List of Articles Painted Pottery

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  1 - Revisision of Geographical Scope of Godin III Pottery Sequence in Centeral Zagros
  Khodakaram Mazaheri
  Monochrome painted pottery tradition of Godin III is one of the most important pottery traditions in Bronze age of Iran that continue more than one millennium and cover throughout of west and southwest of Iran geographical scope. In this study that had done with aim of More

  Monochrome painted pottery tradition of Godin III is one of the most important pottery traditions in Bronze age of Iran that continue more than one millennium and cover throughout of west and southwest of Iran geographical scope. In this study that had done with aim of study of the  geographical scope of consecutive stages of Godin III  pottery tradition, we distinguished that this kind of pottery tradition in beginning of its appearance and simultaneous with Godin III:6 /  Susa IVA, spread in throughout central Zagros geographical scope, as in this phase, have the most spread area of distribution, moreover this phase pottery have clear relations with contemporary monochrome painted pottery tradition in Fars area, from methodology point. In other hand, a small quantity of this phase pottery was fund in Al–Hiba, ancient Lagash. We face with different situation, after end of the Godin III:6 phase. In the northern districts of distribution domain including the east of the Kuh-i Garin, eastern Pish-i Kuh and about western Pish-i Kuh, the continuous stages of the pottery tradition of Godin III, without dealing with any specific problem, have gone on until the end of this period. However, southern districts which include Pusht-i Kuh, Khuzestan and some of southern Pish-i Kuh valleys, faced different situation, so that during each of Godin's III phases in southern districts dealt with specific situation. Manuscript profile
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  2 - Achaemenid Period Pottery Culture in Northeast Anatolia (A Case Study of Achaemenid Painted Pottery in Kars City Museum, Turkey)
  Leyla Afshari Sorayya Afshari
  10.30495/peb.2022.699739
  Eastern Anatolian pottery of the Achaemenid Period is quite different from its predecessor  Urartian pottery - in techniques and forms. With the collapse of the Urartian Kingdom and the spread of Achaemenids in Anatolia, we can speak of a newly developing pottery c More

  Eastern Anatolian pottery of the Achaemenid Period is quite different from its predecessor  Urartian pottery - in techniques and forms. With the collapse of the Urartian Kingdom and the spread of Achaemenids in Anatolia, we can speak of a newly developing pottery culture. The monochrome, glossy red slipped pottery of Urartu was replaced by monochrome and polychrome painted pottery in miscellaneous forms. After the collapse of the Urartian Kingdom, the culture of Eastern Anatolia was gradually changed and over time, the old culture, developed by the official state, disappeared. This process did not occur instantaneously. Rather, it appears that a couple of centuries were needed for such a reshaping. Historically, Urartian influence still exists in the early phase of the Late Iron Age, which coincides with the Median dominance period. This phase is considered to be associated with a post-Urartian/Median period, which can be placed among the painted wares of Urartu and the Late Iron Age. Within the scope of this study, we succeeded in coming to certain conclusions concerning ceramic finds, which were obtained from the excavation sites in the region where architecture could not have been sufficiently examined. In the post-Urartian/Median phase, manufacturing with red-colored paste, influenced by Urartu, continues. While certain continuity also persists among the shapes, the prototype examples of double-handled metal vases, developed in the Achaemenid period, appear as a novelty. Firstly, our current study considers the pottery of the Achaemenid Period, which was discovered by archaeologists in the excavations and surface surveys of the Northeastern Anatolia Achaemenid Region. Secondly, This study will generally analyze the painted pottery of the Achaemenid period that is preserved at Kars Museum, taking into account the excavation and surface surveys of the Northeastern Anatolia Region. Manuscript profile