Each literary convention has some thematic as well as stylistic features that differentiates it from other conventions. Khajavi Kermani is one of the poet who pays particular attention to the epic as well as didactic aspects in his lyric poems. This descriptive-analytical study seeks to answer the question to what extent the narrative structure of Khaji Kermani's poem "Flowers and Nowruz" is compatible with the components of lyrical literature from the point of view of linguistic and literary approaches? Findings indicate that in the textual context of this system, the "poetic and literary function" of the text shows the dominance of the role of "emotional language" over its "referential" role. There are many factors that can be enumerated in this collection that have been proposed in order to strengthen the "lyrical element" of the text and have put its "narrative dimension" in the next place. Factors such as "lyrical compositions and interpretations", "soft and delicate descriptions", "sad and isolationist atmosphere", "loving and beloved action", "lack of complex extra-textual reference", "simple syntactic structure of sentences", and "fragment" The main expressions of the main character","multiple uses of expressive elements such as metaphor and simile","description of battle scenes and feasts" are the most important manifestations of the crystallization of this role in the poem" Flower and Nowruz". In addition to this type of processing of characters such as "hero", "villain", "helper", "princess", "benevolent and advisor" and the theme of the narrative such as "dreaming", "journey", "existence of obstacles" "In the path of carpentry", "conflict with the dragon, etc.", have also been used with the aim of strengthening the lyrical element of the text.
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