By investigating the general behavior of the ancient human being, we face a wonder that an action is considered holy if only it is related to something beyond human and mortal features and that is why such holy actions become immortal, timeless, and full of life. So in More
By investigating the general behavior of the ancient human being, we face a wonder that an action is considered holy if only it is related to something beyond human and mortal features and that is why such holy actions become immortal, timeless, and full of life. So in the conscience of ancient people, such actions are considered to be holy and they are reminders of an eternal deed that is separated from the mortal historical time and attached to a timeless immortal juncture. Therefore, the value of human actions depends on how much they are related to that first eternal deed. Oath is a ritual deed in the eternal memory of humankind which is turned into an old example. Being faithful to covenant has a long precedent in immaterial, spiritual, mankind history and it refers to that day in which God made a covenant with man, a pledge that put eternal fidelity chain around the human neck. An oath or pledge is a ritual that is used to prove a claim or reject an accusation or accept an obligation in the future that requires a ritual ceremony to be fulfilled. According to that, we can consider ritual ceremony as special and organized acts and words that originate from the eternal and transcendental memory of mankind. These actions are to explain the religious feelings, and because of their antiquity, in most cases, they are engaged with epic, myth, and traditions of a society. The result of this research which is a descriptive-library text analysis method with confrontational and deductive techniques shows that there is a similar example of olden Yadegar Zariran text ritual oath in Shahname (the new era of Persian literature).
Manuscript profile
Molla Nour Ali Varmazyari, composed the religious and epic poem of “Zarirnameh” or the story of Zarir in Gouranian Kurdish dialect. This poem which is considered one of the religious and historical works of Kurdish local literature, narrates the important ev More
Molla Nour Ali Varmazyari, composed the religious and epic poem of “Zarirnameh” or the story of Zarir in Gouranian Kurdish dialect. This poem which is considered one of the religious and historical works of Kurdish local literature, narrates the important event of Ashoura from the beginning to the end as well as the rising of Zarir using an epic style in heroic couplet. It is a free adaptation of Khazaee‟s Zarirname. As the results of this study show some of the most prominent characteristics of this poem are the narrative language and the epic style. The main theme of this poem is revenge. The poet, regarding the character building and the usage of other plot elements tries to advance the stories and he managed to build a solid, believable, and presentable context in the chronology of events
Manuscript profile
Yadegar zariran is one of the ancient epic texts of Iran, the old version of which dates back to the Parthian period. The purpose of this article is to show the image of a child in the literary structure of Yadegar Zariran. In this research, an attempt was made to inves More
Yadegar zariran is one of the ancient epic texts of Iran, the old version of which dates back to the Parthian period. The purpose of this article is to show the image of a child in the literary structure of Yadegar Zariran. In this research, an attempt was made to investigate the role of "Bastour" as a seven-year-old child in this epic text, using a descriptive-analytical method and a structuralist approach. The results obtained in this study show that the very bold and dual presence of the bed in the monument of Zariran, on the one hand as a seven-year-old child and on the other hand, as a warrior, in addition to increasing the story's appeal to the text, has Demonstrate epic etiquette for the presence of the child. Also, according to the theory of structuralism, some dual confrontations such as the confrontation of children and adults, the confrontation of writing and speech, the confrontation of Iranians and Khyunans, In this text, it is analyzed that from this perspective, Zariran monument can attract children as the audience of epic texts.
Manuscript profile
Razmnameh Kanizak is a national epic and a narrative from Yadegare Zariran. This epic is part of the manuscript verse Haft Lashkar (seven Army) in Gorani language and is a reflection of a literary genre of composing Shahnameh in the west of Iran.
The structure of the R More
Razmnameh Kanizak is a national epic and a narrative from Yadegare Zariran. This epic is part of the manuscript verse Haft Lashkar (seven Army) in Gorani language and is a reflection of a literary genre of composing Shahnameh in the west of Iran.
The structure of the Razmnameh and its dramatic approach in two perspectives are reminiscent of Yadegare Zariran. A close look shows that the middle part is exactly a narrative from Yadegare Zariran in Pahlavi and in which Zoroastrianism is renounced and a change of name has occurred. In this perspective Razmnameh in comparison with Shahnameh and Gharar-ol-sayr is closer to the Pahlavi Yadegare Zariran, however a more general look at Razmnameh brings to mind the three stories of Goshtasp and Arjasp, Esfandyar and Arjasp and the seven trials of Esfandyar, which could be named the Parthian version of Yadegare Zariran. In this perspective, the Parthian version in transference to Khodaynameh and Shahnameh Abu Mansuri has lost its main structure but Razmnameh Kanizak has kept its Parthian structure and is the key to the first intact version of Yadegare Zariran.
Manuscript profile
This article is an attempt to introduce the national epic “ Memoirs of Zarir”, hence the following points are discussed: the nomenclature of this work, synopsis of the story, its origin, the role of Goossunan in its preservation, the process of its wri More
This article is an attempt to introduce the national epic “ Memoirs of Zarir”, hence the following points are discussed: the nomenclature of this work, synopsis of the story, its origin, the role of Goossunan in its preservation, the process of its writing, rhythm in pahlavi Poetry, discovery of Emile Benveniste regarding this work, dramatic techniques, the appearance of the work in other references, paying special attention to their similarities and differences, Daghighi and Memoirs of Zarir, and finally the translations made so far of this work is pointed out.
Manuscript profile
This article is an attempt to introduce the national epic “ Memoirs of Zarir”, hence the following points are discussed: the nomenclature of this work, synopsis of the story, its origin, the role of Goossunan in its preservation, the process of its wri More
This article is an attempt to introduce the national epic “ Memoirs of Zarir”, hence the following points are discussed: the nomenclature of this work, synopsis of the story, its origin, the role of Goossunan in its preservation, the process of its writing, rhythm in pahlavi Poetry, discovery of Emile Benveniste regarding this work, dramatic techniques, the appearance of the work in other references, paying special attention to their similarities and differences, Daghighi and Memoirs of Zarir, and finally the translations made so far of this work is pointed out.
Manuscript profile
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