Aesthetic analysis of the influence of the Couplets) chahar-pare (on contemporary poetry (the case study of the poems of Mehdi Akhavan-Sales, Forough Farrokhzad and Nosrat Rahmani)

Subject Areas :

mahmoud moradi ¹ , Ali Sarvar yaghoobi ^{2 *} , فاطمه قهرمانی ³

1 - humanities, Faculty of Humanities, Islamic Azad University Arak branch, Arak, Iran
2 - humanities, Faculty of Humanities, Islamic Azad University Arak branch, Arak, Iran
3 - humanities, Faculty of Humanities, Islamic Azad University Arak branch, Arak, Iran

Received: 2024-09-25 Accepted : 2024-10-13 Published : 2025-01-13

Keywords: Couplets, aesthetic, contemporary poetry, image, Akhavan-Sales, Farrokhzad, Rahmani,

Abstract :

Couplets is one of the Poetry traditional forms in contemporary poetry that most of the poets of the new poetry movement have used before turning to new poetry. in the transition between classical poetry and contemporary poetry, At the literary level, this form became a main format for simplifying images and and changed its elements . The analysis of aesthetic developments of contemporary poetry shows that the Rhetoric that found stylistic characteristics in the new poetry were tested by Nima before that in this format. n this article, in a descriptive and analytical approach, have been analyzed the evolutions of Imagery contemporary poetry from the Couplets form to the Nimaa'i poem in the poems of: Mehdi Akhavan-Sales, Forough Farrokhzad and Nusrat Rahmani. poets wrote poetry in the form of Couplets Before new poetry. The results of the analysis of their Couplets show : simplicity of images, replacement of new elements instead of old elements in the imagery, subjectivity in the image, attention to the vertical axis and the extent of the image in the entire poem, symbolic imagery which is one of the stylistic features of The aesthetics of new poetry is developed in their Couplets and has found a stylistic feature in the form of new poetry.