• XML

    isc pubmed crossref medra doaj doaj
  • List of Articles


      • Open Access Article

        1 - Narrative Time in Vacini Al-Erj’s Novel RamadAl-sharg
        Kobra Roshanfekr fereshte azarnia
        Time is one of the basic elements in narrative dialogue and effective in technical and beauty of the structure of the text. Critics and researchers have paid special attention to it since Russian structuralism. The time in contemporary novel such as classic novel is not More
        Time is one of the basic elements in narrative dialogue and effective in technical and beauty of the structure of the text. Critics and researchers have paid special attention to it since Russian structuralism. The time in contemporary novel such as classic novel is not based on the logical continuity, but it has been oriented to deviation in temporal revolution and change in logical relation between events. So, contemporary novelists changed the time of narration.VaciniAl-Erjis one of these authors. This research tries to study the time of narration in Remad Al-Shargh novel written by an author from Algeria using descriptive analytic method and Gérard Genette’views. The novel includes two volumes entitled: "Kharif Newyork Al-Akhir" and"Al-ZaebAl-laziNabatfel Al-Barari". The present research tries to obtain feature of narratives of time in this novel and that how the author innovated in this connection. Some of the results of the research are: lack of conformity between narrative system and story system by flashback and flashforward that lead to form adistorted time in the novel; specially, the flashback is nearly a prevailing phenomenon on the novel and the narrator again reads the past events by that, in order to show that the present problems are the result of the past events. And since this novel covers a long period, so the author applies various techniques for speeding and slowing the time and makes variety and motion in temporal movement. Manuscript profile
      • Open Access Article

        2 - The Portrait of Revolution and Resistancein Aboulqasem Lahouti's Poetry
        Ali Ganjian soraya rahimi
        AboulqasemLahouti is a pioneer and eminent poet in Persian literature. His poems are like historical narratives which ingeminate what happened to Iran in that period of history for his readers and audiences. He is a capable poet who is aware of his social responsibiliti More
        AboulqasemLahouti is a pioneer and eminent poet in Persian literature. His poems are like historical narratives which ingeminate what happened to Iran in that period of history for his readers and audiences. He is a capable poet who is aware of his social responsibilities and has realized the significance of poetry and its effect on people's soul and its power to motivate nation and people to face power and despotism; therefore, he has expressed his liberal and reforming thoughts and ideas in the form of beautiful poems and he has invited and called his compatriots to arise and fight against injustice, cruelty and corruption. The current study and research decides to introduce this great, prestigious poet who unfortunately has remained obscure. This article studies and surveys the resistance and revolution in Lahouti's poems in analytical descriptive way and style and also expresses the most dominant and particular theme and content of his poems consisting freedom, criticizing government, colonialism review, complaint about ignorance and neglected people, reminiscence of glorious past and taking inspiration from it. By searching and deliberating in Lahouti's poems we can realize that he is a responsible and poet who motivates bravery and courage among his compatriots to fight against the enemies for the sake of reaching freedom and equality in the battlefield. On the other hand, Lahouti's joint to communist party, his political views, military morale and presence in battlefields are the features which cause Lahouti's poems be promotional (slogan) and full of invitation to insurgence and resistance   in more cases. Manuscript profile
      • Open Access Article

        3 - Mohamadieh Truth in Prophetic Praising by Khaqani Shervani
        hamid reza heidari ebrahim khalili
        Mohammadieh Truth is one of the beliefs some of whose aspects could be inferred from Koran verses, prophetic and Qodsi sayingsand most Sufis also believe in it. Mohammadieh Truth is based on three principles: first, Prophet Mohammad (PBUH) has been created before creati More
        Mohammadieh Truth is one of the beliefs some of whose aspects could be inferred from Koran verses, prophetic and Qodsi sayingsand most Sufis also believe in it. Mohammadieh Truth is based on three principles: first, Prophet Mohammad (PBUH) has been created before creation of whole universe and his prophesy has been occurred before creation of Adam; second, it isProphet Muhammad who is the cause for universe creation and third, Prophet Muhammad is superior of other creations. This study aims to investigate Khaqani's poem and belief in Mohammadiehtruth in addition to referring to interpretations, verses of Quran and related narrations. Among Arabic and Persian poets, poets as KhaqaniShervani and Busiri believe in Mohammadieh Truth and reflect such belief in their poems. In this study, Khaqani's poems about Mohammadieh truth have been extracted and having translatedverses of the poemsinto Arabic language, they have been analyzed. In his poem, Khaqani describes Prophet Muhammad as the best creature and noblest prophet and believes that Muhammad’s light has been just created before the creation of Adam and the reason for his late physical creation is his perfection. Therefore, Adam is considered as blossom of Prophetic tree and Prophet Muhammad as its fruit. While believing in superiority of Islamic prophet over other prophets inspired by some saying and narrations, Khaqaniregards Prophet Muhammad as the cause of creation. Manuscript profile
      • Open Access Article

        4 - The Role of Place in the Poetic Design of Mozaffar Navvab
        mohammad mahdi roshan
        Poetic location (place) is of the main elements in the poetic design of Mozaffar Navvab, the contemporary Iraqi poet. He spent most of his life in exile away from home in countries such as Syria, Egypt, Lebanon, Sudan, Algeria, Greece and France as he was struggling aga More
        Poetic location (place) is of the main elements in the poetic design of Mozaffar Navvab, the contemporary Iraqi poet. He spent most of his life in exile away from home in countries such as Syria, Egypt, Lebanon, Sudan, Algeria, Greece and France as he was struggling against dictatorship by poems and defending the oppressed. Therefore, his poems are enriched with places and implications of the locations. The research intends to analyze the role of dimensions and places in MozaffarNavvab poems. This descriptive-analytical study concludes that the locations in Mozaffar Navvab poems are not limited to Iraq; rather, they embrace Arabic, western and Iranian areas. He passed beyond geometrical and geographical dimensions of the location in his poems and assigned them new roles and connotations of political, religious, social, mental, historical, national, natural and aesthetics. Once he complains about deportation and homesickness, a psychological role is assigned to the place; and the national role of the place is manifested through expressing passion, love and dream of returning to home. Negative and positive social characteristics, accent, and scientific groups give the social role to the location. Political prisoning, the issue of oil and Arab politicians, as well as Palestine make the political role of location appears. Calling for historical and religious locations and characters leads to the religious and political character for the location. The aesthetics role of the location is manifested through nature; further, the symbolic and mythical role of the location is appeared in places like dessert, mountains, and tomb.  Manuscript profile
      • Open Access Article

        5 - A Reading of the Ode “Identity Card” Qasida ( Ode) in the Light of Linguistic Approach
        ali zaeri
        Text linguistics is a modern term referring to the study of linguistic elements of texts. In fact, it is a kind of analysis consisting of various methods and is characterized by its investigation into linguistic elements that are beyond the sentence level as well as the More
        Text linguistics is a modern term referring to the study of linguistic elements of texts. In fact, it is a kind of analysis consisting of various methods and is characterized by its investigation into linguistic elements that are beyond the sentence level as well as the relationship among embedded elements of sentences. The present article attempts at exploring text linguistics. Then, it moves on to tap into this field of science in order to have a certain reading of Mahmoud Darwish’s “Identity Card”. Thus, the article first discusses the concept of text linguistics and the way it has been formed, and then goes on to explore its goals, duties, and linguistic elements. Then, it applies text linguistics in practice and on two bases on the ode“Identity Card”; the first basis is interpreting intra-textual coherence based on linguistic contexts and the other is interpreting such a coherence based on non-linguistic elements. The present study reveals that Darwish’s ode enjoys a cohesive and coherent framework and that its components are sequentially linked and intertwined with one another. In addition, techniques utilized in the text are thoroughly in line with the fulfillment of its goals. Therefore, the six stages of ode, which are known as the overall foundations, are completely coherent. Additionally, after breaking each of the overall foundations into smaller parts, we can see that the poet has tapped into a variety of linguistic techniques to improve the text development. Furthermore, linguistic data, such as references, omission, transition, and repetition are vividly seen in the text, which further add to Mahmoud Darwish’s poetic competency. This study also argues that the component textural elements of the ode “Identity Card” are properly inter-related and coherent, resulting in the overall unity of the ode. This unity is based on a coherent thought starting with the title, followed by the introduction, and body and ending in the conclusion, encouraging the reader to keep reading the text.   Manuscript profile
      • Open Access Article

        6 - Original and LoanWords in Abol Ala's Thinking
        mehdi abedi jazini asgar ali karami
        Non-Arabic  words keep attention of Arab lexicologistAbolAla from long ago, and each scholar has a special attitude toward this problem. Abol Ala Mo'arri as one of the great philologist pays attention to this issue and has many researches in this matter. This resea More
        Non-Arabic  words keep attention of Arab lexicologistAbolAla from long ago, and each scholar has a special attitude toward this problem. Abol Ala Mo'arri as one of the great philologist pays attention to this issue and has many researches in this matter. This research based on critical –analytic approach tries to determine basic views of AbolAla's attitude toward this problem, and appeared through research and induction that he was proceeding from comparing between Arabic & Persian words and dealing with Persian as the most effective on Arabic. He shows great knowledge of Persian language, and mentions the origin of Arabicized word and deals with its changes, when it takes the Arabic form. Ignorance of Arabic origin in Abol Ala's method appeared in two aspects: first in negative affirmative,by denying Arabic origin, and second in vindicatory aspect by affirmation, according to its application by old scientist, and to avoid this problem he relies on Morphological data and takes the rhyme and prepositions as a standard to identify word's origin, and he deals with indicator and connotation based on logical base and returns every indicator to its origin meaning. Manuscript profile