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      • Open Access Article

        1 - The main phonological processes of Lenition in Hendiyooni Dialect
        Azade Ebadi Elkhas Veysi
        This article aims at descriptive analytical study of the main phonological processes of lenition in Hendiyooni dialect on the basis of Generative Theory. To achieve this goal, researchers interviewed illiterate and less illiterate speakers to uneducated informants. Besi More
        This article aims at descriptive analytical study of the main phonological processes of lenition in Hendiyooni dialect on the basis of Generative Theory. To achieve this goal, researchers interviewed illiterate and less illiterate speakers to uneducated informants. Besides, one of the researchers is the native speaker of Hendijani Dialect, thus, he got advantages of his sense of language. The analyzed data were written according to APA style. Regarding this method, some of the most important results of this research are: 1. Lenition process usually occurs in the final position of a syllable. 2. /æ/ in Standard Persian in the final position of a syllable converts to /ə/. 3. The consonants /v, t, d/ are deleted at the final position of a word or syllable in Hendiyooni Dialect. 4. The assimilation process in Hendiyooni Dialect is mostly of consonant to consonant, and assimilation in manner of articulation results in complete one. Manuscript profile
      • Open Access Article

        2 - The study of Vassunaks and Marriage Songs of Hendijan Region
        Fateme Shahbazi Azade Ebadi
        Songs are of delicate poetic styles which have oral and written antiquities and they are common in various Iranian languages and dialects including Hendijani dialect. This study aims to investigate and analyze five local songs which are sung in marriage ceremonies in He More
        Songs are of delicate poetic styles which have oral and written antiquities and they are common in various Iranian languages and dialects including Hendijani dialect. This study aims to investigate and analyze five local songs which are sung in marriage ceremonies in Hendijan region and briefly the significance of wedding is discussed. In this way, we can record these songs in order to save and keep this valuable dialect. These songs were gathered based on field method in which we have interviewed with old people from North and South Hendijan and surrounding villages including Karim Abad, Chamtang, Chelmani, Derihak, and Qorabi. These local songs do not have any certain poets and they demonstrated the feelings of close relatives of the bride and bridegroom and they are expressed by skillful women of families and by this process we could find out the living style, tradition, and ideology of ancient people in Hendijan. These local songs are about to fade due to media and technology development. These songs have significant share in anthropology and native cultural and structural forms of each country so recording them seems to be necessary. Manuscript profile