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Open Access Article
1 - Critical Analaysis On Poems Ahmad Shamlou
Farzad Balal Gholamhosein Gholamhoseinzadeh Ghodratolah TaheriTill now, many researches in the forms of papers and books in the field of investigation and analysis of Ahmad Shamlou's poems have been written. In the present research, in the meanwhile by showing the historical path of written researches and investigation of their fo MoreTill now, many researches in the forms of papers and books in the field of investigation and analysis of Ahmad Shamlou's poems have been written. In the present research, in the meanwhile by showing the historical path of written researches and investigation of their formation sources, it was going to criticize and analyze the construction and contents of the written books and the eminent papers which have been combined in this field. The research method in this thesis is descriptive-analytical. The conducted investigations show that with formation of the Shamlou's style of poetry and his attention towards social and human issues, more researches have been formed in the field of poet's poems; so that within 1375-1385 it has a peak. Also, the obtained results show that from total of 303 papers which have the subject of investigation and analysis of the poet's poem have been written, 9 percents in the press, 8 percents in the research-scientific journals and 83 percents in scientific (review-propagational) have been published and distributed, also within the written papers, the research-scientific papers have a special importance and credit in comparison with the papers which have been published in the press and scientific journals (review-propagational), which among the most important reasons of this, explicit and clear language of writers in the mentioned papers, the mentioned issue-based researches, staying away from general statement and exact saying of details in this sort of papres can be mentioned. Among the researches which have been written in the form of book, "Travel Through Fog" written by Taghi Pournamdarian, "Amirzadeye Kashiha" written by Parvin Salajeghe, "Finger and Moon" written by Ain.Pashaei and "Poem of our Age" written by Mohammad Hoghoghi have special importance and credit and are popular among readers; this has caused many re-publication of the mentioned books in various eras. the reasons of importance and credit of the mentioned works can be summarized: 1-fluent and clear of writers in subjects and issues; 2-hesitate from general statement and exact saying of details; 3-illuminating of dimensions and various angles of construction and content of poet's poem. Manuscript profile -
Open Access Article
2 - Effect of Quran and other former texts on Mathnavi Taghdis and Mathnavi Maanavi based on theory of Genette's Periphertextuality
Ramin khosravi Iqbal MirJalaluddin kazazi Farhad tahmasbiMathnavi Taghdis written by Mullah Ahmad Naraghi has imitated Mathnavi Maanavi and abundant subjects have been studied and analyzed from the mystical and religious viewpoints similar to Molana's Mathnavi. In this paper, the effect of Quranic stories and other former tex MoreMathnavi Taghdis written by Mullah Ahmad Naraghi has imitated Mathnavi Maanavi and abundant subjects have been studied and analyzed from the mystical and religious viewpoints similar to Molana's Mathnavi. In this paper, the effect of Quranic stories and other former texts on Mathnavi Taghdis and Mathnavi Maanavi has been analyzed based on Genette’s Periphertextuality theory. Findings of this paper show that Mowlana and Naraghi have utilized Quranic stories, folklore culture, former mystical texts etc. Explaining the form and thought of their narrations, this paper investigates the abovementioned narratives. Therefore, their work is result of intertextual relation in which they have established with other texts according to Genette. Manuscript profile -
Open Access Article
3 - The translation of Shahnameh and its effect on the work of Hugo, Lamartine and Coppee
Maasumeh zandiShahnameh is one of the greatest epic works in Iran and the world. This wonderful work has influenced greatly the other nations’ poets and authors, particularly, French literary figures and intellectuals. This analytic – descriptive paper first talks about t MoreShahnameh is one of the greatest epic works in Iran and the world. This wonderful work has influenced greatly the other nations’ poets and authors, particularly, French literary figures and intellectuals. This analytic – descriptive paper first talks about translating of Shahnameh, then studies its effect on the works of Hugo, Lamartine and Coppée. Among the numerous Persian literature’s masterpieces, Shahnameh more than other works, has been the focus of attention and interest of the French. This interest was so great that it made the French orientalists translate this work. Louis Langlès, the French orientalist, was the first literary figure who translated some parts of Shahnameh into French. After Langlès, Jacques de Wallenbourg, another orientalist from Austria, translated Shahnameh. But his death in 1806 left the translation unfinished. Jules Mohl was the only translator who could translate the whole Shahnameh into French, after forty years of effort. The translation of Shahnameh brought about a great change in the works of French poets and authors, especially in Romantic and Parnass school poets. Hugo composed Legend of Centuries, also he entered a large number of Shahnameh’s couplets in his Orientals. Lamartine created Life of Great Men and Coppée composed «The Two Tombs», one of the most famous poems of his Complete works. Carrying out this research and the researchs like this, help us to contemplate our past generations works with a new viewpoint, to recognize the important exploitable elements of our literature, and also to see the great writers of our country in the mirror of the other nations. Manuscript profile -
Open Access Article
4 - Pronominal clitics in Sorani Kurdish: interaction With Perpositions
Batool Alinezhad Sadiq Mohammadi bolbolan AbadThe complement of a preposition in Sorani Kurdish dialects can generally be realized either as a syntactic it or a bound personal morpheme (Cliticization). However, the clitic realization of the complement gives rise to a range of specific phenomena. First, Kurdish prep MoreThe complement of a preposition in Sorani Kurdish dialects can generally be realized either as a syntactic it or a bound personal morpheme (Cliticization). However, the clitic realization of the complement gives rise to a range of specific phenomena. First, Kurdish prepositions display two different forms depending on the realization of their complement: the variant combining with a syntactic item is referred to as ‘simple’, while the variant combining with a clitic is called ‘absolute’. The clitic complement can have a non-local realization, moving in two directions. In a past transitive construction, the clitic moves to the right and occurs on the verb as ‘verbal personal ending’. With verbs in the present tenses, the clitic can attach to the right edge of the constituent that immediately precedes as second position clitics and define VP as the domain of their realization. Klavans P1 is able to characterize it properly. Manuscript profile -
Open Access Article
5 - Symbol of Christ in the Poetry of Ahmad Shamloo and BadrShakir al-Sayyab: Comparative Study of “Crucified Man” and “Jesus after Crucifixion
Davood Nejati Sahar Gorgi Effat MardaniThe stories of prophets have long been regarded as one of the concepts of literature and were welcomed by poets. Jesus is one of the most important religious figures to whomabundant fantastic poetic concepts in literature have been devoted.The story of Christ's life and MoreThe stories of prophets have long been regarded as one of the concepts of literature and were welcomed by poets. Jesus is one of the most important religious figures to whomabundant fantastic poetic concepts in literature have been devoted.The story of Christ's life and his crucifixionare among the issues that the vanguard poets in Persian and Arabic literature and poetry considered from different angles; and,using the technical and artistic tools and space,they paid attention to this the issue.This story has completely been pristine, recreated and analyzed byAhmad Shamloo and BadrShakir al-Sayyab, as the pioneers and vanguard of contemporary poetry. This study is an attempt at comparative analysis of two poems, "Crucified Man" byShamloo and Sayyab’s"Christ after Crucifixion" in order to achieve the perspective of these two poets to the problems of society, beyond the veil of Christ on his face .Narrative of Christ’s monologues in both poetries is thevoices of inner rational, social and committed dialoguethat self-sacrifice himselffor the commitments and ideals to spread the gist of his message to other humans. Manuscript profile -
Open Access Article
6 - Sayyid Qutb and Persian poetry (Reflecting his appreciations regarding Hafez and Khayyam's poetry)
Marziyeh nadafi Seyed ahmad hoseyni kazeroni Shams alhajeyeh ardalani Davood yahyaeiSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied thei MoreSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied their poem and believes that these two Persian literary figures can be classified among mystical poets. Hafez, in general, is poet with great wit and humor mixed whit romantic ideas and occult knowledge, and Khayyam, according to him, is a grieved Sufi and poet searching for the lost truth failing to find a ray of light in darkness. Sayyid Qutb's appraisals on the one hand indicates the degree of familiarity with the Iran's literature and culture and, on the other hand, reveals his detailed studies concerning the great poets of Iran. This paper aims at considering his critical appraisals and appreciation regarding two Iranian poets. Manuscript profile -
Open Access Article
7 - Sayyid Qutb and Persian poetry (Reflecting his appreciations regarding Hafez and Khayyam's poetry)
Faroogh NematiSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied thei MoreSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied their poem and believes that these two Persian literary figures can be classified among mystical poets. Hafez, in general, is poet with great wit and humor mixed whit romantic ideas and occult knowledge, and Khayyam, according to him, is a grieved Sufi and poet searching for the lost truth failing to find a ray of light in darkness. Sayyid Qutb's appraisals on the one hand indicates the degree of familiarity with the Iran's literature and culture and, on the other hand, reveals his detailed studies concerning the great poets of Iran. This paper aims at considering his critical appraisals and appreciation regarding two Iranian poets. Manuscript profile -
Open Access Article
8 - An Overview of Composing Epic Poetry in Kurdish Literature and its Comparison with Ferdowsi's Shahnameh
Syed Ayub Naqshbandi Mir Jalalodin Kazazi Mohammad Ali Davoodabadi FarahaniThe understanding of the epics is accompanied with a historical sociology and knowledge of beliefs that takes us closer to the preliminary motifs of many of the ancient beliefs and thoughts. This paper is an attempt to provide an understanding of Kurdish poetry collecti MoreThe understanding of the epics is accompanied with a historical sociology and knowledge of beliefs that takes us closer to the preliminary motifs of many of the ancient beliefs and thoughts. This paper is an attempt to provide an understanding of Kurdish poetry collections known as Shahnameh or Razmnameh. These collections have remained unknown for centuries; however, they are recently considered as good sources in Iranian and Kurdish epics and heroic narratives. This paper seeks to provide a comparison, in terms of the mythological and epic concepts between the east and the west of Iran which are manifested in Ferdowsi's Shahnameh and its Kurdish counterparts. Kurdish Shahnameh's are genuine forms originated in the cultural sphere called Zagros, which have been widely ignored due to not being a part of the dominant literary discourses. Therefore it can be claimed that the consideration of these Shahnameh's and Razmnameh's will end in a better understanding of the national epics. Manuscript profile
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