List of Articles blank verse

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  1 - Comparative Study of Syntactic – Stylistic Techniques and Literary Innovation in Farrokhzad and Shamloo's Works
  Bahman Gorjian Farangis Abbas Zadeh
  The goal of the present article is to study the syntactic and stylistic, innovation and literary depiction of Forugh Farrokhzad and Ahmad Shamloo. Foroogh is one of the most capable Iranian contemporary poets. Her poetry is made of humanistic emotions and thoughts &ndas More

  The goal of the present article is to study the syntactic and stylistic, innovation and literary depiction of Forugh Farrokhzad and Ahmad Shamloo. Foroogh is one of the most capable Iranian contemporary poets. Her poetry is made of humanistic emotions and thoughts – it contains figures of speech in lexicon and content both. The concepts of her poetries are based on her emotions and personal experiences. Shamloo's braveness is admirable in breaking the norms of Persian Language. The more distance between the terms and words the more literary the works. Shamloo's serious reaction to the political situation of his era has started from his youth and forms his thinking structure which reflects in his works and contexts. His writing style is full of literary figures. Manuscript profile
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  2 - A REFLECTION ON THE EMOTIONAL ASPECTS OF THE POETRY OF SHAMLOO AND MAQUT
  Alireza Mahakipour Vafadar Keshavarz
  The present era is the era of the domination of mental concerns for human beings which results in different emotions such as depression and disappointment, hope, kindness, happiness, despair and excitement. The ways these emotions appear in different people ar More

  The present era is the era of the domination of mental concerns for human beings which results in different emotions such as depression and disappointment, hope, kindness, happiness, despair and excitement. The ways these emotions appear in different people are as different as their characters.The qualities of these emotions are also different in different people. These conditions are the expressions of the inner and mental characteristics and they have been reflected in poetry and literature. The poetry of Shamloo in Iran and the poetry of Maqut in Syria who are known as the pioneers of blank verse are full of themes which includes their emotional and psychological status. The present article studies their similarities in this regard. Manuscript profile
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  3 - Ritual Blank Verse
  Zahra Mahmoodi Abbas Mahyar
  During the emergence of modern poetry in Iran and the literary ups and downs after Nima’s revision in Persian Poetry, many poets combined literary genres with socio-political motifs and experienced new literary works. A few others, however, favored religious and t More

  During the emergence of modern poetry in Iran and the literary ups and downs after Nima’s revision in Persian Poetry, many poets combined literary genres with socio-political motifs and experienced new literary works. A few others, however, favored religious and theistic motifs for one reason or another. The focus of this research is the history of ritual blank verse in Iran as well as introducing the after-Islamic-revolution works that affected by Ashura teachings brought up a new trend in Iranian contemporary verse. This trend, as a new approach, now is very important to some poets and they are experiencing it. This research also aims at investigating the role of some pre-revolution poets in bringing up this new type of poetry and the main elements of blank verse as used by them Manuscript profile
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  4 - Is Our Verse Blank? A Research on the Blank Verse and its Function in Persian Literature
  Sohrab Tavousi
  The question that this article is trying to find an answer for is whether Persian literature has blank verse. By analyzing the definition, history, and scanning what is, in the world literature, called blank verse, and comparing it with what is called blank verse in Per More

  The question that this article is trying to find an answer for is whether Persian literature has blank verse. By analyzing the definition, history, and scanning what is, in the world literature, called blank verse, and comparing it with what is called blank verse in Persian literature, the article comes to this conclusion that utilizing the title blank verse for the Persian poetry – especially for the inventor of this genre in Iran, Ahmad Shamlou – is an influential misunderstanding. By defining the free verse, this article believes that Shamlou’s poetry can, optimistically, be estimated free verse. Manuscript profile