human being from the relationship between king and peasant and even the relationship between worshiper and deity to lover and beloved or beloved and lover, therefore, this is the best exhib MoreRomantic (loving) mysticism changes the relationship between God and human being from the relationship between king and peasant and even the relationship between worshiper and deity to lover and beloved or beloved and lover, therefore, this is the best exhibition of human being-God relationship. According to this mystical approach, human is the lover and the beloved of God that suddenly as the same time that the human is the beloved becomes lover with the help of divine love during a tremendous experience and in a special moment. Pantheistic mysticism is a type that is related to the experience of unity and it claims that during this experience the mystic pays attention to nothing except God and pays attention only to God. In this mystical school, the dualism between creator and creature has been mentioned; So Romantic (loving) mysticism can be added to this school. Pantheistic mysticism is also a mysticism that claims the mystic during the mystical experience achieves a knowledge about unity between creator and creature and the mystic understands that although, dualism has been happened between God and other creatures but this dualism is not a basic matter, So in this essay the romantic aptitude of pantheistic mysticism has been approved and then with the use of two reasons, that one of them is based on reality and the other one is based on reason, this claim that says “The unity between pantheistic mysticism and romantic (loving) mysticism does not exist” is rejected. Manuscript profile -
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22 - Introduction to the Phenomenology Of Love mysticism in the mysticism Of Molavi and Hafiz
Yusof JafarzadehIn the view of Love mysticism becoming of "humanity" as a manifestation of Divine attributes in the human occur in three stages: not awakened soul (Adam innocent of sin), awakened soul (Adam after sin) and love (lover Adam to God). According to this view angel is symbol MoreIn the view of Love mysticism becoming of "humanity" as a manifestation of Divine attributes in the human occur in three stages: not awakened soul (Adam innocent of sin), awakened soul (Adam after sin) and love (lover Adam to God). According to this view angel is symbol of not awakened soul and devil is symbol of awakened soul and human is a symbol of the love stage. Thushuman is comprehensive of angel and devil attributes. After the events of primordial sin, human stepped from the stage of angelic and the lack of awareness to the stage of awakening and awareness. In fact, the devil makes his entrance into this stage, but this stage is a window to enter the love scene of human and God in the context manifestations of God's Attributes glory and beauty in this world. Thus, in this sense, love transcending from relationship based on legal and moral rules to personalized relationship based on coquetry and need of loversand put in the center of meaning of this world life. This article is an introduction of the phenomenology of love- mysticism in the mysticism of Molavi and Hafiz. Manuscript profile -
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23 - Ibn Farez and Lovely Epistomology
Mohammad GoodarziThe great Islamic mystics' works reveal this fact that two elements of affection and understanding play an important role in the formation and boundaries of such valuable works. Although few mystics lack these two significant elements, a group of Islamic mystics are mor MoreThe great Islamic mystics' works reveal this fact that two elements of affection and understanding play an important role in the formation and boundaries of such valuable works. Although few mystics lack these two significant elements, a group of Islamic mystics are more epistemology centric whose works include further manifestation of understanding while another group are more affection oriented and utilize affection in their works more. Ibn Farez is one of the great scholars of affection centric mystics during seven century A.H. in whose works he has utilized his lovely affection. Manuscript profile -
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24 - Craziness and Crazy likeness in Mystical Literature
حسین آریانLove, affection, and beauty have been some of the everlasting concerns of mankind who have been engaged with it globally and mentally. These essential matters have special reflection in mysticism insofar as they have been proposed as one of the mystical debates in its v MoreLove, affection, and beauty have been some of the everlasting concerns of mankind who have been engaged with it globally and mentally. These essential matters have special reflection in mysticism insofar as they have been proposed as one of the mystical debates in its various branches. Loving the beloved, drowing in the infinite beauty of the eternal image of God, and having a sip of His affectionate wine make lover a sensation that take him her away from consciousness and reasoning to the bowndless desert of craziness and bewilderement, and as Sufis claim, drive anyone from sobriety to intoxication, and in his inebriation and craziness, he will alienate himself by having a pure wine of unity, behaving in a queer and strange way different from human reasoning and wordly intelligence quite close to insane people, thus it causes a sort of behavior that will be explored later in the paper. These insane and divinely intoxicated people in their impersonal intoxication achieve one of the most beautiful and uncontaminated spiritual and internal relation with their eternally mere beloved, getting so much ripened that nothing remains from their egos except Him and nothing else. Manuscript profile -
Open Access Article
25 - Analysis of the Role of Love in Islamic Mysticism from Sanai's Perspective
Fariba Shaker Sousan Alerasoul Zarrinta j ParhizkarIn this article, by extracting and analyzing Sanai's poems from his work collections, his perspective on love - the significant element in Islamic Mysticism - is determinedThat is the love which flows through the whole world and is the cornerstone of creation and its hi MoreIn this article, by extracting and analyzing Sanai's poems from his work collections, his perspective on love - the significant element in Islamic Mysticism - is determinedThat is the love which flows through the whole world and is the cornerstone of creation and its hidden essence; the love which the beloved himself has planted its seed in the lover's heart and by cunning and numerous tricks attracts the lover to himself; the love which leads the lover to the place where he does not see himself and it is only the beloved who emanates him because the soul of the lover is the same as the manifestation of the beloved Manuscript profile -
Open Access Article
26 - تأثیر تصوّف در منظومههای عاشقانه
Seied Morteza Mir Hashemi Masoumeh Simchi Habibolah Abbasi Bahador Bagheri -
Open Access Article
27 - A Romantic (Poetic) Approach to The Story of Prophet Moses in Mystical Works of the Fifth to Seventh Centuries AH
Saeed Zohrevand Mohsen Hoseini moakhar Mohamadreza Hasanijalilian morteza kermanshahiThe story and personality of divine prophets, based on the explicit version of the Qur'an and traditions, is one of the essential features of Islamic mysticism that has been considered by mystics in different ages. In fact, the outline of romantic love points and experi MoreThe story and personality of divine prophets, based on the explicit version of the Qur'an and traditions, is one of the essential features of Islamic mysticism that has been considered by mystics in different ages. In fact, the outline of romantic love points and experiences with the aim of opening up an epistemological and aesthetic perspective is one of the most important approaches in Islamic Sufism that has been identified with the love school of mysticism. The hidden romance in these stories deals with the most important themes and implications of love, so the purpose of this study is to identify and explain the romantic approach to the story of Moses in mystical works from the fifth to the seventh century AH. In this research, the facts and evidences in mystical works have been studied by descriptive-analytic method. Investigating the evidence and research findings showed that the romantic approach is relatively similar in frequency in both poetic and affective works and in the three centuries studied. From the point of view of the subject, the conversation of God with Prophet Moses and the manifestation of the right to him has been most abundant in dealing with poets and writers Manuscript profile -
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28 - Love in Imam Khomeini’s Mystical Poems
Aghdas Jahangiri, Ali Akbar Afrasiabpour Farajollah Barati Maryam BakhtyarImam Khomeini believes that the concept of love is covered by the necessity of covering the divine essence. On the one hand, he believes that the universe is all the shadow of the beloved, even the love of the mountain and nature belongs to the beloved, and on the other MoreImam Khomeini believes that the concept of love is covered by the necessity of covering the divine essence. On the one hand, he believes that the universe is all the shadow of the beloved, even the love of the mountain and nature belongs to the beloved, and on the other hand, he has described the absolute beloved in secret, to the extent that even the use of the words of the unseen is inward. He also knows about the divine nature from necessity and urgency. The language of lyricism and joyful information and romantic themes and reckless expressions do not leave room for mysticism to study and discuss, and if there is a trace and fruit of mysticism, it is its lip and essence, which knocks on the door of love like a ring and says need. Innovation in this research is mystical love in Imam Khomeini's poems, which has not been done in any research so far Manuscript profile -
Open Access Article
29 - Rumi's Mystical and Romantic Interpretations of Quranic Stories
Halimeh Deilaminejhad shamsalhajeyah Ardalani Seyed ahmad HoseinikazerooniAs one of the most important mystical works of Persian language, Mathnawi deserves a lot of attention in various aspects. Rumi has used many Quranic verses in Mathnawi, and one of Rumi's most important techniques in dealing with the Qur'anic verses is their interpretati MoreAs one of the most important mystical works of Persian language, Mathnawi deserves a lot of attention in various aspects. Rumi has used many Quranic verses in Mathnawi, and one of Rumi's most important techniques in dealing with the Qur'anic verses is their interpretation of the Holy Qur'an and their lively and romantic interpretation. It goes from appearance to backend. Basically, belief in the essence of things is at the center of Rumi's thinking, so he pays special attention to interpretation. He believes that the Holy Quran has an esoteric hidden under the rhetoric. The interpretation of the verses of the Holy Qur'an in Mathnawi is a way of interpretation that brings out the inner beyond the appearance of the standard of love but does not negate the appearance. One of the most important conditions of interpretation for him is his own interpretation, which necessitates self-knowledge and cultivation of the soul, and it requires avoidance of whim. The second, and perhaps the most important, component of interpretation is Rumi's view of the work and its result, which means that one must hope for God's mercy. The subject of this study is the mystical and romantic interpretation of Rumi's verses. One of the most important conditions of interpretation for Mowlana is the interpretation of self which requires self-knowledge and the cultivation of the soul and the result is prostration; that is, interpretation must lead one to happiness and hope in God's mercy. Manuscript profile -
Open Access Article
30 - The Free slave (A Study on Connection between Freedom and Slavery in Islamic Mysticism and Divan of Hafez)
maryam navvabi ghamsariAlthough freedom and slavery are opposite concepts, they have real connection with each other in Islamic mysticism. Freedom and slavery have degrees and in any degree of devotee’s travelling and behavior, he achieves a portion of it and at the end finds out the re MoreAlthough freedom and slavery are opposite concepts, they have real connection with each other in Islamic mysticism. Freedom and slavery have degrees and in any degree of devotee’s travelling and behavior, he achieves a portion of it and at the end finds out the real concept of slavery and freedom. Hafez states this in his Divan clearly and indicates that freedom is the result of true slavery manifestation. Hafez belives that there is just one way of slavery. He named it ‘lovely slavery’ which gives freedom to man. A Lover is a free man that releases himself from all limitations by slavery and becomes a free slave. This article examins some of sufia and mystic beliefs in terms of mental bases of connection between freedom and slavery in Islamic mysticism, it also studies lovely slavery concept, degrees of it and its relation with freedom from Hafez’s point of view. Manuscript profile -
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31 - Principles of Spiritual Journey from Seyyed Yahya Shirvani’s Viewpoint
Zeinab alsadat Hashemi Maryam Mahmoudi Hossein AghahoseiniSeyyed Yahya bin Baha'ddinShirvani, Sufi and poet and scholar of the ninth century AH (868), was born in Shamakhi city. He is known as the Second Believers and halvatic paths Sheikh. There are works and treatisesin which they describe the mystical issues and teachings. MoreSeyyed Yahya bin Baha'ddinShirvani, Sufi and poet and scholar of the ninth century AH (868), was born in Shamakhi city. He is known as the Second Believers and halvatic paths Sheikh. There are works and treatisesin which they describe the mystical issues and teachings. Shiravani in the treatise called Manazelal-Asheqin introduces forty mystical home and his seven divisions of the mystical stages are similar to AsfarSadrai. The mystical stages in his view are: Journey to Allah, journeyto Allah, journey on Allah, journey with Allah, journey in Allah, journey in Allah, journey to Allah)which is due to the inner self-creation and the breeding of the soul with endeavor, kindness and journey is in Allah. In the treatise the AtvarAl-ghoolob, he addresses the state and position of the heart and names seven ways: Sadr, Heart, Passionate,Fu'ad, Habat al-ghalb, Soveida and Cool heart. He believed about reaching to truthwho mystical achievesby Shariah with observe the pathsmystic to the truth. Manuscript profile -
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32 - لطیفة عشق و عرفان در سوانحالعشاق احمد غزالی
Karim Shaker Hossein Eemaiili -
Open Access Article
33 - Analysis of Love from the Perspective of Sheikh Ala'd-Dowlah Biyabanaki and Imam Khomein
Saeid Karkeabadi parvin dokht mash hoor Farzad Abbasi Mahbubeh ZiakhodadianLove is one of the fundamental issues of mysticism, so that without considering that mysticism and transcendental power, it is not comprehensible. In mystical literature, love has a high position; hence, much of the mystical literature is devoted to this subject. In mys MoreLove is one of the fundamental issues of mysticism, so that without considering that mysticism and transcendental power, it is not comprehensible. In mystical literature, love has a high position; hence, much of the mystical literature is devoted to this subject. In mystical literature, especially in the words of Sheikh Ala'd-dowlah and Imam Khomeini, which is the subject of this research, love can be viewed from the point of true love. The flow of love mysticism in the theoretical and practical aspects has the characteristics that in the poems of Ala'd-dowlah one can find out how he has been able to apply the flow of love mysticism in his poems and in comparison with the ideas of Imam Khomeini in this subject, one can get To the extent that the mystical mysticism of the poets of Khorasan has been able to influence the mystical votes of a contemporary mystic though differently. The claim and achievement of this research is that Imam Khomeini, as a mystic who emerged from the school of Ibn Arabi and Molla Sadrà , accepted the principles of the mysticism of Khorasan altogether in general, and especially in the case of his poems The other one expresses, but sometimes, especially in his poems, he has raised the same principles in another way, and is a common expression in Ibn Arabi's School, and influenced by the common approach in Shiite jurisprudence, to the principles of observing certain traditions of mysticism Love, like virtual love, has not paid much attention. Manuscript profile -
Open Access Article
34 - بازتاب جلوههای عشق عرفانی در زبان حافظ
Homa Yamini Touraj Aghdaeie -
Open Access Article
35 - Analysis of Cognitive Metaphor of Love in Mathnavi and Ghazalyat of Bidel-e- Dehlavi
Mehrangiz Azizi Manamen Mohammad Reza Shad Manamen Jahandoost Sabzalipour Hosein Arian Seyed Saeid AhadzadeIn a gnostic look, and specifically an amatory theosophy, love is the column of Creation, the origin of human emergence, and all the universe. “Almighty Allah says: I was a hidden treasure, then I decided to be known, so I created love and I was known” (Raja MoreIn a gnostic look, and specifically an amatory theosophy, love is the column of Creation, the origin of human emergence, and all the universe. “Almighty Allah says: I was a hidden treasure, then I decided to be known, so I created love and I was known” (Rajaee Bokharaee: 591). Allah points to love as the reason for creation and wise poets have expressed the most beautiful and the deepest interpretations for love in different thoughts and terms. Mewlana Jalal Al-din Mohammad Balkhi and Abdolghader Bidel-e- Dehlavi are among the great thinkers representing the deepest concepts and figurative pictures on love. In his cognitive metaphors on love, Mewlana uses such terms as fire, wine, animation, medic, light, voyage, etc. in fact three elements of fire, wine, and animation of love have the highest level of frequency in Mewlana’s Mathnavi, Bidel represents a more abstractive picture of love comparing to Mewlana and uses cognitive metaphors such as flame, speech, written, Sun, treasure, desert, pearl, image, association, secrets, etc. while creating his cognitive metaphors Bidel knowingly inserts some kind of ambiguity in his words that leads to external complication of his poetry. By extending his words and with the help of common terminology he attempts to spread and open his metaphors and make others understand him by giving highly elegant pictures. For him, love is like the sea, sun light, water, desert, king, hero, mirror, path, etc. Manuscript profile -
Open Access Article
36 - Examining conceptual metaphors with a mystical theme in Rozbahan Baghli's "Abar al-Ashqin"
maryam mirzaeimoghadam ali ghasem sahraie mohamadreza hasani jalilian ali heidariAbhar al-Ashqeen, which is one of the most important books of Sufism in Persian language, is a book in which the movement of language on the axis of similarities is very remarkable. This outstanding feature (movement of language based on similarity that highlights the m MoreAbhar al-Ashqeen, which is one of the most important books of Sufism in Persian language, is a book in which the movement of language on the axis of similarities is very remarkable. This outstanding feature (movement of language based on similarity that highlights the metaphorical pole of language) has made the linguistic identification of this text remarkable. Metaphor plays an essential role in explaining Rozbahan's thoughts and mentalities. Roozbahan turns to the best form of imagination, metaphor, to express abstract and abstract concepts, whose expression and explanation inevitably leads to complexity. Our goal in writing this article is to examine two conceptual metaphors in Ebhar al-Ashqin, which are fundamental and basic in Rozbahan's aesthetic thought.The research method in this article is descriptive-analytical and the method of collecting research data is library.Finding.Among Rozbahan's innovative and non-inventive metaphors, the author has analyzed two major cognitive metaphors, the two metaphors of "mine" and "actions", which are influenced by Rozbahan's thought and method of aestheticism.The cognitive metaphor of the mine, which represents the thought world of Rozbahan, has its roots in his intellectual system and the way of aestheticism. It is a metaphor mine of beauty and eternal eternal love of God Almighty, which is generally placed by Roozbahan in front of the world of Hadad. Mine refers to the essence of divine attributes before the appearance of physical forms.Verbs are also rooted in the broad concept of divine manifestations, which has a long history in mysticism, but the art of writing and the creativity of Rozbahan's mind in paying this big metaphor is due to the linguistic imagery that has been reproduced. Manuscript profile -
Open Access Article
37 - Confrontation between Ascetic and Romantic Mysticisms in Tazkirat al-Awliya of Attar
Fatemeh Bagherizade khayavi Reaza Aghayari Zahed Ali RamezaniTazkirat al-Awliya of Attar is one of the leading sources in the knowledge of the various mystics of the ages of the 1st. of Hijri until the time of the author (7th. century). In this book, the life of 97 elders of Sufism, each of which was related to a mystical mission MoreTazkirat al-Awliya of Attar is one of the leading sources in the knowledge of the various mystics of the ages of the 1st. of Hijri until the time of the author (7th. century). In this book, the life of 97 elders of Sufism, each of which was related to a mystical mission, has been studied. The study of Mashayekh’s attitude is a way of understanding various mystical thoughts and can be a reliable document in the study of the mystic philosophy. In this paper, the components of ascetic mysticism and romantic mysticism are reviewed from the narratives and narrations of the Tazkirat al-Awliya. Attar has not made a specific classification of the intellectual tendencies, and has mentioned each one's respectful attitude. But the study of the contradictions of love and ascetic mysticism in their lives shows that the Awliya’s react to each other's ideas, and Shari’a, dignity, and wisdom are the main issues of the main conflict. Adherence to the Shari'a is the principle in ascetic Awliyas where the elements of love mysticism is not seen. But in the words of the romantic Awliya, bypassing the ascetic mysticism, sometimes perform non-religious acts. Also, the compassion for the devil, the apostasy, the belief in Sama’e, the rejection of apparent dignity, has come to the mind of the romance, who is not in a state of inferiority. The common theme in the Awliya's words in the ascetic and romantic mysticisms is the anti-Semitic world in which all of them are considered. I consider Attar to be in the group of romance mysticism, and this trend has also been shown in Tazkirat. Manuscript profile -
Open Access Article
38 - A Comparison of The Grammatical Metaphor of Transitivity in Saadi's Didactic and Romantic Poetry
Farkhonde Zade Hafttananian شاهرخ حکمت محسن ایزدیارAs a subcategory of grammatical metaphors, metaphors of transitivity are discussed in Halliday's Systemic Functional Grammar. This article attempts to compare metaphors of transitivity in two of Saadi's literary genres – didactic and romantic. Findings of the stud MoreAs a subcategory of grammatical metaphors, metaphors of transitivity are discussed in Halliday's Systemic Functional Grammar. This article attempts to compare metaphors of transitivity in two of Saadi's literary genres – didactic and romantic. Findings of the study, conducted in a descriptive-analytical method, are as follows: 1) Surprisingly, the surface structure of clauses from Saadi's romantic poetry indicates a higher frequency of material processes over others, followed by relational processes by far. In didactic poetry, at surface structure level, material and relational processes exceeded others, both having been used almost in the same frequency. Next frequently used process type is mental. However, the analysis of clauses suggests that a considerable number of clauses from Saadi's poetry are, substantially, mental or behavioral at deep structure level. This depicts human's internal emotions thoroughly, but, when carried into surface structure level, these processes are transformed into material and relational processes under metaphor of transitivity.It seems that, for romantic poems, the poet has been trying to further visualize and perceptualize the internal emotions of characters or lovers in his stories significantly. The transformation of mental and behavioral processes into material and relational ones is significantly more frequent in Saadi's romantic poetry compared to his didactic poetry. 2) Considering the fact that a segment of metaphors of transitivity in Saadi's poetry are either indicative of metonymy or contain secondary connotations construed in rhetoric, it seems so that the metaphor of transitivity can help literary researchers rethink a number of concepts related to semantics and eloquence. Manuscript profile -
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39 - Aesthetics of mystical revelations in Abhar al-Asheqin
yasra tahmasbizade sharokh hekmat mohamzamadre zamanahmadiRoozbehan Baqli Shirazi is known as "Sheikh Shatah" because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This bo MoreRoozbehan Baqli Shirazi is known as "Sheikh Shatah" because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This book, which is a full-fledged mirror of the tradition of lovemaking, has been written about love and its types, and is full of imaginative images and novel and expressive illustrations. In this research, this book aims to recognize the type of mystical language of Roozbehan in the Apocalypse, in terms of beauty The science has been studied and the result is that in terms of internal music, the most important arrays are the use of rhymes and phonemes, and in terms of expression, the use of eloquent simile and Meccan metaphor has the highest frequency. The language of Roozbehan Baqli in this book is based on short melodic sentences and his user words, which serve to express romantic and mystical feelings, are inextricably linked with love and all the concepts used in it are related to love and its consequences. It is related that imaginary forms are in the same way in a direct or indirect relationship with love and the lover and the beloved. Manuscript profile -
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40 - شیوه پایان بخشی منظومه غنایی «سوز و گداز » نوعی خبوشانی
زینب تقی نژاد رضا اشرف زاده بتول فخر اسلام -
Open Access Article
41 - موانع ارتباط در داستان های عاشقانه هزار و یک شب
قنبر قدوسیان حسن بساک رضا اشرف زاده -
Open Access Article
42 - The Woman and Her Romantic Relationships In Nezami's Poetry and Sohrab Sepehri Poems
Ramin Khosravi EghbalThe purpose of this research was to compare the romantic relationships from the viewpoints of Nezami Ganjavi and Sohrab Sepehri, who belonged to the two different literary and historical periods of Iran country. The two poets had different attitudes toward romance in te MoreThe purpose of this research was to compare the romantic relationships from the viewpoints of Nezami Ganjavi and Sohrab Sepehri, who belonged to the two different literary and historical periods of Iran country. The two poets had different attitudes toward romance in terms of sociology, psychology and literature. The epistemic differences between the two poets had influenced their point of view toward moral and romantic relationships and shaped the recognition and definition of "woman". The applied method was a comparative and descriptive one, and was based on the works of the two poets concerned to romantic relationships. The findings showed that Nezami Ganjavi, according to personal and experiences of his own life, and social, economic and political conditions, reached a particular attitude toward woman and her relations as a personal style, and in other hand, Sohrab Sepehri regarding all components of modern life and his personal experiences had presented a unique viewpoint on romantic relationships. Eventually, the research concluded that the romantic relationships in Nezami’s lyrics stories has been often carnal and terrestrial so that the poet with a powerful tool in describing dramatic and imaginative, would take the readers to the feast, pleasure and jollity, while the ”love” in Sepehri’s poems had been limited to spiritual and mental aspects and we are facing an ethereal beloved in poet’s soul and worlds. Manuscript profile -
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43 - Love Language in Poetries of Nazik Al-Malaika and Suad Al-Sabah
روح الله SayyadiNezhzd مهوش HasanpoorLove is one of the most common topics which found in Arabic literature especially in romantic literature. This topic has found new form in contemporary era which caused some new language properties in poetries of contemporary poets.In this study, an attempt has made to MoreLove is one of the most common topics which found in Arabic literature especially in romantic literature. This topic has found new form in contemporary era which caused some new language properties in poetries of contemporary poets.In this study, an attempt has made to survey these properties in poetries of the two Arabic poets, Nazik Al-Malaika and Suad Al-Sabah. By using descriptive-analytic method, it has been found that feminine spirit and language is greatly evident in poetries of these two Arabic poets which can be studied at different language levels. This feminine element is clear in three levels in poetries of these two poets phonetic, syntactic and semantic.They were using some techniques such as repetition of phonemes, letters in speaking about their sorrow and sadness. Not being sure of social conditions in a world which pay attention to men caused women to use interrogative methods in their poems. Women poets also use indirect methods like metaphor because they don't have liberty of speaking in love. Manuscript profile -
Open Access Article
44 - Women From the Fakhreddin Iraqi Perspective
Layla ShokuhfarIslamic mysticism had well treated women for centuries. While it was needed there were no differentiation between men and women in ritual practices such cases like "self reconstruction" and "truth seeking journey". In some cases women are considered more valuable and mo MoreIslamic mysticism had well treated women for centuries. While it was needed there were no differentiation between men and women in ritual practices such cases like "self reconstruction" and "truth seeking journey". In some cases women are considered more valuable and more transcendent. And even more rights were taken into concern for women based on"spirituality and love". Women can be one of the top mediators in the aspirations of men to their bliss and esteem of God. In Islamic mysticism there was independent stream named "flow of love" or "aesthetic mysticism ". One of the most eminent figure of the mentioned doctrine was "Fakhreddin Iraqi", the love poet and mystic in seventh AH century. He believed that the identity and authenticity and character of emotional, physical, spiritual and intellectual of "woman", made her as a source of love and affection and introduced the woman as one of the most beautiful manifestation of the divine beauty of creation. Manuscript profile -
Open Access Article
45 - Analysis of love ethics and literature in the stories of Mostafa Mastoor
سهیلا محقق mahbobeh Khorasani mortaza rashidi ashjerdiIn romance novels, the main priority is to pay attention to romantic relationships. Most of the heroes in different narrative angles commit immorality and immorality in lovemaking, which is the main reason for the failure of their love. This article analyzes this issue MoreIn romance novels, the main priority is to pay attention to romantic relationships. Most of the heroes in different narrative angles commit immorality and immorality in lovemaking, which is the main reason for the failure of their love. This article analyzes this issue based on an article by Mostafa Malekian entitled "Romantic . Loving morality has nothing to do with success or failure; The lover must love as much as he does not violate the moral virtues, and in the literature of love, he must love in practice so as not to harm the success of the love process. The purpose of this study is to investigate "love ethics and literature in hidden love stories" and of the type of qualitative and thematic content analysis, and to try to adapt these stories with the factors mentioned in the basic article for the establishment of proper love communication and Let's analyze them. Since Mastur is a realist writer; The question is: to what extent is the morality and literature of a lover observed among the heroes of his stories and what effect does it have on these characters? Also, what effect does this observance or non-observance have on the narration? And in the end, we came to the conclusion that these non-observations by the lovers cause them conflict and emotional crisis, and it has an unpleasant end to the narration of the story, and on the other hand, observing the correct romantic relationships also has a positive effect on the characters. Manuscript profile -
Open Access Article
46 - Love and Mysticism: A Decade Exploration On Saadiology's Studies
Fateme Mortazavi Asghar Dadbeh bahram parvingonabadiSaadiology is a broad field that examines Saadi's aphorisms, texts, and ideas in different spheres. As Saadi's sensationalism and elaboration are prominently based on love and mysticism, these concepts are essential to the narrative. The critical and analytical works in MoreSaadiology is a broad field that examines Saadi's aphorisms, texts, and ideas in different spheres. As Saadi's sensationalism and elaboration are prominently based on love and mysticism, these concepts are essential to the narrative. The critical and analytical works in this area differ markedly and convincingly. The purpose of this study was to examine the validity of alternative perspectives in Saadiology in the context of recognizing the requirements of noble research from an overview of 19 articles published over the last decade. Furthermore, the present study aimed to explore reliable reasons for different attitudes and discover real and non-real love priorities. Additionally, it was conducted in objective and reader-response critisim as well as quantitative method. This research has been done by descriptive analitical method by studying articles and related library resources and the results show that although the relevant studies in Saadiology maintain inconsistent views, they remain a comprehensive resource for scholars. Manuscript profile -
Open Access Article
47 - A stylistic study of Baluchi love poems
Maryam davari Dr.mahmoud sadeghzadeh Dr. Hadi Heydariniya Heydariniya Dr,Musa Mahmoud ZehiLyrical poetry is one of the most important literary genres in the history of literary criticism. In the history of literature of any land, there are poems that were composed with or to accompany music, and on the other hand, there are simple, emotional and musical poem MoreLyrical poetry is one of the most important literary genres in the history of literary criticism. In the history of literature of any land, there are poems that were composed with or to accompany music, and on the other hand, there are simple, emotional and musical poems that have emerged from the heart of the general public and have become the official source of lyrical poems. Influenced by the romantic definition of lyrical poetry, Iranian scholars have often considered this type of poetry as poems that express personal feelings and emotions and the personal "I" of the speaker. In lyrical poetry, romantic themes are presented with a cover of arrays and based on the poet's personal feeling. Poetic images are the result of linking the poet's emotional experiences with the phenomena and events around him. In this literary genre, the structure of poetic images is particularly similar to the definition of image in literary language. This research has tried to recount in a descriptive-analytical way the original manifestations of lyrical literature in Baluchi love poems. Ancient Baluchi poetry is more narrative, and the surviving works are epic and love stories or important historical events that poets have written in short and semi-long poems. Manuscript profile -
Open Access Article
48 - Investigation and reflection of social issues in contemporary poetry based on Hossein Manzavi's ghazals
Zainab Watankhah Seyyed Mahmoud Seyed Sadeghi Maryam Parhizkari Lyrical literature is the oldest type of literature in which the poet displays his existential truth and expresses his personal feelings towards life and society, in such a way that social realities and society can be objectively reflected in a detailed and limi More Lyrical literature is the oldest type of literature in which the poet displays his existential truth and expresses his personal feelings towards life and society, in such a way that social realities and society can be objectively reflected in a detailed and limited way. He saw literary works. The purpose of studying societies in poetry is to analyze the social concerns and issues of that period. Hossein Manzavi is one of the greatest ghazal writers of the present era, who is famous for his romantic ghazal; the subject of his sonnets is mostly about love, yet he has addressed social and political issues in his sonnets. The lover in the isolated sonnet has taken on a different face and this indicates the poet's different attitude towards the subject of love. Manzavi has a personal and special style in his descriptions, which distinguishes his poetry from other contemporary poets. In his lyrical compositions, different and dual themes can be seen around lyrical, social and religious topics and issues. In this research, the author is trying to analyze the social and related issues in isolated sonnets with descriptive-analytical method and library tools and to answer the question, what are the most important social issues used in isolated sonnets? The result of the research indicates that the poet was able to create a new language to express love in such a way that this distinction and duality of approach can be seen in his romantic sonnets. Manuscript profile -
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49 - بررسی و تحلیل نمود های عاشقانه در رمان های دهه ی 1370 (با تکیه بر چهار رمانِ خانه ی ادریسی ها، سالِ بلوا، جزیره ی سرگردانی و منِ او)
صفورا مصلحی سید احمد حسینی کازرونی شمس الحاجیه اردلانی -
Open Access Article
50 - The Mystical and Romantic Interpretations of the Polo (Chogan) and the Polo Ball (Gooy) in Persian Poems
Masoumeh Shirzad markavi Kiyumars MoladoostThis research aims to study the mystical and romantic interpretations of the polo and the polo ball terms in Persian poems. In different periods of Persian language and literature, poets have used various interpretations to express their concepts and intents, and they o MoreThis research aims to study the mystical and romantic interpretations of the polo and the polo ball terms in Persian poems. In different periods of Persian language and literature, poets have used various interpretations to express their concepts and intents, and they occasionally have benefited from common interpretations and idioms of their era to restate such concepts. Poets have sometimes expressed their personal feelings and emotions in romantic and mystical themes with " Polo" and " Polo ball" terms. The present study is the descriptive type with the historical method, which has been done with an analytical approach. Our findings indicated that, Persian poems are filled with "Polo" and "Polo ball" terms, used to describe the hair length, chin, face, and moles of the beloved, as well as the description of the submission and humbleness of the lover to the beloved in romantic themes. They also have been used to express submission, and as an allegory for ignoring worldly longings and arrogance in mystical themes. The expression of "Polo" and "Polo ball" terms in the lyric poetry and abundant use of these words in Persian literature indicate the popularity of this game in different periods of the Persia history and the poets’ familiarity with the Polo sport might be due to the prevalence of this game in Iran. Manuscript profile -
Open Access Article
51 - Roman Love to Quranic Verses and its Review in Quranic Stories.
Halimeh Dilaminejad Shams Al Hajieh Ardalani Seyed Ahmad Hosseini Kazerooni Mowlavi is one of the greatest mystics of the storyteller of Persian literature who has turned to the story of the Qur'an, in order to express ethical and mystical points. One of the important elements of Quranic stories, which are used in Mathnavi by Rumi, More Mowlavi is one of the greatest mystics of the storyteller of Persian literature who has turned to the story of the Qur'an, in order to express ethical and mystical points. One of the important elements of Quranic stories, which are used in Mathnavi by Rumi, are the characters and figures of the Quran, especially prophets. Rumi has used many Quranic verses in Masnavi, and one of Mowlana's most important techniques in dealing with Quranic verses is their interpretation and luscious interpretation Interpretation in Islamic culture, especially in mystical literature, is a term that is used as an esoteric interpretation and from the appearance to the backwardness. Basically, believing in the backbone of affairs is at the heart of the Maulana thinking, for which he is paying special attention to the interpretation. He believes that the Holy Quran has an inner one hidden under the appearance of words. The interpretation of the verses of the Holy Qur'an in Mathnavi is a tangible form of exegesis that transcends inwardness beyond appearance and with the standard of love and taste, but does not negate the appearance. One of the most important conditions of interpretation in his view is his interpretation that necessitates self-knowledge and cultivation of the soul, and the result is that it means that the interpretation should hope for God's mercy. Manuscript profile -
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52 - An Analysis on Simplification in Bijan Jalali's Lyrics
Davood Malekzaade Abdul-Hossein Farzad Mansoureh SabetzadeBijan Jalali was one of the first poets to turn to prose poetry in simple language from the beginning, and his choice was not due to the development of modern poetry in Iran, especially Nima, but due to his presence in France and the influence of European literature. Ja MoreBijan Jalali was one of the first poets to turn to prose poetry in simple language from the beginning, and his choice was not due to the development of modern poetry in Iran, especially Nima, but due to his presence in France and the influence of European literature. Jalali’s poetry neither is half-hearted nor has the characteristics of white poetry, and in a sense it can be considered as a mediator between poetry and prose or white poetry or prose poetry. The kind of glorious expression in simplification and shorthand is a reflection of his life that has been internalized in the poet, so it is not acquired or artificial. After the forties and fifties, and the decline of symbolic and ideological expression, new poets, especially the new generation, have turned to glorious poetry. The point that has been neglected in introduction and review of Bijan Jalali's poems in the shadow of his simplification is his romances. At a glance, it seems that the poet has a tendency towards nature and mysticism, and the mentality of single life but his love poems have been ignored. The love we are talking about here is different from the love of nature and God and animals. Specifically, we are talking about earthly love and women, which has been addressed directly and indirectly in various collections. After studying Jalali's poems, the frequency of romances in different periods of his life is so great that makes it possible to publish a book solely on a selection of his romance poems. Manuscript profile -
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53 - Classification and Analysis of Childlessness in Persian Love Poems
Azam Hosseini Hasan ZolfaghariOne of the narrative themes in love poems is the infertility of the lovers' parents. This theme is not one of the main themes, but it is the point of entry of lovers into the story So the author uses all his art to describe it as a beautiful and memorable event. This re MoreOne of the narrative themes in love poems is the infertility of the lovers' parents. This theme is not one of the main themes, but it is the point of entry of lovers into the story So the author uses all his art to describe it as a beautiful and memorable event. This research seeks to classify infertility in Persian love poems by describing and analyzing the content of the text. What role does each of these classifications and subspecies play in the narrative? For this purpose, the book "One Hundred Persian Love Poems" (Zolfaghari, 2015) is the basis of the work. According to the results, in thirty poems, the parents of lovers have suffered from infertility and in many cases, have been worried about the throne of their heirs. They have children in various ways (having children through prayer and charity, helping a dervish by eating blessings, having children outside the womb or with the presence of only one parent, hiding the birth or abandonment of a child, and predicting the birth of a child) has fallen. The evolution of this theme shows that its use began with mythology and was very primitive and naive in folk tales. The authors of Persian love poems of the fourth to ninth centuries, using their taste, have used it in various forms. From the ninth century onwards, nothing new is added to it and it is a repetition of the previous ones. Its peak was in the twelfth century due to the rise of Indian systematists and the rise of idealism. The role of this theme in the narrative structure of the love story is that the author, by portraying the difficult parenting of children, prepares the audience's mind for the events formed by these children in the continuation of the story, and increases the actions and thus the story's appeal. Manuscript profile -
Open Access Article
54 - The mythology of romance "Khosrow and Shirin" in contemporary literary and artistic texts
Marzieh Golabgir Esfahani Zahra FanaeiMythological narratives and myths of names are influenced by the semantic pools in which they develop over time. Hence, a text has different meanings in different periods. Literary-artistic texts are better known and more appropriately decoded in the context of their fo MoreMythological narratives and myths of names are influenced by the semantic pools in which they develop over time. Hence, a text has different meanings in different periods. Literary-artistic texts are better known and more appropriately decoded in the context of their formation; This leads to a more complete understanding of the pattern governing the culture of each period. Khosrow and Shirin's romance has always been considered in different periods of Iran up to the contemporary period; It has been studied by many painters, poets and writers and is one of the most widely used myths in literary and artistic texts. The present study aims to identify the impact of contemporary factors; The time, culture of the society and the type of the creator's attitude towards presenting the narrative deal with the intertextual study and myth-mining of this narrative in different texts of the contemporary period. This research descriptively-analytically seeks the factors influencing contemporary works and how the artist uses them to answer the question: "Has he created sub-narratives?" The results show that developments, events, communications and changes in society have directly affected the creative thinking and have caused new sub-narratives in the romantic presentation of Khosrow and Shirin in contemporary Iranian art works. Manuscript profile -
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55 - The Survey and Analysis of Motif and Theme in Iranian Local Romantic Songs
Gholamreza Sotoodeh Aliasghar Babasafari Mohammadamin MohammadpourSong is a general term that refers to a variety of melodic or accompanying forms of poetry, especially Fahlaviyat, quatrains, Rubaiat, and Tasnif. Local poetry contains some types like Garayeli in Azarbaijan, Goorani in Kordestan and Kermanshah, Sharbeh in South, Sharaf MoreSong is a general term that refers to a variety of melodic or accompanying forms of poetry, especially Fahlaviyat, quatrains, Rubaiat, and Tasnif. Local poetry contains some types like Garayeli in Azarbaijan, Goorani in Kordestan and Kermanshah, Sharbeh in South, Sharafshahi in Gilan, Sekheshti in Qoochan and Deyhoo in Bashagard which in this paper some samples of them are presented. In this article, the themes of love songs have been studied and classified in a descriptive-analytical research method. The statistical society is also scattered books of native songs and recorded works of music of Iranian singers. The language of the native songs is simple and slang and since they are related to the work and effort of simple people, they pay less attention to images. Most of these songs are accompanied by musical instruments. The conclusions show that the songwriters bring a variety of themes, such as complaining about getting away of sweet heart, the difficulty of the path of love, the opposition of the elders in the union of two beloveds, Kissing, loyalty, describing the beauty of the beloved, seeking attention and wishing to join, seek to show the themes of "presence next to beloved" with the sub-layers of desire or its permanence and "complaining of separation and embarrassment" with the sub-layers of desire or its permanence and "complaining of separation and embarrassment" with the sub-layers of fear of it happening and praying for its elimination. Manuscript profile -
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56 - The Intricacies of Romance Folk Tales for a Dynamic Look with Emphasis on Tales “Mashdi Galin Khanom”
Fariba Shamsi Mahbobeh Khorasani Shahrzad NiaziThe romance folk tales is full of adventures that have a proper narrative and story structure and Most of the dramatic elements are also suitable to be converted into film and animation. In this study, using content analysis method, the narrative elements contained in f MoreThe romance folk tales is full of adventures that have a proper narrative and story structure and Most of the dramatic elements are also suitable to be converted into film and animation. In this study, using content analysis method, the narrative elements contained in folk tales and selected text means “Mashdi Galin Khanom” are shown. The results indicated that these stories have certain types of characters and elements such as conflict, dialogue, crisis, knotting, suspense, and fantasy and fantasy atmospheres Which, if paid for properly, can be used to create animation. And for more emphasis, the narrative and dramatic elements according to the theory of Sullivan, Schumer and Alexander in a sample of these stories were examined. The ability of these stories to become animation was proven; Studies of magic and fantasy and its value for animation also showed that the abundance of fantasy elements in these stories makes the screenwriter make better use of this particular genre and by adapting these stories full of themes of ancient Iranian culture, a connection can be made between animation and this ancient culture. Manuscript profile -
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57 - Rhetorical and Literary Innovations of Amir Khosrow in Masnavi Dolarani and Khezr Khan
Maryam Kargar Mandena Mangeli Asieh Zabihnia EmranAmir Khosrow Dehlavi is one of the famous Persian mystics and poets of India, in the second half of the seventh century and the early eighth century AH. He was a disciple of the saints (d. 725 AH) and the education he received from him gave him a special position in the MoreAmir Khosrow Dehlavi is one of the famous Persian mystics and poets of India, in the second half of the seventh century and the early eighth century AH. He was a disciple of the saints (d. 725 AH) and the education he received from him gave him a special position in the field of Sufism. The love poem "Dawelrani and keZrkan " was composed in the form of Masnavi and Bahr-e-Hazj of Muthanm Maqsoor or Mahzouf in 4519 verses. The subject of this romantic Masnavi is in the true story of the love of Khidr Khan, the son of Alaa al-Din Muhammad Shah Shah Khalaji, with "Diwaldi", the daughter of Rajah Gujarat. The present article answers the main question with a descriptive-analytical method that despite the imitation of the lyrical system of Dolarani and Khezr Khan by Khosrow, Shirin, Lily and Majnoon Nezami Ganjavi, what are the most prominent innovations and innovations of Amir Khosrow in this work? According to the research, the most important innovations of Amir Khosrow in this lyrical system are the use of new metaphors and new similes, breaking the norm in using irreplaceable obligation, writing ten letters and executing the schema of ode and lyric in the form of Masnavi Dolarani and Khezr Khan. Manuscript profile -
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58 - An Analysis in Simple-Writing of Emran Salahi's Romantic Poems
Davood Malekzaade Abdolhosein farzad mansoure sabetzadeEmran Salahi is one of the poets who has a simple language in his poems. A major part of Salahi's poems is his romantic poems, which are not specific to a particular era and can be seen in all his poetry collections. This article deals with Salahi's love poems in an ana MoreEmran Salahi is one of the poets who has a simple language in his poems. A major part of Salahi's poems is his romantic poems, which are not specific to a particular era and can be seen in all his poetry collections. This article deals with Salahi's love poems in an analytical-descriptive method to explain his simple writing. The poet's love simple writings have been examined in three parts: structural and linguistic, rhetorical and content, among which we can mention these cases: Direct expression, simplicity of interpretation and expression, short writing, the role of word association in poetry, using colloquial language, not using difficult words, closeness of the main components of the sentence to each other, effective beginning and surprising ending (structural and linguistic), Paradox, brevity, common and everyday similes and poetic (rhetorical) similes, attention to everyday life and tangible images, detail and use of seemingly insignificant subjects (content). The result is that Emran Salahi's simple writing, which has led to effective communication with the audience, has not made his writings look superficial, but always has literary value. He, who pays attention to the language and content of his poetry, has used this process in all periods of his poetry in classical and new forms, and the variety of topics especially romantic themes, is evident in his works. Manuscript profile -
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59 - معشوق شعری در ادبیات معاصر با تأکید بر شعر شمس لنگرودی
عطامحمد رادمنش مریم ایزدی -
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60 - زبان شعر و عشق
سیّد احمد حسینی کازرونی -
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61 - ساختار و ویژگیهای داستانهای عاشقانه ـ حماسی
ابراهیم استاجی -
Open Access Article
62 - جلوههای عاشقان و مرگ آنان در شاهنامه فردوسی
علی چوبینه محمدجواد قاسمی -
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63 - نامههای عاشقانه در مشهورترین منظومههای غنایی ادب فارسی
سمانه جعفری -
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64 - بررسی روایت شناختی روح العاشقینِ شاه شجاع
تقی پورنامداریان محبوبه خراسانی -
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65 - بررسی زبان نگاه در شعر فارسی
احمد گلی راضیه زاهدی -
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66 - شکلشناسی تطبیقی غمنامهها
سید فرید راستگوفر علی محمد فلاحی سید مرتضی طاهری برزکی معصومه جواد زاده -
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67 - مروری بر تاریخچة ادبیات غنایی در ایران
فرشته ناصری -
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68 - ساختار داستانی منظومه های عاشقانۀ فارسی
حسن ذوالفقاری -
Open Access Article
69 - پیوند غزلگونهها و دیگر ترانههای عاشقانه در ادب عامه با سرودههای عاشقانه در ادب غنایی
مریم نوری زیبا هاشم زاده -
Open Access Article
70 - Reflection of love oaths in native and local couplets of Mazandaran and Khorasan
Vida SaraviOaths like all daily phenomena and creations are full of mythological and ancient symbols, beliefs, and sign in the course of the work and effort and continuity of the people of every lands. In fact, Oaths are a reflection of beliefs, ideas, and culture of how to compro MoreOaths like all daily phenomena and creations are full of mythological and ancient symbols, beliefs, and sign in the course of the work and effort and continuity of the people of every lands. In fact, Oaths are a reflection of beliefs, ideas, and culture of how to compromise and tolerate and continue the social life in each era which is mixed with the specific biological, geographical and cultural characteristics of that age in discussions and searches in anthropology are an expressive and valuable elements. Native and local songs are an important part of oral literature. In folk songs, couplets are a good way to express romantic moods and emotions. In this research, considering library and field method, more than 3000 native couplets of Mazandaran love oaths and 120 Khorasan ones have been studied. Means that about 4% of the romantic oath are observed. These vows are divided into general and specific categories in terms of the content. Based on the classification of types of love oaths and research findings, it can be said that in Mazandaran, the oath of love to God and in Khorasan the oath of love to the Qur'an has the highest frequencies. In the rest of the oaths as: Oath of lover and beloved against each other, Oath of religious sanctity to the beloved loving, oath by the mole on the face, eyes, and eyebrows of the beloved, The oath to the soul of the beloved and his brother, and the oath to the lover of natural phenomena.The statistics of the oaths of love of the two provinces are near to each other. Manuscript profile -
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71 - .
hosen khosravi -
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72 - .
سعید گلناری neda morad محمدهادی فلاحتی -
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73 - .
fatemeh Tavassol Panahi Ali Asghar Halabi شروین خمسه -
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74 - .
مهدی نوروز رضا جلیلی -
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75 - .
neda morad -
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76 - Analyzing Moral and Didactic Doctrines in Masnavi Titles Sefat-el Ashaqin by Badriddin Hilali
Farshad Eskandari Sharafi Vahid MobarakBadriddin Hilali is one of the brilliant poets of late 9th century A.H. and early 10th century A.H., who in addition to his romantic lyrics, has brilliant romantic and mystical collections. Sefat-el Ashaqin is one of these collections which has been composed of 1237 ver MoreBadriddin Hilali is one of the brilliant poets of late 9th century A.H. and early 10th century A.H., who in addition to his romantic lyrics, has brilliant romantic and mystical collections. Sefat-el Ashaqin is one of these collections which has been composed of 1237 verses in 20 sections. Being a kind of descriptive-analytic one which has been carried out by applying library resources, the current study aims at analyzing Sefat-el Ashaqin and the way it is linked to didactic literature and its applying of didactic and moral doctrines. The findings reveal that Sefat-el Ashaqin is replete with of didactic and moral contents. 893 verses (%72) out of all verses are devoted to praising, advising virtues, refusing and forbidding moral vices, contentment, not sleeping and eating too much, politeness, generosity, patience, isolation from people’s commotion, silence, kindness, loyalty, effort, gratitude, bravery, truth and honesty, humility, modesty, world instability and separation from the world, and moral and didactic doctrines. These are the seventeenth subjects which Badriddin Hilali has discussed in Sefat-el Ashaqin. Mystical attitude is also another notable issue which is seen in some of these subjects. Didactic literature, Persian literature, Moral and Didactic Doctrines, Masnavi Sefat-el Ashaqin, Badriddin Hilali Manuscript profile -
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77 - Overt love and covert mysticism in Hafez poetry
jafar HamidiHafez is the composer of love and mysticism in the Persian poetry. In the Persian literature especially in poetry we see so many verses about love and mysticism. Therefore there is no need to discuss about them anymore. However, in Hafez poems the composition of love an MoreHafez is the composer of love and mysticism in the Persian poetry. In the Persian literature especially in poetry we see so many verses about love and mysticism. Therefore there is no need to discuss about them anymore. However, in Hafez poems the composition of love and mysticism is so creative that there is still need for discussing about them. Among Hafez poetry, there is some love poetry. In this article a lot of mystical poetry and the rest of them is a combination of love and mystical poetry. In this article the love and mystical poetry of Hafez has been identified; however, the exact distinction is not decisive. Manuscript profile -
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78 - Advices of wise persons won’t ever stop me loving you (Not accepting advice by lovers)
hossein Aghahosseini hashem BagherzadehLove is a phenomenon which associates with spiritual manner, self-experience and interpretation. The description of love and the manner of love and beloved in literature is much expanded and very special. The high frequency about love in literature and in the national l MoreLove is a phenomenon which associates with spiritual manner, self-experience and interpretation. The description of love and the manner of love and beloved in literature is much expanded and very special. The high frequency about love in literature and in the national literatures proves and shows it. In the Iranian literature we can observe the variety of love ether Gnosticism love of human beings to God or vice versa. It is the most beautiful and so bright of human's thoughts. Lyric and love poems is very important. One of the most characteristics is lovers' not accepting advice .In this paper we notice and pay attention to the reasons of not accepting advice by lovers. Furthermore, we notice the variety of advisers and kinds of advices. Manuscript profile -
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79 - .Secrecy in romantic stories of Shahnameh: An important characteristic of educational literature
Hossein Aqa Hosseini nahid nasrazadaniRespect for human moral boundaries is one of the most prominent features of the great poets of Persian literature. Creating valuable works such as Shahnameh, alongside its literary values at the highest degree of aesthetics, had the greatest impact on stimulating the hu MoreRespect for human moral boundaries is one of the most prominent features of the great poets of Persian literature. Creating valuable works such as Shahnameh, alongside its literary values at the highest degree of aesthetics, had the greatest impact on stimulating the human characteristics of his audience because of ethics. One of the most important virtues is secrecy and being faithful to a secret which is seen in the two types as praised and condemned secrecy in most romantic stories of Shahnameh. Romantic stories of Hakim Ferdowsi's Shahnameh have narrated the love story of two lovers amongst all the ethnic, racial, political, social, cultural, and military in the semi-historical and semi-legendary communities of stories, while maintaining a commitment to teach the doctrine of ethics of secrecy. This doctrine is sometimes in the form of advice and sometimes in the action and reaction of characters, along with numerous points, rising and falling. Examining the doctrine of secrecy in romantic stories of Shahnameh is important with regards to vital characteristics and elements such as epic, love, athletics, secrecy, oath ritual, and alike. Studying these stories is essential to prove significant factors in the spread of teaching secrecy and knowing the role of the main elements of romance in praised or condemned secrecy, and the efficacy of epic and love themes in stability or weakness of the doctrine of secrecy. Manuscript profile -
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80 - معقولی و معشوقی در باب عقل و عشق نزد مولانا
حسن جعفری تبار -
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81 - همه گویند و سخن گفتن سعدی دگر است
مهرانگیز اوحدی -
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82 - واکاوی و رمزگشایی از افسانه نیما
هرمز رحیمیان -
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83 - سیری در مفهوم عرفانی بلا در ادبیات فارسی
قدمعلی سرامی مهدی میرزا رسول زاده عبدالرضا گودرزی -
Open Access Article
84 - Love in Sefat al-āšeqīn and Abhar al- āšeqīn: An Intertextuality Approach
Ebrāhim Ebrāhimtabār Jamshid NajafAbhar al-āšqīn is a collection of Rūzbahān Baqalī Šīrāzī’s thoughts about love. Because of the great importance of this mystical treatise in Persian literature, it has had great influence on its later works including masnavi of Sefat al- āšqīn MoreAbhar al-āšqīn is a collection of Rūzbahān Baqalī Šīrāzī’s thoughts about love. Because of the great importance of this mystical treatise in Persian literature, it has had great influence on its later works including masnavi of Sefat al- āšqīn, composed by Helali Joghtaei. Since these two books have a lot of similarities in content and subject matter, they can be studied based on Genette's Intertextuality theory that suggests three types of "explicitly deliberate", "hidden-deliberate," and "implicit" links between texts. The findings of the present research show that many themes related to love, such as eternality and the mutuality of love and its obstacles are presented in both books. The intertextuality relationship between them shows that Sefat al- āšqīn is not a mere imitation of Abhar al- āšqīn without any creativity. By using descriptive-analytic method, the present article tries to show the common themes about love in both books. Manuscript profile -
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85 - Human Desires in Abhar al-Ashiqin and Sarh al-shathiyyat; An Analysis with Regard to Abstract and Concrete Propositions
Zohreh Fahami Hasan por alashti Maseod Rohani Mosafa GorjiEvery human being has aspirations and desires that seeks them. Recognition of human desires helps the individual to seek moral and psychological desires instead of quarreling over social, individual, and collective desires in order to have a meaningful life and achieve MoreEvery human being has aspirations and desires that seeks them. Recognition of human desires helps the individual to seek moral and psychological desires instead of quarreling over social, individual, and collective desires in order to have a meaningful life and achieve his/her innate desires, including peace. This article uses a descriptive-analytical method to examine Rouzbahan Baghli's view on the most important human desires. The abstraction and concreteness of propositions that represent their individuality and universality are important in mystical literary discourse. The question is whether the mystics have confused their followers with their universal propositions or have increased the certainty of their words with concrete sentences and guided their followers in a certain direction. Roozbehan has presented his experiences in metaphorical language in Abhar al-Ashiqin, and in Sarh al-shathiyyat, he offers a realistic method for interpreting surrealistic subjects and writes both texts concretely using a variety of descriptive methods. According to him, individual and collective social desires should be for perfection and the acquisition of moral desires, such as loving, and lead man to intrinsic and spiritual desires such as peace and meaning. Manuscript profile -
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86 - آداب،اسرار و فضایل عبادات از دیدگاه مولانا
کرم عبادی جوکندان -
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87 - نوآوریهای هنری در عاشقانههای بیدل دهلوی
عبدالرضا مدرس زاده -
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88 - بررسی تصوف عابدانه و عرفان عاشقانه در غزلیات حافظ
Ali Dehqan Khalil Hadidi Mosa Ahmadi -
Open Access Article
89 - جایگاه عشق در مبانی سنتهای اول و دوم عرفانی
سیدعلی اصغر میرباقری فرد راضیه حجتی زاده -
Open Access Article
90 - Intertextual Relationship between Sawāneh Ol-'Oshshāq & Abhar al-'Āshiqin
منصوره مختاری محبوبه مباشری قدم علی سرامیSawāneh Ol-'Oshshāq, a treatise by Ahmad Ghazālī (c. 1061–1123 or 1126), and Abhar al-'Āshiqin, another treatise by Ruzbihan Baqli Shirazi (d. 1209), have common points in mode of expression, language usage and content. The simultaneous and intertextual reading ca MoreSawāneh Ol-'Oshshāq, a treatise by Ahmad Ghazālī (c. 1061–1123 or 1126), and Abhar al-'Āshiqin, another treatise by Ruzbihan Baqli Shirazi (d. 1209), have common points in mode of expression, language usage and content. The simultaneous and intertextual reading can lead to change our views about these texts and acquaint us with their common features and special features of their own. Based on Gérard Genette’s ideas, the intertextual reading of the texts reveals that the Abhar al-'Ashiqin is, explicitly and implicitly, influenced by Sawāneh Ol-'Oshshāq in selecting words, terms and proper names and allusions to Quranic verses, Tradition (hadith), and mystical stories and terms. Their intertextual relationship is much deeper and extensive than direct influence and adaptation which may appear. Manuscript profile -
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91 - Review of Romances in Persian and Arabic (Case study: Leyli and Majnun Nizami)
shahram edalatishahiIn Persian literature, to express lyrical and romantic themes, along with the form of sonnet, it is also common to use romantic verses. Storytelling is one of the types that was noticed very early in Persian poetry. At the end of the 6th century, the order of romantic s MoreIn Persian literature, to express lyrical and romantic themes, along with the form of sonnet, it is also common to use romantic verses. Storytelling is one of the types that was noticed very early in Persian poetry. At the end of the 6th century, the order of romantic stories reached its perfection by Nizami Ganjavi. He arranged some famous stories of his time and the performances of this poet were so skillful that most of the composers of romantic verses, knowingly or not, have been influenced by his style and manner of storytelling. One of his brilliant poems is Leyli and Majnun, whose origin should be sought in Arab literature. This story has been imitated many times by poets in different languages. The Eastern world has known the tragic story of Leyli and Majnoon in its literature since ancient times. Over the years, this story has inspired dozens of great poets in the creation of fantastic poems, and it is still reflected in the works of poets, writers, playwrights and musicians of different nations of the East. Undoubtedly, the origin of this story belongs to the Arabs and its history goes back to the end of the 7th century AD. Manuscript profile -
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92 - Countenance of Lover and Beloved in the Diwan ( book of poetry ) of Naziri Nishaboori
Mohammad Amin Ehsani Estahbanati Ali Asghar Yari EstahbanatiAbstract Description of love and explanation of the spiritual conditions of lover and beloved in the literature has special and widespread manifestation. The high frequency of topics on love and literature and culture of nations proves this matter. In the Persian liter MoreAbstract Description of love and explanation of the spiritual conditions of lover and beloved in the literature has special and widespread manifestation. The high frequency of topics on love and literature and culture of nations proves this matter. In the Persian literature, expounding of love, whether in numerous abstract love or in mystical heritage, divine love of man to love God or God's love to human being are of the most exquisite and luminous gems of man's thought. At this time, the Indian style, especially Naziri Nishaboori's poetry because of taking advantage of this style, has notable stance. Naziri's lyrics express his internal conditions of mind and are so exquisite that they appeal any listener even if he/she is tasteless. In this research the love and love circumstances are scanned in brevity. This paper has been written in descriptive – analytic method and the findings show that Naziri Nishaboori had special attention to the matter of love and utilized from Araghy style as a previous tradition. Manuscript profile -
Open Access Article
93 - The impact of Romanticism on the Newspaper of “ Erfan “
Zahra Rahmani Mahbubeh Khorasani morteza rashidiThe press didn’t have much circulation in the first Pahlavi era. In fact, it must be considered an era of reticence and stagnation. The ground for journalistic literature growth in the constitution era was not available in this condition and the writings and thoug MoreThe press didn’t have much circulation in the first Pahlavi era. In fact, it must be considered an era of reticence and stagnation. The ground for journalistic literature growth in the constitution era was not available in this condition and the writings and thoughts spontaneously or by the guidance of Reza Shah’s administration were led to the less dangerous aspects of literature like translation. In the first Pahlavi era, most translations were in the domain of literature; by studying the texts of this sphere the special impact of Romanticism is observable and the newspaper of Erfan with a quarter year of activity was not far from the approach. We have dealt with translational and amorous literature of Erfan. To investigate and study of literary aspects of Erfan. We have used the research method from the available data and the analysis of the theme, the statistic society and the literary items published in that paper. Sensation and excitement overflow in that paper and takes the addressee to the world of love and desire. Love is the most distinguished theme of the items published in it. Manuscript profile -
Open Access Article
94 - گفتمان تغزّلی در شعر نادر نادرپور
فروغ جلیلی عباس باقی نژاد -
Open Access Article
95 - The very last dialogues of lovers in Persian romantic verses
Neda HaddadiPersian romantic verses as texts composed over the centuries have common characteristics which upon their structural analysis one can analyze their inter-textual connections. Attempt is made in this article to describe the farewell scenes of lovers in MorePersian romantic verses as texts composed over the centuries have common characteristics which upon their structural analysis one can analyze their inter-textual connections. Attempt is made in this article to describe the farewell scenes of lovers in order to arrive at their common converse in these texts, since the main theme is love and this fundamental feature confers a mutual function to the lovers’ death. According to the inter textual theory, the texts with common theme in different historical periods are interconnected and their images, descriptions and their poetic thoughts are emanated from a common language even if at first they seem distinct. This common language provides the logic and the basis of the colloquy and living in such circumstances. In other words the language of love necessitates that farewell scenes have common language and ambiance although differences arise in accordance with the story and the relationship between the lover and the beloved. In one place, after the death of his beloved, the lover stands by her grave and weeps till his own death. And in other place, he opens his chest with a dagger. It is such that in studying the farewell scenes one arrives at the subject of synchronic death of the lovers. The focal point in these verses is the bitterness and the dilemma of separation which the lovers cannot tolerate and shortly after the other say farewell to life and end the dialogue of love. Manuscript profile -
Open Access Article
96 - The study and analysis of Iranian national epic romances in the light of intertextuality approach (with emphasis on Shahnameh, Samnameh, Borzunameh, Garshaspnameh, and Banu Goshaspnameh)
kamalodin Arekhi Mahmood Abbasi Abdolali Oveisi KahkhaAbstract Romances are regarded as the integral part of Iranian national epics. Considering the fact that epics produced after Shahnameh were all influenced by it, many lyrical characteristics of Shahnameh are found in them. The attempt is made in this MoreAbstract Romances are regarded as the integral part of Iranian national epics. Considering the fact that epics produced after Shahnameh were all influenced by it, many lyrical characteristics of Shahnameh are found in them. The attempt is made in this article to study these characteristics in the light of intertextuality approach. Intertextual relationships are divided into three categories in terms of diction, theme, and content. The epics were examined from the perspective of content intertextuality and the descriptive analytic library method was employed in this research. The results of the study indicate that subjects such as falling in love via hearing, the role of mediators in love, women as pioneers in declaring love, role of astronomers and priests or Mobadan, and etc are used intertextually in most romances. Manuscript profile -
Open Access Article
97 - The role of allusive simile in the lyrical structure of Hamidi Shirazi ‘s poetry
Mostafa Mostafa Erfani Mehdi MahooziAmong the contemporary traditional poets in the domain of lyrical literature, in form and in structure, in meaning and content Mehdi Hamidi Shirazi has unique style. In all his works “ashk –e Ma’shough” in particular, every linguistic term, MoreAmong the contemporary traditional poets in the domain of lyrical literature, in form and in structure, in meaning and content Mehdi Hamidi Shirazi has unique style. In all his works “ashk –e Ma’shough” in particular, every linguistic term, literary device, meter, music of poetry, diction, figurative construction, imagery, form and structure is at the service of element of emotion. In this research attempt is made to study the construction method of his imageries which is the employment of variety of allusive similes such as mythological, epic, religious, romantic and historical ones. He uses such elements to reveal his emotional feelings in the most passionate construction and apart from figurative foregrounding, he has breathed a new life to these structures. The appropriate connection between these allegorical and allusive elements and the flow of love between him and his beloved is the characteristic feature of his poetry. Manuscript profile -
Open Access Article
98 - The Mystics “Eid” The Encounter of man with infinity
Ali SanayeiThe purpose of this article is to set forth one of the most important teachings of Moulana and that is his understanding of “Eid”. Perhaps it can be said that the concept of “Eid” in Molana’s view differs substantially from that of ot MoreThe purpose of this article is to set forth one of the most important teachings of Moulana and that is his understanding of “Eid”. Perhaps it can be said that the concept of “Eid” in Molana’s view differs substantially from that of other mystics and schools, and indeed such difference inspired the author of this article to write on this subject as a token of his appreciation towards Moulana and his disciples. What he means by this term when he calls himself “Eid” and this event, that is “becoming Eid” which flows as naturally in him is explained in this article. I returned as the new “Eid”, as to break free To break the claws and tooth of this treacherous fortune. Manuscript profile -
Open Access Article
99 - Morphology of Homay Nameh
Mahboubeh AlihouriHomay Nameh is a barely known heroic epic belonging to about sixth or seventh century in Persian Literature whose anonymous composer makes it worthy of analysis. This research is based on the methods put forward by the prominent structuralists such as Vladimir Propp, Ar MoreHomay Nameh is a barely known heroic epic belonging to about sixth or seventh century in Persian Literature whose anonymous composer makes it worthy of analysis. This research is based on the methods put forward by the prominent structuralists such as Vladimir Propp, Arthur Asa Berger and Paul Ricoeur in the domain of morphology of stories, folk, mythic and epic tales. The outcome of the analysis shows that the story is composed of a general framework encompassing the starting point, events arising from shortcomings and evil doings and a happy ending for the hero. The morphological analysis of Homay Nameh can be embarked upon on the basis of significant elements such as character, motivation, function, movement, and repetition in order to follow the sequence of actions in this epic. The seven multifaceted characters in the story is reminiscent of characters in Propp's theory with one difference that in place of "false hero" the character of "hero's successor" is present. The number of main functional titles considering the repetition is eighty three. It must be emphasized that some functions in comparison with Propp's theory are new and some similar titles present novel concepts. The functions of "war" and "victory" are among the most repetitive elements of the story and from the movement point of view the story makes use of the combination of three manners of story movements and that of movement pattern proposed by Berger. Once the structure of a heroic epic, in particular epic romance found, one can seek the format in other similar works. Manuscript profile -
Open Access Article
100 - Mowlana’s cry, Masnavi’s gem
Ali SanayeiThis article aims at discussing the main concepts in Masnavi. An analysis of the content is also offered from the point of view of Molla Sadra’s three principle and Mowlana’s Gnosticism.This article aims at discussing the main concepts in Masnavi. An analysis of the content is also offered from the point of view of Molla Sadra’s three principle and Mowlana’s Gnosticism. Manuscript profile
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