پدیدار شناسی ادراک حسی و تجربه ادراکی خانه بومی (مطالعه موردی مدبق خانه‌های منطقه موکریان)
محورهای موضوعی : مطالعات برنامه ریزی شهری و منطقه ای
بایزید گلابی
1
(
دانشجوی دکترای معماری، واحد سنندج، دانشگاه آزاد اسلامی، سنندج، ایران
)
قادر بایزیدی
2
(
استادیار گروه معماری، واحد سنندج، دانشگاه آزاد اسلامی، سنندج، ایران
)
ارسلان طهماسبی
3
(
استادیار گروه معماری، واحد سنندج، دانشگاه آزاد اسلامی، سنندج، ایران
)
جلیل سحابی
4
(
استادیار گروه علوم اجتماعی، واحد سنندج، دانشگاه آزاد اسلامی، سنندج، ایران
)
کلید واژه: ادراک حسی, پدیدار شناسی, خانه, تجربه ادراکی, منطقه موکریان,
چکیده مقاله :
پژوهش حاضر به کاوش معنای معماری خانه‌های بومی منطقه موکریان ایران برخاسته از حسیت و تجربه ادراکی می‌پردازد. هدف نهایی پژوهش، نگرش ناب به حس‌و‌خانه در‌جهت کشف رابطه عمیق آن‌ها‌و بیان یک روش علمی برای هویدایی ادراک حسی معماری‌و تجربه ادراکی خانه توام با افشا‌نمودن‌و آشکارگی میزان درگیری حس‌ها با فضا‌و اهمیت خصایص هستندگی مستخرج از تجربه‌ادراکی در خانه‌های موکریان است. پژوهش، ابتدا با رویکرد پدیدارشناسی وسپس به‌روش توصیفی‌تحلیلی انجام‌گرفت و نظام تحلیل آن، روش کیفی‌وکمی است‌و از روش هفت‌مرحله‌ای کلایزی و نرمافزار MAXQDA برای تجزیه و تحلیل اطلاعات و ارائه مقوله هسته و از نرمافزار SPSS جهت سنجش آن استفاده شده است. محقق با انجام مصاحبه‌های باز‌و عمیق‌و ثبت تحریرهای میدانی در‌ذیل سرفصل‌های تجربه زیسته و خصائص هستندگی نسبت به گردآوری اطلاعات در خصوص یکی از فضاهای خانه به نام مدبق(فضای پخت نان) اقدام نموده و تفاسیر مهم با مشارکت ساکنان و تاکید‌بر "ادراک حسی مدبق " و " ماهیت تجارب انسانی"، تحت 45 عبارت مهم و سپس نهایتا 9 تم معنی شناسایی‌و‌تدوین گردید. سپس، با یکپارچه‌کردن، مقایسه‌و‌تعمق پیرامون معیار‌های به‌دست‌آمده، یک مقوله هسته تحت عنوان " خانه موکریان:این‌همانی انسان، فضای انسان‌ساخت و محیط" به عنوان معنای حقیقی خاص خانه‌های منطقه موکریان ایران انتخاب گردید. یافته‌های پژوهش مبین این است که توام با حضور آگاهانه انسان در فضا، ادراک نهایی فضا بر اساس گستره آمیزه‌ای ازحس‌ها بدون برتری مشهود هیچ یک از آن‌ها (خصوصا بینایی) اتفاق می‌افتد و نهایتا عملا این شخصیت هستنده است که بر هستی فضای خانه و محیط آن رسوخ می‌کند وبا آن‌ها یکی می‌شود.
The present research seeks to explore the meaning of the architecture of the native houses of the Mukherian region of Iran, which is based on the sense of experience and perceptual experience. The ultimate goal of the research, the pure attitude toward the senses and the intent to discover their deep relationship and the expression of a scientific method for the visualization of the sensory perception of architecture and the perceptual experience of the home, with the disclosure and disclosure of the degree of conflict between senses and the importance of the characteristics of the perceptual experience in the Mokrian homes. The research was initially conducted using a phenomenological approach and then a descriptive-analytical method. The seven-step method and the MAXQDA software were used to analyze the information and provide the core category and SPSS software was used to measure it. The researcher conducted open and deep interviews and field entries in the following sections of the experience of life and characteristics of the information gathering about one of the premises of the house called "Medbaq (bread baking area)" and made important interpretations with the participation of residents and emphasis On "sensory perception of the subject" and "the nature of human experiences", under 45 important terms and then finally nine themes of meaning were identified and developed. Then, a core category called "Mokrian House": the identity of man, the space of man and the environment "was chosen as the true meaning of the houses of the Mokrian region of Iran.
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