An analysis of the position of "declamation" in traditional and new Persian poetry texts

Subject Areas : Interpretive (with literary and artistic features)

Kazem Rahiminejad ¹

1 - Assistant Professor, Department of Persian Language and Literature, Shiraz University of Education, Shiraz, Iran.

Received: 2023-02-12 Accepted : 2023-04-18 Published : 2025-03-21

Keywords: declamation, Reading, classic and modern Persian poetry, formalistic poetry, Nimai poetry,

Abstract :

For the first time in the field of Persian poetry, Nimayoshij used the word "declamation" to describe one of the components of his poetry. The issue of what is the position of the declamation of a poem in our literary tradition and what is the evolution of new poetry in it is discussed in this article. The meaning of the declamation in this article is the way of presenting the speech of the poem and the effect of this method on how to use sounds and inertia in the weights of traditional and modern poetry in such a way that in combination with other textual factors (cultural, religious, social elements and ...) which affects the text from outside the text to create the structure of the poem. In this article, we will try to use descriptive-analytical (library) method, after examining and briefly explaining the place of diction in the tradition of Persian poetry, and its role in the formation of new poetry structure. At the continuation of the article, by mentioning examples from the poetry of Nimayoshij, Ahmad Shamloo and Yadollah Royaee, it will be shown that this issue is considered as a fundamental and structuring component not only in Nimayosh poetry but also in folklore and formalistic poetry; However, in our literary tradition, poetry has always been considered as a written subject and in the books of rhetorical sciences of Persian literature, The logic of speech presentation of poetry has never been discussed.

References:

کتاب¬ها
احمدی، بابک. (1382). ساختار و تاویل متن، تهران: نشر مرکز.
براهنی، رضا. (1388). خطاب به پروانه¬ها و چرا من دیگر شاعر نیمایی نیستم، تهران: نشر مرکز.
بهرام¬پور عمران، احمد رضا. (1389). در تمام طول شب: بررسی آراء نیمایوشیج، تهران: مروارید.
پورنامداریان، تقی.(1377). خانه¬ام ابری است: شعر نیما از سنت تا تجدد، تهران: سروش
ثروت، منصور. (1397). نیما و نظریه ادبی، تهران: علمی.
حمیدیان، سعید. (1381). داستان دگردیسی: روند دگرگونی‌های شعر نیمایوشیج، تهران: نیلوفر.
خطیب رهبر، خلیل.( 1383). دیوان حافظ شیرازی، تهران: صفی علیشاه.
رویایی، یدالله. ( 1382). دلتنگی‌ها، گرگان: آژینه.
رویایی، یدالله. (1386). من گذشته امضاء، تهران: كاروان.
رویایی، یدالله. (1387). مجموعه اشعار یدالله رویایی، تهران: نگاه.
شاملو، احمد. (1372). هوای تازه، تهران: نگاه و زمانه.
قزوینی، محمد و مدرس رضوی. (1338). المعجم فی معاییر اشعار العجم، تهران: دانشگاه تهران.
معین، محمد. (1380). چهار مقاله نظامی عروضی سمرقندی، تهران: امیر کبیر.
یوشیج، نیما. (1368). نامه‌ها، به کوشش سیروس طاهباز. تهران: زمانه.
یوشیج، نیما. (1369). درباره شعر و شاعری، به کوشش سیروس طاهباز. تهران: زمانه.
یوشیج، نیما. (1371). مجموعه کامل اشعار نیمایوشیج، به کوشش سیروس طاهباز. تهران: نگاه.
مقالات
رحیمی¬نژاد، کاظم. (1398). تحلیل نسبت شعر و نظریه در آثار یدالله رویایی. تفسیر و تحلیل متون زبان و ادبیات فارسی( دهخدا). 11(41)، 191-212
رضوانیان، قدسیه. (1393). بررسی تطبیقی نظریه گفت¬وگویی نیمایوشیج و میخائیل باختین. ادبیات پارسی معاصر. 4(1)، 71- 83.
منابع انگلیسی
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). Retrieved June 17 2022 from https://encyclopedia2.thefreedictionary.com/Declamation
.
References
Books
Ahmadi, Babak. (2003). Saakhtar va ta'vile matn, Tehran: Nashr-e-Markaz. [In Persian]
Bahrampour Imran, Ahmad Reza. (2010). Dar tamaame toole shab: barrasiye araye nimayooshij, Tehran: Morvarid. [In Persian]
Baraahani, Reza. (2009). Khetab be parvaaneha, Tehran: Nashr-e-Markaz. [In Persian]
Hamidian, Saeed. (2002). Daastaane Dagher Disi: Ravande Degargoonihaye She're Nimayoshij, Tehran: Nilofar. [In Persian]
Khatib rahbar, Khalil. (2004). Divan- e-Hafez Shirazi, Tehran: Safi Alisha. [In Persian]
Moin, Mohammad. (2001). Chahaar maghaaheh Nezami Aroozi Samarkandi, Tehran: Amir Kabir. [In Persian]
Pournamdarian, Taghi(2008). Khaneham abreest, Tehran: Soroosh. [In Persian]
Qazvini, Mohammad, & Modares Razavi. (1959). Almo,jam fi ma,ayeere asha,rrlajam, Tehran: Daaneshgaahe Tehran. [In Persian]
Royaee, Yadollah. (2003). Deltangiha, Gorgan: Azineh. [In Persian]
Royaee, Yadollah. (2007). Mane Gozashteh Emzaa, Tehran: Karvan. [In Persian]
Royaee, Yadollah. (2008). Divane Ash'aare Yadollah Royaee, Tehran: Negah. [In Persian]
Shamloo, Ahmad. (1993). Havaaye taazeh, Tehran: Negaah and Zamaaneh. [In Persian]
Thervat, Mansour. (2017). Nima Va Nazariyeye Adabi, Tehran: Elmi. [In Persian]
Yoshij, Nima. (1989). Naamehaa, By the efforts of Sirus Tahabaz, Tehran: Zamaneh. [In Persian]
Yoshij, Nima. (1990). Darbaareye she,r va sha,eri, By the efforts of Sirus Tahabaz, Tehran: Zamaneh. [In Persian]
Yoshij, Nima. (1992). Majmooeye Kamele Ash'are Nimayooshij, By the efforts of Sirus Tahabaz. Tehran: Negah. [In Persian]
Articles
Rahiminejad, Kazem. (2018). Analysis of the relationship between poetry and theory in the works of Yadullah Royai. interpretation and analysis of Persian language and literature texts (Dehkhoda), 11(41), 191-212. [In Persian]
Rezvanian, Qudsiyeh. (2013). Comparative study of the dialogue theory of Nimayoshij and Mikhail Bakhtin. Contemporary Persian literature, 4(1), 71-83. [In Persian]