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        1 - The commitment problem in the critical and poetic discourses of the contemporary Arbic literature
        Faramarz Mirzaee Abdolhosein Feghhi
        'commitment problem' is one of the most important problems for the contemporary literary critics and poets of Arab world. Surprisingly, literary researcher by deep study finds that the commitment has different senses for Arab literary critics and Arab poets. literary cr More
        'commitment problem' is one of the most important problems for the contemporary literary critics and poets of Arab world. Surprisingly, literary researcher by deep study finds that the commitment has different senses for Arab literary critics and Arab poets. literary critics see it as an obligation to social affairs, whereas Arab poets put it in the vital sphere of the freedom of speech. The study of this problem of criticism is important because it shows the difference between literary criticism and poem and that the contemporary literary critic tries to criticize poems in terms of his/her critical desires not in terms of the poetic demands and needs of the poet. Why such a deep difference emerged between critical discourse and poetic one in Arab world? This article by use of a descriptive and analytic method and by reference to critics and poets ideas tries to answer the question. The results of the research shows that the contemporary Arab critic who relies on the ideas of western critics and their literary schools, specially literary socialism, proposes principles to evaluate Arabic poems, instead of speculating specifically Arabic poems and exploitimg critical rules from them. Thus, from his/her view point poet must be committed to social problems, specially social justice, whereas the Arab poet who is influenced from Sartrian ontological thought believes that he/she must be committed to freedom of speech and nothing more. This difference in the interpretation of a critical and literary notion as 'commitment' is speculative and deserves study to be clear why literary criticism is imitative and is not derived from the poems of Arab world, and why Arab critic imposes thoughts outside the literary text on the Arabic poems.   Manuscript profile
      • Open Access Article

        2 - Cultural Globalization and linguistic creolization in Iranian and Algerian Novels: The Case Study of the novels 'Eshgh va Chizhāye digar' (Love and Other Things) and 'Mamlakat al- Farāsha' (Butterfly Kingdom)
        Zahra Sadeghi Kobra Roshanfekr Faramarz Mirzaei Khalil Parvini
        This research in the light of the developmental globalization theory and on the basis of the descriptive, analytic and comparative method, studies the problem of globalization and linguistic creolization in the novels 'Mamlakat al-Farasha' (Butterfly Kingdom) and 'Eshgh More
        This research in the light of the developmental globalization theory and on the basis of the descriptive, analytic and comparative method, studies the problem of globalization and linguistic creolization in the novels 'Mamlakat al-Farasha' (Butterfly Kingdom) and 'Eshgh va Chizhāye digar' (Love and Other Things), because these are two examples of Iranian and Algerian narrative works that reflect more clearly the phenomenon of linguistic creolization. The results indicate that the phenomenon of linguistic crealization is caused by cultural globalization manifested in the narrative discourse of the novels Eshgh va Chizhāye digar and Mamlakat al- Farasha, in two types of nouns and sentences, but the creolization via nouns is the most prominent type of linguistic creolization which is manifested in these two novels. According to the data of statistical analysis, the component of change and distort the names of the characters with a sum of 33% and a frequency of 465, is the most used component in the novel 'Mamlakat al-Farasha'. Then, comes the component of recall and association of the names of famous foreign celebrities and characters with a sum of 25%, and a frequency of 352 leis in the next rank. But in the novel 'Eshgh va Chizhāye digar', the component of the names of lifestyle with a sum of 49%, and a frequency of 220 is the most used and most frequent component, then the component of changing and distorting the names of the characters lies in the next rank with a sum of 27% and a frequency of 122. This research shows also that the main difference between these two novels from the viewpoint of the linguistic creolization lies in the type of foreign language used, as well as the use of changed and distorted names by the writer, so that Aʽraj emphasized mostly on the of the French language, while Mastur emphasized on the use of the English language but didn't dealt with the names changed and distorted as much as Aʽraj did. Manuscript profile
      • Open Access Article

        3 - Expression of Nasrullah's thoughts between narrative styles in the novel "The Second War of the Dog" (Aesthetic Review)
        Ahmad Arefi Faramarz Mirzaee Isa Mottaghizadeh
        Indeed, the purpose of Ibrahim Nasrallah's thoughts in the novel "The Second Dog War" is to express the facts of the life of the Palestinian nation, which the novelist mentions in each style in a specific way. So how many of these styles have gone beyond their original More
        Indeed, the purpose of Ibrahim Nasrallah's thoughts in the novel "The Second Dog War" is to express the facts of the life of the Palestinian nation, which the novelist mentions in each style in a specific way. So how many of these styles have gone beyond their original meanings to acquire virtual meanings because of the beauty of the text and the stimulation of the audience's emotions, which Ibrahim Nasrallah has often done to a great extent.In this article, an attempt has been made to reveal the novelist's ideas using a descriptive-analytical method based on statistical style until To respond to the appropriateness of these styles and the three levels of language, including storytelling, description and dialogue, and the most important aesthetics of these styles in conveying meaning to the audience. The most important conclusion of the article is that the novelist has used From most syntactic styles 3406 times , so that the style of negation 1759 times: 52%, then the style of question 812times: 24%, Then the bet style 328: 10%, etc, referring to the view of pessimism prevailing over the oppressed Palestinian regimes, Because in the novel there are corrupt opportunistic characters who do negative things, especially The hero of the novel Rashed Opportunist who does everything just for the sake of his own nature, which is so full of evils that trade with human beings is a Repetitive events are far from moral and human values. Manuscript profile