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Open Access Article
1 - The Analysis of Rashid Tabrizi's Javaher-al- Asrar and Introducing its Manuscripts
Shahla Haj Talebi Seyed Mahdi Nooriyan Gurban Ali EbrahimiRashid Tabrizi is one of the most important and less prominent poets of the Safavid era in the eleventh century. Javaher-al- Asrar is one of his significant verses whose manuscripts are preserved in Malek national library and Tehran university. This masterpiece is an ac MoreRashid Tabrizi is one of the most important and less prominent poets of the Safavid era in the eleventh century. Javaher-al- Asrar is one of his significant verses whose manuscripts are preserved in Malek national library and Tehran university. This masterpiece is an academic and scientific piece on precious stones which is written in verse unlike the previous jewelry books in prose, reflecting the fictional and mythical views of the past. The present research employs a descriptive, analytical method to introduce the manuscripts and examine the structure of this book with the previous jewelry books. The results indicate that while the book is affected by the previous models, it also includes some unique gems and narratives. Moreover, the book connects to Europe and India due to Iran’s international interactions during Safavid era. Manuscript profile -
Open Access Article
2 - Introducing and Reviewing Asās al-Marefat of Kamāl al-Din Siddighi
Mehran Mohebbi Maryam Mahmudi Parisa Davari Hossein AghahosiniThe remaining manuscripts of the ancestors are an important part of culture and civilization, and considering it as one of the treasures of cultural heritage is very important. The treatise of Asas al-Ma'rafat is an exquisite work of the tenth century, which has not yet MoreThe remaining manuscripts of the ancestors are an important part of culture and civilization, and considering it as one of the treasures of cultural heritage is very important. The treatise of Asas al-Ma'rafat is an exquisite work of the tenth century, which has not yet been corrected and published. The work remains only one handwritten note held in the library of Ayatullah Golpayegani from 11.01.2001, and is the basis of this research. Unfortunately, this treatise has not yet been made known. So, due to the importance of this treatise and considering this fact that it has not been known so far, the authors in this research are trying to introduce this work of Kamāl al-Din Siddighi, and to study its content, elements, components, and style. The study of this work shows that Kamāl al-Din Siddighi is a distinguished mystic, spiritual disciple of Jami and a follower of Mahdi al-Din ibn Arabi, and the trace of Ibn Arabi's mysticism is clearly evident in this treatise. Kamāl al-Din Sedighi as a writer is capable of constructing and texturing words greatly. Figurative language, Arabic words and contents, allusions, metaphors, synonyms, complexity of language and literary language that are seen in the other works and texts of this period are clearly evident in this work. This treatise has great importance in the field of cultural study as it contains mystical and philosophical thoughts, terminology, historical information, and so on. Manuscript profile -
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3 - زِنای چشم یا رَنای چشم؟ نقدی بر تصحیح بیتی از مثنوی مولوی
بهزاد برهان -
Open Access Article
4 - Description of the Center and the Type of Narration of the Illustrated Manuscript of Khamseh of Nizami in Relationship Between Text and Image
Farzaneh Mehryar Shahrzad Niazi Mortaza RashidiNizami’s Khamseh is the poems has been repeatedly copied in the illustrated and non-illustrated forms during the time. Illustrated manuscripts have in addition poems, the meaning concepts of illustration and it is because of being relation among poems and its illu MoreNizami’s Khamseh is the poems has been repeatedly copied in the illustrated and non-illustrated forms during the time. Illustrated manuscripts have in addition poems, the meaning concepts of illustration and it is because of being relation among poems and its illustrations. This paper, introduce illustrations of Haft Peikar of Nizami’s Khamseh’s manuscripts by Descriptive-analytical method. They are as following, university of Tehran’s manuscript- code 5179, Shahid Motahhari’s -code 400, America Library of Congress, Kakh Golestan -code 1951, Islamic Consultative Assembly-code 930, National library-code5-15275 of N. L. digital, National library-code 3058256 of N. L. digital. Due to the relation between illustration and poems, being aware of the number as well as the subject of illustrations and the main focus of their narrative, is important for later research in this field. The paper says that in the above manuscripts, Bahram Gour is the main focus of the narrative and most frequently revolves around his presence in seven domes while the painter is not completely bound to the text. Manuscript profile -
Open Access Article
5 - Research in regarding to the position of Imam Ali in Ascension of the Prophet Mohammad in Southern Kurdish Poetry
seyed arman hoseini ab bariki yahya atash zayThe story of the ascension of Mohammad Prophet is the commonest theme and religious theme in the Southern Kurdish poems. Southern Kurdish poets have viewed the ascension story from different angles to create their poems. Imam Ali’s presence is a common feature of MoreThe story of the ascension of Mohammad Prophet is the commonest theme and religious theme in the Southern Kurdish poems. Southern Kurdish poets have viewed the ascension story from different angles to create their poems. Imam Ali’s presence is a common feature of these ascension letters. Since addressing these poems clarifies the popular narrative of the Southern Kurds of the ascension as well; therefore, the authors in this article attempt to give a big picture of the ascension and explain the ascension letters and their manuscripts and study the their reflections in the Southern Kurdish literature. Manuscript profile -
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hasan shabani azad ahmadreza yalameha -
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maryam kamalvand احمدرضا یلمه ها مریم محمودی -
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AhmadReza Yalameha mahdieh vali mohammad abai -
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محمد ابراهیم ایرج پور فرشته افکار امیریون -
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حسین آقاحسینی parvaneh vesal -
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leila bagheri قربانعلی ابراهیمی مرتضی رشیدی آشجردی -
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Seyyed Mohammad Baqir Kamaluddini Aztabadi najmah ahmadi bahg dad abadi -
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Bahareh Zarif Emaratsaz -
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حافظ حاتمی بهار الهیاری -
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آیت شوکتی -
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سیما حاتمی نیا مریم محمودی احمدرضا یلمه ها -
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احمدرضا یلمه ها -
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رضا اسدپور -
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حسین مسجدی سیده مرضیه رضائی -
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gholamreza khosheghbal ghasem kakaiy -
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narges afrooz احمد علی جعفری -
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شهریار حسن زاده -
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gholamreza khosheghbal محمدیوسف نیری -
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masoume kian Shahin Oujagh Alizade Mehdi Mahouzi Fateme Emami -
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narges afrooz علی اصغر حلبی -
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ناصر خراسانی davood choganian gholamali aria alireza ebrahim -
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علیرضا شعبانلو mohammdghasem siyavoshi -
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mozhgan motevassel seyyedmohammad dashti -
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ELHAM ROOSTAEI RAD maryam Hosseini -
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قاسم سالاری fatemeh shakibfard -
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Azam Bazgiralvar محمود طاووسی مریم امیر ارجمند fatemeh emami -
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قربانعلی ابراهیمی -
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sudabeh bakhshaei zarrintaj varedi -
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مهرداد چترایی عزیزآبادی -
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Saeed Abedini Azizollah Tavakoli Kafi Abad Mahmood Sadeghzadeh -
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Mahin Farahmand Seyyed Mahmoud Seyed Sadeghi Shams Al Hajieh Ardalani -
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مهدی نوروز رضا جلیلی -
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bahman allami محمد حکیم آذر Asghar rezaporian -
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maryam hoseini ELHAM ROOSTAEI RAD -
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Ezat noruzi sedh عطامحمد رادمنش -
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الهه صادقی -
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42 - Studying and Analyzing " The Aynolhaghigha " from Mohammad Mir Zivaroddin Padeshah Saheb
Ghobad Mehrpour Ahmad Reza Yalameha Maryam MahmudiThe present paper deals with the studying of the Aynolhaghigha manuscript from Mohammad Mir Zivaroddin Padeshah Saheb (died in 1151) who was Afghani mystic and poet in Farsi language. The unique manuscript of the book is kept with code number of 5610 at the central libr MoreThe present paper deals with the studying of the Aynolhaghigha manuscript from Mohammad Mir Zivaroddin Padeshah Saheb (died in 1151) who was Afghani mystic and poet in Farsi language. The unique manuscript of the book is kept with code number of 5610 at the central library of Tehran university. The present research which has been done in descriptive-analytic method is to answer the question: What is the theme and the main topic and content of the Aynolhaghigha? The findings of the study indicate that this book is didactic and mystical which has been written in ethics and theoretical and practical mysticism. Its topic is in mystical positions, stages, perilous situations, the condition of devotee and the wayfarer, and the maxims of the mystics specially the Oveysiyeh sect. This book presents the thoughts and the speculations of the author which is in poetry and prose. And its prose section is consisting of mystical texts and lacks of complexity. Mir Zivaroddin always uses simple and short sentences because his aim is to make his disciples grasp the main points. Of the major privileges of the Aynolhaghigha is having a comprehensive information about the Oveysiyeh sect and Nagshbandiyeh sects and their religious leaders which can be used as a reference mystical book. Manuscript profile