List of Articles
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Open Access Article
1 - Introduction and analysis of rhetorical innovations in Persian interpretative texts
Abstract Rhetoric is one of the most important literary knowledges, the emergence of which has naturally been associated with the development of language, and its historical record should be traced back to the time when language acquired a written aspect. Since the fir MoreAbstract Rhetoric is one of the most important literary knowledges, the emergence of which has naturally been associated with the development of language, and its historical record should be traced back to the time when language acquired a written aspect. Since the first books on miracles of the Qur'an dealt more with rhetorical topics and the history of Quranic studies is full of rhetorical researches to explain the verbal and expressive miracles of the Holy Quran, the topic of miracles has always been closely related to rhetorical sciences. Understanding the rhetoric and rhetorical methods of the Qur'an not only reveals the rhetorical wonders of this holy book, but also reveals its hidden meanings and secrets. Considering that the hidden secrets of this knowledge were crystallized in the words of the early commentators, including: Abul Fattouh Razi, Shahfur Esfraini, etc., it is appropriate to address the unknown points and crafts of this knowledge based on interpretive texts in order to understand them. It is possible to help rhetoricians in understanding hidden and double meanings of texts. The present article is a research in which the authors have tried to find and analyze the literary beauties of the commentary texts that have been left out of the eyes of rhetoricians or have been less discussed with analytical-descriptive method. After analyzing the examples, the authors conclude that in the early interpretations of the Qur'an, special techniques were used such as: interpretation, startling, useful virtual documents of the meaning of honoring, etc. Abstract Rhetoric is one of the most important literary knowledges, the emergence of which has naturally been associated with the development of language, and its historical record should be traced back to the time when language acquired a written aspect. Since the first books on miracles of the Qur'an dealt more with rhetorical topics and the history of Quranic studies is full of rhetorical researches to explain the verbal and expressive miracles of the Holy Quran, the topic of miracles has always been closely related to rhetorical sciences. Understanding the rhetoric and rhetorical methods of the Qur'an not only reveals the rhetorical wonders of this holy book, but also reveals its hidden meanings and secrets. Considering that the hidden secrets of this knowledge were crystallized in the words of the early commentators, including: Abul Fattouh Razi, Shahfur Esfraini, etc., it is appropriate to address the unknown points and crafts of this knowledge based on interpretive texts in order to understand them. It is possible to help rhetoricians in understanding hidden and double meanings of texts. The present article is a research in which the authors have tried to find and analyze the literary beauties of the commentary texts that have been left out of the eyes of rhetoricians or have been less discussed with analytical-descriptive method. After analyzing the examples, the authors conclude that in the early interpretations of the Qur'an, special techniques were used such as: interpretation, startling, useful virtual documents of the meaning of honoring, etc. Manuscript profile -
Open Access Article
2 - Analyzing the aesthetic identity of the poem "Dalam Baraye Baghche Mesuzad" by Forough Farrokhzad based on relational rationality by Jürgen Habermas.
Abstract Communicative rationality is one of the philosophical ideas popular in the West and the contemporary world. In Habermas's theory, Communicative rationality is in the sense of understanding, understanding and arrangement of how to maintain relationships with MoreAbstract Communicative rationality is one of the philosophical ideas popular in the West and the contemporary world. In Habermas's theory, Communicative rationality is in the sense of understanding, understanding and arrangement of how to maintain relationships with others and create understanding in value issues that takes place through relational actions and claims, arguments and critical arguments. The aim of the research is to investigate the aspects of harmony, rationality, Communicative, Habermas with aesthetic elements, conceptual metaphor, symbol, contradiction and repetition in the poem "Dalam Baraye Baghcheh Mesuzad" by Forough Farrokhzad. The results of the research showed that the aesthetic elements of the poem "Dilam Bari Baghche Mesuzad" are in harmony with the Communicative rationality presented in the poem Forough. In other words, there was a kind of action and rationality similar to Habermas' Communicative rationality in the subject of the value situation of society in the poem, but in the end, no understanding was created; An inner mental dialogue by the poet between the members of the family and, in turn, the members of the society. This rationality was marked by artistic development in the conceptual metaphor "Garden" with the subject of affection and humanity, multiple symbols, cognitive-identity contradiction and the repetition of the word "Garden" and the phrase "I worry about...". All the reviewed opinions showed that the lack of rationality, relational understanding and inattention to the collective union made Baghcha (University) sick and at risk of death. However, the purposeful promotion of intelligence as an intellectual, was envisioned as a potential garden. Manuscript profile -
Open Access Article
3 - The female world and its relationship with decadent ideas in Sadegh Hedayat's short stories (Based on the theory of social-historical criticism of Claude Duches)
Abstract Sadegh Hedayat was considered among intellectuals and elites who believed in Iran's decadent situation and considered it a historical process. Relying on this belief, the position of women in Sadegh Hedayat's stories can be seen as a kind of representation of MoreAbstract Sadegh Hedayat was considered among intellectuals and elites who believed in Iran's decadent situation and considered it a historical process. Relying on this belief, the position of women in Sadegh Hedayat's stories can be seen as a kind of representation of this decadent situation. In fact, the realistic aspect of Sadegh Hedayat's stories is so high and tangible that according to the framework of the theory of social-historical criticism of Claude Deuche, the basis of these narratives are social and historical realities that the narrative It is based on them. Based on this, a large amount of morals, norms, values, social relations, mechanisms of dominance and authority, degenerate beliefs and views and the continuation of social static situations are socio-historical realities that make women They are exposed to a significant amount of verbal and gender violence, authoritarian patriarchy, established patriarchal norms and morals, they are continuously ignored, humiliated and remain in a marginalized and silent position. In this research, the main question is that according to Sadegh Hedayat's decadent views, how can the realistic representation of the position of women in his short stories be explained based on Douche's theory? Based on this, the hypothesis is that the ratio between women's position and the social and cultural decline of Iran in these narratives is a meaningful ratio in such a way that placing these narratives next to the greater insight of Sadegh Hedayat can support this claim, to prove. Manuscript profile -
Open Access Article
4 - زیباییشناسی مراثی شریف رضی در رثای امام حسین(ع)
Abstract The word Ratha means mourning and crying over the dead and expressing his good deeds, which is presented in the form of poetry, and elegy is a type of poetry that is written to comfort the heart and in sorrow of the deceased. This sample is especially used MoreAbstract The word Ratha means mourning and crying over the dead and expressing his good deeds, which is presented in the form of poetry, and elegy is a type of poetry that is written to comfort the heart and in sorrow of the deceased. This sample is especially used in the mourning of Imam Hussain (AS) and the martyrs of Karbala and the expression of their sufferings. Imagination is the main substance and one of the constant elements of poetry, which is created through the power of imagination. The rhetoricians of this field believe that images of imagination are the lifeblood and the main spirit in Arabic poetry, and one of the aesthetic foundations of any literary work is to examine and evaluate the images of poetic imagination in it, which is the reason for clarifying the style and artistic value of each work. Sharif Razi can be mentioned among the poets who have left their poems in the art of Ratha; Because his poems are very emotional in this context. His poems are so complete and comprehensive that they have become a model for poets after him. Although his Marathi in the context of Imam Hussain's lamentation is very few, but this little Marathi was preserved by other poets in later periods. The upcoming essay intends to examine the lamentation of Imam Hussain (a.s.) in the poems of Sharif Razi from the aesthetic point of view, taking into account all kinds of similes, metaphors, irony, and permission, and prove that he is definitely one of the best poets of lamentation. It was in the Abbasid period, and the few Marathas left by him are proof of this claim. Manuscript profile -
Open Access Article
5 - Imaginary images in lyrical literature
abstract Imagery is one of the prominent elements and components in the field of aesthetics of literary works. The aim of the research Is to discuss images in lyrical literature, based on which three poems were studied and imaginary elements were extracted and then c Moreabstract Imagery is one of the prominent elements and components in the field of aesthetics of literary works. The aim of the research Is to discuss images in lyrical literature, based on which three poems were studied and imaginary elements were extracted and then classified and compared into four image elements. These four elements are: abstract element, elemental element, element of nature and astronomy. Exploring the imagination of each poet helps the audience to better understand his view of his surroundings and to be able to connect with his poetry.One of the remarkable topics in lyrical literature is the topic of love, which in every period the poet tries to portray this topic in his poetry in accordance with his words and the relationship between the lover and the beloved and their connection and separation according to the circumstances. In this article, each of the poets in the field of imagery in all three poems has assigned the highest amount to the element of nature, which in Weiss and Ramin is more than similes, in Khosrow and Shirin the metaphor of Masrah and in Gol and Nowruz. We had both elements of fantasy.Also, all three poets have used the least abstract elements, which was in the form of a metaphor. In terms of the use of abstract elements, the three poets have tried to sensitize mental matters and give them life. Weiss and Ramin, as the first poem, has been a model for other poems. Manuscript profile -
Open Access Article
6 - Analysis of conceptual metaphor of speech in Khaghani’s odes
Abstract In recent years, and in the theory of knowledge; metaphor has found a new meaning, that it is mentioned as the "conceptual metaphor". According to this theory, not only metaphor studies at the level of words, sentences or even at language level but also it s MoreAbstract In recent years, and in the theory of knowledge; metaphor has found a new meaning, that it is mentioned as the "conceptual metaphor". According to this theory, not only metaphor studies at the level of words, sentences or even at language level but also it studies in the mind, behavior and actions of individuals in a society and it reflects unconsciously. So explanations and study of thoughts, actions and human’s behavior in a society In which they live; is one of the essential functions of this type of metaphor. Thereby in this article we examine the conceptual metaphors of speech in Khaghani‘s odes who Is one of the most important poets of the sixth century; In order to find the cause of many disputes, controversy and conflicts in his contemporary poets.t was found that Khaghani knows speech as property, miracles and magic, maiden bride, competition, pearls, food and tree.That a Kind of superiority and uniqueness in Khaghani‘s mind causes his controversies and immorality with other poets. Manuscript profile -
Open Access Article
7 - Conceptual metaphors in the works of Alie Mehrabi, with the theme of artist martyrs and defenders of the shrine in the book "From Art to Shrine"
Abstract Analyzing cognitive or conceptual metaphors in any text and writing can be an important tool in discovering the meaning of the text. In other words, conceptual metaphors make some obscure matters and concepts visible. For this reason, in the better understa MoreAbstract Analyzing cognitive or conceptual metaphors in any text and writing can be an important tool in discovering the meaning of the text. In other words, conceptual metaphors make some obscure matters and concepts visible. For this reason, in the better understanding of the poem of Holy Defence, conceptual metaphors are used to answer the question of which mental, emotional and emotional concepts in such poems and compositions have been the focus of poets and from which field They have benefited from visualizing and objectifying their mental affairs. In order to find the answer to this question, in this research, the author, using the descriptive-analytical method and library tools, examines the conceptual metaphors of front and war in the poems of the holy defense poets of Yazd province in the collection of poems of the gathering of artist martyrs and shrine defender martyrs in the book "From Art to Shrine" " Paid. The results of the research show that the conceptual metaphors used in the poems of the poets, for each of the mentioned metaphors, three models of anthropomorphism, plant-morphism, and physical-morphism have been given a lot of attention. Manuscript profile -
Open Access Article
8 - Sayaf Hayati , Mohsen Izadyar Ph.D *, Shahrokh Hekmat Ph.D
Abstract Complaint is one of the types of lyrical literature that describes the sufferings and failures, internal and social pains of the poet or writer. In the contemporary period, affected by political events and social developments, this type of literature is very i MoreAbstract Complaint is one of the types of lyrical literature that describes the sufferings and failures, internal and social pains of the poet or writer. In the contemporary period, affected by political events and social developments, this type of literature is very impressive in the works of poets of this period. The dictatorship of Shah's regime and its limitations on the society, especially after 28 Mordad coup d'état, caused poets not to forget their social mission and commitment as poets and to write influential social complaints with a symbolic language. Mehdi Akhavan-Sales is one of the poets who has presented social and political issues in his poems and has left lasting complaints by using new symbols. In the upcoming research, which has been done with a descriptive analytical method, Symbolism in the social complaints of Mahdi Akhavan-Sales has been analyzed and investigated. The result of the research shows that he has created his very own social complaints with the subjects such as indifference and neglect of the people, poverty, injustice and inequality, dictatorship and unfavorable social atmosphere, the incompetence of colonial rulers and the domination of foreign governments, the failure of political currents and the killing of freedom fighters, etc, using various symbols. Manuscript profile -
Open Access Article
9 - The reason for using and how to combine the language of lyric poetry in socially poetry based on the poems of Nima Yoshij and Ahmad Shamloo
Abstract New lyric and epic poetry are the two main trends of contemporary Persian poetry, which have been formed following the language and content of Nima's classic poems and his free poems. Most of Nima's poems and his innovations are in "free poetry" or "Nima" w MoreAbstract New lyric and epic poetry are the two main trends of contemporary Persian poetry, which have been formed following the language and content of Nima's classic poems and his free poems. Most of Nima's poems and his innovations are in "free poetry" or "Nima" which have a social aspect and are placed under "socially committed poetry". In some of these poems, "the language of new lyric poetry" has been combined with the language of "new epic poetry" for some reason. In the present study, relying on the poems of Nima and Ahmad Shamloo, the why and how to combine the lyrical language in poems that have a social aspect has been discussed. The results show that Nima and Shamloo use lyric language in social poetry for two very important reasons. Creating artistic ambiguity and creating "symbol" or "symbolism" is the main reason for this combination. The lyric poems in such poems make the audience doubt the interpretation of the poem in a social or romantic way, and this method makes their social poems can be censored by an authoritarian government. The lyric poems in such poems make the audience doubt the interpretation of the poem in a social or romantic way, and this method makes their social poems can be censored by an authoritarian government. Manuscript profile