In the twenty-first century, cinema, as the seventh art, continues to play an important role in transmitting the message. The combination of scientific and art paradigms has contributed to their participation in the process of content creation and the transfer of concep
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In the twenty-first century, cinema, as the seventh art, continues to play an important role in transmitting the message. The combination of scientific and art paradigms has contributed to their participation in the process of content creation and the transfer of concepts that have a multi-faceted relationship with both fields. In the meantime, cinematic linkage with dominant paradigms at any time as a source of productive content with special capabilities in the production and presentation of concepts has become popular and has attracted many audiences. In this research, the author seeks to represent the metaphysical signs of the new Trans-modernism paradigm in Zack Snyder's "Man of the Paladin". In this regard, the search for metaphysical elements and the discovery of hidden semantic and ideological layers in the film, based on the theory of critical discourse analysis of Freclough, has been carried out with the approach of PADM. The methodology used to collect the metaphysical concepts of the modern trans-modern paradigm is descriptive-analytic. By analyzing the discourse of the film, the author concluded that the metaphysical discourse featured in Steel Man film represents the discourse of the new modern Trance paradigm. Of course, discursive practices such as mythology, savior, future represent a part of the ruling discourse that can not be regarded as ruling discourse. The findings of the research reveal the most important factors affecting the emergence of a new field in the third millennium for human beings with the Trans-modernism Paradigm approach and its impact on Hollywood cinema
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