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Open Access Article
1 - Unity, in the poems of poets of the Mashrote
Rezvan Karimi ahmad zakeriAs we know, the oral literature of each nation is the best expressive of the beliefs and minds of a nation and its ruling policies, and the history of any nation can be sought through reflection on the culture of that nation, including their songs. The songs and ballads MoreAs we know, the oral literature of each nation is the best expressive of the beliefs and minds of a nation and its ruling policies, and the history of any nation can be sought through reflection on the culture of that nation, including their songs. The songs and ballads that sometimes have been united by a state or a policy, or in accordance with certain political conditions, are born, such as the poems and songs of the mashrote period, which are in this period of thematic and thematic unity, and themes such as invitations to The struggle, the depiction of the curiosity of the kings, the expression of the crimes of the domestic and foreign tyrants and their treason to the Iranian nation, the praise of freedom and its martyrs, and the induction of hope for the future, the invitation to fight by helping with elements such as raising the level of people's awareness and commemorating the martyrs Way of freedom Hence, various manifestations of ritualistic, national and humanistic literacy were formed. In order to flourish these components, the mashrote age has contributed a lot, because it initiated new developments in the political and social arena, and consequently, changes in the field of culture and literature of the country such as democracy. In this essay, we try to investigate the poems of the mashrote era, the coordination of the poets as well as the thematic unity of the poems. This research has been done by descriptive-analytical (library) method. Manuscript profile -
Open Access Article
2 - An analysis of pride types in Khaghani Shervani’s collection
Gholamreza kafiThe Mofakhereh (Self-Admiration) technique is one of the secondary epic literary types as one of the foundations of the Persian implicit poetry themes ad is considered in world literature, too. Of course, there are many poets who used this technique among which Khaghani MoreThe Mofakhereh (Self-Admiration) technique is one of the secondary epic literary types as one of the foundations of the Persian implicit poetry themes ad is considered in world literature, too. Of course, there are many poets who used this technique among which Khaghani Shervani is one of the prominent poets. By being proud of himself and narcissism about his poets, Khaghani exaggerated in self-admiration and superiority. In this article, different types of pride in his poetry would be analyzed in 2 classes and his self-admiration relative to other poets would be explained as innovative dimension of this article. In addition, speaking of the pride or suckling of the pride is a new argument which is considered in this article based on different evidence in Khaghani’s poetry. Admiration, superiority and being proud of ethical values are the frequently used honors of this poet. Manuscript profile -
Open Access Article
3 - From Postmodernism to Neo-realism in Julian Barnes’ Flaubert Parrot and The Only Story
Masoumeh Bakhtiari Leila Baradaran Jamili Bahman ZaarinjooeeAs a dominant tradition in writing, postmodernism was widely embraced during mid and late twentieth century. Many contemporary authors, and in particular some British authors, deemed postmodernism as alien to their own traditional modes of writing. Julian Barnes, the co MoreAs a dominant tradition in writing, postmodernism was widely embraced during mid and late twentieth century. Many contemporary authors, and in particular some British authors, deemed postmodernism as alien to their own traditional modes of writing. Julian Barnes, the contemporary British author who once hailed postmodernism in his writings critically challenged and opposed it. The present research is an attempt to critically and analytically investigate this shift from his postmodern work Flaubert Parrot, to his more recent neo-realistic work The Only Story through the lens of Jacques Ranciere. The main hypothesis is that the late Barnes has truly grasped the dynamic of author-subject as indicated in his return to neo-realism from Postmodern grand narrative. To accomplish this goal the researchers have employed some of Ranciere’s concepts including ‘politics of aesthetics,’ ‘regimes of art,’ ‘distribution and redistribution of sensible’ to scrutinize the causes of this shift and his return to more essentialist and humanistic modes of thought and writing Manuscript profile -
Open Access Article
4 - Studying “Garmabeh- the bathroom” as the threshold level move in the fiction called “the son of the merchant and the city of the voiceless people” in the book entitled “Hasht Behesht- 8 paradises” written by Amir Khosro
Mahbobeh Pouragha Ramin Sadeginejad Maryam MohammadzadehThe narrators of common myths need unknown and strange atmosphere to color their narrations with secrets. This atmosphere can isolate the hero from the real world and joins him to a magical and mythical world which is known as the threshold passage. Undoubtedly one of t MoreThe narrators of common myths need unknown and strange atmosphere to color their narrations with secrets. This atmosphere can isolate the hero from the real world and joins him to a magical and mythical world which is known as the threshold passage. Undoubtedly one of the best places to include the heroes in unknown issues and topics is the bathroom (Garmabeh). The understanding and analysis of such a secret atmosphere is the basic precondition to reveal the myths and to achieve their hidden messages. One of the very useful tools to reveal such issues in myths is the theory of “a single hero journey” posed by Joseph Campbell. The major goal of the present study is to emphasize on the importance of “Garmabeh” as the threshold passage time. In this research, “Garmabeh” in the story called “the son of the merchant and the city of voiceless people” written by Amir Khosro Dehlavi has been analyzed as the threshold passage. The results showed that Amir Khosro has acted very cleverly and successfully in using the secret atmosphere of Garmabeh as the threshold passage and also the comparison of it with pass rituals and triple sections of the traditional bathrooms. Manuscript profile -
Open Access Article
5 - Content-based analysis and examine of Farrokhi Yazdi’s "Toofan Haftegi"
Mahmoud SadeghzadehMohammad Farrokhi Yazdi except from composition of the political poems and the publication of the critical “storm” newspaper, published the "weekly storm" magazine for two years, to develop the literary works, to promote poetry, to develop MoreMohammad Farrokhi Yazdi except from composition of the political poems and the publication of the critical “storm” newspaper, published the "weekly storm" magazine for two years, to develop the literary works, to promote poetry, to develop the Persian language and literature and to generalize the European literary works. In this study, with reviewing the 41 existing numbers of the “weekly storm” with the descriptive, analytical and quantitative assessment method, we introduce and examine the publication motives, formal structure, importance and quality, content, and writers and poets of the magazine. Because of the high position of the authorities, the publication of useful literary, artistic and historical literature, and the quality and diversity of Iranian and worldly literary materials, the literary magazine benefits from the cooperation of popular writers and poets like: Malek o-Sho''arā Bahār, Abdolhossein Hazhir, Ishmael Yekani, Sayyed Ahmad Kasravi, Sayyed Abdolrahim Khalkhali, Ali Javaherolkalam, and etc among foreigner writers and poets, translations of Tolstoy works and Victor Hugo works had been more commonly used. In the second period of publication, due to the policies of the Reza Shahi period, Toofan adopts a more lenient approach and pays more attention to social, economic and literary issues, while emphasizing the elements of Iranian identity and literary traditions in a balanced way towards modernity. Hence, due to the necessity of modernity and understanding the situation of the time, he uses prose texts and fiction in translations of Western works. Manuscript profile -
Open Access Article
6 - Literary creativity in sohrab sephris Eight books
Roya Parvin Mansoureh Tadayoni sima mansoori Masoud PakdelLiterary creativity is the reflection of creative potentiality of a poet in forming new concept. To this end, the present research aims to explore the process of literary creativity based on conceptualization and linguistic strategies used in Sohrab Sepehri’s poem MoreLiterary creativity is the reflection of creative potentiality of a poet in forming new concept. To this end, the present research aims to explore the process of literary creativity based on conceptualization and linguistic strategies used in Sohrab Sepehri’s poems with special focus on “Hasht ketab”. Required data collected based on library research method. Descriptive-analytical method used to answer the research questions in line with the related goals in this study. Results of this study indicate that big portion of the act of creating meaning and imagination inspired by the view of Zen Buddhism, the essence of which is attempting to understand the meaning of life directly, without being misled by thought. Secondly ,the poet relied on his personal experiences and literary potency in using linguistic strategies and semanticization.This research attempts to probe the literary creativity by referring to “Hasht Ketab “and related references. This study finally shows that how the poet lead to create a unique work based on in-depth understanding and influence made by the view of Zen Buddhism. Manuscript profile -
Open Access Article
7 - The manifestation of popular culture in the KhavaranNameh of Ibn Hussam e Khosafi
Sedighe Karimi Mohamadreza AminiIbn al-Hussam's KhavaranName is a epopee that tells imaginary stories of the travels, heroic acts, and battles of Imam Ali (as) against the infidels. It is often considered as an epic work due to its epic features, although the features of popular literature have MoreIbn al-Hussam's KhavaranName is a epopee that tells imaginary stories of the travels, heroic acts, and battles of Imam Ali (as) against the infidels. It is often considered as an epic work due to its epic features, although the features of popular literature have become so prevalent that it has largely deviated from the classical Persian epics. This feature shows that Ibn Hussam had a direct connection with the masses. Based on this view, in the present article, an attempt has been made to determine the most important folk elements of this work and how they are used. To achieve this goal, first the mass beliefs and thoughts of the people, and then some folkloric features of the narrative are examined, and finally the use of the slang language in its vocabulary is studied. This research shows that the KhavaranName is an artistic phenomenon that has originated from the life of the people and has been mixed with various manifestations of the mass life of the people in different ways. As a result, the dramatic crystallization of popular elements has made KhavaranName closer to popular literature. Manuscript profile -
Open Access Article
8 - Investigating conceptual metaphors the domain of shame by reference to witnesses of Afghani works
sanaz taghipori hajebi Kamran Pashaei fakhrei Parvaneh Adelzadehconceptual metaphor theory derived from cognitive linguistics, that is a conceptual tool for discovering the meaning of the text in the field of emotions, that plays an important role in understanding abstract concepts., The present study with descript Moreconceptual metaphor theory derived from cognitive linguistics, that is a conceptual tool for discovering the meaning of the text in the field of emotions, that plays an important role in understanding abstract concepts., The present study with descriptive-analytical method examines One of the applications of conceptual metaphor in the domain of shame in works ‘Shohare Ahw Khanoom’ and ‘Baftehhaye Ranj’.Afghani. Shame is one of the emotions that human biengs have always experienced throughout history, and by examining its conceptual Metaphor, the difference and similarity of cultures in its expression can be obtained. In two Afghani works, 57 case of shame was found, which is often consistent with the universal metaphors of shame presented by Kovecses. Based on the source domain, 12 mapping names with orientational, liveliness, naturalism, fluidism and anthropology processes are mentioned in the metaphor of two stories. Of the types of conceptual metaphors, 10 case are orientational metaphor, 3 case antological metaphor and 44 case structural metaphor. the source domain were extracted, ‘’fire’’ which is the most frequently used source domain. The result showed a causal relationship between most of the shame mapping names, which somehow related to a focal metaphor. Manuscript profile -
Open Access Article
9 - Discovering and analyzing the use of burial spells and treasures in selected verses from nizami's Khamse
Ahmad Jafari Yahya Talebian Abbas ali VafaieOne of the phenomena studied in archeology is the study of historical beliefs and documents about the spells of treasures. The science of spells deals with: how to keep treasures, bury them in the ground to protect them from thieves and enemies, put various spells on th MoreOne of the phenomena studied in archeology is the study of historical beliefs and documents about the spells of treasures. The science of spells deals with: how to keep treasures, bury them in the ground to protect them from thieves and enemies, put various spells on them, ways to detect and open spells in Burials place. In his Khamse, Nizami has used these topics in great detail. The need to revise the traditional works of Persian literature from the point of view of archeology and to discover the historical values of a prominent literary work has created the need to explore how to use the themes of spells and treasures in Khamse. This research has been done by using field observations, by conducting interviews with cultural heritage experts and by using descriptive analytical method. The analysis of verses based on the classification of the imagination in Coleridge's Theory and also two different functions of the image in the literature as the linguistic and the virtual function reveals that in terms of content, spells and treasures have been used in the field of fiction and also pride, allegory, description, lyricism, praise and mysticism. Among these themes, the field of fiction is the most visible due to the use of precise details, and in other areas, it reveals the poet's thematic power. In rhetorical analysis, the study of three different literary structures shows that Nizami has created beautiful literary arrays by discovering the same features between specific concepts and spells and treasures. Manuscript profile -
Open Access Article
10 - Anima's Ancient Challenge in the Story of Maulana's Arab Man
Azadeh Ebrahimipour Saber Emami Abdolhosein FarzadThe chanting of the mysterious and mysterious Maulana mirror has always been regarded as open and interpretable texts due to semantic complexities and linguistic art, and has been spoken about in various perspectives. Ancient critique of the literary model has been the MoreThe chanting of the mysterious and mysterious Maulana mirror has always been regarded as open and interpretable texts due to semantic complexities and linguistic art, and has been spoken about in various perspectives. Ancient critique of the literary model has been the source of psychological criticism that has flourished in recent decades, as in other interdisciplinary studies. This article, which examines the themes and images of Anima in the human body of Men's Books, paves the way for the next litter of literary works, and reflects the universality of the human message and the feelings of art poets such as Rumi. In this study, with the view of Yang's psychoanalysis school, from the old perspective, a pattern has been addressed to the Rumi poetry world and has been addressed to Anima's bold and repeatable personality in the story of her Arab man; a comparison of the manuscripts with ancient Anima-Yong pattern suggests a very similar resemblance Or even his complete adaptation to that ancient image Manuscript profile -
Open Access Article
11 - Describing the immoral and spiritual areas of the beloved in the lyric poems of Hakim Sanaei
Hosein Salimi Bashir AlaviThe Ghaznavid divan of Hakim Sanai, with more than thirteen thousand verses, consists of poems in the form of ode, composition, preference, mesmat, lyric, piece and quatrain. Composing a lyric and tending to romantic controversies and its attractions, the poet occasiona MoreThe Ghaznavid divan of Hakim Sanai, with more than thirteen thousand verses, consists of poems in the form of ode, composition, preference, mesmat, lyric, piece and quatrain. Composing a lyric and tending to romantic controversies and its attractions, the poet occasionally preoccupies himself. Introduction to Sanai's hymns which describe the beloved, although not uniform in number of verses and is often between 7 and 29 verses, but has a place in his hymns. In this article, while briefly introducing various aspects of the description of the beloved, such as; The field of immorality and spirituality or the reporter of the face and sensory and intellectual similes, etc, the image of the beloved Sanai with emphasis on the poet's intellectual evolution, should be examined and analyzed; Therefore, first, the most important and special approaches of Sanai in drawing the image of the beloved have been extracted and classified into eight groups. Then, by studying and finding the frequency of words and presenting diagrams, their importance, how they are used, their place and the way of intellectual development in Sanai's depiction of the beloved's image are analyzed in the lyric poems of his praise poems. The presence of characteristics of Khorasani style and traces of change that later become the beacon of poets in the field of dealing with the beloved, is one of the highlights of the lyric poems of Sanai praise that are addressed in this study. The research method is descriptive and analytical with statistical charts. Manuscript profile -
Open Access Article
12 - A Comparative Study of the Narrative and Content Structure of Two Folk Tales (Darabnameh and Bakhtiarnameh)
Khatereh Bakhtiary Haftlang Masood Motamedi Manijeh ZareiFolk tales are one of the literary genres that is derived from an ancient tradition in storytelling in which the storyteller uses various categories in order to entertain, character, spirits and aspirations of the Iranian people. And also depict their social history. Th MoreFolk tales are one of the literary genres that is derived from an ancient tradition in storytelling in which the storyteller uses various categories in order to entertain, character, spirits and aspirations of the Iranian people. And also depict their social history. The two popular and readable folk tales of Darabnameh, Tartousi and Bakhtiarnameh of Daghayeghi Marvzi, are this kind. Whereas long folk tales have a high research capacity; The present study is dedicated to examining and comparing the narrative and content structure of these two stories. In this research, which has been done analytically-descriptively and using library studies, after reviewing and analyzing the validity and content of the two works, it has been obtained that the narrative structure of Darabnameh is more robust and attractive than that of Bakhtiarnameh. Enjoys. Also, in terms of content, Darabnameh is the presence of the golden and ancient culture of Iran, but in Bakhtiarnameh, we are mostly dealing with Islamic culture. Manuscript profile -
Open Access Article
13 - Semantic-semantic analysis of the story of a parrot and a merchant from Rumi's spiritual Masnavi
Pegah Rasouli Shahine Ojaghalizade Fateme EmamiSign-semantic is a new method in literary criticism that has never claimed to be an alternative to other approaches to literary criticism, but seeks to open new windows in meaning that are different from cognitive and superficial perceptions. This method challenges the MoreSign-semantic is a new method in literary criticism that has never claimed to be an alternative to other approaches to literary criticism, but seeks to open new windows in meaning that are different from cognitive and superficial perceptions. This method challenges the depth and connection of words, and leads us to new and dynamic concepts. This research intends, by descriptive-analytical method; The anecdote (parrot and merchant) examines one of the most valuable mystical and allegorical anecdotes of the first book of Masnavi from the point of view of semantics, in order to explain the means of explaining the meaning and the conditions of the actor crossing limited structural boundaries and reaching the transcendental and aesthetic meaning. The active-shushi parrot rises so high in the ranks beyond an ordinary chicken that by distancing itself from the material, it becomes a living and guiding hen and transcends in the direction of divine unity, and the active trader is transformed in the face of deep emotional tension. And in breaking with himself, he walks on the path of happiness and reaches intuitive cognition. Manuscript profile -
Open Access Article
14 - Studying and Analysing Forouzanfar's basic manuscript in edtition of Divan-E-Kabir
Shirin Razmjoo Bakhtiari Khalilijahromi Elham Mohammad yosof NayyeriMevlana’s Divan-e Kabir is one of the pivotal texts in mystical researches. In the last fifty years, the critical edition of Divan by Froozanfar has been the base for all the literary researches done on Mevlana’s ghazals. However, the textual authenticity of MoreMevlana’s Divan-e Kabir is one of the pivotal texts in mystical researches. In the last fifty years, the critical edition of Divan by Froozanfar has been the base for all the literary researches done on Mevlana’s ghazals. However, the textual authenticity of this edition is under question.The method of Professor Forouzanfar's edition and selection Konya 770 manuscript as the basic version has been studied and investigated critically, in this article. There are different points of view about Manuscript of Konya. In this article, the authors have precisely described Manuscript of Konya and have enumerated the criticisms that are available about it. In addition, the authors mention some Ghazals that are not authentic, because these are not mentioned in other authentic manuscripts. These Ghazals have been just written in Konya 770 manuscript, although that was expected other manuscripts that have a majority of ghazals, include these ghazals, too. Among these Ghazals, some of them are not cited be Mevlana, and some of the verses should not regarded as an independent ghazal, because, these verses are in the middle of another ghazals. Studying these Ghazals illuminate that Konya770 (Faz) are not authentic enough to be the basis of Forouzanfar's edition. The reasonable method of edition for Divan-e- Kabir according to different manuscripts that are not complete is to select ones are the low-volume but are authentic. Manuscript profile -
Open Access Article
15 - A Study of the Characteristics of the Secretary Skanderbeg and the Content Analysis of Alam-Araye Abbasi
Sharareh Ebrahim Mahdi MohagheghSecretary is one of the most important court and court jobs that dates back to pre-Islamic times.What assures us of the importance of this profession is the existence of numerous books written on the qualities,virtues and do's and don'ts of a secretary.The present study MoreSecretary is one of the most important court and court jobs that dates back to pre-Islamic times.What assures us of the importance of this profession is the existence of numerous books written on the qualities,virtues and do's and don'ts of a secretary.The present study was formed following the question that to what extent does Alexander the Great,as one of the most respected teachers of the Safavid period,have the characteristics that the elders of this profession have mentioned about teachers?On the other hand,one of the remarkable legacies of the Safavid rule is the historical sources that have been written by official and court secretaries.One of the authors of these books is Skanderbeg the secretary,the special secretary of Shah Abbas I, to whom many letters of the Safavid period as well as the Tarikh Alam Araye Abbasi were written.The next question of the present study is what method did Skanderbeg, as an example of Safavid teachers,choose in writing this work and what are the characteristics of the book in terms of content? In this article,which is based on library studies,an attempt has been made to compare the conditions of Skanderbeg's teaching with what the elders of this field have determined as the most important teaching conditions; Also,examine the content features of the Alam Ara;Because this work,as one of the most famous works of the Safavid,can be a significant example of the intellectual style and writing style of the teachers of the Safavid period. Manuscript profile -
Open Access Article
16 - Investigation and analysis of grotesque images in the poems of Shams Langroudi
Teymout Karami Mah NazariGrotesque images in Shams Langroudi's poems can be considered according to the social and personal developments of his life. He has always been very influenced by the events around him. Shams Langroudi depicts adversity and bitterness in the form of his poems and using MoreGrotesque images in Shams Langroudi's poems can be considered according to the social and personal developments of his life. He has always been very influenced by the events around him. Shams Langroudi depicts adversity and bitterness in the form of his poems and using the tools and aspects of grotesque for the audience of his works. Until the publication of "Grotesque in Literature" in 1957 by Wolfgang Kaiser, grotesque was only a violent comedy. But Kaiser and Mikhail Bakhtin introduced other dimensions and aspects of grotesque, such as comedy and horror, disharmony, incoherence, and grotesque exaggeration to literature. In this research, using analytical-descriptive method and using library sources, while examining the grotesque poems of Shams Langroudi, we try to find out which aspect of the grotesque aspects is used in his poems and has more expression? Given our knowledge of his character, it is expected that the comedic aspect of horror will be more prevalent in his poems. The result of the research, however, indicates a higher frequency of inconsistency than other grotesque aspects in Shams Langroudi's poems. Manuscript profile -
Open Access Article
17 - Tricks of influencing Seyed Hassan Hosseini from the Holy Quran
Hasan Ghasemzadeebeli Khodabakhsh Asadollahi Mohammadreza Shad MenamenThe study of literary works in terms of influence is an approach to intertextual discovery and cognition; Cognition that reveals the prominence of the artist's style, and context. Seyyed Hassan Hosseini's various uses of the Holy Quran indicate his familiarity with vari MoreThe study of literary works in terms of influence is an approach to intertextual discovery and cognition; Cognition that reveals the prominence of the artist's style, and context. Seyyed Hassan Hosseini's various uses of the Holy Quran indicate his familiarity with various techniques of influence. Hosseini in the use of the Holy Quran, in addition to being influenced by various techniques, has innovation and intellectual cohesion, and word formation and bringing new combinations are among the prominent features of Quranic poems. Hosseini has enriched it with innovation in language, and has given it a new meaning by using familiar words in a new dimension of sentence structure. Words and phrases in Hosseini's poetry are considered as a tool for expressing thought and his goal is to induce transcendent concepts; Consequently, the use of the Holy Qur'an, in addition to its artistic and rhetorical aspect, in order to prove the belief, to express the inner state, is to sanctify one's poem. Hosseini has benefited the most from the implicit impact. Manuscript profile -
Open Access Article
18 - Comparative study of "verb stylistics" in Forough Farrokhzad's social poems And Golrokhsar Safiava through the lens of the transient system
Simin Fayzollahi Khoday nazar AsazadehHalliday's orthodoxy approach provides the researcher with a tool through which he or she can grasp the ideology of the text and the ways in which the speaker chooses to convey his or her thought. This approach is the product of a "social look" at language and takes pla MoreHalliday's orthodoxy approach provides the researcher with a tool through which he or she can grasp the ideology of the text and the ways in which the speaker chooses to convey his or her thought. This approach is the product of a "social look" at language and takes place at the language level with the help of three intellectual, interpersonal, and textual paradigms. The role of thought is divided into two functions: empirical and logical. In the empirical function, the language expresses the experiences of the outside world. The product of this function in the sentence is a transitive that is used to identify different types of processes in the sentence - which is manifested in the verb. One of the main themes of contemporary poetry, especially women's poetry, is attention to social issues and its representation in the language of poetry. A poet who reflects social concepts in his poetry, his goal is to raise artistic and social perception and insight. He wants his poem to have a human message and to acquaint people with the events of his time. The souls of poets of social poetry are born with a sense of social responsibility and the poet lives with the people and among the people. Among contemporary female poets, Forough Farrokhzad is one of the women who reflects social ideas in her poems and by reading her poetry, the audience can become aware of her views on social issues. Among contemporary Tajik women, Golrokhsar Safiyava is also considered a poet with social concerns. This research tries to answer the main question in a descriptive-analytical way: Which language processes did Forough Farrokhzad and Golrokhsar Safiava use to express the views and social concerns of their time? And what is the place of these processes in the transmission of social thought of these two poets? Manuscript profile -
Open Access Article
19 - Genettian Narrative Typology at Odds: Scrutiny of False Analepsis in The History of Tom Jones, a Foundling
Miad Mahmoudizadeh Javad Yaghoobi Derabi Naimeh Tabatabai LotfiIn the world of narratology today, Gérard Genette’s narrative typology is among the most annotated schemata and it is widely popular since his narrative theory seems to prevail over a great number of narratives in the whole history of literature, ranging fr MoreIn the world of narratology today, Gérard Genette’s narrative typology is among the most annotated schemata and it is widely popular since his narrative theory seems to prevail over a great number of narratives in the whole history of literature, ranging from classic to modernist and postmodernist works. It is as if such works were following a prescribed scheme to expand and develop – which proves the universality of his narrative theory. Throughout this article, Genettian typology is discussed from a partially different perspective in one of the canonical British prose works in The Age of Sensibility. The dominance of Genettian typology in Tom Jones is undeniable as it shall be discussed how; however, a modification and manipulation of one of the anachronies – analepsis – and the introduction of a new type of analepsis – false analepsis – by Henry Fielding employed for the first time in the very period is the major focus of this article. In this study, false analepsis are justified by means of exemplification and multiple references to Tom Jones as the only case study of this article. Moreover, the impact of anachronies on this work is emphasized. Fielding’s work not only employs anachronies, but also introduces a new branch of anachronies, which is the very false analepsis as a form of anachrony. Manuscript profile -
Open Access Article
20 - A Study of Death from the Phenomenological Perspective of Otherness in Gavkhoni's novel
Fateme Rahiminia Fateme HeydariPhenomenology is a process whose main goal is to achieve a true knowledge of essences and essences, free from any presuppositions and prejudices; In such a way that the real existence of the existing being is allowed to appear on its own and the interference of the mind MorePhenomenology is a process whose main goal is to achieve a true knowledge of essences and essences, free from any presuppositions and prejudices; In such a way that the real existence of the existing being is allowed to appear on its own and the interference of the mind and its contents is removed from the way of the beings and by reduction or reduction, an authentic and real description of the existence of the beings can be achieved. Jafar Modarres Sadeghi is one of the prominent writers of contemporary Iranian literature who has had remarkable activities in various fields such as fiction, novels, as well as in the field of translating, editing and correcting classical texts. Although he is not officially a phenomenologist, He is a writer who is close to phenomenologists. This article seeks to answer the questions of what is Modarres Sadeghi's approach to death? Has phenomenology influenced the views and thoughts of Jafar Modarres Sadeghi? How is this idea reflected in Gavkhoni's novel? The method of this descriptive-analytical research is the method of using other methods. Manuscript profile
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