The most central character of mystical literature is "Pir", who has been mentioned by other titles such as Morshed, Morad, Vali, Sheikh, Ghotb, Ostad, Moghtada, Dalil Rah, Khezr, Rend, Pir Moghan, etc. In this article, we have sought to find out to what extent the liter
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The most central character of mystical literature is "Pir", who has been mentioned by other titles such as Morshed, Morad, Vali, Sheikh, Ghotb, Ostad, Moghtada, Dalil Rah, Khezr, Rend, Pir Moghan, etc. In this article, we have sought to find out to what extent the literature of mystical poetry has used descriptive confrontations in identifying and introducing the old? And what are the aspects and elements most confronted with old age? The works of mysticism, especially Hadiqah al-Haqiqah Sanai, Mantiq al-Tair Attar, the spiritual Masnavi of Rumi, and the lyric poems of Hafez, have placed the old man with different personal and personal characteristics in front of different personalities and attributes. In the present article, the dual confrontations that have taken place in the works of mystical poems about the old with three approaches of characterization, conceptual metaphor and educational aspects and using structuralist criteria have been investigated. The achievement of the present study is that the mentioned poets have confronted different personalities and traits with the old man, in addition to highlighting and emphasizing his influence, to convey their personal and methodical experiences to the audience in the form of direct and symbolic messages. And tell the pure ways of the true elders from the false elders to its people, and fulfill their poetic mission and social method in this way, and at the same time add to the literary, original and aesthetic richness of their works.
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