Identification« in the poem of Seyyed Ashraf al-Din Gilani (Nasim Shomal) ) Based on The representation of social actors of Van Leeuwen(
Subject Areas : Social (with literary and artistic features)Tahere Mirhashemi 1 , zahra Rajabi 2
1 - , Assistant professor of Persian language and literature department, Faculty of Literature and Foreign Languages, Arak University
2 - Persian language and literature department, Faculty of Literature and Foreign Languages, Arak University. Arak. Iran.
Keywords: Constitutional Poetry, Seyyed Ashraf al-Din Gilani, Critical Discourse Analysis, Van Leeuwen', s Model of Social Actors, Classification, Identification.,
Abstract :
Seyyed Ashraf al-Din Gilani (1249-1312) is one of the influential poets of the constitutional era Which had an effective role in awakening the people of its time With the publication of the political-social newspaper Nasim E Shomal. »Identification« is one of the discourse-based components of his poems which is itself a sub-category of a more general component called "classification". In the present research Authors using the Van Leeuwen,s (1996) model of representation of social actors to study the »Identification« in the poem of Seyyed Ashraf al-Din Gilani and to answer these questions: 1. This Discoursive Structures has led to the representation of which social actors in Nasim Shomal's poetry; 2. What is the use of Identification in Seyyed Ashraf's poetry? According to the research data, different types of Identification (Classification, Relational identification and Physical identification) have led to the representation of several social actors in Nasim Shomal poetry, some of which are: Iranians, women and girls, the poor, children and youth, Muslims (Classification); Widows, poor children, orphans, bereaved mothers (Relational identification) and Golrkhan, Lalehrkhan, Mahroyan (Physical identification). Using this discourse-based component, he represented the unfavorable situation of many of his contemporary social actors and, while criticizing the current situation, called on these actors, who were often the general public and the main audience of Nasim Shomal's poetry, to strive for a favorable position.
