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      • Open Access Article

        1 - Indicators in the mirror imagery content and language poetry Badriddin Hilali
        farhad naderi mehdy mohaghgh
        Badriddin Hilali, the late ninth century and early sixteenth century lyric poet whose poems he significantly with expressive images that are created using elements of imagery. Arches art is innovative in making similes and metaphors. Imagery of this study was to evaluat More
        Badriddin Hilali, the late ninth century and early sixteenth century lyric poet whose poems he significantly with expressive images that are created using elements of imagery. Arches art is innovative in making similes and metaphors. Imagery of this study was to evaluate the different species, "simile, metaphor, alliteration, irony, diagnosis," the poem is taken arches To answer the question of how much and how the poet of imagery and mental imagery is used in your poetry? He illustrations innovation or imitation of the past has been done in the area and what kind of imagery in his poetry is more frequent? In this speech was a library research method, the results were classified into descriptive analysis. It is with statistics to a holistic view of images and how to use them both quantitatively and qualitatively be provided. The results showed that compared high-frequency sensory especially in his poetry is metaphor. Stipulated metaphor, diagnosis, and metonymy allusion He also has the frequency. More images of his poetic descriptions lover or one of his moral and physical properties that are created with the help of natural manifestations. Arches art innovation and imagination in the use of force similes and allusions he is tangible. Manuscript profile
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        2 - Investigation of the artistic aspects of the defamiliarization‌ in the poetry collection of Mehdi Faraji named Meykhane ye Bikhab
        Fateme Jafarikamangar Setare Firoozgaii
        Foregrounding is the main characteristic of the literary language and will be possible with defamiliarization, deformation and deviation from the norm of the standard language. Innovative poets tries to use Image and the elements of aesthetic and creating artistic metho More
        Foregrounding is the main characteristic of the literary language and will be possible with defamiliarization, deformation and deviation from the norm of the standard language. Innovative poets tries to use Image and the elements of aesthetic and creating artistic methods in poetry and vitalize the particular words, for enjoying their audiences. The present research is written by analytical descriptive method and tries to illustrate and investigate aesthetic evolution of images and Literary Imagery that gives the word an artistic effect. This research with scrutiny the beauty aspects of the images of this work and with the Indicating the most significant examples from that, indicates simile and metaphor as the most and metonymy as the least innovative images in this work. Manuscript profile
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        3 - The study of Imagery in Mahmoud Moshref Azad Tehrani
        Nahid Alinejad Maryam Shayegan
        Mahmoud Moshref Azad Tehrani was one of the greatest poets of fortieth decade. The study of imagination in his poems as an impressive poet in modern poetry caused the discovery of his innovation in the field of imagination and revealed some aspects of emotions, feelings More
        Mahmoud Moshref Azad Tehrani was one of the greatest poets of fortieth decade. The study of imagination in his poems as an impressive poet in modern poetry caused the discovery of his innovation in the field of imagination and revealed some aspects of emotions, feelings and social problems. In this research which is taken by taking note and library method, three hypotheses were the bases of work. One hypothesis was that Moshref as well as other contemporary poets has paid more attention to detection element among imagery elements and he has paid more attention to nature and tangible objects among constructive elements of imagery. Another hypothesis was that the emotions which are mixed with his imagination and have caused his poetic experiences were not personal emotions but social ones and they were derived from pains, sufferings and his joint hopes with people of his society and Moshref was a poet who could create beautiful images and take responsibility toward his society as an artist. Manuscript profile
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        4 - Aesthetics of Iranian mythological and epic figures in Rumi's poems
        Fatemeh Hajjeforush morteza Razaghpoor Reza Sadeghi Shahpar
        Myths and mythical and epic figures are one of the important and valuable fields of culture of different nations, which have preserved their fundamental connection with poetry in various ways. Iranian poets have commented on these mythical and Iranian figures according More
        Myths and mythical and epic figures are one of the important and valuable fields of culture of different nations, which have preserved their fundamental connection with poetry in various ways. Iranian poets have commented on these mythical and Iranian figures according to their attitude. The presence of these elements in Molvi's poems shows the prosperity, continuity and dynamism of these myths. Now, if the element of imagination is included in the myth, due to its aesthetic nature, it adds to the aesthetic aspect of myths and epics. For this reason, the purpose of this research is to investigate the aesthetic aspect of Iranian mythological and epic characters and figures in Rumi's poems, relying on Masnavi Ma'navi and Divan Shams. This essay is done with a descriptive-analytical method and looks at the mystical function of myth from Joseph Campbell's point of view. Results show that the presence of these mythological and epic figures shows the recognition and attachment of Rumi to ancient stories, mythological and epic characters of the Shahnameh. Also, among the literary arrays, allusion, simile, and metaphor are the most important images that have caused the mythical literaryness of Rumi's poems. Manuscript profile
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        5 - The universal female archetype in Naserkhoro Ghobadiani’s poem
        Arezoo Ahmadbeigi Ghorbanali ebrahimi shahrzad niazi
        The universal female archetype is one of the oldest images which are emerged in primitive Persian poem of some poets of which Roudaki, Ferdousi, Manouchehri, Naserkhosro and Khaghani are highly mentioned and had been existed until 8th century. Naserkhosro is one the poe More
        The universal female archetype is one of the oldest images which are emerged in primitive Persian poem of some poets of which Roudaki, Ferdousi, Manouchehri, Naserkhosro and Khaghani are highly mentioned and had been existed until 8th century. Naserkhosro is one the poets who used this archetype abundantly in his poems and mainly indicated the contributed negative traits between the female and the universe, as well and applied them in his own imaginable structure. These main traits are mentioned as: the glories, the oldness, the evil behavior, magic, being not loyal, unkindness, cruelty, wilderness, lying, being deceived, evilness, the husband-killing, being harlot, and ambiguity,. This article analyzes the universal female in Naserkhoro Ghobadiani’s poem and indicates its effect on the changes and evolutions, the qualities and quantities of the image-making in these poems by Khorasani’s style and also, proposes the effect of this imaginable structure in the poetic procedure and the thought of this scientist. The proposed study illustrates that the universal female before Naserkhosro, time escape and death frightening lead to the emergence of the archetype. Manuscript profile
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        6 - A Study of Imagination in the Sayed Yaaghob Mahidashti Poem
        Masoud Bavanpouri Tahere Ishani Vahid Sajadifar
        Imagination that is the key element in poem, is the communication bridge between the feelings and thoughts and the poet's words that emotion is conveyed through it and it is the criterion measure for a literary work Sayed Yaaghob Mahidashti is Kurdish poet a poem book i More
        Imagination that is the key element in poem, is the communication bridge between the feelings and thoughts and the poet's words that emotion is conveyed through it and it is the criterion measure for a literary work Sayed Yaaghob Mahidashti is Kurdish poet a poem book in Kalhori dialect which has been collected by the efforts of Mohammad Ali Soltanii.This powerful poet has used imagery to explain and convey meanings in their poem book. Metaphor is the most important pillar of expression ability and its analysis in terms of structure and content can also be an expression of poets own language. This paper has attempted to assess metaphor’s theoretical bases using analytical - descriptive methods by giving examples of metaphors used in this poem book and describing him in terms of form, use of connectives and quasits, clears to readers the poet's ability how to convey concepts and explain ends of words and influence of words of these two to. Manuscript profile
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        7 - Cities and the Reasons for their use in Naser Khosrow’s Poetry
        Arezoo Banisharif Dehkordi Hossein Khosravi Asghar Rezapourian
        Aboo Moeen Hamid Al. din Naser ebne Khosrow was born in Ghobadian of Balkh in 394 (lunar hegira). He passed away in Yamgan of Badakhshan in 487(lunar hegira). His in herent talent and truth-seeking desire guided him to understand truths and secrets. He resolves to leave More
        Aboo Moeen Hamid Al. din Naser ebne Khosrow was born in Ghobadian of Balkh in 394 (lunar hegira). He passed away in Yamgan of Badakhshan in 487(lunar hegira). His in herent talent and truth-seeking desire guided him to understand truths and secrets. He resolves to leave his working on the poetical works and hometown in 437 (lunar hegira). During 7 years he had a long and dangerous trip and travelled He wrote a valuable itinerary fullof geographical historical and social information with simple and eloquent explanation and attractive description. This itinerary was the result of his sharp-sightedness curiosity accuracy and reflection. Based on it richness of Persian language left as a memorial. this great poet has described the same geographical information in his poetical works that is reflection of the time of this poet. The usages that the poet has had from the names of these cities are very interesting. the poet has enjoyed the names of these cities for beliefs vagrancies propagandizing of his religion peremptory and wordy matters or in the light of imagery. He left Khorasan because of its ignorant juris consults philosophers scholars and hypocrisy. He went to a small valley. He has pitied Khorasan and assumed the stone and soil of Yamgan more valuable than garnet of Badakhshan or musk of tatar. Therefore, considering the usage reasons of names of these cities for better decoding of this treasure of wisdom and faith is very effective. Therefore, we tried to proceed considering cities and reasons of their usage in poetical works of this great poet in Persian literature. Manuscript profile
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        8 - Stylistics scrutiny of Vahdat Kermanshahi's odes
        Masood sepahvandi Alireza Shahrestani Seyyed Arman Hosseini Abbariki
        One of the most grand poet and Gnostic of 13 century was (Tahmasb khan) he called by (Vahdat Kermanshahi). He born in the west of the country. Almost the reason of his fame was by composing a pure theosophy odes. That is include purport, like: love & pantheism. Ther More
        One of the most grand poet and Gnostic of 13 century was (Tahmasb khan) he called by (Vahdat Kermanshahi). He born in the west of the country. Almost the reason of his fame was by composing a pure theosophy odes. That is include purport, like: love & pantheism. Therefore that Vahdat Kermanshahi have a serious role in creation contemporary literature of Kermanshah and design, literature style of this area. So, in this inquiry, whole effort will be for scrutiny his odes by stylistics point. The method of work is scrutiny his odes in 3 level. Verbal level (phonetic, lexical, syntactic), mental level, literary level. Also try to show the matters how make a notability in his poetic language. Manuscript profile
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        9 - تصویرسازی و عناصر صورخیال در غزل نئوکلاسیک (با تکیه و تأکید بر اشعار محمدعلی بهمنی)
        حمیدرضا قانونی
      • Open Access Article

        10 - A glance at the similarities in Divan Shakeh and Khan Mansour
        Masoud Bavanpouri Vahid Sajadifar Sakineh Azadi
        Shake and Khan Mansour are two of the Kurdish poets of the Ilami House, such as Molavi and Shams Tabrizi, Murid and Murad, and have a diary in the Kaladi dialect of the South Kurdish branch, collected by Mohammad Ali Qasemi and Alireza Khani. These powerful poets have u More
        Shake and Khan Mansour are two of the Kurdish poets of the Ilami House, such as Molavi and Shams Tabrizi, Murid and Murad, and have a diary in the Kaladi dialect of the South Kurdish branch, collected by Mohammad Ali Qasemi and Alireza Khani. These powerful poets have used imagery in their poems to explain and convey the meanings and concepts they seek. The present article has attempted to study metaphoric elements as one of the most prominent and indeed the most important support of expression science in the poetry of these poets using library sources and a descriptive-analytical method. Make it clear to readers. The results of the study show that poets made the most use of sensory and articulatory similes and did not have much tendency to use rhetorical and intellectual similes. Manuscript profile
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        11 - تآثیر اشعار جامی (دیوان و هفت اورنگ) بر تصویرهای شاعرانه هفت منظرهاتفی...
        سیاوش مرشدی علی اصغر حلبی
      • Open Access Article

        12 - Highlighting the Phases of Phantom and Figures of Speech in Bijan Najdi's Poetry
        Ommolbanin Nikkhah Noori Hamid Samsam
        Abstract         Bijan Najdi is one of the committed poets of contemporary era whose works have special structural complexity. His techniques in using the stream of consciousness and changing his view angle have always had effective r More
        Abstract         Bijan Najdi is one of the committed poets of contemporary era whose works have special structural complexity. His techniques in using the stream of consciousness and changing his view angle have always had effective reflection on his works. We observe in, in his poetry, a lot of verbal and semantic highlighting such as : repetition, specification, allusion, metaphor, simile and sense-arousing items that have had much impact on the content and style of poems. Najdi has given his poetry a traditional and folkloric color and glaze using his own people's folk tales and ancestors' customs . In this paper, we've surveyed the quality of highlighting in his poetry in descriptive-analytical and librarian methods . Our purpose is that the readers become more familiar with his special secrets. Manuscript profile