Since the days of ignorance, ode in Arabic literature has been written based on a specified system and poets and critics have used this defined structure as foundation of their works. Arabic ode consists of several parts, each of which is an introduction to the n
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Since the days of ignorance, ode in Arabic literature has been written based on a specified system and poets and critics have used this defined structure as foundation of their works. Arabic ode consists of several parts, each of which is an introduction to the next part; first verse of an ode is called matla'. After matla' are placed tashbib (to mention youth affairs) or nasib (soft poetry about women), taxallos (pseudonym) (escape of poet from lyricism to main theme), main theme (praise, glory, whimper, etc.), and maqta' (section) (prayer of approval and desire to immortality for desired person of the poem) respectively. This is the exact criterion which past poets obliged themselves to it and critics make future poets to follow it. Jarollah Zamakhshari is one of the poets that this paper analyzes his adherence to Arabic ode of ignorance period through investigating odes and methods applied in composing prelude, matla', pseudonym (connection of prelude with main purpose of the poem),final part and unity of subject.
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