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  • List of Articles


      • Open Access Article

        1 - Introduction of Ahsan al-Manzumah manuscript
        keramat namjoo محمدهادی احمدیانی
        Despite the passage of a century since the beginning of the revival and correction of manuscripts, only a small part of the exquisite and valuable treasure of lyrical stories has been printed and made available to literary friends, and perhaps great poets and writers wh More
        Despite the passage of a century since the beginning of the revival and correction of manuscripts, only a small part of the exquisite and valuable treasure of lyrical stories has been printed and made available to literary friends, and perhaps great poets and writers who still remain in the veil of obscurity and obscurity. Ahsan al-Manzomah's Masnavi is an unknown work by an unknown poet with the surname "Piri", which is considered among the romantic and lyrical Masnavis of the 13th century. This poem is a detailed story about Yusuf and Zuleikha, as well as Jacob's love and affection for his son Yusuf the Prophet, which is written in imitation of Yusuf and Zuleikha Jami. The story revolves around the three axes of richness, mysticism and education, and the singer uses richness to make the story attractive, and wherever he finds a suitable place, he gives advice, teaching and expressing mystical teachings, and discredits and It reminds the audience of the boredom and difficulty of the world. The authors' effort is to briefly review its stylistic and content features while introducing this work. Manuscript profile
      • Open Access Article

        2 - Comparative stylistics of Saadi and Hammam Tabrizi's lyric poetry (based on the war manuscript of Lala Ismail Library of Turkey)
        mohammad reza hesaraki mahin khatibnia
        Saadi is a 7th century poet and the only master of romantic, mystical and instructive lyric poetry, Hammam Tabrizi is a contemporary of Saadi and has a poetry collection of about 4000 verses. In the Jang manuscript number 478 of Lala Ismail Library of Turkey, 47 ghazals More
        Saadi is a 7th century poet and the only master of romantic, mystical and instructive lyric poetry, Hammam Tabrizi is a contemporary of Saadi and has a poetry collection of about 4000 verses. In the Jang manuscript number 478 of Lala Ismail Library of Turkey, 47 ghazals of Saadi are compared with 47 ghazals of Hammam Tabrizi under the title "Controversies between the ghazals of al-Sheikh Saadi and Maulana Humamuddin Tab Tarahama". While correcting the mentioned manuscript, researchers have studied the style and influence of these two poets.Hammam's influences from Saadi are either based on the basis and foundation, without any similarity in appearance and theme, or the influence of weight and rhyme, which are of two types: Ghazals by Hammam, which are influenced by Saadi in terms of weight, rhyme and theme, and second. Ghazals that are united only in weight and rhyme is the method of library and analytical research, and since these two poets are contemporary with each other and so far the poems of these two have not been studied in a comparative stylistic way, it seems necessary to carry out this research. arrive Manuscript profile
      • Open Access Article

        3 - Intertextuality in the critical proofreading of the manuscripts of mystical interpretations of Surah Yusuf case study: Bahr al-Mahabbah fi Asrar al-Mawaddah
        mahboobe shamshirgarha
        The concept of intertextuality has a great function in understanding and criticizing mystical texts as well as Proofreading manuscripts. In particular, If the many connections between the mystical interpretations of Surah Yusuf in the interpretations of the middle centu More
        The concept of intertextuality has a great function in understanding and criticizing mystical texts as well as Proofreading manuscripts. In particular, If the many connections between the mystical interpretations of Surah Yusuf in the interpretations of the middle centuries are understood, it will have a great impact on correct reading and solving some problems of Proofreading these texts. The existence of a network of earlier and later intertextual relationships in these works, Including the qesse- ye- Joseph, Anis al-Muridin and Rawzah al-Mohebeen, Anis al-Muridin and Shams al-Majalis, Hadaiq al-Haqaiq, as well as Bahr al-Mahabbah fi Asrar al-Mawddah is very strong. So that the effort to understand the meaning in each one with the assumption of independence does not lead to the right result. This article, using the method of content analysis, with the aim of emphasizing the perspective of intertextuality in Proofreading the mystical interpretations of Surah Yusuf, seeks to show how the Manuscript proofreader will be able to understand the text by considering this point of view; so that he can achieve the main goal of proofreading, which is to achieve a text as close as possible to the author's work. In Proofreading Bahr al-Mahabbah as a case study, a comparative study of specific interpretations of Surah Yusuf and understanding the relationship between them led to solving some difficulties. Some if the examples are: Choosing the names of some characters in the story, such as the names of Yusuf's sister and Zulikha and her rival, Manuscript profile
      • Open Access Article

        4 - Introduction and analysis of the unknown system of Mavadat nameh
        mahdieh vali
        Masnavi Mudat-nameh is one of the narrative stories written by a poet named Mir Muhammad Ismail bin Yusuf Abjadi, one of the 11th century Persian poets of India, in response to Khosrow and Shirin Nizami. This masnavi has never achieved the military Khumsah; However, the More
        Masnavi Mudat-nameh is one of the narrative stories written by a poet named Mir Muhammad Ismail bin Yusuf Abjadi, one of the 11th century Persian poets of India, in response to Khosrow and Shirin Nizami. This masnavi has never achieved the military Khumsah; However, the simplicity of the language, the fluency of the words, the attention to the meaning and theme, the use of literary arrays in moderation and the proper structure and texture of the words, have made the Masnavi of Maudt-nameh easy and understandable for the audience. Examining the unique manuscript of the work showed that the composer, in addition to paying attention to the appearance of the words, was not oblivious to the meaning and theme, and considered both verbal and meaningful aspects; Therefore, his poem is not one-dimensional and has linguistic, literary, semantic, etc. value. Since this system has remained unknown until now, the author decided to investigate and analyze the content and style of the work while introducing this work in this article. Manuscript profile
      • Open Access Article

        5 - .
        kazem ostadi
      • Open Access Article

        6 - Introduction and analysis of the newly written manuscript of GHassab Kashani's court
        Elham Gholamkelisani Mehrdad ChatraeiAzizabadi morteza rashidi
        Manuscripts are written heritage and represent the scientific, cultural and social identity of nations. Since ancient times and as evidenced by history, Persian-language writers and poets have created many works, whose preservation and revival is the scientific and cult More
        Manuscripts are written heritage and represent the scientific, cultural and social identity of nations. Since ancient times and as evidenced by history, Persian-language writers and poets have created many works, whose preservation and revival is the scientific and cultural mission of researchers. Although researchers in the field of Persian language and literature have long paid special attention to the correction of ancient Persian literary texts, some of these texts have not been revived and corrected after centuries. Nevertheless, the copy of Diwan Kasab Kashani has been corrected five times by Parto Beizai, Abbasi, Javaheri, Karmi and Atefi, and the authors are trying to identify the copy and the author with the descriptive-analytical method and with the help of library sources. and examine the stylistic elements and components, express its linguistic features, its literary, religious, mystical and historical value. Also, address the corrections that have been made from this manuscript, and in each correction, briefly mention the motivations of the correctors for reviving Diwan Kasab, the methods of correction, and the additions and appendices in the corrections. review The results of the research show that the manuscript of Noor Osmaniyeh Library has not been used in the previous corrections Manuscript profile