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1 - Comparative Study on Homeland in Muthaffar Al-Nawab and Seyed Ashrafedin Hosseini ’s Poetries
Mahdi Ramshini Fariborz Hossein Janzadeh Sarasti Mohammad Shaygan Mehr
10.30495/cls.2022.687760

Muthaffar Al-Nawab and Seyed Ashrafedin Hosseini, nicknamed North Breeze (Nasim e Shomal), have patriotic and libertarian tendencies and enjoy almost the same tactics to support the homeland and fight against colonialism and tyranny. Both live in an age where the politi More

Muthaffar Al-Nawab and Seyed Ashrafedin Hosseini, nicknamed North Breeze (Nasim e Shomal), have patriotic and libertarian tendencies and enjoy almost the same tactics to support the homeland and fight against colonialism and tyranny. Both live in an age where the political, social, and literary atmosphere of their countries are very similar. They consider literature as a means of enlightening society and apply it for this very purpose, and used poetry, music, and aesthetic elements to convey their message to their audiences. They both love their compatriots and have awareness, awakening, and responsibility. Each has his own worldview and thoughts, and the secret of their penetrating words is recognizing the literary taste of their compatriots and expressing the issues and problems of the masses. The two are constantly pursuing their ideal community; a society that is free from oppression and discrimination and encourages everyone to achieve it, and does not tolerate oppression and discrimination against human beings, and acts to eradicate it with their thoughts and pens. Manuscript profile
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2 - Comparative Study of “Dialogical Principle” in “Sangestan Village” Ode by Akhavan and “Poverty & Sickness” Ode by Marouf Al Rusafi
Hadi Akhlaqi Fariborz Hassan Janzadeh Mohammad Jafari

Poetry turns to be an art in the contemporary era in order to interact with others and society. Contemporary poets are not inconsiderate to their countries and attempt to react for them, propose strategy and talk to society’s elements. Thus many contemporary poets More

Poetry turns to be an art in the contemporary era in order to interact with others and society. Contemporary poets are not inconsiderate to their countries and attempt to react for them, propose strategy and talk to society’s elements. Thus many contemporary poets unlike old poets possess dialogical principle and its elements such as reciprocal conversation, vocative phrases, carnival, multilingual and chronotope notably. Mahdi Akhavān-Sāles – Iranian contemporary poet – and Marouf Al Rusafi – Iraqi contemporary poet – are the ones whose poetries are full of social concepts and fought against colonization and exploitation and tried to solve social problems with a dialogical field and conversational process. Therefore the present research attempts to survey dialogical principle by Mikhail Bakhtin in “Sangestan Village” Ode by Akhavān-Sāles and “Poverty & Sickness” Ode by Marouf Al Rusafi comparatively. The results show that the abovementioned odes were created because of social conditions and two poets tried to transfer their experiences by enjoying dialogical principle and using its indicatives in order to have effective and symbolic discourse. Both poets’ emphasis was on dialogical principle by applying vocative, interrogative, exclamatory, imperative, chronotope and carnival phrases. The applied method in the research is descriptive – analytical based on American school of comparative literature. Manuscript profile

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List of Articles fariborz hoseynjanzade