• Home
  • fatemeh ghafuri mahdi abad
  • OpenAccess
    • List of Articles fatemeh ghafuri mahdi abad

      • Open Access Article

        1 - Climatic color in the poetry of Mohammad Biabani
        mohammad moradi pooran yosefipoor Fatemeh Ghafuri Mehdi abad
        The poet Mohammad Biabanizadeh is from the southern climate. A climate that has sided with the sea and the land and is inextricably linked to the scorching heat. He was born in Bushehr and spent his childhood in the same city. The living environment and natural climate More
        The poet Mohammad Biabanizadeh is from the southern climate. A climate that has sided with the sea and the land and is inextricably linked to the scorching heat. He was born in Bushehr and spent his childhood in the same city. The living environment and natural climate seem to have an ineffective effect on Asnan. Which examine these effects in the works of poets and writers under the title of climatic or local color. Local color or climatic character is a term that expresses these effects in the poetry of poets. It is with nature that in contemporary Iranian poetry, it first appeared in Nima's poetry and then in the poems of poets after him, it was noticed and welcomed. This research seeks to answer the question of why and to what extent Mohammad Biabani was able to reflect the southern climate in his poetry through the method of analytical-descriptive library study. And the results indicate that besides Boom His poems are full of climatic colors in all of his poems and the most prominent linguistic feature of his poems after Vazgani Archaism is the prominence of the color of climate and southern nature and his fondness and interest in his ecology. Manuscript profile
      • Open Access Article

        2 - A Comparative Study of Image Creation with the War of Tools in the Heroic Section of Ferdowsi Shahnameh and Masnavi Descriptions of MirzaMohammad Taher Vahid Qazvini
        mohammad hosain Tashkari Bafghi Fatemeh Ghafouri Mehdiabad Pouran Yousefipour Kermani
        Among the literary works of the poets of the world, we come across poems which are called literary masterpieces of the world. Ferdowsi Shahnameh is one of them. One of these topics, in which the important parts of this great book have a significant presence due to its e More
        Among the literary works of the poets of the world, we come across poems which are called literary masterpieces of the world. Ferdowsi Shahnameh is one of them. One of these topics, in which the important parts of this great book have a significant presence due to its epic nature, is the mirrors, techniques and tools of warfare, about which no research has been done so far. Combat tools play an important role in the creation of artistic images, as they have been used throughout the Shahnameh, both in describing battle and battle scenes and in describing feast scenes. Masnavi "Tools of War", the work of Vahid Qazvini, is one of the poets of the 11th and 12th centuries AH, which has eight hundred verses and is written to describe the tools of war. This research seeks to compare the Shahnameh and Masnavi of Mirza Mohammad Taher Vahid Qazvini's war instruments in a descriptive-comparative manner. The results indicate that there is a significant difference between the creation of imagery and tool warfare in the heroic part of Ferdowsi Shahnameh and Masnavi descriptions of Mirza Taher Qazvini's war tools. Since no research has been done on this Masnavi so far, the author intends to introduce this poet and study this work and compare it with Ferdowsi's Shahnameh and identify their similarities and differences and the extent and how this poet is influenced in describing the war of tools from Shahnameh. Express Ferdowsi. Manuscript profile
      • Open Access Article

        3 - The rhetorical approach of Musnad in Masnavi describing the instruments of war composed by Mirza Mohammad Taher Qazvini
        mohammad hosain Tashkari Bafghi Fatemeh Ghafouri Mehdiabad Pouran Yousefipour Kermani
        Masnavi "Tools of War" composed by Mirza Mohammad Taher Qazvini is one of the most valuable and poetic works of the 11th and early 12th centuries AH. This work has 800 bits and is composed in the form of Masnavi. In Masnavi, Mirza Mohammad Taher has made the most of his More
        Masnavi "Tools of War" composed by Mirza Mohammad Taher Qazvini is one of the most valuable and poetic works of the 11th and early 12th centuries AH. This work has 800 bits and is composed in the form of Masnavi. In Masnavi, Mirza Mohammad Taher has made the most of his linguistic capacities in describing the tools of war, and has used special structures of speech to induce semantic refinement and rhetorical purposes. Secondary meanings of verses and sentences are one of the most important tools for influencing speech in the audience. In this research, the author intends to study the rhetorical approach of Musnad in this Masnavi in a descriptive-analytical way and library tools while briefly introducing the poet and introducing his valuable work, and to answer the question that the most and the least rhetorical approach (secondary purposes) What is the position in Masnavi "descriptions of war"? The purpose of this study is to express the rhetorical values in Masnavi describing the tools of war based on various topics of semantics, especially the rhetorical approach of Musnad. The results of the research indicate that the poet in his Masnavi has used all the tricks and linguistic capabilities in the structure of semantics well and has adorned his speech in this way and the optimal use of semantics has caused the permanence and effectiveness of the word and its charm. Manuscript profile