Some rhetorical delicacies in Nizami poems with a formalist approach

Subject Areas : criticism

ziba esmaeili ¹ , omid majd ²

1 - Department of Persian Language and Literature, Faculty of Humanities, Shahid Rajaee Teacher Training University,tehran, iran
2 - Department of Persian Language and Literature, Faculty of Literature and Humanities, University of Tehran, Tehran, Iran

Received: 2019-11-24 Accepted : 2019-11-27 Published : 2021-03-21

Keywords: Nezami Ganjavi, Syntactic normality, companion axis and succession, displacement,

Abstract :

The Nizami language in its poems is its prominent and unique language. Nizami has always tried to create new words with great care and avoid imitation of other poets. He is aware of the importance of poetic form and language, so he innovates and deconstructs his vocabulary, literary arrays, and grammar, which is why his poetry linguistic prominence. The field of grammar and syntax is one of the areas of Nizami interest.In this descriptive-analytical method, this paper deals with the ways in which the Nizami has mastered grammar and has long been the flagship of linguistic creativity in Persian poetry.The results showed that some of the Nizami techniques for building syntactic capacities of the language and its visualization are: generating multiple meanings in the word with multiple readings, using hidden vocabulary delicacies, using the word syntax to create visual aesthetics and induction. The concept is to create verbal harmony and enhance the music of the poem, to disrupt the components of the sentence and to move the words and pronouns to emphasize and to harmonize, to displace the negative word, and to create impetus. For these purposes, he benefit from how words are aligned horizontally. It uses multipurpose words, and with the secondary meanings of the words, it creates your nuanced meanings. All of this has created her own rhetorical delicacies.

References:

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