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      • Open Access Article

        1 - Sohrab Sepehri and Walt Whitman's Common Look
        Hasan Payandeh
        The present article compares two poems: "when I have heard Daneshvar's (a stargazer) talks" by Walt Whitman and the last line of "lines and blank verse as well" by Sohrab Sepehri.I have tried to show the mystical point of view of these two poets. The interesting similar More
        The present article compares two poems: "when I have heard Daneshvar's (a stargazer) talks" by Walt Whitman and the last line of "lines and blank verse as well" by Sohrab Sepehri.I have tried to show the mystical point of view of these two poets. The interesting similarity between these two is about the way of indicating their ideas which is the same. Thus the method of criticizing of these two poems in the present article is formalistic. Manuscript profile
      • Open Access Article

        2 - Individuation in sa'adi
        Amir Nikseresht Ghadam li Sarrami Mehri Talkhabi Toraj Aghgaie
        One of the most important areas of literary psychology is devoted to the  analysis of the psychological processes of the mind. Carl Gustav Jung, the Swiss pioneer of this area, known as Analytical Psychology, put the mind on a higher level than the previous psychol More
        One of the most important areas of literary psychology is devoted to the  analysis of the psychological processes of the mind. Carl Gustav Jung, the Swiss pioneer of this area, known as Analytical Psychology, put the mind on a higher level than the previous psychologists, including his master, Freud. He added "collective unconscious" to those analyses. He believed that man may exceed his individual boundaries and enter a world of the "collective unconscious." What set Jung apart from his peers in the discussion of the "collective unconscious" was attention to the "eternal form" or "archetype." And that’s what Jung believed shapes our personality and behavior, as well as what makes us different from others due to the formation of personality and behavior. Like any other human being, Saadi was also influenced by these archetypes, and it can be claimed that, under these influences, he engaged in literary creations and the creation of brilliant literary anecdotes. One of the most important archetypes influencing Saadi was the archetype of "shadow", but what distinguishes Saadi from others is his reluctance to conceal the influence of this archetype on his behavior and personality. Manuscript profile
      • Open Access Article

        3 - The Analysis of Jungian Individuation in the Story of “Daquqi” from Rumi’s Masnavi Manavi
        Mina Jani Tooraj Aghdaie Mehri Talkhabi Nozhat Noohi
        Psychoanalysis is one of the most important theories which focuses on the inner and hidden meanings of the story. Currently, with the connection of literature and psychology more and more, we can find a way to discover the meaning hidden in the texts. Jung's theory of i More
        Psychoanalysis is one of the most important theories which focuses on the inner and hidden meanings of the story. Currently, with the connection of literature and psychology more and more, we can find a way to discover the meaning hidden in the texts. Jung's theory of individuality reviews the realization of the archetype of the self, i.e. the balance between external and internal forces with the desire for evolution in the individual. We are going to reread a story from Masnavi with this perspective. Since Rumi is a mystic who has a symbolist mind and wrote the Masnavi in ​​the form of a mystical work, the work is potential for archetypal criticism. Thus, the present research tries to analyze the content, symbols and archetypes to extract the correct story and by understanding them and matching with the equal symbol for them, based on Jung's theory of individuation, draw this process. The result of the research indicates that in this story, Rumi has proposed transcendence with mystical principles in reaching the process of individuality, and finally, Rumi's goal, which is to achieve perfection and self-knowledge, is in line with Jung's theory. This research has been investigated with a library-documentary method, with an analytical-descriptive approach. Manuscript profile
      • Open Access Article

        4 - The Attitude of the Son from the Father (Rustam and Zal in Ferdowsi's Shahnameh) from the Viewpoint of the Ancient Criticism of the Pattern
        Bahareh yazdanian amiri mahmoud tavoosi Amir Hoseyn Mahozi
        In the ancient critique, a model based on what the Swiss psychologist Carl Gusta Yong. For example, the old wisdom, itself, Anima and Animus, a shadow that introduces several examples for its variants. In my mythological culture, Ferdowsi's Shahnameh, the most significa More
        In the ancient critique, a model based on what the Swiss psychologist Carl Gusta Yong. For example, the old wisdom, itself, Anima and Animus, a shadow that introduces several examples for its variants. In my mythological culture, Ferdowsi's Shahnameh, the most significant written work for the introduction of mythology, and as a result of inquiring into various aspects of it, is based on the opinions of the scholars in all sciences. This article focuses on the extent and the reasons for the effect of Zal on Rostam, as well as on the influence of Rostam on his father, in view of his mythological origin in the mythological history of Persian literature based on Ferdowsi's Shahnameh, from the viewpoint of the ancient critique of the pattern. The old patterns of wisdom, shadows, and self are more effective than other examples in father and son. There is no particular maximum in this regard, although significant research has been done on mythology, ancient patterns, and shahnameh. Research methodology is library based on content analysis. Manuscript profile
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        5 - بررسی ضمیر ناخوآگاه جمعی در اشعار نیما یوشیج
        سید مهدی موسوی میرکلائی علی بلاغی
      • Open Access Article

        6 - بررسی انعکاس کهن‎الگوهای آنیما و سایه در شعر پست‎مدرن با تکیه بر اشعار سید مهدی موسوی
        سکینه هژبر لاکه خسرو جلیلی کهنه شهری احمدرضا نظری چروده
      • Open Access Article

        7 - Ancient Analysis of Mystical Patterns and Symbols in Divine hayati Kermani Approach to Jung's Psychological Theory
        Mohammad Sanjari Nejad . Abolghasem Radfar
        Archeological criticism is a new way of examining literary texts. Jung has further consolidated this approach by critiquing and describing the two categories of collective unconscious and archangel. Archangels are a common heritage of human civilization stored in the co More
        Archeological criticism is a new way of examining literary texts. Jung has further consolidated this approach by critiquing and describing the two categories of collective unconscious and archangel. Archangels are a common heritage of human civilization stored in the collective unconscious. Jung's exemplary forms are termed fixed in Islamic mysticism. According to Jung, archetypes are symbolic representations and images that, in myths and cultures, embody common and similar concepts in the human unconscious over time. Persian poetry is influenced by historical, mystical, and mythical backgrounds. The influence of these elements on the poetry of later poets can be seen more than any other period because of the popularity of today's poetry. Poetry and myth are inseparable, and myth makes words and poetry flourish. hayaty of abstract and intuitive ideas is derived from the mystical teachings of earlier poets. In the divane hayaty in addition to the key role of the symbols, the normative and delusional allusions are most effective in highlighting the passages, and in his poetry, archetypes are rooted in collective unconsciousness. In this poem, with interpretation and interpretation, the poet recounts part of the truth, and archetypes such as fire, sun, mirror, sea, travel, interpretation and interpretation have been interpreted. The main purpose of this descriptive-analytical research is to examine the reflection of mythical, religious and mystical elements in hayaty Kerman's poems. Manuscript profile
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        8 - بررسی نماد «پری» در خسرو و شیرین نظامی بر اساس نقد کهن‌الگویی
        علی دهقانی
      • Open Access Article

        9 - Investigating the shadow archetype in didar dar shab forough's poem
        mehran alivand kazem dezfoolian
        Shadow is the of Jungian archetypes. Archetype has an ancient and eternal concept. And it considers as the common language among all human beings. Archetype places in collective unconscious. Shadow is the sinner and unprocessed dimension of us that deals whit our defect More
        Shadow is the of Jungian archetypes. Archetype has an ancient and eternal concept. And it considers as the common language among all human beings. Archetype places in collective unconscious. Shadow is the sinner and unprocessed dimension of us that deals whit our defects and incompleteness. Also it is origin of creation and prosperity. Archetypes specially shadow usually appears in dream s or creative work of literature. In some parts of forough's poems we can see the traes of shadow. Chehre ye shegeft (the amazing face) has features of shadow. Forough e this rejected and ruined face that had no clear appearance at night and talked to it, and the shadow took the chance for telling the truth that always been hidden. Manuscript profile
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        10 - Archetypes in the Works of Jean-Marie Gustav Le Clézio: “Desert, the Prospector, the Book of Flights”
        Vahid Nejād Mohammad Marzieh Balighi
        The power of imagination and storytelling is one of the means for expressing man's historical and biological riddles. Since the beginning of human imagination and the moment of literary creation, the relationship between literature and myth has always existed. Documenta More
        The power of imagination and storytelling is one of the means for expressing man's historical and biological riddles. Since the beginning of human imagination and the moment of literary creation, the relationship between literature and myth has always existed. Documentaries and fictional records provide the opportunity to reconstruct historical and mythical phenomena and to analyze psychological concepts. The twentieth-century writers, including Gustave Le Clézio, put forward their ideas in imaginative and realistic contexts; these contexts carry the perceptual and historical features that are collectively achievable. By re-reading some Jungian archetypes, such as persona, anima, animus, sage, shadow, back to oneself and birth, Le Clézio relied a large part of his writing on the collective conscious and myths, and could depict the deepest layers and latent myths of human psyche along with individual and natural elements in the fictional and imaginative world. The process of individuality and the movement of his fictional characters are also formed alongside this fictional world. Hence, the narrative structure of his stories presents a symbolic psychological system that is defined in the context of history and myth. The aim of the present article is to identify this psychological system along with Jungian archetypes in three works of Le Clézio, Desert, The Prospector and The Book of Flights. Manuscript profile
      • Open Access Article

        11 - Comparative analysis of the role of the collective unconscious of Carl Gustav Jung in the poem (Pain is my other name) by Qaiser Aminpour
        ali keshavarz Ghadimi mostafa maleki
        In the human psyche, the unconscious plays an important role in his behavior and action and ultimately his destiny, and it is the unconscious that drives us forward without knowing it. A set of archetypes, positive and negative complexes, shadow and persona, etc. surpri More
        In the human psyche, the unconscious plays an important role in his behavior and action and ultimately his destiny, and it is the unconscious that drives us forward without knowing it. A set of archetypes, positive and negative complexes, shadow and persona, etc. surprisingly captures the human individual and collective unconscious. The connection of all human behaviors with the unconscious is the case of psychologists. Poetry arises from the unconscious. In the meantime, Jung's theories have paved the way for this path to use these theories to analyze many unconscious behaviors in the poem (Pain is another name for me) by Qaiser Amin Pour.The aim of The present research by descriptive-analytical and library method is to investigate and analyze the role of the collective unconscious in this poem by Qaisar Aminpour. The findings of the research show that among Jung's theories, the collective and personal unconscious have a high frequency in this poem. Manuscript profile
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        12 - The Symbology of Zahhak`s and Afrasyab`s great dream in Shahnameh Ferdowsi
        Masomeh Ramezani
        Abstract   Myth is a narrative which aids people in understanding the current psychological events in life and helps man find ways to improve himself in life`s course. Dream is a natural phenomenon and is a special externalization of the unconscious which is manife More
        Abstract   Myth is a narrative which aids people in understanding the current psychological events in life and helps man find ways to improve himself in life`s course. Dream is a natural phenomenon and is a special externalization of the unconscious which is manifested in the conscious.  Myth and dream have a language that with the knowledge of symbols one can unravel its mysteries.  Based on this research Shahnameh Ferdowsi encompasses dreams containing the collective unconscious myths.Dreams use a symbolic language to warn the dreamer of the events that are likely to happen in the future in order to find a way to prevent their happenings in the conscious world. Zahhak and Afrasyab, two evil kings in Shahnameh both have great dreams that hold collective unconscious archetypal images.  Zahhak’s nightmare predicts his downfall by Feraydun, the hero which is realized by the uprising of Kaveh, the blacksmith and Feraydun by the Sorush’s command imprisons Zahhak in Mount Damavand.  Mysterious dream ofAfrasyab, the vow breaker entails his destruction and death that is after years of combat and bloodshed Kaykhosrow avenges Siavash’s blood and ends the life of this evil vowbreaker.   Manuscript profile
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        13 - The psychological treatment of Zahhak’s character in Shahnameh
        Sepideh Yazdanpanah
        In shahnameh numerous folktales can be found with profound mythical bases.  Zahhak’s story is then an outstanding example of a mythical fiction.  Zahhak with his dark and vicious soul is a monster in Persian mythology.  In this article an effort has More
        In shahnameh numerous folktales can be found with profound mythical bases.  Zahhak’s story is then an outstanding example of a mythical fiction.  Zahhak with his dark and vicious soul is a monster in Persian mythology.  In this article an effort has been made to examine the story and its characters from the psychological perspective based on the theories of Freud and Jung.  Emphasis has been put on such terms as Totem, and Taboo, Key words in Freud’s theory.  Since both the psychological and the mythological criticisms are closely related, in applying the Oedipus complex, rooted in the collective unconscious, and one of the main theories of Jung, the author aims to penetrate into the dark recesses of Zahhak’s character in order to explain his actions, reactions, tensions, and his psychological conflicts to reveal his true identity and dark soul. Manuscript profile