List of Articles Commodification

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  1 - Adorno Analysis of Culture Industry and Commodity Theory in Iranian Music From a Sociological Perspective
  Meisam Mirian Hooman Asadi Shahla Eslami
  10.30495/jss.2021.1921872.1296
  The theory of the culture industry as one of the most important philosophical views of the philosophers of Frankfurt School philosophers has been considered with The focus on the concept of commodification of Art in the production of art works and the superficiality of More

  The theory of the culture industry as one of the most important philosophical views of the philosophers of Frankfurt School philosophers has been considered with The focus on the concept of commodification of Art in the production of art works and the superficiality of culture versus elite and sublime art and culture. from this point of view, the emerging forms of popular Music as an example of worthless cultural goods were able to dominate the life of the mass; hence, any attempt for rationality within a class of people who, according to adorno, are a classless society, will be failed. what is considered as the main subject of the present research is the impact analysis of culture industry theory on Iranian Music in various aspects, including Iranian Music, as well as the growing influence of popular culture on Iranian Music rows which during 60s and under the influence of Neo Marxists has increased in iran. Also, in the present study, an attempt has been made of present a structured analysis of the culture industry theory in the process of commodification in popular Iranian Music, through which aspects such as standardization and mass production of art works under the influence of mass media and market domination system are considered.  Manuscript profile