List of Articles carnival

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  1 - Analogy between Iran and France during celebrations of culture and oral literature of the two countries
  Parisa Mohemkar Kheirandish Mohammadreza Mohseni Mohammadreza Mohseni
  Celebrations mark trying to establish links between individuals and common sense. These links are provided as a shared dialogue between people with different views, beliefs and opinions to interact and reach consensus. National’s celebrations and carnivals have th More

  Celebrations mark trying to establish links between individuals and common sense. These links are provided as a shared dialogue between people with different views, beliefs and opinions to interact and reach consensus. National’s celebrations and carnivals have the mythological themes and cultural teachings and thought it for understanding the historical roots and cultures of different nations. Celebrate the iconic figure are often symptoms that are different from European and Asian countries. The origin of the feast of fundamental differences and similarities in the two cultures of East and West that sometimes issues are the myths and beliefs of Creation of national bonds they issue. In this paper, we seek to folklore and oral literature of Iran and France during the national celebration and we analyzed by comparison Mir noroozy  with, Halloween with Khane Noroozir and valentin with Sepandar Maz. Manuscript profile
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  2 - “A New Dream” by Afaf Tabbala, a children’s story that adults not seen in it
  sobhan kavosi omid izanloo zahra ahmadi
  10.30495/cls.2023.1948808.1355
  Children's literature is educational tool to answer children's questions that develope his personality. The article -with the analytical method- study authoritarianism and carnavalism in “A New Dream”. Adults write for children, and authority determines what More

  Children's literature is educational tool to answer children's questions that develope his personality. The article -with the analytical method- study authoritarianism and carnavalism in “A New Dream”. Adults write for children, and authority determines what should be in children's literature. Therefore, there is imbalance between adults and children, which reinforces the authoritarianism of adults over children's literature. Main characters in “A New Dream” are animals bearing human characteristics and through it we can stimulate the child’s imagination. Adults are the creators of children's literature, and when the character childs act like an adult without supervision, the carnival enters the story. The relationship between Carnival and children's literature is related to the authoritarian relationship between children and adults. the adults not seen in this story, and the little reader does not wait to hear them advice, teachings,. three characters seem at first little adults, and sometimes the characteristics of the characters are depicted and difficult for the reader to imagine them as children that can cause a kind of mistrust in the child and may lead to a kind of strangeness to them. We see some contradictions in characters' intelligence and inability. The most important point seek to resolve problems. Filling the blanks is a process that the writer uses in the story and leaves gaps in which the reader has the task of filling them in order to complete the structure of the text. But Tabbala fills in the blanks and not allow the child's to imagination. Manuscript profile
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  3 - The Study of Bakhtin's Carnival Motifs in the Poetry of Hafez
  Azar Daneshgar
  Carnivals are public folk feasts in which social classes are inverted. Clowns become kings; fools become sages; and saints are ridiculed. Thus, relativity of all claims is demonstrated through humor. It was Mikhail Bakhtin, the great twentieth century critic, who introd More

  Carnivals are public folk feasts in which social classes are inverted. Clowns become kings; fools become sages; and saints are ridiculed. Thus, relativity of all claims is demonstrated through humor. It was Mikhail Bakhtin, the great twentieth century critic, who introduced the theory of Carnivalesque, which is a subcategory of folklore and satire, into literature. With the assumption that a new reading of Hafiz based on Carnivalesque in literature is possible, in this research, the researcher seeks to identify the elements of carnival including: philosophical content, secularism, the presence of a character pretending to be mad, reaching a utopian domain and  also grotesque in the poetry of Hafez. Then, using an analytic approach and after explaining Bakhtin’s theory of Carnivalesque and its four categories, the instances of the motifs in the poetry of Hafez are explored and discussed. Manuscript profile
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  4 - Bayazid's Didactic satire in European Carnival Atmosphere*
  Sayed Mohammad Ostovar Namaghi Esmaeil Abdi Makvand
  A quick review of mystic texts in Persian literature reveals that Bayazid's mystic narratives, jus like carnival movement, is full of images indicating deconstruction and mystic satire. One of the characteristic features of carnival is violating dominant norms set by po More

  A quick review of mystic texts in Persian literature reveals that Bayazid's mystic narratives, jus like carnival movement, is full of images indicating deconstruction and mystic satire. One of the characteristic features of carnival is violating dominant norms set by power. It goes without saying that this mode of deconstruction includes ridiculing cultural, social and religious, and linguistic norms. The author aims at using carnival movement and Bachtin's theory as a theoretical framework to analyze Bayazid's mystic satires and reinterpret them in terms of 'I' and 'the other'. This approach minimizes the borderlines between 'I' and 'the other'. Using the unexpected, sense of humor, and contradiction, Bayazid makes fun of the dominant single voice. This attitude results in the deconstruction of ideologies and social classes and the creation of mystic satire.     Manuscript profile
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  5 - Examining the Stories of Female Immigrant Writers Based on Mikhail Bakhtin's Carnivalesque Theory
  Fatemeh Jafaryan Shervin Khamseh Soheyla Ghasimi tarshizi
  The purpose of this research was to examine the stories of female immigrant writers based on Mikhail Bakhtin's Carnivalesque theory. The research universe included all the stories of female immigrant writers. The sample of the research subsumed the stories of migration More

  The purpose of this research was to examine the stories of female immigrant writers based on Mikhail Bakhtin's Carnivalesque theory. The research universe included all the stories of female immigrant writers. The sample of the research subsumed the stories of migration from Goli Targhi (12 stories) and Firouze Jazayeri Duma (Laughter Without an Accent), which was analyzed based on Mikhail Bakhtin's theory of Carnivalesque from Dostoyevsky's book Boutique. The research design was descriptive-analytical. Data gathering was processed based on the collecting of library information, documents, and note taking on index cards, on the basis of characteristics such as carnival actions, chronotope (examination of time-space), architectonics (organization of subject relationships) and heteroglossia (meaning in the situation) and investigation of situations carnivalization of migration in several stories of the mentioned authors. The data were analyzed according to Bakhtin's theory Carnivalesque. The results showed that, in order to achieve harmony in the conditions of time and place and new situation in a carnivalized environment, the immigrants change their behavior and character to harmonize themselves with the new land. Also, in carnival's view, a foreigner was considered another at any time and place, and she/he could not fully accept the identity of the people of the new land. It was also challenging to cope with the culture, language and situation of people from other lands in the works of Goli Targhi and Firuzeh Jazayeri. Both authors had experienced two types of life in the two situations of homeland and immigrated land. The stories of these two writers were a direct and realistic reflection of their lived world. Manuscript profile
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  6 - the carnivalization of iranian society in the era of constitutionalism (a case study of the works of dehkhoda, mirzadeh eshghi and nasim shomal)
  Fahimeh Shahriari seyed mahmood seyed sadeghi ali ashoori
  10.30495/farsij.2023.1916879.1418
  The term carnival was used by the great Russian critic and philosopher Mikhail Bakhtin in the 20th century to criticize and analyze literary works. This word was presented to him as a culture; A culture that was brash and open, free and unrestrained, played jokes and ga More

  The term carnival was used by the great Russian critic and philosopher Mikhail Bakhtin in the 20th century to criticize and analyze literary works. This word was presented to him as a culture; A culture that was brash and open, free and unrestrained, played jokes and games against the domination of everything powerful and holy and imposed beliefs. According to Bakhtin's theory, the components of carnival in the works of Dehkhoda, Mirzadeh Eshghi, and Nasim Shamal are grotesque realism, laughter of death, non-religiousness, relativity and the juxtaposition of opposite concepts and the promotion of polyphonic space. According to the nature of the topic and research objectives, this research is in the field of descriptive, library-documentary research, which has an applied nature, and in its example, two works by Dehkhoda, one by Mirzadeh Eshghi, and one by Nasim Shamal are examined. The sampling method is selective and the data collection method is documentary. By using a descriptive-analytical method, after introducing the carnival and its components in Persian literature, the analysis of the carnival process in the considered works is done by citing examples. Manuscript profile
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  7 - Carnival collective action and urban spaces
  طلیعه خادمیان فاطمه قابل رحمت
  Nowadays, collective action and new social movements are modern phenomena which have derived from urbanization, the development of economic relations, new values, expectations and new social activities. Confrontation between the government and new social movements is us More

  Nowadays, collective action and new social movements are modern phenomena which have derived from urbanization, the development of economic relations, new values, expectations and new social activities. Confrontation between the government and new social movements is usually manifested in urban areas, and because of government control, can become a protest movement or revolution. These movements are not after major changes in governments and often have limited demands and aim for changes in small institutions of power, lifestyle, environment, social issues. urban spaces have important roles in socio-political life, and play a role as the center of communication and transformation in cities. By providing a different time –space perspective, places like squares and parks, can offer, in a different form, the right atmosphere for the carnival collective actions and demands of the middle classes. Drawing on the ideas of Bakhtin, this article, with a view to Istanbul in 2013 and using the documentary method and direct observation, attempts to study the impact of urban spaces to prepare the perfect platform for the formation of collective action and new social movements, Places like Taksim Square in Istanbul, creates a space to talk, discuss and comment in a free form and open place. By creating a platform for continuous discourses, it is possible to create targeted collective actions and reformative movements and help the development of civil society and political development.. Manuscript profile
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  8 - Analysis of family humor in the two stories "Chert ve Prat" and "Dari Vari" by Ebrahim Raha from the point of view of Bakhtin's carnivalism
  Fatemeh Jafarian Shervin Khamseh Soheila Ghasimi Tarshizy
  AbstractFamily or relative humor is a category that wants to enter the layers of culture, language and social relationships of family relationships and show the continuity of these relationships in its joking-serious form. Russian critic and theoretician Mikhail Bakhtin More

  AbstractFamily or relative humor is a category that wants to enter the layers of culture, language and social relationships of family relationships and show the continuity of these relationships in its joking-serious form. Russian critic and theoretician Mikhail Bakhtin (1895-1975) inspired by the free carnival celebrations that take place in the world in different ways, proposed his theory of humor of carnivalism. He believes that the artistic language of humor - He can reveal human stories without any fear and show his free and casual behavior. Carnival shows real life in its dumb novel form. The purpose of this research is to examine the carnival actions such as crowning and crowning, laughter, conversationalism and carnival situations in two family stories "Dari Vari" and "Chert ve Prat" by Ebrahim Raha. The method of this research is descriptive-analytical and it was carried out using library studies.As a result of the research, it is stated that there is intimacy in the levels of family relationships, which show their carnivalized situations in meetings and temporal-spatial continuities.The personal and social characteristics of the family members bring life to a crisis or solve the crises behind the insults and laughter. Manuscript profile
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  9 - Analysis of carnival components in the "Havaye Tazeh collection" of Ahmad Shamloo (With the approach to Bakhtin's votes)
  Reza Jalili Prvindokht Mashhour
  Mikhail Bakhtin with The theory of dialogism created a new space within the fields of literature, linguistics. One of the main characteristic of this theory is saying carnival the most striking feature, Removing formal boundaries and transform the origins of most of the More

  Mikhail Bakhtin with The theory of dialogism created a new space within the fields of literature, linguistics. One of the main characteristic of this theory is saying carnival the most striking feature, Removing formal boundaries and transform the origins of most of the institutions and discourses of power. So, Carnival using a tool such as criticism, satire, irony and ridicule, is working on concepts, rules and values of the society to challenge and the monologue to disturb and will emerge polyphonic society, with diverse dialogue. On the other hand, In contemporary Persian poetry, Ahmad shamloo is a critical figure Who tried in his poems, including collection of fresh air to criticize the political and social situation monologue and limited community of his time and the beginnings of the official culture of challenge and the boundaries of political, social, cultural and literary usual break. For this reason, The paper will be reviewed and analyzed, Descriptive and analytical review Bakhtin's carnival theory with critical approaches Shamloo will be speaking criteria. It seems a number of factors such as Mixed feelings, and taking advantage of the grotesque, according to the earthly dimension of human life, official crush and values imposed by society, denial of polyphonic monologue and praise Shamloo approaches consistent set of Havaye Tazeh. Manuscript profile