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  • List of Articles


      • Open Access Article

        1 - The Influence of Intertextuality in the Novel 'Suvashun' on Audience Engagement During Reading
        Esmaeel BANIARDALAN Shahrokh Amirian Doost
        Genetic intertextuality is a well-known form of intertextuality. From a genetic point of view, intertextual relationships in texts can be distinguished into two types: real (strong) and single-layer (weak). True intertextuality is only achieved when the connection betwe More
        Genetic intertextuality is a well-known form of intertextuality. From a genetic point of view, intertextual relationships in texts can be distinguished into two types: real (strong) and single-layer (weak). True intertextuality is only achieved when the connection between two texts transcends mere lexical and formal similarities, indicating a strong intertextual bond. Through genetic intertextuality, a thorough exploration of textual relationships at various levels—both formal and thematic—proves essential in identifying the type, nature, and intensity of intertextuality. Furthermore, Roland Barthes employs a genetic intertextual interpretation to enhance the reader's experience and interaction with the text. He posits that texts can be viewed as either "readings" where the audience plays a passive role or "writings" where the audience actively engages. Barthes contends that leveraging these two forms of intertextuality is pivotal in decoding the text effectively. This qualitative study employs a comparative analytical approach to analyze data. The findings underscore the significant impact of a strong intertextual relationship in transforming the novel, "Suvashun," into a narrative that captivates the reader's passive engagement. Manuscript profile
      • Open Access Article

        2 - The Role of Sacred Objects in Healing: A Classification and Analysis with Focus on Key Mystical Prose Texts from the First Seven Centuries of Hijri
        Afrooz  KHodabandeloo s.mohsen hosseini s.ali ghasemzadeh
        Healing is considered one of the most significant virtues of Sufi masters, with some instances involving the use of sacred and blessed objects associated with them. This research delves into the role of such objects within some Persian mystical texts using a descriptive More
        Healing is considered one of the most significant virtues of Sufi masters, with some instances involving the use of sacred and blessed objects associated with them. This research delves into the role of such objects within some Persian mystical texts using a descriptive-analytical approach that takes into account mythological and religious contexts. Through the study, it is observed that healing objects fall into three main categories: first, writings, such as manuscripts, amulets, and charms; second, the garments and various coverings worn by Sufi masters, including cloaks, shirts, coats, hats, and sandals; and finally, consumables, like partially eaten food, saliva, and items like toothpicks. What binds these diverse objects together is their shared attribute of being sanctified, blessed, and imbued with healing properties, attributed to them through their connection with Sufi elders. Manuscript profile
      • Open Access Article

        3 - Exploring Similarities between the Iranian Mourning Ritual of Siavash and Greek Rituals of Dionysia and Adonia
        Elham Khodavandgari S.Hashem Hoseini
        Rituals have long served as reflections of a society's culture, beliefs, and attitudes. Within different societies globally, a significant aspect of mythology is dedicated to fertility rituals, often symbolizing the cyclical death and rebirth of nature portrayed through More
        Rituals have long served as reflections of a society's culture, beliefs, and attitudes. Within different societies globally, a significant aspect of mythology is dedicated to fertility rituals, often symbolizing the cyclical death and rebirth of nature portrayed through the demise and subsequent revival of a god or goddess. A notable example is the mourning ritual of Siavash, a prominent figure in Iranian myth, known as Siavashan. This ritual celebrates his symbolic reincarnation in the form of a plant and his son Kei-Khosrow, embodying the concept of the god/hero's death and rebirth as part of the natural and temporal cycle. In Greek mythology, the Dionysia and Adonia festivals honor Dionysus and commemorate Adonis respectively, both fertility deities whose rituals focus on their deaths and resurrections. One aim of this article is to draw parallels between the Siavashan ritual and the Dionysia and Adonia ceremonies. Through an analytical-comparative approach, all three rituals are examined to reveal their shared characteristics. Despite differences in culture and geography, the research highlights the interconnectedness of world myths. The key commonalities among these rituals include the annual mourning ceremony and celebration of resurrection, often accompanied by customs like carrying icons, performing sacrifices, music, and singing mournful songs, typically led by women. Manuscript profile
      • Open Access Article

        4 - Analyzing the Myth of Ārash through Max Müller's Solar Mythology Theory
        Fatemeh Shakibaei Mehyār Alavi Moghaddam Mahmoud Firouzimoghaddam
        The current study examines the myth of Ārash-e Kamāngīr (Ārash the Archer) through the lens of Max Müller's solar mythology, employing an analytical-comparative approach. Max Müller, a pioneering figure in comparative mythology, explored various ethnic traditions across More
        The current study examines the myth of Ārash-e Kamāngīr (Ārash the Archer) through the lens of Max Müller's solar mythology, employing an analytical-comparative approach. Max Müller, a pioneering figure in comparative mythology, explored various ethnic traditions across the realms of anthropology, philology, and theology, emphasizing the study of comparative mythology within the natural world. Müller regarded comparative mythology as central to the Indo-European peoples' thought processes. Building on his theory of the "disease of language," Müller posited that myths represent ancient forms of language that can be deciphered through comparative mythological analysis, such as in the case of Ārash. He viewed mythology as stemming from a linguistic ailment that distorts the original clarity of words. From Müller's standpoint, mythological deities and heroes serve as personifications of natural phenomena, with their names gradually acquiring reverence and mystique over time, evolving into gods/goddesses or legendary figures. The myth of Ārash aligns with this interpretation. According to Max Müller's solar mythology framework, themes of immortality, purification, swiftness, and frontier protection are prevalent in both Sun myths and the myth of Ārash. Manuscript profile
      • Open Access Article

        5 - Exploring the Types of 'Sahv' in the Mystical Worldview of Ruzbehan Baqli Shirazi
        fatemeh toobaie Mohammad Yusuf Nayyeri
        The term "Sahv" (spiritual sobriety) is referenced in the teachings of Bayazid Bastami and Junayd of Baghdad. Ruzbehan Baqli Shirazi, akin to many Sufi masters and elders, has explored this concept along his spiritual journey (suluk), delving into its nuances and pres More
        The term "Sahv" (spiritual sobriety) is referenced in the teachings of Bayazid Bastami and Junayd of Baghdad. Ruzbehan Baqli Shirazi, akin to many Sufi masters and elders, has explored this concept along his spiritual journey (suluk), delving into its nuances and presenting a fresh perspective on Sahv. This study elucidates the precise meaning of Sahv within the mystical framework of Ruzbahan, categorizing its types, exploring their origins, and delineating their implications within his his intellectual system. Notably, a unique form of Sahv is introduced, exclusive to Ruzbehan Baqli and hitherto unmentioned in Sufi discourse, termed "Ruzbehanian sahv". This form occurs in the spiritual realm of "ain jam" (essence of unity), where one retains sobriety amidst a state of intoxication, exhibiting awareness of this paradoxical state and exercising control over it. Ruzbehan attributes the emergence of this distinct sobriety to the experience of "pure unification" and the spiritual stage of "ain jama", highlighting its divergent outcomes such as unity with the eternal Beloved, expression of ecstatic utterances (shatahāt), and comprehension of Manṭiq-uṭ-Ṭayr - the enigmatic language exchanged between God and prophets/saints. Manuscript profile
      • Open Access Article

        6 - Analyzing Binary Oppositions in Hassan Alwan’s Novel Mouton Sageer Through the Eyes of Iranian Mystics
        رضا ناظمیان mansooreh doagoo
        Binary oppositions have long captivated mystics and are a focal point for structuralists, who often build the foundation of texts around them. By emphasizing these dichotomies, they aim to unveil a unified system and gain deeper insights into the text. In "Mouton Sageer More
        Binary oppositions have long captivated mystics and are a focal point for structuralists, who often build the foundation of texts around them. By emphasizing these dichotomies, they aim to unveil a unified system and gain deeper insights into the text. In "Mouton Sageer" (A Small Death), binary oppositions play a central role, and this study examines their significance in the story of Hassan Alwan through a descriptive-analytical approach. Drawing from Ibn Arabi's mystical themes, the research delves into the perspectives of Iranian mystics to elucidate the author's underlying framework. The title "A Small Death" symbolizes an earthly love that undergoes a transformation, elevating a mortal being to a celestial realm and fostering a connection to true love. Alvan's work strives to expound upon an intellectual system rooted in binary oppositions, illustrating a mystical concept of "unity in plurality" where love serves as the unifying principle. The ultimate goal is to bring harmony to the current world, transcending conflict, as Alvan posits love as the key element that binds individuals together. Manuscript profile