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    • List of Articles Mohammadreza Zamanahmadi

      • Open Access Article

        1 - Aesthetics of mystical revelations in Abhar al-Asheqin
        yasra tahmasbizade sharokh hekmat mohamzamadre zamanahmadi
        Roozbehan Baqli Shirazi is known as "Sheikh Shatah" because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This bo More
        Roozbehan Baqli Shirazi is known as "Sheikh Shatah" because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This book, which is a full-fledged mirror of the tradition of lovemaking, has been written about love and its types, and is full of imaginative images and novel and expressive illustrations. In this research, this book aims to recognize the type of mystical language of Roozbehan in the Apocalypse, in terms of beauty The science has been studied and the result is that in terms of internal music, the most important arrays are the use of rhymes and phonemes, and in terms of expression, the use of eloquent simile and Meccan metaphor has the highest frequency. The language of Roozbehan Baqli in this book is based on short melodic sentences and his user words, which serve to express romantic and mystical feelings, are inextricably linked with love and all the concepts used in it are related to love and its consequences. It is related that imaginary forms are in the same way in a direct or indirect relationship with love and the lover and the beloved. Manuscript profile
      • Open Access Article

        2 - A study of the aesthetics of language and literary arrays in Saadi poetry
        shahrbanoo ranjbar Mohammad ali Davood abadi mohammad reza zaman ahmadi
        If we do not call Sheikh Ajal, Saadi Shirin Sokhan, the lord of Persian poetry and literature, we should undoubtedly and without exaggeration consider him one of the brightest stars in the vast expanse of Persian language, literature and culture. As the great and pionee More
        If we do not call Sheikh Ajal, Saadi Shirin Sokhan, the lord of Persian poetry and literature, we should undoubtedly and without exaggeration consider him one of the brightest stars in the vast expanse of Persian language, literature and culture. As the great and pioneers of Persian literature know Saadi's words and expression as eloquence, rhetoric, simplicity and beauty, these characteristics have caused Sheikh Shiraz's words to continue to capture the hearts of his audience from all walks of life despite centuries of conquest. Saadi's poems are pleasant, concise and tangible for all Persian speakers. What has been exuded from Saadi's pen is in a beautiful word, and this beauty attracts Saadi's poetry. Saadi is a unique master of language, whether in the level of words and phrases, or in the method of effective and captivating sentences and endings, or in the use and invention of literary innovations and arrays, or in creative illustrations. Saadi connects all these great masters in composing poetry with his pure feeling, emotion and exemplary humanity, and according to his own words, if the speaker speaks, the reader will feel this unique beauty. In fact, for this reason, it must be said that Saadi is a poet of beauty and aesthetics. Manuscript profile