Unity, in the poems of poets of the Mashrote

Subject Areas : Persian language and literature texts

Rezvan  Karimi ¹ (PhD student, Department of Persian Language and Literature, Karaj Branch, Islamic Azad University, Karaj, Iran.)
ahmad  zakeri ² (Associate Professor, Department of Persian Language and Literature, Karaj Branch, Islamic Azad University, Karaj, Iran.)

Received: 2019-09-21 Accepted : 2020-02-22 Published : 2022-09-23

Keywords: song, political literature, Lyrics, mashrote, Politics,

Abstract :

As we know, the oral literature of each nation is the best expressive of the beliefs and minds of a nation and its ruling policies, and the history of any nation can be sought through reflection on the culture of that nation, including their songs. The songs and ballads that sometimes have been united by a state or a policy, or in accordance with certain political conditions, are born, such as the poems and songs of the mashrote period, which are in this period of thematic and thematic unity, and themes such as invitations to The struggle, the depiction of the curiosity of the kings, the expression of the crimes of the domestic and foreign tyrants and their treason to the Iranian nation, the praise of freedom and its martyrs, and the induction of hope for the future, the invitation to fight by helping with elements such as raising the level of people's awareness and commemorating the martyrs Way of freedom Hence, various manifestations of ritualistic, national and humanistic literacy were formed. In order to flourish these components, the mashrote age has contributed a lot, because it initiated new developments in the political and social arena, and consequently, changes in the field of culture and literature of the country such as democracy. In this essay, we try to investigate the poems of the mashrote era, the coordination of the poets as well as the thematic unity of the poems. This research has been done by descriptive-analytical (library) method.

References:

کتاب‌ها

آرین‏ پور، یحیى (1387) از صبا تا نیما، جلد 2، تهران: نشر زوار.

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Homayi, Jalaluddin. (1960). Ghazal and its idiom changes in old and new times. Yaghma, 13(142), 77-86.