این تحقیق تلاشی است تا بر اساس دیدگاه میشل فوکو، موضوعات مربوط به مکانیسم قدرت و مفاهیم جامعه شناختی آن در ازدواج بوستون دیوید مامت را روشن کند. قدرت در همه جا در گردش است، یا بهتر است بگوییم چیزی است که به شکل زنجیره ای عمل می کند تا سرکوبگر نباشد. بلکه مولد است و به عنوان نیروی زیستی توصیف می شود. علاوه بر این، هویت فرد از طریق روابط اجتماعی ساخته می شود که کنترل کمتری بر آنها دارد. در این راستا، محور بحث مفاهیم قدرت و هویت، ذهنیت و آزادی رابطه است. بنابراین، شخصیت‌های مامت در یک نظام اجتماعی و فرهنگی خاص زندگی می‌کنند که هویت آنها را با آن شکل می‌دهد. این تحقیق نشان می دهد که چگونه دیدگاه فوکو در مورد تمایلات جنسی به عنوان ابزاری برای قدرت زیستی در کار مامت برای کنترل و تنظیم افراد نشان داده شده است. نتیجه نشان می‌دهد که افراد تلاش می‌کنند با تکنیک‌ها و شیوه‌های خود، مقاومت زیادی در برابر مقامات از خود نشان دهند. با این حال، آزادی رابطه آنها به ویژه توسط محدودیت های فرهنگی که در رژیم گفتمانی حقیقت قرار دارند تعیین می شود. شخصیت های مامت محصول رژیم هستند نه یک موجودیت از پیش تعیین شده. بنابراین، کنترل انضباطی بر بدن و روح آنها، هم افراد را مطیع خود می کند و هم ذهنیت های آنها را می سازد. پرونده مقاله

The main purpose of this essay is to investigate the role of becoming through political and social factors among the main character’s changing identity in Achebe’s No Longer at Ease. The researcher intends to depict the effects of political factors on the re-territorialization and territorialization of the main character through the framework of Deleuze’s theory. The current essay focuses on No Longer at Ease by Chinua Achebe to discover how becoming and transformation of identity take place throughout the novel and how the main character of the novel is going through constant change and becoming, which are the result of different forces. Moreover, the researcher intends to investigate the character’s desires that result in the becoming process of identity deriving from social and capitalist factors in society. Since Deleuze and Guattari’s distinctive definition of literature investigates how minor literature is produced in the dominant narratives of major literature, it can critically assist the present research to discuss that Achebe prepares the ground for indigenous, anticolonial voices in his novel No Longer at Ease. It can be concluded that the main character of Achebe’s No Longer at Ease is in flux due to different forces, and his identity goes through constant becoming. پرونده مقاله

The present study aims to study "Alienation" in “The Comfort of Strangers” a novel by Ian Mc-Ewan. It attempts to work out the negative and destructive aftermath of alienation in the protagonists of the novel. The research on the mentioned term is fulfilled as per the theories of Melvin Seaman. Ian Russell Mc-Ewan is one of the many examples, who depicted the mentioned element masterfully in his works, specifically in this novel. He goes beyond man’s expectations to show his readers the smashing consequences of human estrangement from the self and society in intelligence and function. Alienation is a venerable concept, with its roots going back to Roman law, where it was a legal term used to denote the act of transferring property. After World War II, when societal complexity started its increasingly accelerated rate of change, and the first signals of post-modernity were perceived by the intellectual elite, alienation slowly became part of the intellectual scene. Melvin Seaman (1918), a theorist which made a momentous modern and post-modern points of the view regarding "Alienation" after Marx and Hegel, was one of the first in the 1960s to develop an alienation scale to measure degrees and varieties of alienation پرونده مقاله

Alienation is a significant phenomenon that forms the subject of many psychological, sociological, literary, philosophical, and even physiological studies. Alienation is among the most critical justifications bringing about the internal and external pains and sufferings in life. Emerging as a result of war, persecution, famine, and ruin, alienation terminates unfortunately in suffering, isolation, and sometimes critical disasters. In literature, the alienated protagonist is usually a frequent figure in much of the ancient and contemporary fiction. The main issue of alienation refers to a destructive consequence of getting, or feeling of getting separated from people that one is living with them. It refers to become useless, or to feel becoming useless in the field of social relations and interactions. It is the outcome of becoming alienated, so that one thinks that no longer anyone needs him / her, and / or his / her services. Aiming to review the theme of alienation, and focusing on Melvin Seaman’s concepts of alienation in general, the present paper, in particular, will review the manifestation of the term alienation in “The Child in Time,” and “The Comfort of Strangers,” that are both the well-known novels written by Ian Russell McEwan, one of the greatest British novelists and screenwriters of the twentieth century. By describing the disastrous aftermath of the alienation, this article tries to alarm the man regarding the catastrophic and destructive consequences of the alienation in the life of the existing societies. پرونده مقاله