Being and Time in George R. R. Martin's A Song of Ice and fire Series: Based on Heidegger's Philosophy
محورهای موضوعی : نشریه زبان و ترجمهEhsan Khoshdel 1 , Fatemeh َAzizmohammadi 2 , Mojgan Yarahmadi 3
1 - Arak Branch, Islamic Azad University, Arak, Iran
2 - Arak Branch, Islamic Azad University, Arak, Iran
3 - Arak Branch, Islamic Azad University, Arak, Iran
کلید واژه: phenomenology, Heidegger, A Song of Ice and Fire, Being and Time Dasein, George R. R. Martin,
چکیده مقاله :
The significance of “being” has been an essential topic for theory. One of the main logicians of the 20th century Martin Heidegger (1889-1976), looks at this inquiry fundamentally in his Being and Time (1927). Heidegger applies what he calls phenomenological metaphysics as the methodological way to deal with the subject of being by which he examines Dasein as the site for the comprehension of being. As per Heidegger in Being and Time Dasein, individuals should make accessible the appropriate ground for the subject of being. This research study examined the medium of Dasein in George R. R. Throughout the story, and the characters confirmed their existence in the society, which is associated with power relations and death. Death is manifested metaphorically in each stage of life to depict their Dasein through their actions. Consequently, the researchers investigated Martin’s A Song of Ice and Fire and sows how death attempts to take over while the characters try for survival.
اهمیت "هستی و بودن" موضوع مهمی برای نظریه بوده است. یکی از منطق پردازان اصلی قرن بیستم مارتین هایدگر (1889-1976) به طور اساسی به این تحقیق در هستی و زمان خود (1927) نگاه می کند. هایدگر آنچه را متافیزیک پدیدارشناختی می نامد ، به عنوان وسیله ای روش شناختی برای برخورد با موضوع هستی بکار میبرد که توسط آن دازاین را به عنوان مکانی برای درک هستی، مورد بررسی قرار می دهد. طبق نظر هایدگر در هستی و زمان دازاین ، فرد ، باید زمینه مناسب را برای موضوع هستی در دسترس قرار دهد. این تحقیق به بررسی محیط دازاین در جورج آر آر می پردازد.در طول داستان ، شخصیت ها سعی می کنند وجود خود را در جامعه که با روابط قدرت و مرگ همراه است ، تأیید کنند. مرگ برای افراد در هر مرحله از زندگی به صورت استعاری آشکار می شود و افراد باید دازاین خود را از طریق اعمال خود به تصویر بکشند. در نتیجه ، محقق در مورد آواز یخ و آتش مارتین تحقیق می کند و نشان می دهد که چگونه مرگ تلاش می کند تا بر شخصیت غلبه کند در حالی که شخصیت ها برای بقا تلاش می کنند.
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