Separation from Nature: An Eco-critical Viewpoint of The Heart Goes Last
Subject Areas : All areas of language and translationFatemeh Golpaygani 1 , رویا Yaghoubi 2 , محمد مطیعی 3
1 - Department of Literature, South Tehran Branch, Islamic Azad University, Tehran, Iran
2 - Department of Literature, South Tehran Branch, Islamic Azad University, Tehran, Iran
3 - Department of English, Central Tehran Branch, Islamic Azad University, Tehran, Iran
Keywords: dream, freedom, animals, Ecosphere, Natural World,
Abstract :
The current paper analyzes Atwood’s The Heart Goes Last (2015) from an eco-critical viewpoint. The main concern of eco-criticism is to make a close relationship between the language of nature and literary language. Likewise, Gregory Garrard explained new ways between humans and the environment in the area of cultural spheres in 2016, though there were three waves toward this approach in the 2000s. It is significant to get more information about the natural world not only for the current environmental crisis but also for possible disasters in the future. As such, people would dream of nature in many parts of their life that will be discussed in the novel. These dreams show inner desire of people for their environment as an inevitable part of life. Apart from that, separation from nature will lead to plausible disasters in human life. Meanwhile, Atwood has described nature as a concern for global ecological concerns. The role of the ecosphere aside from the usefulness of animals would be analyzed in this paper as well. Hence, considering the most influential factors of ecology will help readers better recognize the world and will likely attempt to put the theoretical approach into practice.
Atwood, M. (2015). The heart goes last (Vol. 4). Bloomsbury Publishing.
Barry, P. (2009). Beginning theory: An in-troduction to literary and cultural the-ory. In Beginning theory (fourth edi-tion). Manchester university press.
Botkin, D. B. (2004). Our natural history: the lessons of Lewis and Clark. Ox-ford University Press, USA.
Bressler, C. E. (2011). Literary Criticism: An Introduction to Theory and Prac-tice 4th-ed. UK: Pearson Education Inc.
Clark, T. (2011). The Cambridge introduc-tion to literature and the environment. Cambridge University Press.
Feldman-Kołodziejuk, E. (2018). On free-dom in the times of Economic Crisis–A Close Reading Of Margaret At-wood's The Heart Goes Last. Idea. Studia nad strukturą i rozwojem pojęć filozoficznych, 2(XXX), 137-154.
Garrard, G. (2012). 1 Ecocriticism. Year's Work in Critical and Cultural Theory, 18(1), 1-35.
(2010). “Ecocriticism.” The Year's Work in Critical and Cultural Theory. April 2010: 1-37. Format.
(2011). “Ecocriticism.” The Year's Work in Critical and Cultural Theory. April 2011: 46-82. Format.
(2016). Teaching Ecocriticism and Green Cultural Studies. Macmillan, 2016. Print.
Glotfelty, C. (1996). Introduction: Literary Studies in an Age of Environmental Crisis' in Glotfelty, Cheryll and Har-old Fromm (eds) The Ecocriticism Reader: Landmarks in Literary Ecolo-gy. Athens, Georgia: The University of Georgia Press: xv-xxxii.
Miceli, B. (2019). Margaret Atwood’s The Heart goes Last: Panopticism, Disci-pline Society and Ustopia. Metacritic Journal for Comparative Studies and Theory, 5(2), 79-90.
Naess, A., & Sessions, G. (1995). Deep ecology for the twenty-first century. Boston: Shambhala.
Weiss, M. (2019). Truthiness, Collectivity, and Overlapping Subjectivities: Mar-garet Atwood’s Take on Current Met-amodern Trends in The Heart Goes Last. SKASE Journal of Literary and Cultural Studies, 1(2).