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Open Access Article
1 - A Comparative Study of Prayer in the Military Poems of Ganjavi and Jamil Sedghi Al-Zahawi
Khaled Hefzi Abdolamir Al-Tamimi Mehrdad AghaeiIn the Persian literature, Iranian and non-Iranian poets and writers, citing the order of the Holy Prophet (PBUH) who said: "everything must be started in the name of God", have long written their poems and writings in the name of the Lord of the worlds, and praising Hi MoreIn the Persian literature, Iranian and non-Iranian poets and writers, citing the order of the Holy Prophet (PBUH) who said: "everything must be started in the name of God", have long written their poems and writings in the name of the Lord of the worlds, and praising His greatness and generosity. In Arabic literature, old and new poets have prayed to the Lord of the universe in their poems. Nezami Ganjavi, one of the greatest poets of Persian literature, at the beginning of his Masnavi, has dedicated many verses to praise and supplication to God. The Iraqi poet, Jamil Sedghi al-Zahawi also mentions God in a scattered manner in the margins of his divan, but in the final part of the divan, he devotes an ode to prayer and supplication to God only. The purpose of this study is to have a comparative study of prayers and supplications and their content in the poems of Nezami Ganjavi and Jamil Sedghi Alzheimer. Manuscript profile -
Open Access Article
2 - Checking the Qalandarh in nezami lyric poems
vahid alibaygi sarhali zeynab nawruziLyric is a common format for expressing the themes of love and mysticism. Sometimes the poet uses this poem to criticize the community. In the meantime, the nezami is one of the poets who, with the revelation of the content and content of the lyric, express their fundam MoreLyric is a common format for expressing the themes of love and mysticism. Sometimes the poet uses this poem to criticize the community. In the meantime, the nezami is one of the poets who, with the revelation of the content and content of the lyric, express their fundamental and critical concepts to the hypocrites of Sufis and eremites. This reminds us of the Qur'anic poetry. Poetry qalandaraneh with the Sanayee, and after the nezami, the idea of Hafez and Attar is perfected. In this regard, the kezami introduces new values to the society of its age by describing wine and persuading audiences to wine and wine, which opens up a new way in the field of critical literature by breaking the repentance and opposition of holy and unholy places. By rejecting the manifestations of shari'a and criticizing false Sufism, he pretends to worship and preach the preachers and Sufis who, with Rand and the Qalandar of his reading, separate his path from the wool. The nezami, using stylistic stories on the themes of the Qalandari, inviting for happiness and happiness, used the vibrant weight in sonnets to highlight the contents of the Qalandar in his poems and to present himself as a poet of the kingdom among other poets of this genre of critical poetry. Which is a real and hidden secret of the khumsah. This research has been conducted with an analytical method and descriptive evidence, for example, of the lyric Divan, in order to introduce a systemic and critical thought to him along with other Qalandar scholars. Manuscript profile -
Open Access Article
3 - Ethical - protest structure in Nezami Ganjavi's thoughts
ali asmand goneganyIn this research, the connection between ethics and protest in Nezami's thought has been studied. With his didactics approach, he seeks justice for the rulers and guidance of the society towards the utopian society. According to him, didactics among literary genres may MoreIn this research, the connection between ethics and protest in Nezami's thought has been studied. With his didactics approach, he seeks justice for the rulers and guidance of the society towards the utopian society. According to him, didactics among literary genres may be a better arena for the critical spirit and protest against the tyrannical rulers. Hence, in the form of stories about the fate of past rulers, he has praised the praiseworthy and denounced the indecent, praised valuable themes such as justice, religiosity, reason and humanity, and on the other hand, has denounced inequality, injustice, and oppression. In this article, while studying analytically, the author concludes that according to religious teachings, Nezami expresses his objection to the rulers of his time in four different contingent ways and expresses this objection according to moral principles and conditions of influence. Therefore, he does not tolerate oppression and attacks them by bringing the stories of past kings to the forefront, or with explicit moral advice, or by protesting, so that they can return to justice. The final stage of the Nezami protest- didactics principles is to appeal to the extraterrestrial world and to appeal to people like the Prophet of Islam to eradicate the root of oppression. While calling for justice, which is one of the main conditions in governance, he considers a king who lacks the condition of justice in a Nezami utopia to be incompetent to govern. Manuscript profile -
Open Access Article
4 - A Study of the Typology of the Treaty and the Representation of its Functions in Nezami Ganjavi’s Khamseh
Samaneh Vatandoost Hassan Bassak Reza AshrafzadehKhamseh of Nezami Ganjavi includes various collections in the types of lyrical, mystical, moral, etc. literature. In each of the works, the poet deals with issues according to the audience's understanding and insight and describes some of the beliefs and rituals of huma MoreKhamseh of Nezami Ganjavi includes various collections in the types of lyrical, mystical, moral, etc. literature. In each of the works, the poet deals with issues according to the audience's understanding and insight and describes some of the beliefs and rituals of human society, especially Iran. One of these rituals is covenanting and swearing, which sometimes has a two-dimensional aspect in the military intellectual structure and sometimes stops at the superstructure level. In the present study, with reference to library resources and descriptive-analytical method, the types of treaties and their functions in Khamseh of Nezami have been explored and studied. The results show that at a general glance, treaties are divided into written and unwritten categories. The written form includes a political and security pact, a marriage pact and a pact to retain power. The unwritten type has sub-branches which are: moral covenant (shame and loyalty), princely pact, motivational pact, cooperation pact, peace and subjugation pact, democracy pact, covenant pact, divine pact, secret pact and a pact of allegiance to the king. The diversity that exists in this category confirms that the pact in Khamseh of Nezami is beyond a purely social matter, and the categories of cognition and knowledge, moral and educational, political and security, religious and doctrinal, etc. are tied to it. Manuscript profile -
Open Access Article
5 - The Analysis Of Time Structure In Nizami's Khosrow And Shirin On The Basis Of Gennete Narration And Time Model
fatemeh ghorbani mohammad gholamrezai Genette narrative model is one of the most effective theories in narratology. In a part of the theory Gérard Genette studies the narrative time on three major issues: the order of the narrative, the speed of the narrative and the fr More Genette narrative model is one of the most effective theories in narratology. In a part of the theory Gérard Genette studies the narrative time on three major issues: the order of the narrative, the speed of the narrative and the frequency of events. He showed that each of the three elements defined in this issue can speed up or slow down the narration or give a constant speed to the narration. Hakim Nizami Ganjavi’s Khosrow and Shirin is one of the unsurpassed masterpieces in the realm of fiction. The perdurable magnum opus of Persian literature can be tested by the modern criteria of fiction and narratology knowledge due to accurate narrative capacities. So, this study is trying to introduce a new approach in studying Khamse’s stories and identify narrative patterns of stories by analyzing the status and function of the element of time and by studying the scheduling of Khosrow and Shirin narrations. In addition to the recognition of Nizami’s narrative grammar of the story, the researcher has considered linking the ancient Persian literature and modern approaches. Manuscript profile -
Open Access Article
6 - Morphological Analysis of Nizami’s Narrative Poem of Leyli O Majnun Based on Vladimir Propp’s Morphology Model
Fereshte NaseriThrough a deep study of the literary texts of recent decades, and considering narratology as the most noteworthy outcome of structuralism, one can notice that the structure and motifs of narrative texts based on the functions and relations of the characters have been fo MoreThrough a deep study of the literary texts of recent decades, and considering narratology as the most noteworthy outcome of structuralism, one can notice that the structure and motifs of narrative texts based on the functions and relations of the characters have been focused on. That is why each one of the narratologists has pointed to the recurrent models in literary texts. Russian folklorist, Vladimir Propp, brought about major developments by introducing a comprehensive model for structural analysis of narrative texts. Regarding the vast and wide range of narrative fiction which provides a good ground for discovering the narrative structure and analysis, the researcher has tried to analyze the structure of Nizami’s Leyli O Majnun as a work of lyrical fiction. Then, after an introductory account of formalism, structuralism and morphology, the researcher has embarked on analyzing this story based on Propp’s morphology model in order to find out what techniques Nizami has used to narrate his story. Manuscript profile -
Open Access Article
7 - Allegorical stories and their types in Makhzan-ul- Asrar (The treasury of secrets)
H. A. Nazad A. R. YalmehaAllegory is one of the essential literary genre which has been of interest among the speakers; its essentiality is due to the fact that it is the result of thoughts and ideas which has been one in descriptive-analytic method. A variety of allegorical stories, tools and MoreAllegory is one of the essential literary genre which has been of interest among the speakers; its essentiality is due to the fact that it is the result of thoughts and ideas which has been one in descriptive-analytic method. A variety of allegorical stories, tools and elements in Makhzan-ul- Asrar (The treasury of secrets) has been investigated. In this study, after extraction of allegories, the graph of frequencies has been drawn. As a result of this study, Makhzan-ul- Asrar, parable has widely been used as the tale allegory and Nizami has benefited the national epic, religious and historical allusions and animals to express his allegories. Manuscript profile -
Open Access Article
8 - Entrepreneurship in Allegorical works of Nizami Ganjavi and Nizami Arouzi analogy prosodic
Mohammad Reza Hesaraki1 Mahin KhatibniaPeople have to work to make a living from the creation and entrepreneurship, culture, customs and beliefs of the society from the perspective of "lifestyle" is inseparable from work and entrepreneurship. In this study, with unique and innovative works of Persian literat MorePeople have to work to make a living from the creation and entrepreneurship, culture, customs and beliefs of the society from the perspective of "lifestyle" is inseparable from work and entrepreneurship. In this study, with unique and innovative works of Persian literature, Said hundreds of jobs and careers and to provide useful and fruitful solutions in order to expand these jobs are provided in the community. We realized that working and Entrepreneurship are considered in thousands of years ago the ancient Iranians way of economic development, social, political, cultural and civilization of the country. Manuscript profile -
Open Access Article
9 - تحلیل عرفانی تجلّی حق و مشاهدة حضرت محمد(ص) در معراج (براساس روایت نظامی گنجوی)
Sedigheh Solimani -
Open Access Article
10 - دیدگاه نظامی دربارۀ سخن، سخنوری و شاعری
سیدعلی کرامتی مقدم سیدهآمنه حسینی جهانگیر -
Open Access Article
11 - The Woman and Her Romantic Relationships In Nezami's Poetry and Sohrab Sepehri Poems
Ramin Khosravi EghbalThe purpose of this research was to compare the romantic relationships from the viewpoints of Nezami Ganjavi and Sohrab Sepehri, who belonged to the two different literary and historical periods of Iran country. The two poets had different attitudes toward romance in te MoreThe purpose of this research was to compare the romantic relationships from the viewpoints of Nezami Ganjavi and Sohrab Sepehri, who belonged to the two different literary and historical periods of Iran country. The two poets had different attitudes toward romance in terms of sociology, psychology and literature. The epistemic differences between the two poets had influenced their point of view toward moral and romantic relationships and shaped the recognition and definition of "woman". The applied method was a comparative and descriptive one, and was based on the works of the two poets concerned to romantic relationships. The findings showed that Nezami Ganjavi, according to personal and experiences of his own life, and social, economic and political conditions, reached a particular attitude toward woman and her relations as a personal style, and in other hand, Sohrab Sepehri regarding all components of modern life and his personal experiences had presented a unique viewpoint on romantic relationships. Eventually, the research concluded that the romantic relationships in Nezami’s lyrics stories has been often carnal and terrestrial so that the poet with a powerful tool in describing dramatic and imaginative, would take the readers to the feast, pleasure and jollity, while the ”love” in Sepehri’s poems had been limited to spiritual and mental aspects and we are facing an ethereal beloved in poet’s soul and worlds. Manuscript profile -
Open Access Article
12 - A Study on Stylistic Analysis of Nezami Ganjavi’s Poems
Seyyed Mahmoud Reza Gheibi Maryam Ebadi AsayeshUnderstanding and examining literary works is one of the significant features in determining the linguistic, literary, and intellectual parameters of that work. Being one of the prominent Persian poets, Nezami Ganjavi is the one whose poems especially in regard to Styli MoreUnderstanding and examining literary works is one of the significant features in determining the linguistic, literary, and intellectual parameters of that work. Being one of the prominent Persian poets, Nezami Ganjavi is the one whose poems especially in regard to Stylistics have many things to discuss. Examining Stylistic features, to some extent, one can understand his poetic structure and specify his position in the poetry and literature of Iran. The purpose of this study is understanding the Stylistic features of Nezami Ganjavi and reaching to his personal style at last. In this regard, the present study tries to derive the most significant linguistic, intellectual and literary features of his poems to present a better understanding of the poetry and style of the mentioned poet, systematically. In the preset study after examining the different samples from Nezami’s two books of poetryKhosroo and Shririn and Leyli and Majnoonusing descriptive and analytical method, Nezami’s outstanding characteristic of poems appeared which the most important were: the diversity of vocabulary used, poetic combinations, creating new concepts, didacticism, diversity of subjects, concerning different sciences, folklore and creating original imagery. Manuscript profile -
Open Access Article
13 - The Reflection of Quran in Exquisite devices of Nizami’s Makhzan-al Asrar
Arezoo BroomandiHakim Nizami Ganjavi (535-595 Hijri) was a 6th-century poet located in Aran, the land of Ravadi and Shadadi Kurds.He was the originator of Khamsa, which is abundantly imitated by various poets of different centuries.His expression is strong and well thought-out, which h MoreHakim Nizami Ganjavi (535-595 Hijri) was a 6th-century poet located in Aran, the land of Ravadi and Shadadi Kurds.He was the originator of Khamsa, which is abundantly imitated by various poets of different centuries.His expression is strong and well thought-out, which has put him amongst the brightest minds in Persian literature.From an artistic point of view, he gravitates towards Metaphors.The usage of Metaphors in Khamsa is a remarkable characteristic of his genre which has caused the researchers to neglect other aspects of his poetic expression.In this article, the author has taken a descriptive-analytical approach while using the available references to study the reflection of the Quran in Makhzan al-Asrar’s Exquisite devices.The results suggest that Nizami has heavily used literal elegancies in this case as well.It is especially seen in the magical way that he has linked Quran verses with figures of speech, which makes distinguishing the two require great precision Manuscript profile -
Open Access Article
14 - A Comparative Study of Nezami's Leyla and Majnu and Khana Ghobadi's Leyla and Majnun
Jamal ahmadi Shno salemLeyla and Majnun is a long narrative poem which has it root among Arabs in the first century. The story went to other cultures very soon. Especially after the arrival of Muslim Arabs to promote Islamic thought, culture and studies including stories and anecdotes travell MoreLeyla and Majnun is a long narrative poem which has it root among Arabs in the first century. The story went to other cultures very soon. Especially after the arrival of Muslim Arabs to promote Islamic thought, culture and studies including stories and anecdotes travelled to other civilizations. Hakim Nezami Ganjavi (614- 530, H), originally Kurdish poet of the sixteen century, wrote Leyla and Majnun in Persian in 4700 lines. The story then imitated by many other Kurdish and Persian poets. Kaha Ghobadi (1191- 1115) wrote this story in Kurdish verse with Gorani dialect. The number of lines of this long narrative poem is 1644. Khana as a great poet of 12th century had his own narration of the same story. The writers of this study using an analytical- descriptive method seek to investigate the similarities and differences between the two works and the rate of impact of Nezami on Khana in writing Leyla and Majnun. The results show that Khana probably have used other sources of Kurdish oral literature beside Nezami's for writing Leyla and Majnun. The other minor result suggests that Nezami most probably have used other sources in his mother tongue along with Arabic texts and narrations. Manuscript profile -
Open Access Article
15 - Analysis of the Wednesday story of Haft Peikar based on the new literature criticism
Mehri Aminisani Maryam SaeeidiIn this paper the Wednesday story from Nezami’s Haft Peikar has been analysed based on the Gilbert Durand theory. The analysis of mentioned story, have lead to extending the Gilbert Durand theory to a more comprehensive framework as such scient MoreIn this paper the Wednesday story from Nezami’s Haft Peikar has been analysed based on the Gilbert Durand theory. The analysis of mentioned story, have lead to extending the Gilbert Durand theory to a more comprehensive framework as such scientific theories have dynamic and extendable characteristics. According to the Gilbert Durand’s patern, sometimes the main course of text is about the daytime imagination and sometimes it is about the nighttime imagination and sometimes alters between both of them. From Durand’s point of view, in the ideal situation both clusters must be in the text. But in this story we encounter an interesting and prominent situation and that is when nighttime cluster turns into daytime cluster. It seems that Durand has not encountered such situation, because in his categorization we cannot find such a category of transforming one cluster to another. Manuscript profile -
Open Access Article
16 - Diversity of Colloquial Sayings in Nezami‘s Leili va Majnoun
Naser Naseri Rasool AzimiNezami, the well-know sixth century poet, is a unique master of imagery in Persian literature. His love of imagery and colloquial language has led him to various proverbs and metonymies. His mastery of the theoretical and practical wisdom and good command of different b MoreNezami, the well-know sixth century poet, is a unique master of imagery in Persian literature. His love of imagery and colloquial language has led him to various proverbs and metonymies. His mastery of the theoretical and practical wisdom and good command of different branches of knowledge has caused this unique variety of his imagery. Figurative language, as one essential feature in Nezami’s works, has a key role in expressing his thoughts and ideas. His frequent use of a variety of colloquial metonymies, make him the unrivalled master of colloquial proverbs. His frequent use of proverbs in Leili ya Majnoun is a product of his life style and his mastery of the public culture of his era. He used these proverbs to affect the reader and to approach the colloquial language with all its social, moral, educational and cultural issues. The purpose of this study is to investigate the diversity of colloquial sayings in Leily va Majnoun. Manuscript profile -
Open Access Article
17 - Exalted Beloved in Green Dome of Haft Peykar
Peiman Niknami Pooran YosefipoorLove is the most distinguished and the most infrequent concept with a huge reflection in art and literature. Love toward man, woman, mother, child, nature, religion and thoughts, motherland, liberty and … is tangible in each part of Persian literature. The love w MoreLove is the most distinguished and the most infrequent concept with a huge reflection in art and literature. Love toward man, woman, mother, child, nature, religion and thoughts, motherland, liberty and … is tangible in each part of Persian literature. The love which embraces all is the love to the only God. It gives human the power to know himself and it helps him evolve as much as possible. Mystical literature is about the love to the only God. Emotional literature is one of the areas in which adoring another person can be a way to evolve and achieve integrity. Haft peykar by Nezami Ganjavi is one of the pieces of emotional art which is a story of an earthly love at the surface but upon a deeper consideration of such stories in ancient analysis of the model and psychology, one can find out that the earthly love can get the hero of the story to the point of excellence and perfection. In this research, the story of the Green dome was studied with an emphasis on the exalted beloved and an introduction of Haft peykar and its theme. Manuscript profile -
Open Access Article
18 - Sociological Criticism of "Characters" Nezami Ganjavi’s Khosrow and Shirin
Mohammad amin Ehsani EstahbanatiThis article provides sociological criticism of characters in Nezami Ganjavi’s Khosrow and Shirin. Sociological criticism approach in the context of evaluating the components of social values, social interactions, social skills, social orientations, and social con MoreThis article provides sociological criticism of characters in Nezami Ganjavi’s Khosrow and Shirin. Sociological criticism approach in the context of evaluating the components of social values, social interactions, social skills, social orientations, and social control in characters of Shirin, Khosrow, Mahin Banu, Maryam, and Shekar in a classified way, and in each case, based on poetic evidence extracted from Khosrow and Shirin, analysis and comparison is performed. The findings of this article show that wisdom and self-esteem are the gifts granted to girls and women of Khosrow and Shirin through free social space and realistic overlook the society has over women. Moreover, Nezami was under the influence of various social stimuli that is clearly manifested in developing the characters in Khosrow and Shirin. However, it should be noted that the internal process of this perspective is related to the internal worldview of Nezami as a wise poet. Therefore, in sociology of characters in Khosrow and Shirin, there is a mediate as worldview between social realities and artistic creation of Nezami. Manuscript profile -
Open Access Article
19 - Analysis Domination of the Beloved Over Lovers in the Manzoomeh Khosrow and Shirin Nezami of based on the Sociological Perspective of Lukacs, Bourdieu and Adorno
Zahra Nourmohammadi Najafabadi Shahrzad Niazi, Mahboobeh KhorasaniThe poems of Khosrow and Shirin Hakim Nezami are among the famous Persian poems in the field of lyrical literature. The basis of the story is love. In this story, in which several loves are flowing, the position of the lover and the beloved is often shifting and fluctua MoreThe poems of Khosrow and Shirin Hakim Nezami are among the famous Persian poems in the field of lyrical literature. The basis of the story is love. In this story, in which several loves are flowing, the position of the lover and the beloved is often shifting and fluctuating. The course of the story becomes sometimes normal and sometimes unconventional. One of the unconventional actions is the domination of the lover over the beloved. It was expected that in proportion to the gravity and magnetic field of the beloved, the proportionality of domination would be exercised in favor of the beloved, but; Contrary to expectations, we are witnessing fluctuations and changes in the position of our domination. In an interdisciplinary study using descriptive-analytical sources, documents and library tools, this study examines the nature and reasons for the fluctuation of lover domination in these systems from a sociological perspective, based on the views of George Lukács, Pierre Bourdieu and Theodore Adorno. Because; Behavior is derived from the psyche. This study also approaches psychoanalytic critique. Findings show: hegemony of power, class bases, objects and mentalities of society and the poet; the fluctuation of domination has been in favor of the upper classes, and this dialectic has led to a military attitude and approach to the fluctuation of domination. Manuscript profile -
Open Access Article
20 - ایام در در شعر نظامی
اسحاق طغیانی اسفرجانی زهرا صالحی -
Open Access Article
21 - تلمیحات و روایات تاریخی در مثنوی یوسف و زلیخای شعلۀ گلپایگانی
عطامحمد رادمنش اردشیر اصلانی -
Open Access Article
22 - سیر تحول شخصیت فرهاد در آثار مهمترین مقلدین نظامی
محمود بشیری نوشین استادمحمدی -
Open Access Article
23 - سیر تحول جایگاه خسرو پرویز در متون تاریخی و منظومههای غنایی
یاسر فراشاهینژاد -
Open Access Article
24 - بنمایههای ملّیگرایی در مثنوی خسرو و شیرین نظامی گنجوی
محبوبه مسلمیزاده -
Open Access Article
25 - Aspects of Heavenly Bodies in the poetry of Nezāmi Ganjavi (Conjunction, Opposition, Quadrate, Trine and sextile)
مظاهر نیکواه Based on old beliefs, astrology reading is a means of divination that studies the position and aspects of heavenly bodies with a view to predicting their influences on human affairs. It correlates celestial cycles and positions with terrestrial events and experi More Based on old beliefs, astrology reading is a means of divination that studies the position and aspects of heavenly bodies with a view to predicting their influences on human affairs. It correlates celestial cycles and positions with terrestrial events and experiences. The Iranian poet, Nezāmi Ganjavi, by using astrology, illustrates “aspects of heavenly bodies”. The present paper studies his poems about conjunction, opposition, quadrate, trine and sextile. Manuscript profile -
Open Access Article
26 - The Commentaries on Leili-O-Majnoon: A Critical View
خورشید نوروزی Leili-O-Majnoon is a love and mystical couplet composed by Nezāmi of Ganjeh in 584 AH/1188AD. It is the love story of Leili Bent-ol Asad and Geis Ibn Āmer, known as Majnoon. The present article, by taking into account the commentaries on Leili-O-Majnoon, tries More Leili-O-Majnoon is a love and mystical couplet composed by Nezāmi of Ganjeh in 584 AH/1188AD. It is the love story of Leili Bent-ol Asad and Geis Ibn Āmer, known as Majnoon. The present article, by taking into account the commentaries on Leili-O-Majnoon, tries to re-examine them with respect to metaphors and allusions used in the book. Manuscript profile -
Open Access Article
27 - Mythical Trees in the Legends of Nizami's Haft Paykar
Zahrā Nasr Isfahānī Maryam IlbeigīIn Persian classic literature, Nizami Ganjavi is the most prominent poet of lyrical poetry, and his Panj Ganj (Five Jewels) are well-known and have great importance. Among these five books, Haft Paykar is an outstanding one, because its legends and fables present myths, MoreIn Persian classic literature, Nizami Ganjavi is the most prominent poet of lyrical poetry, and his Panj Ganj (Five Jewels) are well-known and have great importance. Among these five books, Haft Paykar is an outstanding one, because its legends and fables present myths, symbols and codes to the reader. Every described character, region, planet, dome and color, have a symbol or code. Among these myths and symbols, vegetables, especially trees, are most salient. Some of the symbols can be found in the myths of other nations, but some of them are special and unique to this book. Using descriptive-analytical and library methods, the authors of present article attempt to examine symbolic trees in the legends of Haft Paykar. Manuscript profile -
Open Access Article
28 - Review of Romances in Persian and Arabic (Case study: Leyli and Majnun Nizami)
shahram edalatishahiIn Persian literature, to express lyrical and romantic themes, along with the form of sonnet, it is also common to use romantic verses. Storytelling is one of the types that was noticed very early in Persian poetry. At the end of the 6th century, the order of romantic s MoreIn Persian literature, to express lyrical and romantic themes, along with the form of sonnet, it is also common to use romantic verses. Storytelling is one of the types that was noticed very early in Persian poetry. At the end of the 6th century, the order of romantic stories reached its perfection by Nizami Ganjavi. He arranged some famous stories of his time and the performances of this poet were so skillful that most of the composers of romantic verses, knowingly or not, have been influenced by his style and manner of storytelling. One of his brilliant poems is Leyli and Majnun, whose origin should be sought in Arab literature. This story has been imitated many times by poets in different languages. The Eastern world has known the tragic story of Leyli and Majnoon in its literature since ancient times. Over the years, this story has inspired dozens of great poets in the creation of fantastic poems, and it is still reflected in the works of poets, writers, playwrights and musicians of different nations of the East. Undoubtedly, the origin of this story belongs to the Arabs and its history goes back to the end of the 7th century AD. Manuscript profile -
Open Access Article
29 - انعکاس فرهنگ عامه در منظومه ی خسرو وشیرین نظامی به همراه شرح و توضیح و نقد و زیباشناسی نمونه ها
بتول محمدیان تراب جنگی قهرمان -
Open Access Article
30 - Studying the Stories of " The Makhzanol Asrar " from Nezami Ganjavi with Incipient Structural Critical Approach by Lucien Goldmann
Fatemeh Hajati Bardmili Ziba EsmailiAbstract Lucien Goldmann introduces every literary work as a meaningful structure which is under the impact of its socio-economic problems in its own time. The true creator of a work is not an individual but the representative MoreAbstract Lucien Goldmann introduces every literary work as a meaningful structure which is under the impact of its socio-economic problems in its own time. The true creator of a work is not an individual but the representative of the social group which the creator is one of its creative member. The Makhzanol Asrar has three distinct parts, each of which has meaningful structure. This research studies the current problems of its time with library method and descriptive-analytic approach about Nezami's military stance on the contemporary problems.To attain this aim, we initially explain the fundamental implications of incipient criticism of Lucien Goldmann, later on the stories which are investigable are selected and in two-level process they are explained; that's, having grasped the internal structure of each story, the generality of the work together with the comprehensive foundations of the time of composing are connected with each other and adducing to the historical resources the results of the studies showed that the view point of mystic-protesting of social groups of military was deviated from the fundamental social reality of its time and chaotic situation from the feudalism in Iran in the era of the Saljuques ( injustice, cruelty, massacre , plunder and leading the policy toward religion ) has encompassed the soul of the stories of the Makhzanol Asrar like a halo. Manuscript profile
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