Dialectic of Gender and Desire in Shaping the Female Identity in Pope Joan and Oranges Are Not the Only Fruit
محورهای موضوعی : نشریه زبان و ترجمه
Aylin Haezi
1
(
South Tehran Branch, Islamic Azad University, Tehran, Iran
)
Roya Yaghoubi
2
(
South Tehran Branch, Islamic Azad University, Tehran, Iran
)
Vida Rahiminezhad
3
(
Research Institute for Education, Organization of Educational Research and Planning, Tehran, Iran
)
کلید واژه: Identity, Gender Roles, Feminine subjectivity, masculine domination,
چکیده مقاله :
The present study examines the picture of women in Winterson’s Oranges Are Not the Only Fruit and Woolfolk Cross’s Poe Joan and shows how the writers redefine what makes femininity and the notion of female subjectivity in their novels. To do so, Judith Butler’s theory of performativity is used to provide a clear portrait of the female characters in these works. In addition to an in-depth analysis of the relationship between the opposite sexes, the study explores how women from different perspectives are related to each other. The two authors cry against any notion of masculine and feminine relations that justify and fixate on female subjugation and play down female characteristics and focus mainly on what contributes to shaping the female identity. Through the lens of Butlerian performativity, it is revealed that Winterson and Woolfolk unanimously depict a different feminine identity that crosses the boundary of typical female figures and renders a new persona for them that fits with no usual portrait of women in male-centered societies.
تحقیق حاضر به بررسی شیوه تصویرسازی زنان در رمان های پرتقال تنها میوه نیست ژانت وینترسون و پاپ ژوان دانا وولفوک کراس می پردازد و نشان می دهد این نویسندگان چگونه به بازتعریف هویت زنانه و مفهوم فردیت در زنان می پردازند. برای این منظور، از نظریه ایفاگری جودیت باتلر استفاده شده است تا تصویر دقیقی از شخصیت های زن این رمان ها مورد تحلیل قرار گیرد. علاوه بر تحلیل دقیق روابط بین جنسیت های مخالف، تخقیق حاضر به بررسی ارتباط بین زنان با دیدگاه های متفاوت از هم می پردازد. این تحقیق نشان می دهد که این دو نویسنده علیه مفهوم مردانگی و روابط زنانه ای که باعث توجیه و تثبیت نقش فرعی زنان و ویژگیهای زنانه می شوند و هویت زنانه مغلوب را شکل می دهند قلم می زنند. با استفاده از نظریه ایفاگری جودیت بانلر، این تحقیق نشان می دهد که این دو نویسنده هویت زنانه متفاوتی از عرف حاکم بر جامعه به تصویر می کشند و مرزهای حاکم بر شخصیت زنانه را کنار می زنند تا هویت تازه ای برای زنان ایجاد کنند که به هیچ وجه سازگار با تصویر زنان در جوامع حاضر نیست.
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