A The aesthetic analysis of the beloved in contemporary ghazal
Subject Areas :
somayyeh zakeri
1
,
محمدرضا قاری
2
*
,
Alisoroor yaghoobi
3
1 -
2 - دانشیار گروه زبان و ادبیات فارسی دانشگاه آزاد اراک
3 - Assistant Professor of Persian language and literature, Azad University of Arak, Iran.
Keywords: beloved, Contemporary ghazal, Political beloved, beloved woman, Modern beloved, Aesthetics,
Abstract :
The present paper deals with the various effects of the beloved, especially the beloved in the contemporary sonnet. Although in recent periods Persian poetry and literature have been largely static due to the slow change of culture, the attitude of the poets to the beloved in poetry in the contemporary period has led to the rapid and rapid diversification of social cultural poetry, especially in the sonnets. Be; Such as the Nemesis, the female, the modern, the leading, the narrative, the narrative, the postmodern, the postmodern, etc. are some of the manifestations and types of today's sonnets, each of which sometimes exhibits a different appearance than the beloved. They have been presented in the sonnet so that in today's sonnet the lover's effects can be summarized as follows: the primary lover, the female lover, the male lover, the political lover, the revolutionary lover, the modern lover, the postmodern lover, the lover Erotic, etc. In this article, a number of these species have been investigated. The results of the present study show that the contemporary sonnet beloved has entered the objective world from the mental world and has acquired a more valuable and valuable identity and credit. It has great human and moral faculties. The approach of contemporary ghazal poets in describing the beloved is different from traditional ghazal. In this period, the beloved transcends mere physical beauty, stature, hair, and eyes.