Introduction:.The Qajar period houses of Tabriz are considered to be the most beautiful historical houses of Tabriz. The aesthetics of these houses is not only formal and outward, but a mass of semantic and functional aesthetics is hidden behind the appearance of these
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Introduction:.The Qajar period houses of Tabriz are considered to be the most beautiful historical houses of Tabriz. The aesthetics of these houses is not only formal and outward, but a mass of semantic and functional aesthetics is hidden behind the appearance of these houses. Research aim: Explanation and investigation of the influential components in the functional aesthetics of the historical houses of Tabriz in the Qajar periodMethodology: Descriptive-analytical method with qualitative method using interviews was used. In this research, there are two types of statistical population. 1- The houses of the Qajar period of Tabriz, which have been selected from among the 14 famous Qajar houses of Tabriz. 1- There are 135 professors and experts in the field of architecture and historical heritage of Tabriz, of which 16 were randomly selected. To analyze the house in relation to the aesthetics of the interpretive-historical method, and to interview in a semi-structured way with experts from the professors and experts of Tabriz in the fields related to the architecture of this house, the interviews were conducted using audio recorders. The voice of the respondents was coded using the "MaxQodia" qualitative data analysis software with the help of a computer.Studied Areas: The area under study is the city of TabrizResult: It is concluded that the aesthetic factors have been manifested in the context of the body and the function of harmony with local custom and culture, local materials and attention to the needs of all family members and flexibility, and the evolution of the historical houses of Tabriz in the direction of aesthetics (functional, functional) ) Is.Conclusion: The findings of the research showed that the aesthetics of Qajar houses is manifested in a functional, physical, formal, structural and functional-social way and in the relationship with nature. The most important manifestations of this period appear in the form of three styles and periods of purely performance (without paying attention to aesthetics), imitative aesthetics and aesthetics along with functional aesthetics
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