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      • Open Access Article

        1 - A Comparison of The Grammatical Metaphor of Transitivity in Saadi's Didactic and Romantic Poetry
        Farkhonde Zade Hafttananian شاهرخ حکمت محسن ایزدیار
        As a subcategory of grammatical metaphors, metaphors of transitivity are discussed in Halliday's Systemic Functional Grammar. This article attempts to compare metaphors of transitivity in two of Saadi's literary genres – didactic and romantic. Findings of the stud More
        As a subcategory of grammatical metaphors, metaphors of transitivity are discussed in Halliday's Systemic Functional Grammar. This article attempts to compare metaphors of transitivity in two of Saadi's literary genres – didactic and romantic. Findings of the study, conducted in a descriptive-analytical method, are as follows: 1) Surprisingly, the surface structure of clauses from Saadi's romantic poetry indicates a higher frequency of material processes over others, followed by relational processes by far. In didactic poetry, at surface structure level, material and relational processes exceeded others, both having been used almost in the same frequency. Next frequently used process type is mental. However, the analysis of clauses suggests that a considerable number of clauses from Saadi's poetry are, substantially, mental or behavioral at deep structure level. This depicts human's internal emotions thoroughly, but, when carried into surface structure level, these processes are transformed into material and relational processes under metaphor of transitivity.It seems that, for romantic poems, the poet has been trying to further visualize and perceptualize the internal emotions of characters or lovers in his stories significantly. The transformation of mental and behavioral processes into material and relational ones is significantly more frequent in Saadi's romantic poetry compared to his didactic poetry. 2) Considering the fact that a segment of metaphors of transitivity in Saadi's poetry are either indicative of metonymy or contain secondary connotations construed in rhetoric, it seems so that the metaphor of transitivity can help literary researchers rethink a number of concepts related to semantics and eloquence. Manuscript profile
      • Open Access Article

        2 - بررسی جلوه های زیبایی شناسانه در فرم پست مدرنیستی پیرنگ داستان «دزدمونا خوشبخت می شود»رضا مختاری
        Fatemeh asadi shahrokh hekmat Mohammad Reza Qari
        چکیده:توجه به فرم و برجسته کردن آن و شیوه ی روایت متفاوت، یکی از وجوه ممیزه ی داستان های پسامدرن با داستان های ماقبل آن به شمار می رود.با به وجود آمدن نقد و نظریات جدید و خدشه دار شدن مفهوم واقعیت، نویسندگان با بهره گیری از فرم و شکل های نامتعارف دنیایی متشکل از نظام ها More
        چکیده:توجه به فرم و برجسته کردن آن و شیوه ی روایت متفاوت، یکی از وجوه ممیزه ی داستان های پسامدرن با داستان های ماقبل آن به شمار می رود.با به وجود آمدن نقد و نظریات جدید و خدشه دار شدن مفهوم واقعیت، نویسندگان با بهره گیری از فرم و شکل های نامتعارف دنیایی متشکل از نظام ها و ساختارهای نا منسجم و تکه تکه را در داستان های شان نشان دادند که نظم چندانی ندارد و با تعمد از تن دادن به یکپارچگی و حدت سرباز می زند. از آنجایی که شکل بیان و فرم پست مدرنیستی یکی از شگردهای پیشبرد طرح و پیرنگ در داستان است این مقاله سعی نموده تا شگردهای زیبایی شناسانه پست مدرنیستی که پیرنگ داستان «دزدمونا خوشبخت می شود» را توسعه و گسترش می دهد، بررسی و تحلیل نماید. استفاده از شگردهای پست مدرنیستی چون تحریف و گسست زمان و مکان، بینامتنیت آیرونیک، اشکال نوشتاری و تصویری نامتعارف و نقض مرزهای تاریخ و خیال پردازی در گسترش و پیشبرد داستان نقش داشته و تعریف جدیدی از پیرنگ ارائه کرده اند. Manuscript profile
      • Open Access Article

        3 - Aesthetics of mystical revelations in Abhar al-Asheqin
        yasra tahmasbizade sharokh hekmat mohamzamadre zamanahmadi
        Roozbehan Baqli Shirazi is known as "Sheikh Shatah" because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This bo More
        Roozbehan Baqli Shirazi is known as "Sheikh Shatah" because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This book, which is a full-fledged mirror of the tradition of lovemaking, has been written about love and its types, and is full of imaginative images and novel and expressive illustrations. In this research, this book aims to recognize the type of mystical language of Roozbehan in the Apocalypse, in terms of beauty The science has been studied and the result is that in terms of internal music, the most important arrays are the use of rhymes and phonemes, and in terms of expression, the use of eloquent simile and Meccan metaphor has the highest frequency. The language of Roozbehan Baqli in this book is based on short melodic sentences and his user words, which serve to express romantic and mystical feelings, are inextricably linked with love and all the concepts used in it are related to love and its consequences. It is related that imaginary forms are in the same way in a direct or indirect relationship with love and the lover and the beloved. Manuscript profile
      • Open Access Article

        4 - Aesthetic study of postmodern sonnets based on the poems of Reza Braheni and Seyed Mehdi Mousavi
        yasra tahmasbizade shahrokh hekmat
        The school of postmodernism became popular in Iran in the 1970s through the translation of Western works and the travel of poets and writers to Western countries. Unlike modernism, this school tended to go back in time and borrow from myths and antiquity. The works of t More
        The school of postmodernism became popular in Iran in the 1970s through the translation of Western works and the travel of poets and writers to Western countries. Unlike modernism, this school tended to go back in time and borrow from myths and antiquity. The works of this school have important differences with other literary schools and are often ambiguous and complex. Reza Braheni and Seyed Mehdi Mousavi are two poets of this type of poetry, whose poems have been studied aesthetically in this study. Braheni himself is one of the theorists of postmodernist poetry and in his poems the components of postmodernism can be seen more. . The postmodern components in the poems of these two poets include such things as: white writing, semantic avoidance, frequent repetitions, lexical and grammatical aberration, familiarization, but the way these elements are used is different. Braheni's poems are in the form of Nimai and have postmodern elements in terms of image and writing; But Mousavi has written more in the form of classical poetry with the same stanzas of poetry. Manuscript profile
      • Open Access Article

        5 - “Examining Aesthetics in the school of Postmodernism in»name name baranam«&» aghl azabam midahad« by Ali Babachahi” د
        Ronak Joharzadeh Shahrokh Hekmat Majid Azizi
        The entry of postmodern poetry to Persian Literature, led to some poets of the seventies making some modifications to the statistics and literary rules. Ali Babachahi has decided on the clarification of some features by presenting a postmodern poem scheme. The features More
        The entry of postmodern poetry to Persian Literature, led to some poets of the seventies making some modifications to the statistics and literary rules. Ali Babachahi has decided on the clarification of some features by presenting a postmodern poem scheme. The features read as uncertainty, free verse reading, death of the author and paradox all if which being fully traceable in poem collections called “Drizzling” and “ Mind tortures me” .It ‘s been meant to analyze the weaknesses and strengths of this kind of poetry by perusing the stylistics studying them in three aspects of linguistic, content and literariness in this research .The entry of postmodern poetry to Persian Literature, led to some poets of the seventies making some modifications to the statistics and literary rules. Ali Babachahi has decided on the clarification of some features by presenting a postmodern poem scheme. The features read as uncertainty, free verse reading, death of the author and paradox all if which being fully traceable in poem collections called “Drizzling” and “ Mind tortures me” .It ‘s been meant to analyze the weaknesses and strengths of this kind of poetry by perusing the stylistics studying them in three aspects of linguistic, content and literariness in this research . Manuscript profile
      • Open Access Article

        6 - Image Analysis of Sohrab Sepehri's Poems Based on the Ideas of T.E. Hulme
        Zahra Khatami Kashani Shahrokh Hekmat
        The school of imagery is one of the schools of modern art that is formed on the basis of imagination and indirect expression. In this school, the image does not have the aspect of decoration, but also forms the meaning and structure of the artistic works. T. E. Hulme wa More
        The school of imagery is one of the schools of modern art that is formed on the basis of imagination and indirect expression. In this school, the image does not have the aspect of decoration, but also forms the meaning and structure of the artistic works. T. E. Hulme was one of the first poets to express the basics of today's poetry and tried to alter poetry from yesterday's absolutism to today's particularism. Between Classicism and Romanticism, he chose classicism and tried to add a new element to it by adding intuition. On the other hand, the Iranian poet, Sohrab Sepehri has a clear tendency towards Romanticism in his poems; however, his acquaintance with the art of painting has made his poetry one of the most pictorial contemporary poems in Iran. The current article analyzes Sepehri's poetry from the point of view of the school of Imagism in a descriptive-analytical way. The criterion for the analysis is the 1915 Declaration. This statement is closer to the ideas and views of Hulme as the theorist of this school. The results revealed that although Sepehri's poetry is a pictorial poem at first glance, but in some components such as "explicit and clear expression as well as avoidance of ambiguity" is outside the framework of the school of imagism, which can be a sign of his intellectual and emotional independence. It is also a proof of the claim that the European art schools tend toward the poetry of the top Iranian poets, Manuscript profile
      • Open Access Article

        7 - Investigation of the aesthetics of the element of imagination in the characterization of the giant based on 2 fantasy fiction works "Asrar al-Ghulan DVD" "Kind Giant" based on Freud's theory
        nazita barzegar Shahrokh Hekmat alisarvar yaghobi
        Abstract: In the fiction literature of children and teenagers, the importance of fantasy and the influence of imagination has a special place. Considering the beauty of the components of imagination in creating an effective work, it shows the mental ability and the powe More
        Abstract: In the fiction literature of children and teenagers, the importance of fantasy and the influence of imagination has a special place. Considering the beauty of the components of imagination in creating an effective work, it shows the mental ability and the power of visualization in creating artistic effects that the author uses audience knowledge in the process of imagination to plan challenging and attractive situations through characterizations and The staging deals with it.In processing the imagination in the work of art, writers will be successful if they choose wisely and act purposefully.In this research, the author aims to analyze the aesthetics of imagination components in the characterization of the giant in two novels, The Great Kind Ghul by Roald Dahl and DVD Asrar al-Ghul by Mohammad Reza Marzouqi, in the form of content analysis and based on the psychological theory of imagination and characterization. Freud and with a documentary-library method, investigate and deal with the effect and importance of the role of imagination in the story and it can be concluded that the authors who have paid attention to the aesthetics of the imagination components in their work by increasing the quality of the story, attract the audience. have also been successful. Manuscript profile