-
Open Access Article
1 - Investigation and analysis of the themes and effects of the horse in Bafghi's Bafghi Diwan
neda yansAllegory is one of the important literary types, which has always been the focus of poets and orators, because it expresses the thoughts, identity and culture of nations. Poets and writers have used the allegorical approach of animals to express their goals. The aim of MoreAllegory is one of the important literary types, which has always been the focus of poets and orators, because it expresses the thoughts, identity and culture of nations. Poets and writers have used the allegorical approach of animals to express their goals. The aim of the research is to carefully examine the examples and allegorical effects of the horse in Bafaghi's Wild Court. In this article, with a descriptive-analytical method, an attempt has been made to answer the question that in what cases did Bakhti Bafqi use the allegory of the horse in his court? The results show that the poet made an allegory of the love story of Farhad and Shirin and Khosrow and Shirin with the help of the word horse. In addition, it has an allegory to the story of the ascension of the great Prophet to the throne.In addition, it has an allegory to the story of the ascension of the great Prophet to the throne. Manuscript profile -
Open Access Article
2 - “Naz” and “Niaaz” in Persian Ghanaei literature* ( Whit reliance on Sanaei, Hafez and Vahshi’s ghazels)
Shima Faraji far Hadi khadivar“Naz” and “Niaz” are one of the Ghanaian common contents of romantic and mystical ghazals (lyric poems) of Persian literature and poets have used this content in their poems as well as mystics. The basis of relationships in romantic and mystic po More“Naz” and “Niaz” are one of the Ghanaian common contents of romantic and mystical ghazals (lyric poems) of Persian literature and poets have used this content in their poems as well as mystics. The basis of relationships in romantic and mystic poets is love. Beloved performs “Naz” and lover is full of feeling of “Niaz”. In all of these relationships, when beloved performs “Naz”, lover accepts it and the sense of need appears in him. The main reason of beloved’s “Naz” lies in her beauty and the source of “Niaz” in lover mostly depends on the “Naz” of beloved. In this paper the joint study of “Naz” and “Niaz” is important especially in poems belonging to Sanāi as a mystical poet, Hāfez as a romantic-mystical poet, and Vahshi as a romantic poet and writers try to answer these questions: What are romantic “Naz” and “Niaz”? What are mystical “Naz” and “Niaz”? What are the similarities and differences between romantic and mystical “Naz” and “Niaz”? and also different kinds of “Naz” and “Niaz” are contemplated. Manuscript profile -
Open Access Article
3 - Manifestation of Mystic Themes in Vahshi e-Bafghi’s Khold e-Barin
Seyedeh Zahra Alavi Sharare elhami Badrieh Ghavami Reza BorzueiUndoubtedly, Vahshi e-Bafghi is one of the famous poets of the Safavid period, whose importance lies in his special style of expression. Art creation in the subject and expression of poetic feelings and emotions with his smooth, simple and intimate language has made him MoreUndoubtedly, Vahshi e-Bafghi is one of the famous poets of the Safavid period, whose importance lies in his special style of expression. Art creation in the subject and expression of poetic feelings and emotions with his smooth, simple and intimate language has made him the most prominent poet of the school of occurrence. Poetry can be examined from different aspects. Examining the manifestations of the mystical elements in Bafghi's poems, especially in Khold e-Barin, is one of the novelties and beauties of his language and thoughts. By descriptive-analytical processing of Bafghi’s poems, the writer has come to the conclusion that with all the emotional passion and poetic inspiration he had, mystical love was one of his intellectual and poetic themes. In most of them, the poet's intense emotions, feelings, pain and inner anguish are expressed with a smooth, simple and pleasant language with the most force. He has revealed him, but at the same time he has considered it as a bridge to the truth. Manuscript profile -
Open Access Article
4 - Investigating the story-telling style and narrative structure of the Masnavis of Khaldbarin, Nazer and Manzoor and Farhad and Shirin Vahshi Bafghi and comparing it with the standards of contemporary literature.
Masumeh asadzade farhad flahatkhah Najibeh HonarvarIn this research, in addition to comprehensive and clear definitions of story elements, in a descriptive-analytical way, "examining the style of storytelling and the narrative structure of the Masnavis of Khaldbarin, Nazer, Manzoor, Farhad, and Shirin Vahshi Bafghi and MoreIn this research, in addition to comprehensive and clear definitions of story elements, in a descriptive-analytical way, "examining the style of storytelling and the narrative structure of the Masnavis of Khaldbarin, Nazer, Manzoor, Farhad, and Shirin Vahshi Bafghi and comparing it with the standards of contemporary literature" . The findings of the research show that in the wild works, story elements are used to advance the stories, and a design based on causal relationships strengthens them from the beginning to the end. Therefore, the orderly series of events and causal relationships between them encourage the reader to continue the story; In composing Farhad and Shirin, Vahshey Bafghi paid more attention to the quality of elements and its coherence than other poems. In examining the style of storytelling, the quality of using elements such as: plot, characterization, debate and conversation, point of view, theme, and in the narrative structure, tools such as: description, change in point of view, conflict, knotting, diversity in dialogue, staging and methods of This type is examined from the point of view of contemporary storytelling. Manuscript profile -
Open Access Article
5 - An analysis of the Vahshie Bafghi Masnavis based on the narrative theory of Todorov's.
sideh zahra Alaoi sharare elhami Reza Borzoiy badrieh ghavamiAbstractThe present study investigates the narrative element in Vahshi Bafghi's poem "Nazer and Manzour" (the observer and the observed) in the light of the theory of "Tzutan Todorov". The structure of the narrative refers to the method of organization, the set of relat MoreAbstractThe present study investigates the narrative element in Vahshi Bafghi's poem "Nazer and Manzour" (the observer and the observed) in the light of the theory of "Tzutan Todorov". The structure of the narrative refers to the method of organization, the set of relationships and elements and components of the work. The structural analysis examines the relationship between these elements including attainment of the proposition, the sequel as well as examining the plot, narrator and different echelons of the storyline. Of course, in addition to the mentioned cases, thoughts and notions of the content of the work are also examined. Therefore, considering the emergence of schools of literary criticism, which has opened a new chapter in Persian language research, as well as the position of Persian love poems that have been considered as prominent works from the beginning to the present and contain many features of Persian language and literature, the present research has extracted narrative aspects in this work through descriptive-analytical method together with using library resources. Existence of eight sequences and propositions, amongst which balance and imbalance are sometimes seen, and that the sequences do not reach the final balance, aspects of causality and causation to continue the narrative, the process of characterization considering the two elements of the lover and beloved and the existing obstacles on their way to reach each other and the propositional materials in the narrative are among the findings of this research Manuscript profile -
Open Access Article
6 - social customs and traditions in Iranian branch of Safavid era poetry
nasrin rezazadeh maryam mohammadzadeh ramin sadeghinejad Regarding the fact that in analyzing the poems of great poets in Safavid era, a type of generative sociology is felt like any other era, and considering that the recognition and analysis of literary works and gaining knowledge about the life of the authors More Regarding the fact that in analyzing the poems of great poets in Safavid era, a type of generative sociology is felt like any other era, and considering that the recognition and analysis of literary works and gaining knowledge about the life of the authors who have created such works is not possible without investigating the society and culture through which they have been brought up, the present research, aimed at investigating about social status of the era and knowing the general public lifestyles, is going to investigate different social ethics and customs in Iranian branch of Safavid era (the poems composed by Vahshi-e-Bafghi, Mohtasham Kashani, Naziri-e-Neishabouri, Kalim-e-Kashani, and Saeb). In this era, different issues such as the different traditions to celebrate the New year, wedding ceremonies, mourning, drinking alcohol, and other customs such as tipping, holding babies in cradle, fastening the letters onto the wings of pigeons, bottling the fairies and wearing something onto the arms were among the most frequent mentions in the Divan composed by Saeb.In Bafqi's poems, there­ is the least mention of social customs Manuscript profile -
Open Access Article
7 - Psychological Analysis of Farhad and Shirin Poem by Vahshi Bafghi Using Freudian Defense Mechanisms
sattar abdollahpour Arash Moshfaghi GHOLAMHOSEIN javanmardDefense Mechanisms constitute the most important components of Freudian Psychoanalytical Theory. For Freud, all people strive to realize their wishes, which if they fail to, they will sustain mental pressure and use defense mechanisms to encounter their mental pressures MoreDefense Mechanisms constitute the most important components of Freudian Psychoanalytical Theory. For Freud, all people strive to realize their wishes, which if they fail to, they will sustain mental pressure and use defense mechanisms to encounter their mental pressures. The Farhad and Shirin Divan poetry by Vahshi Bafghi has an immense capacity to investigate Freudian defense mechanisms and can be examined from a psychological angle. This descriptive-analytical research concerns with a psychological analysis of the Farhad and Shirin Divan poetry by Vahshi Bafghi using Freudian defense mechanisms, answering the question “Which defense mechanisms are used by the characters of this divan to reduce and overcome mental harms? Findings suggest that these characters, like other people of the society, resort to defense mechanisms, especially fantasy and projection by the time of failure and distress, in order to overcome anxieties and reduce their internal turmoil. Manuscript profile -
Open Access Article
8 - Consideration of “Simple yet Complicated to Imitate” Characteristic of Vahshi Bafghi`s Sonnets
maryam mahmoodi roya dehghaniThe sonnet is the best format for expressing a richly polite manner and numerous poets have used it to express their poems. One of these poets is a wild beast. He is one of the greatest poets of the tenth century who stands out among the poets of his era. The wild beast MoreThe sonnet is the best format for expressing a richly polite manner and numerous poets have used it to express their poems. One of these poets is a wild beast. He is one of the greatest poets of the tenth century who stands out among the poets of his era. The wild beast has practiced all forms of poetry, but his fame is mostly due to his burning and quivering sonnets. One of the reasons that made his sonnets outstanding is their easy to abstain. In this research, it is attempted to study the descriptive-analytic method of his sonnets in terms of ease and abstinence. This study shows that the use of spoken language, grammar, simplicity, and vocabulary, and avoidance of industrialization have made it difficult to derive wild The sonnet is the best format for expressing a richly polite manner and numerous poets have used it to express their poems. One of these poets is a wild beast. He is one of the greatest poets of the tenth Manuscript profile -
Open Access Article
9 - vahshiye bafghi Psychoanalytical criticism sharhe parishani
Kayomarth khanbabazadeIn his work “sharh-e- parishani”, VahshiyeBafghi explains his amorous relationship with his beloved. According to Freud’s Unconsciousness Theory, the poet ‘unconsciously’ elicits words and sentences unwittingly From his ‘unconscious&r MoreIn his work “sharh-e- parishani”, VahshiyeBafghi explains his amorous relationship with his beloved. According to Freud’s Unconsciousness Theory, the poet ‘unconsciously’ elicits words and sentences unwittingly From his ‘unconscious’ or ‘Id’ which reveals both his ‘Id’ and ‘inner self’ to us. However, the poet tries to control his ‘unconsciousness’ completelyand conceal the reality of his ‘inner self’.As Freud has told,in this way he sends his desires to his ‘unconsciousness’ and pays for being civilized. Following this track, the poet sometimes justifies his sliptonguesthrough alluding to an old and sacred story. Vahshi’s efforts i.e. the conflict between ‘consciousness’ and ‘unconsciousness’ has led to an internal conflict in his poem which continues up to the end of the poem, and the poet is not able to release himself from this conflict and cannot come to a conclusion absolutely. That is why he pours out his heart to the beloved in order to soften his heart and come to terms with him. Manuscript profile -
Open Access Article
10 - Narrative Analysis of Farhad and Shirin by Vahshi Bafghi based on Temporal Structure
jahangir safari محمود AghakhaniThe narrative system of "Farhad and Shirin" by Vahshi Bafghi's, tells the story of love between Shirin (lover and wife of Khosro Parviz) and Farhad (artist and idol maker) and is one of the poems that has a narrative and theatrical structure. The method of narration and MoreThe narrative system of "Farhad and Shirin" by Vahshi Bafghi's, tells the story of love between Shirin (lover and wife of Khosro Parviz) and Farhad (artist and idol maker) and is one of the poems that has a narrative and theatrical structure. The method of narration and storytelling in this system is such that the poet using the elements of the story; They create a different atmosphere, including narrative plot, character, dialogue, perspective and description. This research has been done with the aim of analyzing the elements of the story in this system in a descriptive-analytical manner. This narrative system expands based on the linear time of the narrative And events occur one after the other in a chain; In such a way that first a balanced situation is established, Then, with an accident, this situation changes and an unbalanced situation prevails in the poem. After mentioning the incidents, the narration reaches a balanced state and ends. In fact, this system consists of a chain and five narrative elements, which ultimately determine the fate of the main character. Manuscript profile -
Open Access Article
11 - Ups and Downs of ‘the Beloved’ from Saadi Shirazi’s Ghazal to Vahshi Bafqi’s Vasukht
Masoumeh Mohamadnejad Fayezeh Joneidy Farahnaz Nemati HolasouLove is one of the most fundamental subjects in Persian poetry and its platonic and romantic types in poems of different poets have created excellent themes and beautiful interpretations. Love in lyric works where the author manifests his inner feelings and emotions is MoreLove is one of the most fundamental subjects in Persian poetry and its platonic and romantic types in poems of different poets have created excellent themes and beautiful interpretations. Love in lyric works where the author manifests his inner feelings and emotions is the principal matter and ‘the beloved’ takes the leading and decisive role and in fact is deemed as the central role in lyric literature. Saadi Shirazi is a love poet, too who composes his poems about love and life, with the beloved being the most significant theme in his ghazals (a poem with a fixed number of verses having a repeated rhyme which is typically about the theme of love.) Vahshi Bafqi is also a love poet. However, these two poets view ‘the beloved’ differently and the aim of this paper is to shed light on manifestation of love and the beloved in ghazals of Saadi Shirazi and poems of Vahshi Bafqi. This paper studied love and reflection thereof in literature, nature of love, different types of love, and characteristics of the beloved in ghazals and ghazal composing. At the next step, the beloved and its characteristics in Saadi Shirazi’s ghazals and in Occurrence school (a school in Persian poetry emerged in the first quarter of the tenth century) and poems of Vahshi Bafqi were explored. The beloved in Saadi’s ghazals has a transcendent position which occasionally approximates God, as depicted in Persian poetry; however, it is mostly a romantic beloved. In Saadi’s ghazals, the lover is always utterly submitted to the beloved and evidence courtesy; whereas, in most of Vahshi’s ghazals, contrary to the established poetic custom of ghazal, the lover averts his eyes from the beloved and no longer yearns for the beloved’ coquetry and goes after another beloved. Manuscript profile -
Open Access Article
12 - بررسی شیوة «واسوخت» در غزلیات سعدی
عبدالرضا مدرس زاده -
Open Access Article
13 - Studying and Analyzing the Narrative Elements in The Mathnavi of Farhad and Shirin from Wahshi Bafghi
Ma'sumeh Assadzadeh Farhad Falahatkhah Najibeh HonarwarThe mathnavi of Farhad and Shirin from Wahshi Bafghi is one of the masterpieces of Persian literature. Structural analysis of the narrative elements in this poetry, is of the axial questions of this research. In this research which has been accomplish by descriptive &nd MoreThe mathnavi of Farhad and Shirin from Wahshi Bafghi is one of the masterpieces of Persian literature. Structural analysis of the narrative elements in this poetry, is of the axial questions of this research. In this research which has been accomplish by descriptive – analytic method, besides presenting clear and comprehensive descriptions of the structural components of the story, other elements such as plot, perspective, characterization, intermediators, decoration themes, incidents, and dialogs have been analyzed. The findings showed that the story elements, in this poetry, have been conscientiously set in the service of the development of the story. Wahshi's skillfulness in combination of these elements and making connection between them has caused the plot of the story to have a relatively cause and effect relationship. This has endowed the story stability and firmness. All of which are appealing to the reader to read the story to the end. Manuscript profile
Sanad
Sanad is a platform for managing Azad University publications
Links
Related Centers
Technical Support
Official pages
The rights to this website are owned by the Raimag Press Management System.
Copyright © 2021-2024