List of Articles غلامحسین ساعدی

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  1 - A COMPARATIVE STUDY OF THE NOVELS,MOURNERS OF BAYAL BY GHOALM HUSSEIN SAEDI AND ONE HUNDRED YEARS OF SOLITUDE BY GABRIEL GARCÍA MÁRQUEZ
  Mohammad Ali Atash Soda Azam Tavallali
  The present article is a comparative study of the novel One Hundred Years of Solitude by Gabriel García Márquez and Mourners of Bayal by Ghoalm Hussein. One Hundred Years of Solitudeis a novel which tells the multi-generational story of the More

  The present article is a comparative study of the novel One Hundred Years of Solitude by Gabriel García Márquez and Mourners of Bayal by Ghoalm Hussein. One Hundred Years of Solitudeis a novel which tells the multi-generational story of the Buendía family, whose patriarch, José Arcadio Buendía, founds the town of Macondo, the metaphoric Colombia. The non-linear story is narrated via different time frames, a technique derived from the Argentinianwriter Jorge Luis Borges. The works written with this technic are arrangements of realty and dreams in a way that it is not easy to separate them. Both of these works describe social, cultural and political problems according to the codes of magical realism.  Manuscript profile
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  2 - Comparative Study on Magical Realism in Saedi and Márquez works
  Arash Moshfeqi Elham Alavi
  The present paper intends to study the elements of magical realism in Gholam Hossein Sa'edi and Gabriel García Márquez's works comparatively. Saedi – one of Iran's famous contemporary literary men in the field of story writing. Gabriel García More

  The present paper intends to study the elements of magical realism in Gholam Hossein Sa'edi and Gabriel García Márquez's works comparatively. Saedi – one of Iran's famous contemporary literary men in the field of story writing. Gabriel García Márquez is also the one whose name is linked with magical realism and is known as avant-garde in the mentioned literature. Both authors have left similar works in this genre in which both can be seen bitter, morbid as well as satirist and nihilist. Manuscript profile
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  3 - Intertextual analysis in the stories of Azadaran Bil and Tatar Khandan by Gholamhossein Saedi with an emphasis on Bakhtin's dialogue and polyphony
  nemat mansoori Badrieh Ghavami Reza Borzoiy Jamal Adhami
  10.30495/farsij.2022.1963241.1636
  The present study investigates the intertextuality in the stories of Azadaran Beil and Tatar Khandan by Gholam Hossein Saedi based on the theory of Mikhail Bakhtin. What is referred to as intertextuality today is a term that can be called discourse between texts. Intert More

  The present study investigates the intertextuality in the stories of Azadaran Beil and Tatar Khandan by Gholam Hossein Saedi based on the theory of Mikhail Bakhtin. What is referred to as intertextuality today is a term that can be called discourse between texts. Intertextuality is the study of the discourse of texts in literary and cultural works of the world. Before Ferdinand de Saussure's theories, everyone believed in the independence of texts, but Saussure's theories lack the validity of these theories. Based on this theory, Bakhtin believes that texts and their speakers consciously or unconsciously benefit from each other's intellectual and literary sources. The authors of this article intend to analyze these two works with the method of content analysis and with the aim of knowing more about the works of this author based on Bakhtin's theory and with the library method; The findings of the research show that the author was influenced by the Quran and Islamic beliefs and also mentioned some popular beliefs during the stories. The expression of proverbs and myths, irony and bringing part of prayers and supplications are other indicators of these works. Saedi has sometimes mentioned other stories in his works, and in terms of content and theme, he has been influenced by Sadiq Hedayat's Buf Kor and Kafka's Metamorphosis. Manuscript profile
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  4 - An Analytical study of Narration Tempo in Gharibe dar Shahr by Gholam-Hossein Saedi Based Gerard Genette’s Narratology
  Seddigheh Kobra Sadaghiani Hamidreza Farzi Naser Dashtpeyma
                  An effective element of narration structure is “time”. In most of the cases, narration time is against the real time. A narrative discourse is characterized by the tim More

                  An effective element of narration structure is “time”. In most of the cases, narration time is against the real time. A narrative discourse is characterized by the time as a principle and typical representation of events of the story. Gerard Genette, the French structuralist theorist, provides the most comprehensive discussions about time components and the effective factors on narration tempo. Accordingly, the current study applied Genette’s theory to study the concept of time and the factors effective on acceleration or deacceleration of tempo narration in Saedi’s Gharibe dar Shahr adopting a descriptive-analytical approach. Results indicated that the volume of text against the time of event, and the use of more deaccelerating elements in narration in different parts of Gharibe dar Shahr resulted in a negative acceleration of the story and slowed its tempo. Manuscript profile
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  5 - The Mythological Analysis of Gāv, Based on the Archetypal Role of Cow in the Iranian Mythology
  Sadreddin Tāheri
  In animist cultures, the chosen animal represents an eternal power, which needs to be ritually sacrificed to blessing or as atonement for sins. In an altar, sometimes the chosen man and the chosen animal substitute one another. In the Abrahamic religions, the successor More

  In animist cultures, the chosen animal represents an eternal power, which needs to be ritually sacrificed to blessing or as atonement for sins. In an altar, sometimes the chosen man and the chosen animal substitute one another. In the Abrahamic religions, the successor sacrifice is often a camel or a sheep. But taking a look at pre-Islamic Iranian beliefs reveals that for the ancient Iranians the chosen animal is cow which in its archetypal role, as the sacrifice, blesses the nature. The purpose of the present article is to explore the mythological roots in Gāv (The Cow), a screenplay by Gholām-Hossein Sā'edi, with a comparative mythological approach. The research has been done by using descriptive-analytical and developmental method and its qualitative data have been collected in a documentary manner. The result of the research reveals that the mythological actors of this narrative are as follows: the shaman (Mash Islam), the nuns (Naneh Khanom and Naneh Fatemeh), the devilish powers (the Porusi bandits), the sacrificial animal (the cow) and the sacrificial man (Mash Hasan). After the cow dies, Mash Hasan substitutes for it, and eventually he suffers the same death as the cow. In this way, the border between the sacrificial animal and the sacrificial man is abolished.   Manuscript profile
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  6 - Gholam hossein Saedi and his position in Iranian cinema
  mahnaz Mohammadi Mohammad kalhor Fereshteh Sadat Ettefaghfar
  Gholamhossein Saedi followed writers such as Sadegh Hedayat, Bozorg Alavi, and Jalal-E Al Ahmad in search of social perfection and full-heartedly felt the sufferings and hardships of the society and acted with great excellence in repaying them in his stories. He was one More

  Gholamhossein Saedi followed writers such as Sadegh Hedayat, Bozorg Alavi, and Jalal-E Al Ahmad in search of social perfection and full-heartedly felt the sufferings and hardships of the society and acted with great excellence in repaying them in his stories. He was one of many writers of the last hundred years and the top story writers in the forties. The stories of that decade reflect the spiritual failures of the intellectuals after the coup on August 19, 1953, and this theme can be seen in many of his writings. One of the most important features of that period was the censorship, ruling the space of writing stories and poems, which caused a group of writers to turn to playwriting and use its symbolic aspect to express their intentions and content. Saedi was also among these writers. He was one of the most successful writers in Iran's dramatic literature. The political themes of Saedi's works were more visible in his plays. According to the political conditions of the 1940s, the subject, and the content of his plays, he has expressed openly or mockingly and satirically issues such as tyranny and oppression, freedom of expression, land reform law, and the confrontation of people's poverty with the current of modernization. Three prominent intellectual cinema films of the years before the Islamic Revolution: Cow, Mina's circle, and Peace in the Presence of others, are taken from Saedi's stories.  In addition to analyzing Saedi's works, it will highlight the influence of Saedi's works on the Iranian cinema of that period. To reveal his role and position in the intellectual cinema of the years before the revolution. Manuscript profile
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  7 - A Study of the manifestations of metamorphosis in Gholam Hossein Sa'edi’s Works with respect to Gérard Genette's Theory of Hypertextuality
  elahe feizimoghadam Mohammad Aref Mohammadreza Sharifzadeh
  The purpose of this article is the hypertextuality study of manifestations of metamorphosis in Gholam-Hossein Sa'edi's works according to Gérard Genette's theory of hypertextuality. This theory is one of the five types of Genette's theory of transtextuality which More

  The purpose of this article is the hypertextuality study of manifestations of metamorphosis in Gholam-Hossein Sa'edi's works according to Gérard Genette's theory of hypertextuality. This theory is one of the five types of Genette's theory of transtextuality which concentrates on inspiration, derivation and effectiveness of the hypotext on the hypertext. Besides, this theory includes two basic types, imitation and transformation. Metamorphosis is considered as one of the most remarkable elements in myths, folk tales, and legends. Based on this process, unexpected and gradual changes demonstrate themselves in the appearance and sometimes in the conscience of the creatures and they transform from one form to another while displaying different performances. Moreover, sometimes they can appear in the combined structure of humans, animals, plants, and objects. Literature is the origin of presence of these manifestations and they have had mutual effects on each other over the time. The mutual impressiveness and effectiveness provide an opportunity to study them with respect to the theory of hypertextuality especially by considering contemporary literatute as the target resources which fewer researchers have focused on it. The results of the study demonstrate that the manifestations of the metamorphosis exist in thirteen stories, one novel, six plays, and three screenplays written by Gholam-Hossein Sa'edi. In this article, based on the descriptive-analytical method, these manifestations were classified and determined in three different groups and then they were studied based on a qualitative content analysis. At the end, impressiveness of these manifistations in Gholam-Hossein Sa'edi's works from ancient literature and folk tales has been studied according to the hypertextuality theoretical framework. The results represent that Gholam-Hossein Sa'edi sometimes has used these manifestations with direct and indirect influence of ancient and religious narratives and folk tales (hypotext) in his works (hypertext), however, in most of the time, he has used his creativity and imagination to make these manifestations in favor of progress of the story. Manuscript profile