The Woman and her Social Position in the Field of Family and Society (Based on Zoya Pirzad's Works)
Subject Areas : Persian language and literature textsSolmaz Pourtaghimiuandoab 1 , Toraj Aghdaie 2
1 - PhD Student, Department of Persian Language and Literature, Zanjan Branch, Islamic Azad University, Zanjan, Iran.
2 - Associate Professor, Department of Persian Language and Literature, Zanjan Branch, Islamic Azad University, Zanjan, Iran.
Keywords: Zoya Pirzad, Female identity, Dynamics, female character, woman, Passivity, Female Writers, Women s Status,
Abstract :
Over the past fewdecades, women writers have been able to reflect on the social, cultural, and emotional issues of woman. Among the themes that can be seen in their works are partriarchy, everyday life, loneliness and trying to find identity, and so on.zoya pirzad, one of the contemporary women writers, has been able to portray woman and the world of women with a feminine thought and writing. In her works, the main and central character is a woman. A woman with all the worries and issues related to the female world. Some of the womenin pirzads works are passive and patiently bow to problems. But others are willingly trying to solve the problems of individual and social life and establish their position. In this research, the woman and her social status in the works of this author are discussed.
کتاب ها
باقری، نرگس (1387) زنان در داستان، تهران: انتشارات مروارید.
پیرزاد، زویا (1391) چراغ ها را من خاموش میکنم، تهران: نشر مرکز .
پیرزاد، زویا (1383) عادت میکنیم، تهران: نشر مرکز.
پیرزاد، زویا (1381) سه کتاب، تهران: نشر مرکز.
حسین زاده، آذین (1381) زن آرمانی زن فتانه، تهران: قطره.
میرعابدی، حسن (1380) صد سال داستاننویسی ایران، تهران: نشر چشمه.
مقالات
عباس بهنوی و قربانعلی ابراهیمی (1387) بررسی جامعه شناختی گونه های هویّت در بین جوانان شهر بابلسر، فصلنامۀ مطالعات ملی، شمارۀ 1، سال 9، صص151-127.
فاطمه حیدری و سهیلا بهرامیان (1389) زنان سلطه و تسلیم در آثار زویا پیرزاد، فصلنامۀ اندیشههای ادبی، شمارۀ 6 ، سال دوم، صص 125- 145.
رضا صادقی شهپر و راضیه حجّار (1392) نقد فمینیستی رمان سگ و زمستان بلند، ادب پژوهی، شمارۀ 26، صص73-94.
آیه گودرزی نژاد (1388) شخصیت پردازی در داستان چراغ ها را من خاموش میکنم، فصلنامۀ ادبیات فارسی، شمارۀ 14، سال5، صص155-172.
زهرا عظیمی و جمالالدین مرتضوی (1394) بررسی دغدغهها و مشکلات زنان درآثار زویا پیرزاد، مجلۀ مطالعات نقد ادبی، شمارۀ 39، سال 10، صص 113-136.
بهناز علی پور گسکری (1380) آزمونی در ادبیات زنانه، کتاب ماه ادبیات و فلسفه، شمارۀ 48، صص96-97.
ناصر نیکوبخت (1391) روند تکوین سبک زنانه در آثار زویا پیرزاد، فصلنامه علمی پژوهشی نقد ادبی، شمارۀ 18، سال 5، صص119-152.
_||_Books
Bagheri, Narges (2008) Women in Story, Tehran: Morvarid Publications.
Pirzad, Zoya (2012) I turn off the lights, Tehran: Markaz Publishing.
Pirzad, Zoya (2004) Getting used to it, Tehran: Markaz Publishing.
Pirzad, Zoya (2002) Three books, Tehran: Markaz Publishing.
Hosseinzadeh, Azin (2002) The Ideal Woman of Fataneh, Tehran: Qatreh.
Mir Abedi, Hassan (2001) One Hundred Years of Iranian Fiction, Tehran: Cheshmeh Publishing.
Articles
Abbas Behnavi and Ghorban Ali Ebrahimi (2008) Sociological study of the types of identity among the youth of Babolsar, National Studies Quarterly, No. 1, Year 9, pp. 151-127.
Fatemeh Heidari and Soheila Bahramian (2010) Women of domination and submission in the works of Zoya Pirzad, Quarterly Journal of Literary Thoughts, No. 6, second year, pp. 125-145.
Reza Sadeghi Shahpro and Razieh Hajjar (2013) Feminist Critique of the novel Dog and Long Winter, Literary Research, No. 26, pp. 73-94.
Goodarzi Nejad verse (2009) I turn off the characterization in the story of the lights, Persian Literature Quarterly, No. 14, Year 5, pp. 155-172.
Zahra Azimi and Jamaluddin Mortazavi (2015) A Study of the Concerns and Problems of Women in the Works of Zoya Pirzad, Journal of Literary Criticism Studies, No. 39, Year 10, pp. 113-136.
Behnaz Alipour Gaskari (2001) A Test in Women's Literature, Book of the Month of Literature and Philosophy, No. 48, pp. 96-97.
Naser Nikobakht (2012) The Development of Women's Style in the Works of Zoya Pirzad, Quarterly Journal of Criticism, No. 18, Year 5, pp. 119-152.